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COR ANGLAIS
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DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Musicnotes
Note4Piano
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
426
PIANO & CLAVIERS
Piano seul
548
Instruments en Do
198
Piano Facile
194
Piano, Voix et Guitare
70
Piano, Voix
36
Orgue
31
1 Piano, 4 mains
10
Piano Quatuor: piano, violon, alto, violoncelle
5
Ligne De Mélodie, Piano
5
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano grosses notes
3
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
Orgue, Trompette (duo)
1
Accordéon
1
Piano (partie séparée)
1
Instrument seul et Orgue
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
43
Guitare
36
Ligne De Mélodie, (Paroles) et Accords
21
Piano, Guitare (duo)
12
Mandoline
7
2 Guitares (duo)
4
Ukulele
3
4 Guitares (Quatuor)
3
Paroles et Accords
2
Basse électrique (partie séparée)
1
Basse electrique
1
Ensemble de Ukulélés
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
37
Chorale 2 parties
11
Chorale 3 parties
10
Voix Alto, Piano
5
Chorale Unison
5
Chorale TTBB
4
Voix duo, Piano
4
Chorale SSAA
2
Chorale
2
Voix duo
2
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Quintette de Saxophone: 5 saxophones
118
Quatuor de Saxophones: 4 saxophones
77
Flûte traversière et Piano
62
Clarinette et Piano
54
Saxophone Alto et Piano
42
Clarinette
41
2 Saxophones (duo)
30
Quatuor de Clarinettes: 4 clarinettes
29
Saxophone Tenor et Piano
29
Flûte traversière
27
Saxophone Soprano et Piano
25
Saxophone (partie séparée)
20
Saxophone
17
Saxophone Baryton, Piano
17
Cor anglais, Piano
16
Ensemble de saxophones
16
2 Flûtes traversières (duo)
12
2 Clarinettes (duo)
12
Clarinette Basse, Piano
12
Clarinette (partie séparée)
12
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
11
3 Saxophones (trio)
10
Saxophone Alto
9
Flûte, Clarinette (duo)
8
Ensemble de Flûtes
7
3 Clarinettes (trio)
7
Trio de Flûtes: 3 flûtes
6
Saxophone, Clarinette (duo)
6
Quintette de Flûte : 5 flûtes
6
Saxophone Tenor
6
Quintette de Clarinettes: 5 clarinettes
5
Flute (partie séparée)
4
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Saxophone (duo)
3
Clarinette, Basson (duo)
3
Clarinette et Alto
3
Saxophone Soprano
3
Flûte et Guitare
3
Flûte, Violon
3
Flûte à bec Soprano
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Saxophone Baryton
2
Saxophone et Orgue
2
Flûte, Trompette (duo)
2
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Clarinette, Violoncelle (duo)
1
Clarinette, trompette et piano
1
Flûte, Violon et Violoncelle
1
Ensemble à vent
1
2 Saxophones, Piano
1
Instruments en Mib
1
Flûte, Alto (duo)
1
Flûte, Clarinette et Basson
1
Flûte à bec, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Alto et Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Trombone (duo)
1
Flûte, trombone et piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
101
Quatuor de Cuivres
65
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Trombone et Piano
38
Trompette, Piano
32
Cor et Piano
29
Euphonium, Piano (duo)
20
Trompette
18
Cor anglais, Piano
16
Trompette (partie séparée)
12
Trompette, Trombone (duo)
10
Trombone (partie séparée)
9
Ensemble de Trombones
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trombones (duo)
6
Trombone
6
Trompette, Cor (duo)
5
Ensemble de Trompettes
5
Quatuor de cuivres: 4 trombones
5
2 Cors (duo)
5
2 Trompettes (duo)
4
Trompette, Saxophone (duo)
4
Tuba
4
Tuba et Piano
3
Cor
3
Cor (partie séparée)
2
Ensemble de Cors
2
Trombone, Cor (duo)
2
3 Trompettes (trio)
2
3 Trombones (trio)
1
Trio de Cuivres
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Orgue
1
3 Tubas (trio)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Instruments en Sib
1
Tuba (partie séparée)
1
Bass Clef Instruments
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
158
Quintette à cordes: 2 violons, alto, violoncelle, basse
74
Violon et Piano
74
Violoncelle, Piano
54
Violon
38
Alto, Piano
35
Violon, Violoncelle (duo)
21
Harpe
15
Trio à Cordes: violon, alto, violoncelle
14
2 Violoncelles (duo)
14
2 Violons (duo)
14
Violoncelle (partie séparée)
13
Alto seul
12
4 Violoncelles
11
Violon (partie séparée)
10
2 Harpes (duo)
10
Trio à Cordes: 2 violons, violoncelle
8
Violon, Alto (duo)
7
Ensemble de Violons
6
2 Altos (duo)
6
Contrebasse (partie séparée)
5
Trio à cordes
5
Trio à Cordes: 3 violoncelles
5
Ensemble d'Altos
4
Violoncelle
3
Contrebasse, Piano (duo)
3
Alto (partie séparée)
2
Contre Basse
2
Piano Trio: Violon, Alto, Piano
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Harpe, Violon (duo)
1
Alto, Orgue
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 altos
1
Alto, Guitare (duo)
1
Harpe, Voix
