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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
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BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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FLAMENCO
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FUNK
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HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Non classifié
78
PIANO & CLAVIERS
Piano seul
75
Piano, Voix
11
Piano Facile
9
Piano, Voix et Guitare
6
Orgue
3
Accordéon
3
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
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GUITARES
Guitare notes et tablatures
11
Guitare
9
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
1
2 Guitares (duo)
1
VOIX
Chorale SATB
5
Chorale 3 parties
1
Chorale 2 parties
1
Chorale SSAA
1
VENTS
Flûte traversière et Piano
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Ensemble de Clarinettes
5
Flûte et Guitare
5
Flûte traversière
4
Clarinette (partie séparée)
3
Quintette de Saxophone: 5 saxophones
3
Quatuor de Saxophones: 4 saxophones
3
Hautbois (partie séparée)
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Flûtes
3
2 Flûtes traversières (duo)
3
Clarinette et Piano
3
Hautbois, Guitare (duo)
2
Saxophone
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois, Piano (duo)
1
2 Clarinettes (duo)
1
Saxophone Tenor et Piano
1
3 Saxophones (trio)
1
Clarinette
1
Clarinette, Violon (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Clarinette Basse, Piano
1
Ensemble à vent
1
Saxophone Alto et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flute (partie séparée)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Quatuor de Cuivres
4
Trombone et Piano
4
Trompette (partie séparée)
3
Tuba
3
Trompette
3
Instruments en Sib
1
Trompette, Piano
1
Trombone (partie séparée)
1
Tuba (partie séparée)
1
Ensemble de Trombones
1
Tuba et Piano
1
Cor (partie séparée)
1
Cor
1
Euphonium, Piano (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon (partie séparée)
10
Violon et Piano
7
Violon
7
Harpe
5
Violoncelle, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
4
Alto, Piano
4
Contrebasse (partie séparée)
3
2 Violons (duo)
2
Violoncelle (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
2
Contre Basse
2
Quatuor à cordes: 4 violons
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Alto seul
1
Quatuor à cordes : 4 altos
1
Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
16
Orchestre
15
Orchestre à Cordes
8
Orchestre de chambre
3
Batterie
3
Orchestre, Violon
1
Ensemble Jazz
1
Marimba
1
Ensemble de cuivres
1
Percussion (partie séparée)
1
Cloches
1
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AUTRES
Vous avez sélectionné:
Theme in E Major
Orchestre
Partitions à imprimer
15 partitions trouvées
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1
Concerto in Bb Major for Double Bass and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.02 €
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Orchestre
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Leroy Anderson's Irish Suite, Part 1 (Themes from): Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015807_B1 Bassoon. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015807_B1 Bassoon. Arranged by Douglas E. Wagner and Leroy Anderson. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015807_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015807_B1). UPC: 038081432335.The first three movements of this iconic work are now available in a dynamic scoring for your full orchestras. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of any age. It's as much fun to play as it is to listen to!
$3.00
2.71 €
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Orchestre
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Douglas E
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Leroy Anderson's Irish Suite, Part 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Leroy Anderson's Irish Suite, Part 1 (Themes from): Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015807_TMP Timpani. Arrange…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015807_TMP Timpani. Arranged by Douglas E. Wagner and Leroy Anderson. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015807_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015807_TMP). UPC: 038081432335.The first three movements of this iconic work are now available in a dynamic scoring for your full orchestras. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of any age. It's as much fun to play as it is to listen to!
$3.00
2.71 €
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Orchestre
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Douglas E
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Leroy Anderson's Irish Suite, Part 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Leroy Anderson's Irish Suite, Part 1 (Themes from): Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015807_M1 Mallets. Arranged…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015807_M1 Mallets. Arranged by Douglas E. Wagner and Leroy Anderson. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015807_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015807_M1). UPC: 038081432335.The first three movements of this iconic work are now available in a dynamic scoring for your full orchestras. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of any age. It's as much fun to play as it is to listen to!
$3.00
2.71 €
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Orchestre
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Douglas E
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Leroy Anderson's Irish Suite, Part 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Leroy Anderson's Irish Suite, Part 1 (Themes from): Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015807_VC1 Cello. Arranged …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015807_VC1 Cello. Arranged by Douglas E. Wagner and Leroy Anderson. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015807_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015807_VC1). UPC: 038081432335.The first three movements of this iconic work are now available in a dynamic scoring for your full orchestras. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of any age. It's as much fun to play as it is to listen to!
$3.00
2.71 €
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Orchestre
#
Douglas E
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Leroy Anderson's Irish Suite, Part 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Leroy Anderson's Irish Suite, Part 1 (Themes from): Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015807_F1 Flute. Arranged b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015807_F1 Flute. Arranged by Douglas E. Wagner and Leroy Anderson. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015807_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015807_F1). UPC: 038081432335.The first three movements of this iconic work are now available in a dynamic scoring for your full orchestras. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of any age. It's as much fun to play as it is to listen to!
