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ACCORDEON
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AUTOHARPE
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PIANO & CLAVIERS
Piano seul
482
Piano, Voix
192
Piano Facile
109
Piano, Voix et Guitare
83
Orgue
43
Piano (partie séparée)
22
Instruments en Do
20
1 Piano, 4 mains
11
Piano grosses notes
5
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 8 mains
2
Accordéon
2
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
1
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Piano Quatuor: piano, 2 violons, violoncelle
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
38
Guitare notes et tablatures
30
Guitare
28
Basse electrique
24
Guitare (partie séparée)
16
Ukulele
16
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4
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2
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1
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1
Banjo
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266
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102
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57
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33
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25
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24
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10
Chorale
5
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3
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3
Soli, choeur mixte et accompagnement
3
Voix duo
2
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
1
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1
Voix moyenne, Piano
1
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Saxophone (partie séparée)
305
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100
Hautbois (partie séparée)
90
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60
Quatuor de Clarinettes: 4 clarinettes
46
Quatuor de Saxophones: 4 saxophones
44
Flûte, Hautbois, Clarinette, Basson
43
Quintette de Saxophone: 5 saxophones
41
Flute (partie séparée)
38
Clarinette
36
Flûte traversière
31
Quatuor de Flûtes : 4 flûtes
26
Saxophone Alto
24
Flûte traversière et Piano
24
Quintette de Clarinettes: 5 clarinettes
22
Hautbois, Piano (duo)
18
Ensemble de saxophones
17
Saxophone Alto et Piano
16
2 Saxophones (duo)
13
2 Flûtes traversières (duo)
11
Clarinette et Piano
11
Trio de Flûtes: 3 flûtes
11
Ensemble de Clarinettes
10
Ensemble de Flûtes
10
3 Saxophones (trio)
9
Quintette de Flûte : 5 flûtes
8
Flûte, Clarinette et Basson
7
Saxophone Tenor et Piano
7
2 Clarinettes (duo)
6
Saxophone Soprano et Piano
6
Cor anglais, Piano
5
Saxophone Baryton, Piano
5
3 Clarinettes (trio)
5
Cor Anglais
4
Saxophone Tenor
4
Clarinette Basse, Piano
4
Hautbois
4
Flûte et Guitare
4
Quatuor de Flûtes à bec
3
Ensemble De Flûte à bec
3
Piccolo, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Harpe
2
2 Flûte à bec (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Piccolo
1
Clarinette, Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûtes à bec, Guitare
1
Flûte, Violon, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Hautbois, Harpe
1
Flûte, Hautbois, Basson
1
Flûte à Bec
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
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CUIVRES
Trombone (partie séparée)
131
Trompette (partie séparée)
131
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Cor (partie séparée)
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trompette
30
Tuba (partie séparée)
24
Trombone
16
Trombone et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor
10
Euphonium, Piano (duo)
9
Trompette, Piano
7
Cor et Piano
7
Trio de Cuivres
6
Cor anglais, Piano
5
Tuba
4
Cor Anglais
4
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Euphonium
3
Trompette, violon (duo)
3
2 Cors (duo)
2
3 Trompettes (trio)
2
Trompette, Cor (duo)
2
3 Trombones (trio)
1
Cor et Harpe
1
Ensemble de Trompettes
1
2 Trompettes (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
209
Violoncelle (partie séparée)
145
Violon (partie séparée)
99
Contrebasse (partie séparée)
76
Alto (partie séparée)
63
Violon
54
Violon et Piano
38
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle, Piano
22
Harpe
20
Alto seul
19
Violon, Violoncelle (duo)
18
Alto, Piano
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Contre Basse
11
2 Harpes (duo)
10
Violoncelle
10
2 Violons (duo)
9
Harpe (partie séparée)
8
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
4 Violoncelles
3
Harpe, Orchestre
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violoncelle, Orgue
1
Harpe, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Alto, Orgue
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Harpe, Trombone (duo)
1
Harpe, Violon (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
219
Orchestre à Cordes
91
Percussion (partie séparée)
77
Orchestre
39
Ensemble Jazz
27
Ensemble de cuivres
26
Batterie (partie séparée)
21
Orchestre de chambre
16
Fanfare
15
Cloches
11
Timbales (partie séparée)
10
Batterie
9
Jazz combo
7
Marimba
3
Ensemble de Percussions
2
Orchestre, Violon
1
Vibraphone
1
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AUTRES
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Partitions à imprimer
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Saint Patrick's Overture
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.731851 Composed by Irish Tradit…
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Full Orchestra - Level 4 - Digital Download SKU: A0.731851 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 142 pages. Thomas Quigley #3399257. Published by Thomas Quigley (A0.731851). Based on the jig Saint Patrick's Day and a hymn tune Dóchas Linn Naomh Pádraig, this colorfully orchestrated piece is an ideal concert item at any time, but particularly on (or close to) St. Patrick's Day. The dance tune is very well known and provides an exciting opening before the hymn. Here, the orchestra builds to a climax with a full-textured rendition, after which a new version of the jig is heard, but now transformed into a reel. This is a most appealing and well-crafted overture, always very suitably harmonized. It is a glowing orchestral tribute to Ireland's patron Saint.(Duration 5:00).