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
132
Orchestre à Cordes
61
Orchestre
60
Ensemble de cuivres
21
Orchestre de chambre
14
Percussion (partie séparée)
8
Ensemble Jazz
7
Cloches
7
Fanfare
6
Batterie
4
Quintette de Cuivres: autres combinaisons
2
Ensemble de Percussions
2
Jazz combo
2
Timbales (partie séparée)
1
2 Xylophones
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Theme from Ant-Man - Oboe
Orchestre
Partitions à imprimer
60 partitions trouvées
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1
26
51
Beatrice's Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1137375 Composed by Stefano Fab…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1137375 Composed by Stefano Fabrizio Sacchi. Arranged by Stefano Fabrizio Sacchi. 20th Century,Broadway,Film/TV,Musical/Show,Romantic Period,Video Game. Score and parts. 93 pages. Stefano Sacchi #737578. Published by Stefano Sacchi (A0.1137375). Beatrice's Theme - from Dante's Paradiso Full Orchestral Score - and set of parts. Music composed and orchestrated by Stefano Sacchi Full Orchestra, Piano, Choir. Duration 4'.
$90.00
82.64 €
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Orchestre
#
Stefano Fabrizio Sacchi
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Stefano Fabrizio Sacchi
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Beatrice's Theme
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Stefano Sacchi
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SheetMusicPlus
Lockdown Themes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1140067 Composed by Don Bowyer. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 73 pages. Dolphin Don's Music School #740323. Published by Dolphin Don's Music School (A0.1140067). During Malaysia's third Covid-19 Lockdown, in January 2021, I composed a short piece for solo trombone each day for 14 days, performing them each evening in an online stream from my apartment balcony. This work fleshes out the themes from Lockdown Miniatures #1 and #4. The first two themes, from Lockdown Miniatures #1 (subtitled Here We Go Again), reflect the angst and uncertainty of beginning yet another lockdown — with all businesses once again closed, police roadblocks preventing movement beyond the neighborhood, and all human contact reduced to a small screen. The third theme, from Lockdown Miniatures #4 (subtitled Loss), is meant to express the raw emotion associated with losing loved ones over the previous ten months. This piece was recorded by the London Symphony Orchestra, conducted by Miran Vaupotic, on 26 February 2022 as part of a project by Parma Recordings. The album, titled Sparks: Eye of London, was released in October 2022 on Navona Records.
$65.00
59.69 €
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Orchestre
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Don Bowyer
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Lockdown Themes
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Dolphin Don's Music School
#
SheetMusicPlus
Christophe Beck: Theme from Ant-Man (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Christophe Beck for orchestra of MEDIUM skill level. / …
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Instantly printable sheet music by Christophe Beck for orchestra of MEDIUM skill level. / film/tv,movies
$54.99
50.5 €
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Orchestre
#
Christophe Beck
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Virtualsheetmusic
Pastoral Fantasy (066) Revised in 2004
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikak…
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Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari Suzuki #6425063. Published by Mari Suzuki (A0.922789). Pastoral Fantasy (066) Revised in 2004Set: Score + Parts1st Mandolin, 2nd Mandolin, Mandola, Guitar, Mand Cello,Double Bass,Level: ★★★★Duration: 14min.(83 pages incl. front page and instruction)The most well performed piece.It was the second work for Hiro to compose a mandolin orchestra, the work was composing during June to July, 1975 and was first performed by Tokai Student Mandolin Association in August. The inspiration of this music came from fresh greenery in early summer. The title of Pastoral Fantasy is based on the image of pastoral scenery and it consists the theme of the music. The following is the construction of the music.1. Initial pastoral andante2. Introduction of fugue, develop freely3. Recreation of touching pastoral theme4. Powerful codaPlease do not stick with interpretation of the music, just feel the sounds, as you like. It would be great pleasure for the composer if this music means something to those who play or listen to it.
