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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Too, Is
Non classifié
1 151
Piano & claviers
Piano seul
756
Piano, Voix
457
Piano Facile
207
Piano, Voix et Guitare
116
Instruments en Do
62
Orgue
43
2 Pianos, 4 mains
38
1 Piano, 4 mains
27
Piano (partie séparée)
24
Piano Trio: piano, violon, violoncelle
15
Accompagnement Piano
9
Accordéon
9
Piano grosses notes
6
Clavecin
3
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79
Guitare
70
Guitare (partie séparée)
48
Ukulele
14
Basse electrique
13
4 Guitares (Quatuor)
11
2 Guitares (duo)
11
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
4
Mandoline
4
Paroles et Accords
2
Banjo
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Dobro
1
Dulcimer
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
346
Chorale 2 parties
239
Chorale 3 parties
147
Chorale TTBB
71
Chorale SSAA
57
Chorale Unison
38
Voix duo, Piano
8
Voix haute
7
Voix Soprano, Piano
6
Voix Alto, Piano
5
Voix Tenor, Piano
3
Voix duo
3
Voix seule
3
Voix moyenne, Piano
2
Chorale SSAB a cappella
1
Voix basse, Piano
1
Voix Soprano
1
+ 12 instrumentations
Retracter
Vents
Saxophone (partie séparée)
145
Quatuor de Saxophones: 4 saxophones
120
Flûte traversière et Piano
101
2 Saxophones (duo)
100
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
98
Clarinette
69
Clarinette et Piano
69
2 Flûtes traversières (duo)
68
Hautbois, Piano (duo)
68
Flûte, Hautbois, Clarinette, Basson
67
Saxophone Alto et Piano
67
Flûte traversière
65
Quatuor de Clarinettes: 4 clarinettes
59
Quintette de Saxophone: 5 saxophones
55
Saxophone Alto
44
2 Clarinettes (duo)
43
Hautbois (partie séparée)
40
Saxophone Tenor et Piano
38
Saxophone Tenor
34
2 Hautbois (duo)
34
Saxophone Soprano et Piano
33
Quatuor de Flûtes : 4 flûtes
27
3 Saxophones (trio)
27
Ensemble de Clarinettes
27
Ensemble de Flûtes
26
Saxophone Baryton, Piano
24
Flute (partie séparée)
22
Hautbois
18
Saxophone Soprano
18
3 Clarinettes (trio)
18
Saxophone Baryton
17
Quintette de Flûte : 5 flûtes
16
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
Flûte et Guitare
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Saxophone, Clarinette (duo)
13
Flûte, Clarinette (duo)
13
Flûte à bec Soprano
9
Cor anglais, Piano
9
Flûte à Bec
9
Hautbois, Clarinette (duo)
9
Clarinette, Violon (duo)
8
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Guitare (duo)
7
Clarinette, Trompette (duo)
7
Hautbois, Basson (duo)
7
Trio de Flûtes: 3 flûtes
7
Flûte, Violon
7
Clarinette (partie séparée)
6
Flûte à bec Alto
5
Flûte, Saxophone (duo)
5
Hautbois, Flûte
5
Cor Anglais
4
Piccolo
4
Clarinette et Alto
4
Clarinette Basse, Piano
3
2 Flûte à bec (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Trompette (duo)
3
Flûte, Violon, Violoncelle et Piano
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Basson
2
Ocarina
2
Flûte, Violon et Violoncelle
2
5 Flûtes à bec
2
Harmonica
2
Flûte à bec Soprano, Piano
2
Saxophone
1
2 Saxophones, Piano
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
3 Flûtes à bec (trio)
1
Ensemble De Flûte à bec
1
Flûte traversière, Orgue (duo)
1
Hautbois, Basson et Piano
1
Saxophone et Orgue
1
Flûte et Trio à cordes
1
Flûte, Violoncelle
1
+ 77 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
122
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
119
Trompette (partie séparée)
97
Trompette
59
Quatuor de Cuivres : 2 trompettes, trombone, tuba
52
Cor
50
Quatuor de Cuivres: 2 trompettes, Cor, trombone
50
Trombone et Piano
48
2 Trombones (duo)
45
Trompette, Piano
44
Trombone
43
Cor et Piano
36
Tuba
35
Tuba et Piano
31
2 Trompettes (duo)
27
Cor (partie séparée)
20
2 Cors (duo)
19
Tuba (partie séparée)
19
Trompette, Saxophone (duo)
11
2 Euphoniums (duo)
9
Cor anglais, Piano
9
Trompette, Trombone (duo)
9
Quatuor de cuivres: 4 trombones
9
Ensemble de Trombones
9
2 Tubas (duo)