$89.00
81.74 €
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Orchestre
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Irish Traditional
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Thomas Quigley
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Saint Patrick's Overture
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Thomas Quigley
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SheetMusicPlus
Children's Story
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.989389 Composed by Thomas Nasza…
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Full Orchestra - Level 2 - Digital Download SKU: A0.989389 Composed by Thomas Naszalyi. 20th Century,Contemporary,Film/TV. Score and parts. 7 pages. Thomas Naszalyi #2849963. Published by Thomas Naszalyi (A0.989389).
$1.99
1.83 €
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Orchestre
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Thomas Naszalyi
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Children's Story
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Thomas Naszalyi
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SheetMusicPlus
He's Always Been Faithful
Orchestre
(Orchestra) - Digital Download SKU: H1.C5462ODP Composed by Sara Groves and William…
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(Orchestra) - Digital Download SKU: H1.C5462ODP Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faith & Faithfulness, Guidance, Promise. Set of Instrumental Parts. 67 pages. Hope Publishing - Digital #C5462ODP. Published by Hope Publishing - Digital (H1.C5462ODP). Thomas O. Chisholm & William M. Runyan; New Words & Music by Sara Groves. Genesis 8:22 - Lamentations 3:22 - Lamentations 3:23 - Lamentations 3:24 - 1 Samuel 15:29 - Hebrews 7:21 - Isaiah 49:7 - James 1:17 - Jeremiah 29:11 - Malachi 3:6 - Psalms 33:4 - Psalms 110:4 - Psalms 111:7 - Psalms 145:13 - Psalms 1.Original melody with Great Is Thy Faithfulness This popular new song from Sara Groves combines the hymn Great Is Thy Faithfulness with original contemporary words and music in a seamless blend of old and new that refreshes this beloved classic, and brings new relevance and significance to the timeless message. Orchestration consists of parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, 2 & 3, Horn 1 & 2, Tromtone 1 & 2, Trombone 3/Tuba, Timpani, Percussion 1 & 2, Harp, Rhythm (Piano), Violin 1 & 2, Viola, Cello/Bassoon, and String Bass.
$89.95
82.61 €
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Orchestre
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Sara Groves and William Runyan
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Thomas Fettke
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He's Always Been Faithful
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Hope Publishing - Digital
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.37 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.93 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Dublin City (Concert Overture)
Orchestre
Composed by Irish Traditional. Arranged by Thomas Quigley. World, Celtic, St. Patrick's Da…
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Composed by Irish Traditional. Arranged by Thomas Quigley. World, Celtic, St. Patrick's Day, Recital. Score, Set of Parts. 127 pages. Published by Thomas Quigley (S0.296307). - Score,Set of Parts - World,Celtic,St. Patrick's Day,Recital - Thomas Quigley
$85.00
78.07 €
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Orchestre
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Irish Traditional
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Thomas Quigley
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Dublin City
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Thomas Quigley
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
9.18 €
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Parkway
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
Orchestre
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th …
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Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Angels
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Flauta Carioca (2000) for flute and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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2222-2221-timp-2perc-strings
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Beware the Jabberwocky - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1182869 By Thomas Fernando. By …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1182869 By Thomas Fernando. By Thomas Fernando. Film/TV. Score and parts. 23 pages. Thomas Fernando #782617. Published by Thomas Fernando (A0.1182869). Introducing the mesmerizing and enchanting original score to Beware the Jabberwocky, composed by Thomas Fernando. The score is written for a full orchestra, featuring two solo violins and a solo viola, which add depth and richness to the already captivating music. All cues from the film have been notated fully, in their original orchestration.Directed by Sasha Gorman, a graduate of the Victorian College of the Arts, Beware the Jabberwocky weaves the language of bodily movement and dance. The film follows a Knight as she sets out to ensnare and slay her rival, the terrifying Jabberwocky. As the knight comes face to face with her foe, the two engage in an epic battle that will leave viewers on the edge of their seats. But as the duel between the Knight and the Jabberwocky intensifies, something unexpected begins to emerge between them: despite their differences, a deep and powerful connection takes hold, blurring the lines between love and rivalry. This emotive and compelling score underscores the epic fantasy battle between the knight and the Jabberwocky, drawing the viewer into the film's world and heightening the narrative's emotional impact.
