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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SheetMusicPlus
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Non classifié
1250
PIANO & CLAVIERS
Piano seul
851
Piano Facile
677
Piano, Voix
317
1 Piano, 4 mains
212
Instruments en Do
110
Piano, Voix et Guitare
102
Accompagnement Piano
68
Piano Trio: piano, violon, violoncelle
34
Orgue
17
2 Pianos, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
6
Piano (partie séparée)
4
1 Piano, 6 mains
3
2 Pianos, 8 mains
1
2 Accordéons
1
Piano grosses notes
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
76
Guitare notes et tablatures
67
Ligne De Mélodie, (Paroles) et Accords
32
Basse electrique
19
Guitare (partie séparée)
19
Ukulele
10
Basse électrique (partie séparée)
7
2 Guitares (duo)
7
4 Guitares (Quatuor)
5
Dulcimer
3
Paroles et Accords
3
Ensemble de guitares
3
3 Guitares (trio)
2
Piano, Guitare (duo)
2
Mandoline
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
163
Chorale 2 parties
116
Voix Soprano, Piano
69
Voix Tenor, Piano
67
Voix Baryton, Piano
65
Voix Alto, Piano
63
Chorale Unison
57
Chorale 3 parties
55
Chorale SSAA
23
Chorale TTBB
19
Voix duo, Piano
9
Voix haute
5
Voix duo
3
Voix Tenor
2
Chorale SSAB, Piano
2
Chorale SSATB
1
Voix seule
1
Voix moyenne, Piano
1
Instrumentations suivantes
Retracter
VENTS
Clarinette
142
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
127
Flûte traversière et Piano
117
Flûte traversière
106
Clarinette et Piano
101
Quintette de Saxophone: 5 saxophones
93
Hautbois, Piano (duo)
87
Saxophone (partie séparée)
86
2 Saxophones (duo)
81
Saxophone Alto
81
Quatuor de Saxophones: 4 saxophones
76
Flûte, Hautbois, Clarinette, Basson
74
Saxophone Alto et Piano
73
Quatuor de Clarinettes: 4 clarinettes
64
Hautbois (partie séparée)
57
Saxophone Tenor
55
2 Flûtes traversières (duo)
50
Hautbois
43
Saxophone Tenor et Piano
43
2 Clarinettes (duo)
42
Saxophone Soprano et Piano
30
Flûte, Clarinette (duo)
26
Saxophone Baryton, Piano
24
Ensemble de Clarinettes
23
2 Hautbois (duo)
22
2 Flûte à bec (duo)
22
Quatuor de Flûtes : 4 flûtes
22
Quintette de Clarinettes: 5 clarinettes
19
Saxophone, Clarinette (duo)
18
Clarinette Basse, Piano
17
Cor Anglais
15
Flûte, Clarinette et Basson
15
Saxophone Soprano
15
Cor anglais, Piano
15
Flute (partie séparée)
14
Hautbois, Clarinette (duo)
14
3 Clarinettes (trio)
13
Saxophone Baryton
13
Clarinette, Trompette (duo)
12
Clarinette, Violon (duo)
11
Flûte à bec Soprano
11
Ensemble de Flûtes
11
3 Saxophones (trio)
11
Ensemble de saxophones
10
Trio de Flûtes: 3 flûtes
8
Quintette de Flûte : 5 flûtes
8
Flûte, Alto (duo)
7
Hautbois, Basson (duo)
7
Flûte à Bec
7
Clarinette (partie séparée)
7
Flûte, Violon, Piano
6
Clarinette et Alto
6
Clarinette Basse
6
Clarinette, Basson (duo)
5
Quatuor de Flûtes à bec
5
Flûte, Violon
4
Flûte, Violoncelle
4
Hautbois, Violoncelle
4
Flûte, Hautbois, Basson
4
Clarinette, Violoncelle (duo)
4
Hautbois, Flûte
3
Ensemble De Flûte à bec
3
2 Clarinettes, Piano
3
5 Flûtes à bec
3
Flûte à bec Tenor
3
Flûte, Saxophone (duo)
3
Flûte, Hautbois (duo)
2
Flûte à bec Alto
2
Flûte à bec Alto, Piano
2
Saxophone
2
Flûte, Violon et Violoncelle
2
Flûte à bec Soprano, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Trompette (duo)
2
Hautbois, Basson et Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Piccolo, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec, Piano
1
Flûte et Guitare
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Hautbois, Piano
1
4 Hautbois
1
Ensemble à vent
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Saxophones, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
128
Trompette
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
89
Trompette, Piano
88
Cor
84
Trombone
81
Cor et Piano
76
Tuba
72
Trombone et Piano
59
Tuba et Piano
34
Quatuor de Cuivres: 2 trompettes, Cor, trombone
32
Trompette (partie séparée)
32
Trompette, Trombone (duo)
28
Trombone (partie séparée)
25
2 Trompettes (duo)
22
2 Trombones (duo)
20
Cor (partie séparée)
16
Quatuor de Cuivres
15
Cor Anglais
15
2 Cors (duo)
15
Cor anglais, Piano
15
Tuba et Orgue
12
2 Tubas (duo)
11
Tuba (partie séparée)
10
Trompette, Saxophone (duo)
10
Euphonium, Piano (duo)
9
Ensemble de Trombones
7
Euphonium
6
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
6
Ensemble de Trompettes
5
Trombone, Cor (duo)
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trombone basse et Piano
2
Trompette, Tuba (duo)
2
Cor, Tuba (duo)
2
4 Tubas
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Euphoniums
1
Cor, Violoncelle (duo)
