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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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This Is A Good World
Non classifié
274
Piano & claviers
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142
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133
Piano Facile
55
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34
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29
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17
Piano grosses notes
10
1 Piano, 4 mains
5
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3
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
1
2 Pianos, 4 mains
1
Clavier
1
Accordéon, Piano
1
Accompagnement Piano
1
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Guitare notes et tablatures
55
Guitare
24
Ukulele
12
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9
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3
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Mandoline
1
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106
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19
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10
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5
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4
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3
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2
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2
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1
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1
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1
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1
Voix Tenor, Piano
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16
Clarinette et Piano
15
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15
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14
Quatuor de Saxophones: 4 saxophones
12
Clarinette
11
Saxophone Alto
10
Saxophone Alto et Piano
10
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10
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10
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9
Quatuor de Clarinettes: 4 clarinettes
9
Hautbois, Piano (duo)
9
Hautbois (partie séparée)
8
Quintette de Clarinettes: 5 clarinettes
7
2 Flûtes traversières (duo)
6
Saxophone Tenor
6
Ensemble de Clarinettes
6
2 Saxophones (duo)
5
Saxophone Soprano et Piano
5
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5
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5
2 Clarinettes (duo)
5
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4
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4
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3
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3
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3
Flûte, Clarinette, Piano (trio)
2
Clarinette, Basson (duo)
2
Hautbois
2
Flûte, Violon, Piano
2
Clarinette, Harpe (duo)
2
Clarinette, Violon (duo)
2
Ensemble de saxophones
2
2 Flûtes traversières, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Ensemble de Flûtes
2
3 Clarinettes (trio)
2
3 Saxophones (trio)
1
Hautbois, Guitare (duo)
1
Flûte à bec Tenor
1
Saxophone
1
2 Clarinettes, Piano
1
4 Hautbois
1
Ocarina
1
Flûte, Violon et Violoncelle
1
Flûte, Trompette (duo)
1
2 Hautbois (duo)
1
Hautbois, Harpe
1
Flûte, Saxophone (duo)
1
Quintette de Flûte : 5 flûtes
1
Flute (partie séparée)
1
Hautbois, Clarinette (duo)
1
Flute, harpe et violon
1
Flûte, Violon
1
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
+ 55 instrumentations
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17
Quatuor de cuivres: 4 trombones
13
Quatuor de Cuivres
11
Trombone
11
Trompette, Piano
10
Trompette
9
Cor
9
Tuba
7
Cor et Piano
7
Tuba et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette (partie séparée)
5
Trombone (partie séparée)
5
Trombone et Piano
5
2 Trombones (duo)
4
2 Trompettes (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Euphonium, Piano (duo)
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Euphonium
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Ensemble de Trompettes
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
3 Tubas (trio)
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
21
Violoncelle
17
2 Violons (duo)
16
Alto, Piano
15
Violon
14
Violoncelle, Piano
14
Violon, Violoncelle (duo)
9
Alto seul
8
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violon, Alto (duo)
7
2 Altos (duo)
7
Harpe
7
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
6
Contrebasse, Piano (duo)
5
Contre Basse
5
Alto (partie séparée)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
2 Harpes (duo)
3
4 Violoncelles
3
Harpe, Flûte (duo)
3
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Harpe, Voix
1
Trio à cordes
1
Harpe, Violoncelle (duo)
1
Contrebasse (partie séparée)
1
4 Contrebasses
1
Harpe, Violon (duo)
1
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Orchestre & Percussions
Orchestre d'harmonie
135
Orchestre
35
Ensemble de cuivres
17
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16
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10
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10
Cloches
4
Jazz combo
4
Fanfare
2
Ensemble de Percussions
2
Xylophone, Piano
1
Batterie (partie séparée)
1
Percussion
1
Marimba
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Vous avez sélectionné:
This Is A Good World
Orchestre
Partitions à imprimer
35 partitions trouvées
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26
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
What A Wonderful World
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Orchestre
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FACILE
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Louis Armstrong
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Kevin Riley
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What A Wonderful World
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.525335 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. S...
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Full Orchestra - Level 2 - SKU: A0.525335 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 35 pages. Kevin Riley #135874. Published by Kevin Riley (A0.525335). What a Wonderful World is a song written by Bob Thiele (as George Douglas) and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom, though it performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it. After appearing in the film Good Morning, Vietnam, the song was re-released as a single in 1988, and it rose to number 32 on the Billboard Hot 100.Armstrong's recording was inducted in the Grammy Hall of Fame in 1999. This arrangement is for vocal and orchestra.
$70.00
CH155ORC - Chansonnette 155 - Some good laughs
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Orchestre
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INTERMÉDIAIRE
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Carl Van Pevenage
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CH155ORC - Chansonnette 155 -
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921208 Composed by Carl Van Pevenage. Children,Classical,Folk,Romantic Period,World. Score and parts. 29 pages. Carl ...
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Full Orchestra - Level 3 - SKU: A0.921208 Composed by Carl Van Pevenage. Children,Classical,Folk,Romantic Period,World. Score and parts. 29 pages. Carl Van Pevenage #4325983. Published by Carl Van Pevenage (A0.921208). Some good laughs. A song full of joy.The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 155 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.
$9.95
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,C...