$9.99
9.18 €
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Orchestre
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Thomas Fernando
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Beware the Jabberwocky - Score Only
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Thomas Fernando
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SheetMusicPlus
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Mass for the Holy Year 2000, pt. 1
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Thomas Oboe Lee
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SheetMusicPlus
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Mass for the Holy Year 2000, pt. 2
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.18 €
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.18 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Crown of Thorns, Crowns of Glory (When I Survey the Wondrous Cross) for Soprano Solo and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Mill…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra. Â This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation. Â This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range. Â If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.
$75.00
68.88 €
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Orchestre
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Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley
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Michael Thomas Andrews
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Crown of Thorns, Crowns of Glory
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Michael Thomas Andrews
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SheetMusicPlus
The Ocean Deep, Orchestral Version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595. Published by Leif Thomas Marken Jack (A0.1022840). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for full orchestra is perfect for both intermediate, student orchestras and advanced, professional orchestras. Inspire your musicians and audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for a concert related to the ocean or nature in general, and an excellent way to enrich a concert program with contemporary music which is not overly avant-garde.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$8.99
8.26 €
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Orchestre
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Leif Jack
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The Ocean Deep, Orchestral Version
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Leif Thomas Marken Jack
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SheetMusicPlus
The Artist Ouverture
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1292593 Composed by Ludovic Bou…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1292593 Composed by Ludovic Bource. Arranged by Kevin Riley. 21st Century,Film/TV. Score and Parts. 155 pages. Kevin Riley #883150. Published by Kevin Riley (A0.1292593). The Artist is a 2011 French[nb 1] comedy-drama film[nb 2] in the style of a black-and-white silent film or part-talkie. The film was written and directed by Michel Hazanavicius, produced by Thomas Langmann and stars Jean Dujardin and Bérénice Bejo. The story takes place in Hollywood, between 1927 and 1932, and focuses on the relationship between a rising young actress and an older silent film star as silent cinema falls out of fashion and is replaced by the talkies.The Artist received widespread critical acclaim and won many accolades. Dujardin won Best Actor at the 2011 Cannes Film Festival, where the film premiered. The film was nominated for six Golden Globes, the most of any 2011 film, and won three: Best Motion Picture – Musical or Comedy, Best Original Score, and Best Actor – Motion Picture Musical or Comedy for Dujardin. In January 2012, the film was nominated for twelve BAFTAs, the most of any film from 2011, and won seven, including Best Film, Best Director, Best Actor for Dujardin, and Best Original Screenplay for Hazanavicius.It was nominated for ten Academy Awards and won five,including Best Picture, Best Director for Hazanavicius, and Best Actor for Dujardin, making him the first French actor ever to win in this category. It was also the first French-produced film to win Best Picture, and the first mainly silent film to win since 1927's Wingswon at the 1st Academy Awards in 1929. It was also the first film presented in the 4:3 aspect ratio to win since 1953's From Here to Eternity. Additionally, it was the first black-and-white film to win since 1993's Schindler's List, though the latter contained limited colour sequences; it was the first 100% black-and-white film to win since 1960's The Apartment.In France it was nominated for ten César Awards, winning six, including Best Film, Best Director for Hazanavicius, and Best Actress for Bejo. The Artist has received more awards than any other French film.