9
Quatuor de Cuivres
8
Euphonium
7
Cor Anglais
4
Euphonium, Piano (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 cors
4
Ensemble de Trompettes
3
Cor anglais, Guitare (duo)
2
3 Trombones (trio)
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
2
Trombone, Orgue
2
Trombone, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium, Tuba (duo)
1
Trio de Cuivres
1
3 Trompettes (trio)
1
Cor et Orgue
1
3 Tubas (trio)
1
Trombone basse
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Tuba (duo)
1
Trompette, Trombone, Piano
1
+ 45 instrumentations
Retracter
Cordes
Harpe
323
Quatuor à cordes: 2 violons, alto, violoncelle
235
Violon et Piano
87
Violoncelle, Piano
77
Violon
75
Violoncelle
65
Alto, Piano
55
Alto seul
45
2 Violoncelles (duo)
45
Trio à Cordes: violon, alto, violoncelle
43
2 Violons (duo)
43
Violon, Violoncelle (duo)
31
2 Altos (duo)
29
Contrebasse (partie séparée)
28
Contrebasse, Piano (duo)
26
Contre Basse
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Violon, Alto (duo)
19
Trio à Cordes: 2 violons, violoncelle
16
Violon (partie séparée)
11
Alto (partie séparée)
11
2 Contrebasses (duo)
9
4 Violoncelles
8
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Violon, Orgue
4
Alto, Violoncelle (duo)
4
Trio à Cordes: 3 violoncelles
4
Violoncelle (partie séparée)
4
Ensemble de Violons
3
Violon, Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble d'Altos
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 violins
3
4 Harpes
3
2 Harpes (duo)
2
Trio à cordes: 3 altos
2
4 Contrebasses
2
Quatuor à cordes: 4 violons
2
Harpe, Voix
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
2
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Alto, Orgue
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
375
Ensemble Jazz
132
Orchestre à Cordes
129
Orchestre
77
Ensemble de cuivres
54
Fanfare
34
Cloches
25
Orchestre de chambre
25
Batterie (partie séparée)
24
Jazz combo
21
Batterie
17
Ensemble de Percussions
14
Percussion (partie séparée)
4
Xylophone, Piano
2
Piano et Orchestre
2
2 Caisses Claires (duo)
1
2 Xylophones
1
Vibraphone et Marimba
1
Marimba
1
Vibraphone
1
Xylophone ou Marimba ou Vibraphone
1
Xylophone
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Vous avez sélectionné:
This Too, Is
Orchestre
Partitions à imprimer
77 partitions trouvées
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76
Jesus Is The Way (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christo...
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Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Debussy/Orledge : Toomai des éléphants for orchestra - Score Only
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
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Claude Debussy/Robert Orledge
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Debussy/Orledge : Toomai des &
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.862370 Composed by Claude Debussy/Robert Orledge. Children,Classical,Multicultural,World. Score and parts. 17 pages. ...
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Full Orchestra - Level 4 - SKU: A0.862370 Composed by Claude Debussy/Robert Orledge. Children,Classical,Multicultural,World. Score and parts. 17 pages. Musik Fabrik Music Publishing #468850. Published by Musik Fabrik Music Publishing (A0.862370). Scored for 3222/2200/timp/1perc/cel/pno/hp/strings, this item is the score only. The parts are available on rental from the publisher.
$20.00
Too Early For Christmas
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Orchestre
#
INTERMÉDIAIRE
#
Noël
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Jimmy Fallon With Dolly Parton
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Marek Czekala
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Too Early For Christmas
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged...