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Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
Dances Divergentes - A Symphonic Poem
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Orchestre
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Stephen Lines
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Dances Divergentes - A Symphon
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Stephen Lines
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SheetMusicPlus
Full Orchestra - SKU: A0.957786 Composed by Stephen Lines. Contemporary,World. Score and parts. 92 pages. Stephen Lines #3411867. Published by Stephen L...
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Full Orchestra - SKU: A0.957786 Composed by Stephen Lines. Contemporary,World. Score and parts. 92 pages. Stephen Lines #3411867. Published by Stephen Lines (A0.957786). This piece is named Dances Divergent because it explores, in parts, elements of rhythmic contrasts between displaced melodic common time with triple time performed simultaneously. The whole is based on the opening timpani solo with contrasting variations. It is not as complex as this description sounds but will provide performers and audience with a pleasing experience. Essentially good listening that may be performed by advanced intermediate players. .
$27.50
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Publis...
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Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
The Parting Glass
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Orchestre
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INTERMÉDIAIRE
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Scottish Traditional
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Josiah V
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah...
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Full Orchestra - Level 3 - SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World....
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Full Orchestra - Level 4 - SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
CH141ORC - Chansonnette 141 - The ballad of the king's cook
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Orchestre
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INTERMÉDIAIRE
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Carl Van Pevenage
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CH141ORC - Chansonnette 141 -
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Peven...
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Full Orchestra - Level 3 - SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Pevenage #4325959. Published by Carl Van Pevenage (A0.921201). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 141 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.This song is variation on the old song Pastime with good company (almost identical but not minor), known also as The ballad of the king as it was written King Henry V. So this is about pastime with a good cake in the kitchen.
$19.95
Elegy Sentimentale for Orchestra
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
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Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
The Girl I Mean To Be
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Orchestre
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/...
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Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
PULVER Lev: "Freylekhs" Suite for Symphony Orchestra (Full score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Freylekhs&qu
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868911 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868911 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 89 pages. Really Good Music, LLC. #4834501. Published by Really Good Music, LLC. (A0.868911). The music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET), was composed by Lev PULVER (1883 – 1970) in 1945. This is its first publication, based on the autograph manuscripts of the score, realized and edited by Sergei LEONOV. The music to Freylekhs is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Freylekhs.
$100.00
Spirit of Freedom
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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Spirit of Freedom
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Paul Barker Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.725203 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Holiday,Patriotic. Score and ...
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Full Orchestra - Level 3 - SKU: A0.725203 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Holiday,Patriotic. Score and Parts. 84 pages. Paul Barker Music #5853995. Published by Paul Barker Music (A0.725203). Spirit of Freedom begins with a rousing fanfare, bursting with energy, drive and positivity. The work quickly develops using stoic themes and majestic orchestration echoing strong musical emotions of freedom and Liberty. Ideal for graduations, ceremonies and formal occasions: A true and feel - good dedication to all this is good in this world.       Level: Intermediate (UK Grade 5+ and USA 2+)
$29.95
PULVER Lev: "Ha Sher" from "Freylekhs" for Symphony Orchestra (Full score + set of parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Ha Sher"
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868913 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868913 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 76 pages. Really Good Music, LLC. #4835543. Published by Really Good Music, LLC. (A0.868913). Ha Sher (No. 23) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscripts of the score, realized and edited by Sergei LEONOV. Since the orchestral versions of the introduction and the final section of the piece has not been preserved, they were orchestrated by the editor.
$80.00
PULVER Lev: "Mother and the Bride" from "Freylekhs" for Symphony Orchestra (Full score + set of part
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Mother and t
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868916 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868916 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 41 pages. Really Good Music, LLC. #4835557. Published by Really Good Music, LLC. (A0.868916). Mother and the Bride (No. 28) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscript of the score, realized and edited by Sergei LEONOV.
$60.00
PULVER Lev: "March. Greeting of the Groom" from "Freylekhs" for Symphony Orchestra (Full score + set
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "March. Greet
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868914 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868914 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 28 pages. Really Good Music, LLC. #4835553. Published by Really Good Music, LLC. (A0.868914). March. Greeting of the Groom (No. 26) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscript of the score, realized and edited by Sergei LEONOV.
$50.00
PULVER Lev: "Badkhn Karnaval" from "Freylekhs" for Symphony Orchestra (Full score + set of parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Badkhn Karna
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868909 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868909 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 25 pages. Really Good Music, LLC. #4835519. Published by Really Good Music, LLC. (A0.868909). Badkhn Karnaval (No. 10 (13)) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscript of the score, realized and edited by Sergei LEONOV.
$50.00
PULVER Lev: "Kale-Sher" from "Freylekhs" for Symphony Orchestra (Full score + set of parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
#
PULVER Lev: "Kale-Sher&qu
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868912 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868912 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 24 pages. Really Good Music, LLC. #4835533. Published by Really Good Music, LLC. (A0.868912). Kale-Sher (No. 17) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscript of the score, realized and edited by Sergei LEONOV.
$50.00
PULVER Lev: "Bride's Arrival" from "Freylekhs" for Symphony Orchestra (Full score + set of parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Bride's Arri
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.868915 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score...
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Full Orchestra - Level 4 - SKU: A0.868915 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 25 pages. Really Good Music, LLC. #4835555. Published by Really Good Music, LLC. (A0.868915). Bride's Arrival (No. 27) is a fragment from the music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET). It has been composed by Lev PULVER (1883 – 1970) in 1945, and this is its first publication, based on the autograph manuscript of the score, realized and edited by Sergei LEONOV.
$50.00
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