1
Trombone basse
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
167
Violon
156
Violoncelle
144
Violon et Piano
132
Alto, Piano
110
Violoncelle, Piano
97
Alto seul
93
Contre Basse
61
Trio à Cordes: violon, alto, violoncelle
55
Violon, Violoncelle (duo)
54
2 Violons (duo)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
41
Contrebasse, Piano (duo)
36
Trio à Cordes: 2 violons, violoncelle
30
Violon, Alto (duo)
29
2 Violoncelles (duo)
26
2 Altos (duo)
25
Harpe
18
Alto (partie séparée)
13
2 Contrebasses (duo)
12
Contrebasse (partie séparée)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble d'Altos
4
Ensemble de Violons
4
Piano Trio: Violon, Alto, Piano
4
Violon (partie séparée)
4
Alto, Violoncelle (duo)
4
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violoncelle, Contrebasse (duo)
2
Violon, Guitare (duo)
2
2 Altos, Piano
2
2 Violoncelles, Piano
2
Violoncelle, Orchestre
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Harpe, Voix
1
4 Violoncelles
1
Violon, Violoncelle, Clarinette
1
Violon, Basson (duo)
1
Alto et Basson
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
311
Orchestre à Cordes
114
Orchestre
69
Fanfare
66
Ensemble Jazz
47
Ensemble de cuivres
47
Batterie (partie séparée)
37
Orchestre de chambre
33
Marimba
17
Jazz combo
14
Ensemble de Percussions
14
Xylophone
14
Xylophone, Piano
12
Batterie
12
Cloches
11
Percussion (partie séparée)
9
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Ensemble d'École
3
Percussion
1
2 Marimbas
1
Piano et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
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Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
58.54 €
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Orchestre
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Elegy Sentimentale for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.02 €
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
81.05 €
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Orchestre
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.37 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.01 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
40.53 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.52 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
(I'VE Had) The Time Of My Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1412939 By Bill Medley & Jennif…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1412939 By Bill Medley & Jennifer Warnes. By Donald Markowitz, Franke Previte, and John DeNicola. Arranged by Matt Amy. Contemporary,Pop,Rock. 113 pages. Matt Amy Music #994944. Published by Matt Amy Music (A0.1412939). Key: E majorBPM: 108Style: 80's PopDuration: 5:26“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): (I've Had) The Time of My Life MIDI)*Note - This arrangement has a click track and programmed elements that can accompany the orchestra for live performance, please get in contact with Matt to purchase - the tenor sax solo is also written out and the arrangement has a chaser at the end of it.Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2, 3- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
67.55 €
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Orchestre
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Bill Medley & Jennifer Warnes
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Matt Amy
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(I'VE Had) The Time Of My Life
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Matt Amy Music
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SheetMusicPlus
Symphonie in C, 1. Allegro Vivo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Biz…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
45.02 €
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Orchestre
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Vivo
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Donald Jay Smith Music
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SheetMusicPlus
