Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Think of One
Non classifié
321
Piano & claviers
Piano seul
238
Piano, Voix
90
Piano, Voix et Guitare
59
Piano Facile
14
Instruments en Do
10
2 Pianos, 4 mains
7
Accompagnement Piano
4
Orgue
4
Piano grosses notes
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare
28
Guitare notes et tablatures
18
Paroles et Accords
8
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
4
Mandoline
1
Guitare (partie séparée)
1
Ukulele
1
3 Guitares (trio)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
21
Chorale TTBB
13
Chorale 2 parties
10
Chorale SSAA
5
Voix seule
4
Voix duo
3
Voix Soprano, Piano
2
Chorale Unison
2
Voix duo, Piano
2
Chorale SSATTB
1
Voix basse
1
Voix Baryton
1
Voix haute
1
Voix Alto, Piano
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
39
Saxophone (partie séparée)
37
Quintette de Saxophone: 5 saxophones
25
Saxophone Alto
21
Saxophone Tenor
20
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Saxophones (duo)
19
Ensemble de saxophones
17
Saxophone Alto et Piano
15
Clarinette
13
Saxophone
13
Flûte traversière et Piano
11
Ensemble de Clarinettes
10
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Tenor et Piano
9
Flûte traversière
9
Hautbois, Piano (duo)
9
Clarinette et Piano
9
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
6
Saxophone, Clarinette (duo)
6
2 Clarinettes (duo)
5
Flûte à bec Soprano
5
3 Saxophones (trio)
5
Saxophone Soprano et Piano
5
Clarinette, Violon (duo)
4
Cor Anglais
4
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Violon
3
Flûte, Alto (duo)
3
Flûte, Trompette (duo)
3
Hautbois, Flûte
3
Hautbois, Clarinette (duo)
3
Hautbois (partie séparée)
3
Clarinette, Harpe (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Baryton, Piano
2
3 Clarinettes (trio)
2
Clarinette et Alto
2
Clarinette Basse, Piano
2
Cor anglais, Piano
1
Saxophone, Tuba (duo)
1
Saxophone Soprano
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Trio de Flûtes: 3 flûtes
1
Saxophone et Orgue
1
Flute (partie séparée)
1
Clarinette, Guitare (duo)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone
19
Trombone (partie séparée)
19
Trompette (partie séparée)
11
Trombone et Piano
10
Ensemble de Trompettes
9
Trompette
8
Ensemble de Trombones
8
Trompette, Saxophone (duo)
6
Cor Anglais
4
2 Trompettes (duo)
4
Cor et Piano
4
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Tuba et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Cor anglais, Piano
1
3 Trombones (trio)
1
Euphonium, Tuba (duo)
1
Trombone basse
1
Ensemble de Cors
1
Tuba et Orgue
1
Quatuor de cuivres: 4 cors
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
17
Violon
16
Violoncelle
16
Harpe
6
2 Violons (duo)
5
Violoncelle, Piano
5
Alto, Piano
5
Violon, Violoncelle (duo)
5
Alto seul
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Ensemble d'Altos
4
Violon, Alto (duo)
4
Ensemble de Violons
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
Harpe, Voix
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Ensemble Jazz
32
Orchestre
21
Orchestre à Cordes
21
Ensemble de cuivres
14
Orchestre de chambre
12
Batterie
8
Jazz combo
7
Ensemble de Percussions
3
Cloches
3
Piano et Orchestre
2
Percussion (partie séparée)
1
Xylophone
1
Fanfare
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
4
Partitions Numériques
21
Librairie Musicale
20
Matériel de Musique
119
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Think of One
Orchestre
Partitions à imprimer
21 partitions trouvées
<
1
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
#
Orchestre
#
INTERMÉDIAIRE
#
James Nathaniel Holland
#
Waltz of the Roses, for Orches
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by...
