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AUTRES INST…
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Non classifié
680
PIANO & CLAVIERS
Piano Facile
559
Piano seul
446
Piano, Voix
108
Piano, Voix et Guitare
65
Instruments en Do
24
Orgue
22
Accompagnement Piano
17
1 Piano, 4 mains
16
Piano grosses notes
11
Piano Trio: piano, violon, violoncelle
7
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
4
1 Piano, 6 mains
3
Orgue, Piano (duo)
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrument seul et Orgue
1
Piano (partie séparée)
1
Instrumentations suivantes
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GUITARES
Guitare
58
Guitare notes et tablatures
57
Ukulele
33
Ligne De Mélodie, (Paroles) et Accords
15
Basse electrique
14
2 Guitares (duo)
6
Piano, Guitare (duo)
3
Mandoline
2
Guitare (partie séparée)
2
Banjo
2
Dulcimer
1
2 Ukuleles
1
Instrumentations suivantes
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VOIX
Chorale SATB
138
Chorale Unison
107
Chorale 2 parties
105
Chorale 3 parties
57
Chorale TTBB
16
Chorale SSAA
11
Voix duo, Piano
5
Voix moyenne, Piano
3
Voix Soprano, Piano
3
Voix Alto, Piano
2
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Clarinette
83
Flûte traversière et Piano
76
Flûte traversière
73
Hautbois (partie séparée)
54
Saxophone Alto
52
Hautbois, Piano (duo)
47
Quatuor de Saxophones: 4 saxophones
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Clarinette et Piano
45
Flûte, Hautbois, Clarinette, Basson
30
Quintette de Saxophone: 5 saxophones
29
Saxophone Alto et Piano
27
2 Saxophones (duo)
27
2 Clarinettes (duo)
26
2 Flûtes traversières (duo)
26
Saxophone (partie séparée)
23
Saxophone Tenor et Piano
23
Flûte à Bec
18
Quatuor de Clarinettes: 4 clarinettes
18
Flûte à bec Soprano
17
Quatuor de Flûtes à bec
16
2 Hautbois (duo)
16
Hautbois
11
5 Flûtes à bec
10
Flûte, Clarinette (duo)
9
Saxophone Baryton, Piano
8
Saxophone, Clarinette (duo)
8
2 Flûte à bec (duo)
8
Cor anglais, Piano
7
Clarinette, Violon (duo)
7
Saxophone Soprano et Piano
6
Hautbois, Basson (duo)
5
Flûte, Violoncelle, Piano (trio)
5
Clarinette Basse, Piano
5
Clarinette, Trompette (duo)
5
Flûte, Violon
4
Ensemble de saxophones
4
Flûte à bec Alto
4
Harmonica
4
Ensemble de Flûtes
4
Flûte, Saxophone (duo)
3
Clarinette, Basson (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Alto (duo)
3
Hautbois, Flûte
3
3 Saxophones (trio)
3
Flûte, Trompette (duo)
3
3 Clarinettes (trio)
3
Quatuor de Flûtes : 4 flûtes
3
Clarinette et Alto
2
Clarinette (partie séparée)
2
Flûte, Hautbois (duo)
2
Cor Anglais
2
Flute (partie séparée)
2
Ensemble de Clarinettes
2
Flûte, Violoncelle
2
Flûte, Clarinette et Basson
2
Flûte à bec Soprano, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
Ensemble De Flûte à bec
1
Hautbois, Violoncelle
1
3 Flûtes à bec (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Guitare
1
Cornemuse
1
Trio de Flûtes: 3 flûtes
1
Saxophone
1
Clarinette, Violoncelle (duo)
1
3 Hautbois
1
Instrumentations suivantes
Retracter
CUIVRES
Cor
64
Trompette
58
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Tuba
46
Trombone
44
2 Trombones (duo)
42
Trompette, Piano
33
Trombone et Piano
30
Quatuor de Cuivres : 2 trompettes, trombone, tuba
30
Cor et Piano
29
2 Trompettes (duo)
18
Trompette (partie séparée)
15
Tuba et Piano
14
2 Cors (duo)
12
Tuba et Orgue
11
2 Euphoniums (duo)
8
2 Tubas (duo)
8
Cor anglais, Piano
7
Trombone (partie séparée)
7
Trompette, Trombone (duo)
6
Trompette, Saxophone (duo)
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Euphonium, Piano (duo)
3
Quatuor de Cuivres
3
Ensemble de Trombones
3
Cor (partie séparée)
3
Tuba (partie séparée)
2
Trompette, Cor (duo)
2
Trombone, Cor (duo)
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Bass Clef Instruments
2
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Euphonium
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
104
Violon
101
Violon et Piano
82
Alto seul
74
Violoncelle, Piano
62
Violoncelle (partie séparée)
57
Alto, Piano
56
2 Violons (duo)
34
Contre Basse
27
Contrebasse, Piano (duo)
23
Violoncelle
21
2 Altos (duo)
21
Alto (partie séparée)
19
2 Violoncelles (duo)
18
Harpe
17
Violon, Violoncelle (duo)
13
Violon, Alto (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: violon, alto, violoncelle
9
Trio à Cordes: 2 violons, violoncelle
5
Violon (partie séparée)
5
Harpe, Violon (duo)
3
Quatuor à cordes: 4 violons
3
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
4 Violoncelles
1
2 Altos, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
95
Orchestre à Cordes
63
Orchestre
34
Ensemble de cuivres
14
Cloches
12
Orchestre de chambre
10
Ensemble de Percussions
7
Ensemble Jazz
7
Ensemble d'École
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Percussion (partie séparée)
2
Jazz combo
1
Xylophone, Piano
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
This Very Child
Orchestre
Partitions à imprimer
34 partitions trouvées
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1
26
What Child We Sing?