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Full Orchestra - Level 3 - SKU: A0.1251902 By Jimmy Fallon With Dolly Parton. By Ido Zmishlany, Jimmy Fallon, Sarah Solovay, and Victoria Zaro. Arranged by Marek Czekala. Christmas,Comedy. Score and Parts. 44 pages. Marek Czekala #846120. Published by Marek Czekala (A0.1251902). Jimmy Fallon revealed his latest holiday collaboration with Dolly Parton, a comical song called “Almost Too Early for Christmas,†out Nov. 4. “I’m releasing another holiday song this year, and I thought what better day to announce it than Halloween,†said Fallon on the Tonight Show Starring Jimmy Fallon on Oct. 31.He added, “People have that debate after Thanksgiving of, ‘Can we listen to holiday music? Can we listen to Christmas music? Is it too early? Can we put on Mariah Carey now?’ I say, ‘Yeah.’ … So I thought it would be fun if I put out a song and released it around Halloween, for the holidays.â€Parton starts off the holiday song singing, It’s almost too early for Christmas before Fallon takes on the next verse, Too soon to be singing this song. The pair then continue line by line throughout the humorous duet: There’s still Halloween decorations / And haters will say that it’s wrong / Let’s turn on the lights for Mariah / Tell Rudolph to shine up his nose with both singing  It’s almost too early for Christmas / Why don’t we see how it goes. © 2023 American Songwriter.
$50.00
This Is Halloween
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Halloween
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Danny Elfman
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L
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This Is Halloween
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LCH Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Musical/Show. Scor...
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Full Orchestra - Level 4 - SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Musical/Show. Score and Parts. 80 pages. LCH Music #708440. Published by LCH Music (A0.1105185). Danny Elfman’s classic song “This Is Halloween†from Tim Burton’s The Nightmare Before Christmas has been skillfully adapted for standard-sized orchestra with harp. This instrumental arrangement retains the “haunting†mood and colorful orchestration of the original, but makes it easily performed by any group with standard instrumentation. The harp and pitched percussion parts may be performed on electronic keyboards. Danny Elfman composed the music to Tim Burton’s 1993 classic stop-motion animated feature The Nightmare Before Christmas. Although Walt Disney Pictures feared the film might be too scary for children, it is now considered a timeless classic that has been re-released numerous times, and has been featured in the annual holiday-season version of Disney’s Haunted Mansion since 2001. Today the film is frequently screened with live orchestra and singers. “This Is Halloween†is the perfect piece to open or close your next fall or holiday concerts.Please note the following errata: In the flute 1, flute 2, and clarinet 1 parts, the arpeggio in measure 59 should be one measure later in measure 60.
$79.99
March of Defiance (score only)
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Orchestre
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INTERMÉDIAIRE
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Michael D
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March of Defiance
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Michael D. Blostein
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #28461...
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Full Orchestra - Level 3 - SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #2846149. Published by Michael D. Blostein (A0.921074). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.This selection is the score only. For the score and parts, please select the other work title.
$10.00
March of Defiance
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Orchestre
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INTERMÉDIAIRE
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Michael D
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March of Defiance
#
Michael D. Blostein
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #28461...
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Full Orchestra - Level 3 - SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #2846143. Published by Michael D. Blostein (A0.921070). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.
$75.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Orchestre
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
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Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
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Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
The Great Escape March
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Al Stillman and Elmer Bernstei
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The Great Escape March
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Histor...
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Full Orchestra - Level 4 - SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others. The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen). The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes. Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story. Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
$100.00
Overture to "Der Bäbu" (The Baby)
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Orchestre
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AVANCÉ
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Classique
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Heinrich Marschner
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Typeset by Trevor Denyer
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Overture to "Der Bäb
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1217034 Composed by Heinrich Marschner. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and...
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Full Orchestra - Level 5 - SKU: A0.1217034 Composed by Heinrich Marschner. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 183 pages. Trevor Denyer #813564. Published by Trevor Denyer (A0.1217034). Marschner is probably best known for his opera Der Vampyr, but deserves to be played more as his music is powerful and dramatic - in the best Romantic tradition and very similar to Weber's.This overture is no exception - full of energy, drama and reflection too! I believe this to be the only modern score and set of parts to be published - but stand to be corrected!
$49.99
The Sound Of Philadelphia (t.s.o.p.)