(+)
Full Orchestra - Level 3 - SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland.  Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included.  Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation:  https://youtu.be/9dgnKajSsE8Facebook page:  https://www.facebook.com/jamesnathanielholland/.
$12.95
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
#
Orchestre
#
INTERMÉDIAIRE
#
James Nathaniel Holland
#
Waltz of the Roses, for Orches
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Natha...
(+)
Full Orchestra - Level 3 - SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
Suite of a Thousand Faces
#
Orchestre
#
AVANCÉ
#
Jehad Choate
#
Suite of a Thousand Faces
#
Jehad Choate
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1025416 Composed by Jehad Choate. Contemporary,Jazz,Latin. Score and parts. 45 pages. Jehad Choate #5818515. Publishe...
(+)
Full Orchestra - Level 5 - SKU: A0.1025416 Composed by Jehad Choate. Contemporary,Jazz,Latin. Score and parts. 45 pages. Jehad Choate #5818515. Published by Jehad Choate (A0.1025416). Based off the texts of Joseph Campbell, this is a musical representation of the hero’s journey with a twist: The hero becomes fully aware of the cycle they are both blessed and cursed to follow. With every step, the hero fights the tropes of mythology, but can they escape their own fate?Movement I: The Calling introduces our main theme naively. It's done in a style reflective of all action/adventure genres: romantically boastful, one dimensional and confident. But as the call to adventure imposes itself on the hero, the hero begins to think that all is not what it seems to be.Movement II: The Motions is a set of trials where the hero experiences great loss, triumphant battles, and a renewed image. Yet, that is just the cycle they expected and its trite conclusion and three act distinction troubles the hero.Movement III: A Fool’s Reckoning is a response to being a pawn in someone else’s story. It takes all learned elements and tries to distort them to be something new and different. But what if this transformation was all part of the same cycle? The hero fights until they forget what they fight for. Reluctantly resilient, they carry on wondering if there was ever anything heroic about them at all.
$20.00
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
#
Orchestre
#
INTERMÉDIAIRE
#
Comédie Musicale
#
James Nathaniel Holland
#
Sonnet 29 "When in Disgra
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. Ja...
(+)
Full Orchestra - Level 3 - SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
Jesus Is The Way (Anthem) - Orchestration
#
Orchestre
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Christopher R
#
Jesus Is The Way
#
Christopher Brown
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christo...
(+)
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version
#
Orchestre
#
Film/TV
#
Andrea Bocelli And Ariana Gr
#
E Più Ti Penso
#
Flavio Regis Cunha
#
SheetMusicPlus
By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Flavio Regis Cunha. Score, Set of Parts. 58 pages. Published by Flav...
(+)
By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Flavio Regis Cunha. Score, Set of Parts. 58 pages. Published by Flavio Regis Cunha
"E Più Ti Penso" ("The more I think of you" in English), alternatively titled "E Più Ti Penso (from Once Upon a Time in America)" is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015).
$69.99
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
#
Orchestre
#
AVANCÉ
#
Classique
#
doing so, you will be able to
#
Various
#
Takahiro Kim
#
Orchestral Excerpts for Tuba w
#
Gordon Cherry
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon ...
(+)
Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
I Write The Songs
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Barry Manilow
#
Kevin Riley
#
I Write The Songs
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Ke...
(+)
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Exeter City March
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Richard Bowyer
#
Exeter City March
#
Richard Bowyer
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1009741 Composed by Richard Bowyer. Contemporary. Score and parts. 73 pages. Richard Bowyer #2024939. Published by Ri...