The Imaginary Invalid Opera, Instrument Parts 1 of 2 (Woodwinds, Brass, Perc.)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730518 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730518 Composed by James Nathaniel Holland. Broadway,Contemporary,Jazz,Musical/Show,Opera. Score and parts. 326 pages. James Nathaniel Holland #6129949. Published by James Nathaniel Holland (A0.730518). Instrument Parts 1 of 2 (Woowinds, Brass, Perc) . Full score, piano vocal score and individual parts (strings) sold separately. Moliere's 300 year old play Le malade imaginaire is adapted into a three act comedic opera by American composer James Nathaniel Holland (adaption, music and libretto). It's the story of a hypochondriac, studio mogul who is willing to marry off his daughter to his celebrity doctor's son to save on expenses. From the other side, his ambitious, hypocritical wife is trying to swindle his fortune. Only his long-time secretary and partner can save him and unite his daughter with the young man who she actually loves. Set in 1930's Los Angeles, Hollywood with early jazz elements, quasi musical numbers that will delight and tickle your audiences today. A small cast opera of about 8 singers (2 tenors, soprano, mezzo, coloratura, 2 baritones, and bass baritone) with no chorus and relatively small sized orchestra, this piece is perfect for any university or small opera house, and it's libretto is originally in English. Suitable for all audiences. Duration: 1 hour and 45 minutes. Playlist link: https://www.youtube.com/playlist?list=PLEcbVsA36MCvU97UVaZdWAPdzkN8woFtw (Ver. 2022 with 2 new arias).
$34.95
31.48 €
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Orchestre
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James Nathaniel Holland
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The Imaginary Invalid Opera, Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. 232 pages. James Nathaniel Holland #3569503. Published by James Nathaniel Holland (A0.730459). (Duration: 26 minutes) One the most gorgeous classical music concertos of our century waiting for its violin virtuoso to champion it… writes the Milan American Music Society Offered here the full score in concert pitch and all individual parts. Instrumentation: picc, fl12, ob12, cl in A, 12, Bcl, Bsn 12, hrn 1234, Bb tpt 12, trm 12, tba, tim, perc. (bass drum, calabasa, tri., susp. and crash cym, sm. gong. and snare), harp, soloist, strings. Echoes of Elgar, R. Strauss, and Vaughn Williams. The concerto begins majestically with the section entitled (the mountains), then transforms into an African type melody (Costa Rica coffee dreams), then a beautiful sentimental melody (sentimental love) and a rousing scherzo (carnival). Reduced piano score with violin part sold separately. YouTube presentation with orchestra at: https://www.youtube.com/watch?v=j6YqKEvfVIU James Nathaniel Holland is an American-Costa Rican classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$63.25
56.97 €
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Orchestre
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James Nathaniel Holland
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Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Virtue, Not Vengeance; Hope, Not Despair - for alto solo and orchestra - Part 1 of 2 (piano version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.938529 Composed by Christopher …
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Full Orchestra - Level 4 - Digital Download SKU: A0.938529 Composed by Christopher Schwinger. Christian,Sacred. Score and parts. 22 pages. Christopher Schwinger #27591. Published by Christopher Schwinger (A0.938529). The 9th Christian vocal solo I've written, about about the promise of eternal life and support from God in this life if we choose virtue instead of vengeance. Part 1 of 2 of the orchestral version contains the score in concert pitch and transposed formats. The alto part goes from alto part goes from G# below middle C (the top of the bass clef staff, below the treble clef staff) to D# near the top of the treble clef staff. Instrumentation required: 1 flute, 1 Bb clarinet, 1 Bb trumpet, 1 trombone, 2 tubas, violin section (sometimes divisi), and cello section. (The total cost for the orchestral version is $46.).
$23.00
20.72 €
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Orchestre
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Christopher Schwinger
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Virtue, Not Vengeance; Hope, Not Despair - for alto solo and orchestra - Part 1 of 2
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Christopher Schwinger
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SheetMusicPlus
It's About Time: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0018628_TMP Instructional. 1 pages.…
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Full Orchestra - Digital Download SKU: AX.00-PC-0018628_TMP Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0018628_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0018628_TMP). UPC: 038081565347.