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Orchestre
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INTERMÉDIAIRE
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Mfsb/Three Degrees
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Brett A Foster
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The Sound Of Philadelphia
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1159046 By Mfsb/Three Degrees. By Kenneth Gamble and Leon Huff. Arranged by Brett A Foster. Disco,Film/TV,Pop. Score ...
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Full Orchestra - Level 3 - SKU: A0.1159046 By Mfsb/Three Degrees. By Kenneth Gamble and Leon Huff. Arranged by Brett A Foster. Disco,Film/TV,Pop. Score and parts. 89 pages. Brett A Foster #759290. Published by Brett A Foster (A0.1159046). Relive the early days of Disco with the groundbreaking 1974 Hit - TSOP The Sound of Philadelphia. A classic example of the Philadelphia soul genre, it was written by Gamble and Huff as the theme for the American musical television program Soul Train, which specialized in African American musical performers. The single was released on the Philadelphia International Records label. It was the first television theme song to reach number one on the Billboard Hot 100,[1] and it is arguably the first disco song to reach that position. This chart is for full orchestra with optional parts to make it a Pops Orchestra chart including Piano, Bass Guitar, Rhythm Guitar and a Full Saxophone Section and Piano to add to the authentic feel of this classic soul disco fusion piece. You can also drop the String parts and it works as a Concert / Big Band Wok too. It will be a fantastic addition for any concert! Available to purchase and immediate download from: Sheet Music Plus: https://www.sheetmusicplus.com/publishers/brett-a-foster-sheet-music/3015160 Sheet Music Direct: https://www.sheetmusicdirect.com/Search.aspx?query=brett%20foster.
$60.00
Symphony No. 3 Eb major
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Orchestre
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Classique
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Ludwig van Beethoven
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Symphony No. 3 Eb major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q19576 Eroica. Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Mi...
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Orchestra - SKU: S9.Q19576 Eroica. Composed by Ludwig van Beethoven. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 55. Ernst Eulenburg & Co. GmbH - Digital #Q19576. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q19576). Key: E flat major. German • English.'So he too is nothing more than an ordinary man. [...] he will place himself above everyone else and become a tyrant!' is what Beethoven is said to have shouted full of rage when Napoleon had declared himself emperor, and supposedly tore the title page of Symphony No. 3 headed 'Bonaparte' to pieces. Despite his anger, however, the work was again headed 'Bonaparte' when he wanted to publish it in 1804. But it was the first edition of 1806 which finally bore the title of Sinfonia eroica. Symphony No. 3 was Beethoven's first work in which he had come to terms with his progressing deafness and left the boundaries of the musical conventions far behind.
$15.99
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Alice In Wonderland
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Orchestre
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Film Walt Disney
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
Full Orchestra - SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broa...
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Full Orchestra - SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
Horseshoe Curve
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published ...
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Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Rosary Sonatas: The Presentation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
Jesus! - Printable Parts
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Orchestre
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Mary McDonald
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Jesus! - Printable Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: LX.30-3537L The Resurrection of the Messiah. Composed by Mary McDonald. Choral Cantatas. Easter, Holy Week. Printable Parts...
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Full Orchestra - SKU: LX.30-3537L The Resurrection of the Messiah. Composed by Mary McDonald. Choral Cantatas. Easter, Holy Week. Printable Parts. 451 pages. Lorenz Publishing - Digital Sheet Music #e30/3537L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3537L). The resurrection of Jesus changed the world and continues to change the world today. Jesus! The Resurrection of the Messiah tells the intimate story of the grief, the fear, the hope, the love, the tenderness, and the longing of God for His children expressed through the life, death, and resurrection of Jesus. Mary McDonald and Rose Aspinall combined their talents to create a compelling musical that will take you through the emotions of the Triumphal Entry, the raising of Lazarus, the Last Supper, the moment in the garden when Jesus is arrested, the Crucifixion, and finally to the joyous Resurrection. This work may be programmed in its entirety or presented in segments during Palm Sunday, Holy Week, and Resurrection Sunday worship settings. It may be done with choir and piano alone or can include the optional orchestrations created by Michael Lawrence and Ed Hogan. This powerful worship tool is an inspiring reminder of the life-changing impact of this Deliverer, Redeemer, and Savior….Jesus!
$249.95
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
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