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88
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60
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2 Trompettes (duo)
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Quatuor de cuivres: 4 trombones
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Cor (partie séparée)
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1
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20
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14
2 Violoncelles (duo)
13
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10
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6
4 Violoncelles
5
Alto seul
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4
Violoncelle (partie séparée)
4
Contrebasse (partie séparée)
2
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Trio à Cordes: 3 violoncelles
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Orchestre d'harmonie
79
Orchestre
12
Ensemble de cuivres
8
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6
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5
Fanfare
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Batterie
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Ensemble Jazz
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Cloches
2
Orchestre de chambre
1
Timbales (partie séparée)
1
2 Xylophones
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Instrumentation Flexible
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AUTRES
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Theme from Ant-Man - Violin 2
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.86 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
91.46 €
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Orchestre
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
Pastoral Fantasy (066) Revised in 2004
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikak…
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Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari Suzuki #6425063. Published by Mari Suzuki (A0.922789). Pastoral Fantasy (066) Revised in 2004Set: Score + Parts1st Mandolin, 2nd Mandolin, Mandola, Guitar, Mand Cello,Double Bass,Level: ★★★★Duration: 14min.(83 pages incl. front page and instruction)The most well performed piece.It was the second work for Hiro to compose a mandolin orchestra, the work was composing during June to July, 1975 and was first performed by Tokai Student Mandolin Association in August. The inspiration of this music came from fresh greenery in early summer. The title of Pastoral Fantasy is based on the image of pastoral scenery and it consists the theme of the music. The following is the construction of the music.1. Initial pastoral andante2. Introduction of fugue, develop freely3. Recreation of touching pastoral theme4. Powerful codaPlease do not stick with interpretation of the music, just feel the sounds, as you like. It would be great pleasure for the composer if this music means something to those who play or listen to it.
$100.00
91.46 €
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Orchestre
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Hiro Fujikake
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Pastoral Fantasy
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Mari Suzuki
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.59 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.25 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
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James Nathaniel Holland
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SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.72 €
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Orchestre
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James Nathaniel Holland
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
Orchestre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2.  Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com  All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
6.4 €
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Orchestre
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Johann Sebastian Bach
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Stanley M Hoffman
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Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
Pere Marquette #1225, Op. 2
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1024376 Composed by Christian M…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024376 Composed by Christian Moehrle, H. Owen Reed, and Winifred Lee Brent Lyster. Arranged by Christian Moehrle. Children,Christmas,Contemporary,Folk. Score and parts. 29 pages. Christian Frederick Moehrle #5001315. Published by Christian Frederick Moehrle (A0.1024376). Another selection from my Steam Locomotive Songbook, this ballad was meant to musically describe the official state steam locomotive of Michigan, the Pere Marquette #1225, which is owned and operated by the Steam Railroading Institute in Owosso, MI. Most people should recognize this easily, as it starred as the titular train in the 2004 animated movie The Polar Express, starring Tom Hanks. And seeing that the #1225 is the real-life version of said Christmas train, that runs holiday-themed excursions based upon the original Chris Van Allsburg story, I'd thought it is appropriate to give it a Christmas theme. Again, much of this is my own work, although it also recycles material from the official Michigan State University Alma Mater, MSU Shadows, and the traditional German Hymn turned official Michigan State Song O Tannebaum/Michigan my Michigan. With all that being said, I also do not own the Pere Marquette railroad.
$7.65
7 €
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Orchestre
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Christian Moehrle, H
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Christian Moehrle
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Pere Marquette #1225, Op. 2
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Christian Frederick Moehrle
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SheetMusicPlus
Goin' Home
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.985729 Composed by Antonin Dvor…
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Full Orchestra - Level 3 - Digital Download SKU: A0.985729 Composed by Antonin Dvorak and William Arms Fisher. Arranged by Felix Linsmeier. Classical,Folk,Romantic Period,Sacred,Spiritual. Score and parts. 31 pages. Felix Linsmeier #591388. Published by Felix Linsmeier (A0.985729). The famous theme from the Largo of the Symphony No. 9 was adapted into the spiritual-like song Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvořák's pupil William Arms Fisher, who wrote the lyrics in 1922. This arrangement is based on Dvořák's original orchestration of the Largo as well as the cuts and changes made by Fisher for his piano edition. This orchestration is perfectly compatible with Fisher's piano score, which the singer may use. The instrumentation is 2.2(II=corA.).2.2 - 3.2.3.1 - timp - strings + solo singer (preferably baritone) In the UK, the theme gained traction among the general public after its use in an advert for the Hovis bakery. In 1981, Don Williams would record a different song written to the melody, by Roger Cook. The resulting composition, Miracles, would peak at number 4 on the Billboard country singles chart that July, and also reach number 32 on the adult contemporary chart.
$75.00
68.59 €
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Orchestre
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Antonin Dvorak and William Arms Fisher
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Felix Linsmeier
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Goin' Home
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Felix Linsmeier
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SheetMusicPlus
Band Of Brothers - Main Title
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1447518 Composed by Michael Kam…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1447518 Composed by Michael Kamen. Arranged by John Langley / Studio Orchestrations. 20th Century,Classical,Film/TV,Historic. 108 pages. Www.studio-orchestrations.com #1027298. Published by www.studio-orchestrations.com (A0.1447518). Band of Brothers is one of the most powerful real-life war drama TV series of modern times and its soundtrack composed by the late Michael Kamen (composer of Die Hard and Robin Hood: Prince of Thieves) was a wonderfully poignant support to the series. The haunting Main theme has a prayerful, respectful quality that evokes servce and sacrifice rather than the glory of war. The final moments of the opening sequence, a simple broken F major chord in the manor of a military trumpet, played by horn solo remind us we are indeed in a military drama.This full orchestral arrangement encompasses the cue called REQUIEM as well as the MAIN THEME in a tribute to not only the TV drama itself and its soundtrack but also to Michael Kamen who was taken from us all too early. It includes optional SATB chorus. INSTRUMENTATION:2 Flutes2 Oboes [2nd dbl. Cor Anglais]2 Clarinets [Bb]1 Bass Clarinet [Bb]2 Bassoons4 French Horns3 Trumpets3 trombones1 TubaTimpani1 Percussion [Vibraphone]HarpOptional SATB ChorusSTRINGSCheck out other similar arrangements on this website written by John Langley and Paul Campbell (Studio orchestratios).
$140.00
128.04 €
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Orchestre
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Michael Kamen
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Band Of Brothers - Main Title
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www.studio-orchestrations.com
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SheetMusicPlus
Friend or Fiend for orchestra (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.914155 Composed by Tom Swafford…
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Full Orchestra - Level 5 - Digital Download SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Published by Tom Swafford (A0.914155). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAP Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$25.00
22.86 €
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Orchestre
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Friend or Fiend for orchestra (score)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.914153 Composed by Tom Swafford…
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Full Orchestra - Level 5 - Digital Download SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Published by Tom Swafford (A0.914153). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAPÂ Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$5.00
4.57 €
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Orchestre
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
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