$3.00
2.71 €
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Orchestre
#
Douglas E
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Leroy Anderson's Irish Suite, Part 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Leroy Anderson's Irish Suite, Part 1 (Themes from): Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0004120 Score. Arranged by D…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004120 Score. Arranged by Douglas E. Wagner and Leroy Anderson. Instructional. Score. 36 pages. Alfred Music - Digital Sheet Music #00-PR-0004120. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004120). UPC: 038081432335.The first three movements of this iconic work are now available in a dynamic scoring for your full orchestras. Major themes are presented with all of the color and fresh invention of the original score. This is music that will delight and entertain audiences of any age. It's as much fun to play as it is to listen to!
$11.00
9.94 €
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Orchestre
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Douglas E
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Leroy Anderson's Irish Suite, Part 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
90.33 €
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Orchestre
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
90.33 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gru…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
31.61 €
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Orchestre
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
España Cañí - Pasodoble - Espana Cani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Mar…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Marquina Narro. Arranged by Pablo Guerrero-MartÃn. Classical,Contest,Festival,Folk,March,Multicultural,World. Score and Parts. 51 pages. Pablo Guerrero-MartÃn #809346. Published by Pablo Guerrero-MartÃn (A0.1211732). España cañà (meaning Gypsy Spain in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide.Several arrangements of the tune are often used for the Latin Paso Doble dance (to the point that, among Latin dancers, it is known as the paso doble song as it is very commonly played in competition due to the common custom for the choreography to match the phrasing and accents of the music for the full effect of the dance). The song has also been used as the theme song for Pablo Sanchez in the Backyard Sports games.
$49.99
45.15 €
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Orchestre
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Pascual Marquina Narro
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Pablo Guerrero-MartÃn
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España Cañí - Pasodoble - Espana Cani
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Pablo Guerrero-MartÃn
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SheetMusicPlus
Sieben Fragmente für Orchester
Orchestre
Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Comp…
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Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
$33.99
30.7 €
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Orchestre
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Aribert Reimann
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Sieben Fragmente für Orchester
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Schott Music - Digital
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.12 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by …
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Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by Gregory John Harper. Score, Set of Parts. 56 pages. Published by Gregory Harper
Programme notes: Although John Barry had written 50% of the original 'James Bond' theme for 1962's Dr. No (and orchestrated the whole thing), he felt the need to create a new piecefor 007's second on-screen outing that was entirely his own. Using Elmer Bernstein's'Magnificent Seven' theme as inspiration, he crafted a tune that was full of adventure and awe. Although the '007' theme presented here was not adopted by the cinema-goers as the definitive Bond music, it demonstrates Barry's ability to orchestrate and compose in the style of the classic 40s & 50s Hollywood pictures. The theme has been used in several Bondmovies since - mainly as a secondary theme for scenes that wish to depict Bond's heroism more than his swagger and charisma.<br> <br> Conductor's Notes: When the strings take the melody at 'D', they should 'soar'! While the piece lacks melodic or harmonic development, it does show off each section of the orchestra.Make sure all dynamic markings are strictly adhered to as the melody may get overpowered otherwise. The lead trumpet part is a transcription of Derek Watkins' original performance and is very high in places. In the event of having no harpist, the glissandos may be played on a transposed electronic keyboard so thatthe white notes are tuned to a E Major scale (transpose up a major 3rd). The rest of the harp part should be played on a non-transposed keyboard. The piece should fade out to nothing so make sure all eyes areon the conductor as they will need to guide each player through the dynamic changes from 'G' onwards.
$69.99
63.22 €
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Orchestre
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John Barry
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Gregory John Harper
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007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
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Gregory Harper
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SheetMusicPlus
Gekijouban Shingeki No Kyojin Zenpen: Guren No Yumiya
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1437916 Composed by Revo. Arran…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1437916 Composed by Revo. Arranged by Kevin Riley. 20th Century,Film/TV,Video Game. 90 pages. Kevin Riley #1017982. Published by Kevin Riley (A0.1437916). Guren no Yumiya (Japanese: 紅蓮の弓矢, lit. Crimson Bow and Arrow) is one of two songs created by the Japanese band Linked Horizon for the double A-side track of their three-track single Jiyū e no Shingeki. The full version of the song was released by Pony Canyon on 10 July 2013, and would be most notable for its use as the first intro to the anime Attack on Titan.The song was the first anime theme the band Linked Horizon would create, being composed using a blend of musical genres as well as Japanese and German language lyrics. Since first being used in the anime, the song has had multiple musical artists perform cover versions of the song, and has been played most notably at the 64th NHK Kōhaku Uta Gassen and during major sporting events in Japan, including at the 2020 Summer Olympics. The song would reach the number one spot on the Billboard Japan Hot 100 and Hot Animation charts upon its debut, and would receive four awards for its melody and animation by the end of 2013. In May 2014, Guren no Yumiya earned a RIAJ 2x Platinum certification for half a million sales.This arrangement requires a large orchestra.
$90.00
81.29 €
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Orchestre
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Revo
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Kevin Riley
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Gekijouban Shingeki No Kyojin Zenpen: Guren No Yumiya
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Kevin Riley
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SheetMusicPlus
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