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
69.22 €
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Orchestre
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Robert Myers
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What Child We Sing?
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WheatMyer Music
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SheetMusicPlus
N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus (S/A) and Symphony Orches
Orchestre
Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arrang…
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Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush #6629255. Published by Arkady Leytush (A0.1008427). Chedrik, chedrik, Carol of the Bells, written by the Ukrainian composer N. Leontovych is very well known in America as Christmas Carol. It takes one of the central piece in the bouquet of the best songs dedicated to Christmas. Orchestrating this work for a two-part children's choir and a symphony orchestra, I set myself the task of painting the score with all kinds of colors of a winter landscape and trying to create an atmosphere of the approaching Christmas.
$20.00
18.46 €
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Orchestre
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N
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A
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N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus
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Arkady Leytush
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SheetMusicPlus
N. Leontovych - Carol of the Bells, "Щедрiк", For Children Chorus (S/A) and Symphony Orchestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1297046 By Arkady Leytush. By N…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1297046 By Arkady Leytush. By N. Leontovych. Arranged by Arkady Leytush. 20th Century. Score and Parts. 43 pages. Arkady Leytush #887169. Published by Arkady Leytush (A0.1297046).
$300.00
276.88 €
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Orchestre
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Arkady Leytush
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Arkady Leytush
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N. Leontovych - Carol of the Bells, "Щедрiк", For Children Chorus
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Arkady Leytush
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SheetMusicPlus
Jingle Bells for full children orchestra. SCORE & PARTS.
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.805491 Composed by James Pierpo…
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Full Orchestra - Level 2 - Digital Download SKU: A0.805491 Composed by James Pierpont. Arranged by Laura C. Quijada OrtÃz. Christmas,Standards. Score and parts. 31 pages. Laura Quijada #6563451. Published by Laura Quijada (A0.805491). A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!Easy to work and can be played in no time!
$30.00
27.69 €
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Orchestre
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James Pierpont
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Laura C
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Jingle Bells for full children orchestra. SCORE & PARTS.
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Laura Quijada
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SheetMusicPlus
Jingle Bells for full children orchestra. PARTS ONLY.
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.805492 Composed by James Pierpo…
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Full Orchestra - Level 2 - Digital Download SKU: A0.805492 Composed by James Pierpont. Arranged by Laura C. Quijada OrtÃz. Christmas,Standards. Score and parts. 22 pages. Laura Quijada #6563461. Published by Laura Quijada (A0.805492). A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!
$25.00
23.07 €
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Orchestre
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James Pierpont
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Laura C
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Jingle Bells for full children orchestra. PARTS ONLY.
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Laura Quijada
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SheetMusicPlus
Jingle Bells for full children orchestra. SCORE; SECTIONS' SCORES PARTS.
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.805490 Composed by James Pierpon…
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Full Orchestra - Level 2 - Digital Download SKU: A0.805490 Composed by James Pierpont. Arranged by Laura C. Quijada Ortíz. Christmas,Standards. Score and parts. 58 pages. Laura Quijada #6563425. Published by Laura Quijada
A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!<br> Easy to work and can be played in no time!<br> This st includes: conductor's score, sections' scores (brass, woodwinds, percussion, strings) and parts.
$38.00
35.07 €
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Orchestre
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James Pierpont
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Laura C
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Jingle Bells for full children orchestra. SCORE; SECTIONS' SCORES PARTS.