$3.00
2.7 €
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Orchestre
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It's About Time: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Most Wonderful Time Of The Year
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.718519 Composed by Eddie Pola a…
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Full Orchestra - Level 5 - Digital Download SKU: A0.718519 Composed by Eddie Pola and George Wyle. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday. Score and Parts. 159 pages. Daryl McKenzie #6434709. Published by Daryl McKenzie (A0.718519). Christmas favourite arranged in the style of Natalie Cole and the Mormon Tabernacle Choir. Vocal with optional Choir and Pops Orchestra (2 Fl, 2 Ob, 2 Cl, BCl, 2 Bsn, 4 F Hn, 4 Trpt, 4 Trb, Tba, Timp, 2 Perc, Glock, Drums, Guitar, Bass, Piano, Celeste, Harp, Vln 1, Vln 2, Vla, Vcl, CB) Key of A to Bb Same arrangement for Big band also available on SMP: Search Here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$99.99
90.06 €
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Orchestre
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Eddie Pola and George Wyle
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Daryl McKenzie
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The Most Wonderful Time Of The Year
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Daryl McKenzie
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SheetMusicPlus
Maybe This Time
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.718645 Composed by John Kander.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.718645 Composed by John Kander. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show. Score and parts. 67 pages. Daryl McKenzie #6477677. Published by Daryl McKenzie (A0.718645). Arranged for Female Vocal and Pops Orchestra (2 Fl, 2 Ob, 1 Cl, 1Cl/BCl, 2 Bsn, 4 F Hns, 3 Trpts, 3 Trbs, Tuba, Perc., Timps, Vibes, Piano, Guitar, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB). Key of Gb with Key change to G which is Down a Tone from the Liza Minelli version found on The Collection https://www.amazon.com/Liza-Minnelli-Collection/dp/B000006UFD.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$79.99
72.04 €
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Orchestre
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John Kander
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Daryl McKenzie
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Maybe This Time
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Daryl McKenzie
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.9 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
85.56 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Hungarian Dance No. 4 - J. BRAHMS - - Full Orchestra by Marc Garetto
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.722890 Composed by Johannes Bra…
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Full Orchestra - Level 4 - Digital Download SKU: A0.722890 Composed by Johannes Brahms. Arranged by Marc GARETTO. Concert,Film/TV,Instructional,Romantic Period. Score and parts. 56 pages. Marc GARETTO - Harmonie Editions #2828327. Published by Marc GARETTO - Harmonie Editions (A0.722890). Piccolo 1 / Piccolo 2 / Flute 1 / Flute 2NB : Piccolos and Flutes don't play at the same timeOboe 1 / Oboe 2 / Clarinet 1 / Clarinet 2 / Bassoon 1&2Horn 1&2 / Horn 3&4 / Trumpet 1&2 / Trombone 1&2 / Tuba Timpani / PianoViolin 1 / Violin 2 / Viola / Cello / Contrabass(Includes : Alto Saxophone / Clarinet 3 / Bass Clarinet / Bb Tuba / Violin 3 / Cello 2)FREE : Additionnal World Parts : contact us by e-mail !Video Score : https://www.youtube.com/watch?v=x2BjSSQdvBkNot the most famous, but probably the most beautiful and moving Hungarian Dance !Grade : 4 - Duration : 4'50''KEY : G minor (2b) + G Major (1#)
$72.00
64.85 €
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Orchestre
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Johannes Brahms
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Marc GARETTO
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Hungarian Dance No. 4 - J. BRAHMS - - Full Orchestra by Marc Garetto
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Game Of Thrones
Orchestre
Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or …
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Easy Piano, Piano Accompaniment, Flute, Oboe, Clarinet, Alto Sax, Woodwind Choir or Ensemble, Trumpet, Horn in F, Violin, Viola, Cello, Double Bass, Drums, Xylophone, Percussion Ensemble, Guitar, Recorder, Flexemble, school ensemble, school orchestra, youth music - Easy/Beginner - Digital Download By Ramin Djawadi. Arranged by Susie Winkworth winkmusic.co.uk. Score, Set of Parts. 58 pages. Published by winkmusic.co.uk