$100.00
91.84 €
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Orchestre
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Ludovic Bource
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Kevin Riley
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The Artist Ouverture
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Kevin Riley
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SheetMusicPlus
Without You
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.515586 By Air Supply. By Peter …
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Full Orchestra - Level 3 - Digital Download SKU: A0.515586 By Air Supply. By Peter Ham and Thomas Evans. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 42 pages. Kevin Riley #126331. Published by Kevin Riley (A0.515586). Without You Song by Badfinger from the album No Dice Released 9 November 1970 Recorded 15 & 29 July 1970 Studio Abbey Road, London Length 4:43 Label Apple Songwriter(s) Pete Ham, Tom Evans Producer(s) Geoff Emerick Without You is a song written by Pete Ham and Tom Evans of British rock group Badfinger, and first released on their 1970 album No Dice. The power ballad has been recorded by over 180 artists, and versions released as singles by Harry Nilsson (1971), T. G. Sheppard (1983) and Mariah Carey (1994) became international best-sellers. The Nilsson version was included in 2021's Rolling Stone'}s 500 Greatest Songs of All Time.Paul McCartney once described the ballad as the killer song of all time. In 1972, writers Ham and Evans received the British Academy's Ivor Novello Award for Best Song Musically and Lyrically.
$60.00
55.11 €
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Orchestre
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Air Supply
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Kevin Riley
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Without You
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Kevin Riley
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SheetMusicPlus
Messiah, HWV 56 (arranged for Full Symphony Orchestra by Sir Eugene Goossens) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Hand…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroque,Christmas,Classical,Easter. 304 pages. Paladino Editions #872887. Published by Paladino Editions (A0.1281547). Sir Eugene Goossens' orchestration of Handel's Messiah was composed in 1959. The orchestral material is available for hire here.Sir Eugene Goossens’ monumental full symphony-sized orchestration of Handel’s Messiah from 1959 is now available in print for the first time. Formerly parts were falsely claimed by Sir Thomas Beecham and combined with other people’s work. However, this edition presents only Goossens’ version, which mysteriously appeared in the 1990s in England. This is the perfect version for playing the work in the context of a Romantic symphony orchestra.Orchestration: 3 Flauti (il 3o. anche piccolo) 4 Oboi (il 3o. anche corno inglese) 2 Clarinetti in Bb & A (il 2o. anche basso) 2 Fagotti 1 Contrafagotto 4 Corni 2 Trombe 3 Tromboni 1 Tuba Timpani Percossa (3 suonatori): Tamburo rullante, Triangolo, Piatti, Piatto sospeso, Gran Cassa Arpa Archi
$69.95
64.25 €
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Orchestre
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George Frideric Handel
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Sir Eugene Goossens
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A (il 2o
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Messiah, HWV 56
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Paladino Editions
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SheetMusicPlus
Tombland Fanfare
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
32.15 €
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Orchestre
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Name of All Majesty
Orchestre
(Orchestra) - Digital Download SKU: H1.C5239ODP Composed by Thomas Fettke. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5239ODP Composed by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Worship, God's Attributes/Character, Adoration & Praise. Set of Instrumental Parts. 71 pages. Hope Publishing - Digital #C5239ODP. Published by Hope Publishing - Digital (H1.C5239ODP). Timothy Dudley-Smith. Exodus:15:6 - Exodus:15:11 - Psalms 8:1 - Psalms 8:9 - Psalms 93:1 - Psalms 96:6 - Psalms 104:1 - Psalms 110:3 - Psalms 111:3 - Psalms 145:5 - Isaiah 2:10 - Isaiah 2:19 - Isaiah 2:21 - Isaiah 35:10 - Hebrews 1:3 - Hebrews 8:1 - 2 Pet.Original anthem Tom Fettke has compoased dramatic new music for Timothy Dudley-Smith's popular hymn text of adoration. The grandiose orchestral track, from Camp Kirkland, provides sweep and drama, whereas performance with just piano, transforms this traditional hymn text into a flowing praise and worship-like chorus.
$89.95
82.61 €
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Orchestre
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Thomas Fettke
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Name of All Majesty
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Hope Publishing - Digital
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SheetMusicPlus
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