(+)
Full Orchestra - Level 3 - SKU: A0.1009741 Composed by Richard Bowyer. Contemporary. Score and parts. 73 pages. Richard Bowyer #2024939. Published by Richard Bowyer (A0.1009741). Exeter City March was composed for the professional Football (soccer) Club in Exeter, UK, for performance over the public address system by the 100-strong Exeter Children's Orchestra. It includes parts for hooligans in the percussion section playing rattles and whistles (these don't sound in the MP3). There was an online competition for the club's fans to choose a title; they chose March of the Grecians (the club's nickname) but as the brief introduction uses the beginning of Rule Britannia I think listeners might be mystified by the Greek allusion, so I prefer my original title! In June 2011 Exeter City March was broadcast on the UK national music radio station, BBC Radio 3, as part of its festival of light music Light Fantastic. There are separate printed parts for all the standard orchestral instruments, including alto and tenor saxophone and descant recorder (not necessary) and there are also optional parts for violin replacing viola, trombone in treble clef, baritone saxophone and horn in E flat.
$50.00
This Is What Falling In Love Feels Like
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Jvke
#
Scores by Ken
#
This Is What Falling In Love F
#
Scores by Ken
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1301805 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Scores by Ken. New Age,Pop. Score and Parts. 60 page...
(+)
Full Orchestra - Level 4 - SKU: A0.1301805 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Scores by Ken. New Age,Pop. Score and Parts. 60 pages. Scores by Ken #891397. Published by Scores by Ken (A0.1301805). This Is What Falling In Love Feels Like | JVKE About the PieceJVKE's ability to use samples and strings has pushed him to be one of the ones to watch. The way of focusing on sounds to articulate true feelings such as the one this song showcases will help push him to begin thinking more creatively and venture into incorporating even more interesting elements within his pop discography. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
The Girl I Mean To Be
#
Orchestre
#
FACILE
#
The Secret Garden Ensemble
#
Alberto Caeiro
#
The Girl I Mean To Be
#
Alberto Caeiro
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/...
(+)
Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
Festival
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Mike Lyons
#
Festival
#
Lyons Music Services
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
(+)
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Symphony no. 2 - Score Only
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Classique
#
Robert Dusek
#
Symphony no. 2 - Score Only
#
DaCapo, LLC
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1492038 Composed by Robert Dusek. Classical,Contemporary. 65 pages. DaCapo, LLC #1068712. Published by DaCapo, LLC (A...
(+)
Full Orchestra - Level 5 - SKU: A0.1492038 Composed by Robert Dusek. Classical,Contemporary. 65 pages. DaCapo, LLC #1068712. Published by DaCapo, LLC (A0.1492038). PLEASE NOTE: this download contains the score only. To buy or rent parts, please contact Robert Dusek directly: bob@robertdusek.com. THe PDF is formatted to 11x17 (ledger) size.A think and virtuosic symphony for orchestra. SUbtitles Hymnody, it uses hymn-tunes as the basis of its melodic material, similarly to the compositions of Charles Ives. Quite atonal, and yet powerful and even driving in sections, this work is quite original. Scored for large orchestra, it is a defiant work, one that loooks the unknown squre in the face and asks, what of it?
$15.00
Fight for Death
#
Orchestre
#
AVANCÉ
#
Caris Croy
#
Fight for Death
#
Caris Croy
#
SheetMusicPlus
Orchestra Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.1186...
(+)
Orchestra Bassoon,Cello,Clarinet,Double Bass,Flute,Harp,Horn,Oboe,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Level 5 - Interactive Download SKU: A0.1186390 Composed by Caris Croy. This edition: Interactive Download. Classical,Musical/Show. Score and parts. 41 pages. Duration 254. Caris Croy #7hchYrOE01glU0WrLEPE0F. Published by Caris Croy (A0.1186390). Key: C# minor.Think about the worst villain you've ever heard of. That is who our hero is facing in this installment of the Blue Clouds Album!
$50.00
Suspensión de Soledad en 3 Tiempos
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
William Ortiz
#
Suspensión de Soledad e
#
William Ortiz
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Pub...