The dynamic Game of Thrones theme, in an arrangement which brings the energy of the original to life. For Flexemble - perfect for school groups and education projects where the instrumentation needs to be flexible, you can mix and match so that everyone can join in.<br> <br> *NOW WITH HORN IN F*<br> <br> Descant Recorder/Flute 1: Intermediate<br> Descant Recorder/Flute 2: Easy (B, A, G only)<br> Oboe: Fairly easy<br> Clarinet 1 in Bb: Intermediate<br> Clarinet 2: Easy<br> Alto Sax 1: Intermediate<br> Alto Sax 2: Easy<br> Horn in F: Fairly easy<br> Trumpet: Fairly easy<br> Guitar: notated and chord parts, fairly easy<br> Keyboard: Fairly easy<br> Percussion: bass or low drum, glockenspiel, cymbals<br> Violin 1: Intermediate<br> Violin 2: Easy/Intermediate<br> Violin 3/Viola: Easy (no low 2nd fingers)<br> Cello: Easy/Intermediate<br> Bass: Fairly easy<br> Easy Violin: open strings only<br> Easy Cello: open strings and 1st fingers only<br> <br> Teacher Guide Piano<br> Teacher Guide Treble Clef in C<br> Teacher Guide Treble Clef in Bb<br> Teacher Guide Cello<br> Core Score<br> Full Score<br> <br> Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$35.00
31.52 €
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Orchestre
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Ramin Djawadi
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Susie Winkworth winkmusic
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Game Of Thrones
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SheetMusicPlus
The Crown Main Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1430569 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by John Langley / Studio Orchestrations. Classical,Film/TV,Historic,Patriotic. 41 pages. Www.studio-orchestrations.com #1011096. Published by www.studio-orchestrations.com (A0.1430569). The ground breaking Netflix epic TV biopic series was indeed a huge sea change in home streaming content output, bringing together some of Britain's biggest names in theatre, film and TV to portray the history of Queen Elizabeth II's 70 years as the UK monarch. Controversial at times, it had many critics but it was hugely popular with no less than 4 actresses taking on her portrayal.The respect, sensitivity and gravitas we would expect for a histirical drama production like this was self evident from the opening credits and the accompanying music. The theme that Balfe, Gregson Williams and Zimmer created perfectly framed and set up each episode beautifully. A little known fact is that it is based on a song written 400 years before it by Henry Purcell in his 'semi-opera' KING ARTHUR. The harmonies Purcell wrote in his 'Cold song' were very progressive for the time it was written but provides a wonderful bed for the modern writing team to use as their inspiration.This orchestration follows the original TV soundtrack as closely as possible for standard concert orchestra instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets1 Bass Clarinet2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion[Taiko Drum/Large Bass Drum]StringsCheckout some of the growing list of other titles now available on this website scored by Studio Orchestrations.
$90.00
81.06 €
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Orchestre
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Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams
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The Crown Main Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios …
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Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
22.52 €
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Orchestre
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op. 558
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Joel Jacklich
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SheetMusicPlus
Arabian Dance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1347458 Composed by Jesse Voogt…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1347458 Composed by Jesse Voogt. 19th Century,Classical,Contemporary,Romantic Period. 39 pages. Jesse Voogt #932265. Published by Jesse Voogt (A0.1347458). This piece was inspired by the Arabian Dance in Tchaikovsky's Nutcracker Ballet Suite. Just as Tchaikovsky's piece, this Arabian Dance features woodwinds, percussion, and strings (no brass). Instrumentation2 Flutes2 OboesEnglish Horn2 B♠ClarinetsBass Clarinet2 BassoonsTimpani3 Percussionists (Tambourine, Cymbal, Bass Drum, Shaker)StringsPerformance time: about 3 1/2 minutes
$4.99
4.49 €
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Orchestre
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Jesse Voogt
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Arabian Dance
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Jesse Voogt
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SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.66 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses, for Orchestra (High, Key of C), Pas de Deux / Theme from The Snow Queen, A Balle
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730417 Composed by James Nathaniel Holland. Holiday,Wedding. 35 pages. James Nathaniel Holland #3369855. Published by James Nathaniel Holland (A0.730417). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged in the key of C (HIGH) orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Â Can be used with any piano vocal arrangement in the same key.Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$12.95
11.66 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
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