$100.00
91.83 €
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Orchestre
#
Hiro Fujikake
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Pastoral Fantasy
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Mari Suzuki
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.51 €
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Orchestre
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.84 €
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Orchestre
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.87 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
Orchestre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2.  Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
6.43 €
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Orchestre
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Johann Sebastian Bach
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Stanley M Hoffman
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Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
91.83 €
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Orchestre
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
Fantasia on Hungarian Folk Themes
Orchestre
Orchestra - Digital Download SKU: S9.Q4636 Composed by Franz Liszt. This edition: s…
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Orchestra - Digital Download SKU: S9.Q4636 Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 16 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4636. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4636). German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$10.99
10.09 €
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Orchestre
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Franz Liszt
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Fantasia on Hungarian Folk Themes
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Star Trek Main Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1451230 By Various. By Alexande…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1451230 By Various. By Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Kevin Riley. 21st Century,Film/TV. 79 pages. Kevin Riley #1030686. Published by Kevin Riley (A0.1451230). Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as Captain James T. Kirk, with Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton Yelchin, Bruce Greenwood, and Leonard Nimoy reprising their roles from the previous film. Benedict Cumberbatch, Alice Eve, and Peter Weller are also in the film's principal cast. It was Nimoy's last film appearance before his death in 2015. Set in the 23rd century, the film follows Kirk and the crew of USS Enterprise as they are sent to the Klingon homeworld seeking a former Starfleet member-turned-terrorist, John Harrison.
$80.00
73.46 €
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Orchestre
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Various
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Kevin Riley
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Star Trek Main Theme
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Kevin Riley
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SheetMusicPlus
Halloween Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By J…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00
64.28 €
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Orchestre
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John Carpenter
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Kevin Riley
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Halloween Theme
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Kevin Riley
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SheetMusicPlus
Paul Francis Webster: Theme from Spider-Man (complete set of parts) - orchestra/band
Orchestre
Instantly printable sheet music by Paul Francis Webster for orchestra/band of MEDIUM skill…
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Instantly printable sheet music by Paul Francis Webster for orchestra/band of MEDIUM skill level. / film/tv,jazz,concert,movies
$32.99
30.29 €
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Orchestre
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Paul Francis Webster
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Virtualsheetmusic
Paul Francis Webster: Theme from Spider Man - orchestra/band (drums)
Orchestre
Instantly printable sheet music by Paul Francis Webster for orchestra/band (drums) of MEDI…
(+)
Instantly printable sheet music by Paul Francis Webster for orchestra/band (drums) of MEDIUM skill level. / film/tv,jazz,concert,movies
$11.99
11.01 €
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Orchestre
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Paul Francis Webster
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Virtualsheetmusic
Paul Francis Webster: Theme from Spider Man - orchestra/band (guitar)
Orchestre
Instantly printable sheet music by Paul Francis Webster for orchestra/band (guitar) of MED…
(+)
Instantly printable sheet music by Paul Francis Webster for orchestra/band (guitar) of MEDIUM skill level. / film/tv,jazz,concert,movies
$11.99
11.01 €
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Orchestre
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Paul Francis Webster
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Virtualsheetmusic
Paul Francis Webster: Theme from Spider Man - orchestra/band (tenor sax)
Orchestre
Instantly printable sheet music by Paul Francis Webster for orchestra/band (tenor sax) of …
(+)
Instantly printable sheet music by Paul Francis Webster for orchestra/band (tenor sax) of MEDIUM skill level. / film/tv,jazz,concert,movies
$11.99
11.01 €
#
Orchestre
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Paul Francis Webster
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Virtualsheetmusic
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.84 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.84 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Michael G. Giacchino: Themes from Spider-Man: No Way Home (arr. Larry Moore) (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Larry Moore for orchestra of MEDIUM skill level. / film…
(+)
Instantly printable sheet music by Larry Moore for orchestra of MEDIUM skill level. / film/tv,movies
$69.99
64.27 €
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Orchestre
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Michael G. Giacchino
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Virtualsheetmusic
Theme from Ant-Man - Conductor Score (Full Score)
Orchestre
Arranged by Sean O'Loughlin. Film/TV. ORC. 12 pages. Published by Hal Leonard - Digital Sh…
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Arranged by Sean O'Loughlin. Film/TV. ORC. 12 pages. Published by Hal Leonard - Digital Sheet Music (HX.409272). - ORC - Film/TV - Hal Leonard - Digital Sheet Music
$5.00
4.59 €
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Orchestre
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Sean O'Loughlin
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Theme from Ant-Man - Conductor Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Henry Mancini: Inspector Clouseau Theme (from The Pink Panther Strikes Again) (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Henry Mancini for orchestra of MEDIUM skill level. / fi…
(+)
Instantly printable sheet music by Henry Mancini for orchestra of MEDIUM skill level. / film/tv,jazz,standards,movies
$54.99
50.5 €
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Orchestre
#
Henry Mancini
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Virtualsheetmusic
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.32 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Antonin Dvorak: Themes from American Quartet, Movement 1 (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Jamin Hoffman for orchestra of MEDIUM skill level. / cl…
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Instantly printable sheet music by Jamin Hoffman for orchestra of MEDIUM skill level. / classical,american
$59.99
55.09 €
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Orchestre
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Antonin Dvorak
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Virtualsheetmusic
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.96 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.96 €
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Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
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Version intégrale