(+)
Full Orchestra - Level 4 - SKU: A0.1008988 Composed by William Ortiz. 20th Century,Contemporary. Score and Parts. 268 pages. William Ortiz #5793305. Published by William Ortiz (A0.1008988). A work for Symphony Orchestra which consists of three movements: ArmonÃÂa Bilingüe, Marcha and Beat Box. This is a work were rhythm takes over to articulate a contemporary and empirical sound world. It is born of my admiration of popular culture and presents no pretensions. The title signifies a suspension, an absence or a liberation from the prejudice of dogmatic elitist musical thinking and styles that have stigmatized symphonic music. The first movement generates the source material of which the whole work is based. Rhythm , the principal element of the piece, is used as a continuo, serving to connect all three movements. It is especially highlighted in the second movement which is a kind of instrumental rap. The final movement Beat Box alludes to the large portable radios, aka ghetto blasters, popular at one time in urban neighborhoods. Thus I conceive the orchestra here as a large radio were music changes from one station to another transmitting and transforming wireless sound vibrations into different moods and grooves.
$45.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 6 ... The Penobsc
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
(+)
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
#
Orchestre
#
INTERMÉDIAIRE
#
Franz Liszt
#
Arkady Leytush
#
Franz Liszt - "Funeraille
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Publish...
(+)
Full Orchestra - Level 3 - SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Published by Arkady Leytush (A0.1471489). Funérailles, #7 from Liszt’s « Poetic and Religious Harmonies», one of the greatest works of his late period. This impressionistic elegy is strikingly beautiful. Its deep tragedy sometimes reaches the greatest heights, magnetically involving listeners and forcing them to empathize. In my transcription, I tried to use all possible means of a large orchestra to emphasize the features of this music, the changes in the nature of the three main themes, and also to build the overall dramaturgy of the entire work. Liszt’s orchestral thinking underlying this work makes it possible to organically transfer this work to the orchestra. I must admit that despite my experience in such work, I was so captivated by the content and character of this music that at times I was forced to stop due to a sharp increase in my pulse up to 130 beats!
$40.00
Fantasia Concertante for Cello and Orchestra
#
Orchestre
#
AVANCÉ
#
Panagiotis Theodossiou
#
Fantasia Concertante for Cello
#
Panagiotis Theodossiou
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.886725 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 102 pages. P...
(+)
Full Orchestra - Level 5 - SKU: A0.886725 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 102 pages. Panagiotis Theodossiou #4822057. Published by Panagiotis Theodossiou (A0.886725). Fantasia Concertante, for cello and large orchestra op.27 (2004). The almost traditionally tonic idiom of the work is a turning point for the composer’s thinking to more simple forms and easy to comprehend musical language. The tempos (Maestoso con moto – Poco meno mosso – L’ istesso tempo ma espressivo e tranquillo – Lento – Tempo primo) and the overall character is one of a romantic concerto. It is dedicated to Manos Hatzidakis and composer believes that it has something from him and his music.
$40.00
Second Son (For Stephen) - Orchestra Score and Parts PDF
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Brendan Elliget MAGA 537
#
Second Son
#
Brendan Elliget
#
SheetMusicPlus
Full Orchestra - Intermediate - Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score. 38 pages. Published by Brendan Elliget...
(+)
Full Orchestra - Intermediate - Composed by Brendan Elliget MAGA 537. Contemporary Classical. Score. 38 pages. Published by Brendan Elliget
Second Son (For Stephen) - Orchestra Score and Parts PDF
This lovely tune is dedicated to my second oldest son, Stephen, who is very creative especially in the area of animation.
It has been scored for full orchestra with additional parts for Piano, Harp, and Vibraphone or Glockenspiel. There is also 2-part voice part (No lyrics - only Ahs!) Different instruments get to play the melody, which gets repeated 9 times, with various accompaniments and counter melodies, especially in the Horn line. Let me know what you think of this composition. The MP3 was recorded with NotePerformer.
The original arrangement was done in 2011 but revised in June 2016
Grade = 3 Duration = 3:25 mins
$15.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Think of One 