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Laura Quijada
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SheetMusicPlus
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
10.15 €
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Orchestre
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Alan Edgar Ted Moon
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SheetMusicPlus
Rosary Sonatas: The Presentation
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
18.45 €
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Orchestre
#
Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentation
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JMJ Arrangements
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SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.76 €
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Orchestre
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Family Fugue
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy A…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
73.83 €
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Orchestre
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
69.22 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
El Noi de la Mare (for Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.515228 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.515228 Composed by Traditional. Arranged by Kenneth Abeling. 20th Century,Christian,Christmas,Sacred. Score and parts. 45 pages. LINCOLN MUSIC PUBLICATIONS #5992147. Published by LINCOLN MUSIC PUBLICATIONS (A0.515228). El Noi de la Mare (The Child of the Mother) is a very popular Catalan Christmas song arranged here for full Orchestra. This beautiful orchestration is a perfect addition to any Orchestra’s Christmas or Holiday Seasons repertoire. This is an intermediate level arrangement with a playing time of approximately 4:15. To view and listen to this piece in its entirety as well hundreds of other small ensemble arrangements and transcriptions by Kenneth Abeling please visit: https://lincolnmusicpublications.com/
$55.00
50.76 €
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Orchestre
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Traditional
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Kenneth Abeling
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El Noi de la Mare
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.95 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.64 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Joyful and Triumphant Overture (O Come, All Ye Faithful)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1339990 By Michael Ware. By Mic…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1339990 By Michael Ware. By Michael Ware. Arranged by Michael Ware. Christmas,Classical,Holiday,Sacred,Traditional. 82 pages. Michael Ware Music #925654. Published by Michael Ware Music (A0.1339990). O Come, All Ye Faithful (ADESTE FIELES) is a Christmas carol classic which is widely used throughout the holiday season. Michael Ware’s exuberant orchestral overture captures the “Joyful and Triumphant†spirit of the traditional song. This setting works very well as a prelude to any Christmas program or worship service. Celebrate the Christ Child and come with the shepherds to Bethlehem.
$70.00
64.61 €
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Orchestre
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Michael Ware
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Michael Ware
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Joyful and Triumphant Overture
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Michael Ware Music
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SheetMusicPlus
Tombland Fanfare
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
32.3 €
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Orchestre
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Crux Fidelis
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1142768 Composed by Luis Cardos…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1142768 Composed by Luis Cardoso. Children,Classical,Easter,Historic,Praise & Worship. Score and Parts. 271 pages. Luis Cardoso #743138. Published by Luis Cardoso (A0.1142768). Crux Fidelis is a sixteenth-century Latin religious text used in the creation and title of this cantata. It refers to Holy Week and the glorification of the Christian cross. The work has a simple and profound musical language, translating the text's message of redemption. The composition was made in 2022 for the various groups of students at the Conservatorio de Musica da Bairrada (Portugal). Includes Soprano singer soloist, Choir (Children's Choir - 2 voices, with optional 3 little choirs division), Guitar Ensemble in 4 voices, Percussion Ensemble with 2 lines, Orchestra - Flt12, Clrn, SaxATB, Trp, Trb, Timpani, Organ with Pedals, Strings. 32m. Very easy, for beginners or young musicians, but very powerful music.
$149.99
138.43 €
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Orchestre
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Luis Cardoso
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Crux Fidelis
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Luis Cardoso
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SheetMusicPlus
Humdinger (Orchestral Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical,Comedy. Score and Parts. 85 pages. Geraldine (Denny) Green at Oakmountmusic #887482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297405). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$40.00
36.92 €
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Orchestre
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Geraldine
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Humdinger
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Geraldine
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.92 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Tomorrow
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1146756 By Charles Strouse & Ma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1146756 By Charles Strouse & Martin Charnin. By Charles Strouse and Martin Charnin. Arranged by Brian Strohmetz. 20th Century,Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. Score and Parts. 49 pages. Brian Strohmetz #746972. Published by Brian Strohmetz (A0.1146756). From the Classic Musical Annie, this charming arrangement of the optimistic song Tomorrow is for solo voice and children's choir with a full orchestra. The perfect way to bring a smile to everyone's faces!
$74.99
69.21 €
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Orchestre
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Charles Strouse & Martin Charnin
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Brian Strohmetz
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Tomorrow
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Brian Strohmetz
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.07 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.07 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.07 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Unconquered: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016951_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016951_TMP Timpani. Composed by Bruce W. Tippette. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016951_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016951_TMP). UPC: 038081507002.This original composition first fell upon the ears of excited, rambunctious, elementary-aged children as part of an educational concert series geared toward teaching the sections of the orchestra. The room quickly grew silent and the audience was captivated by the haunting melodies and clashes of bold chords, intertwined with moments of tranquility and wonder. Each and every section of the orchestra will feel equally important as it tackles this challenging, yet appealing piece! (5:15)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Bruce W
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Festival.
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Unconquered: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Unconquered: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016951_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016951_F1 Flute. Composed by Bruce W. Tippette. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016951_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016951_F1). UPC: 038081507002.This original composition first fell upon the ears of excited, rambunctious, elementary-aged children as part of an educational concert series geared toward teaching the sections of the orchestra. The room quickly grew silent and the audience was captivated by the haunting melodies and clashes of bold chords, intertwined with moments of tranquility and wonder. Each and every section of the orchestra will feel equally important as it tackles this challenging, yet appealing piece! (5:15)Concert/Contest; Festival.
$3.00
2.77 €
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Orchestre
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Bruce W
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Festival.
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Unconquered: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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