English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Too Well
Non classifié
347
Piano & claviers
Piano seul
206
Piano, Voix
93
Piano Facile
82
Piano, Voix et Guitare
54
Instruments en Do
25
Piano grosses notes
20
Orgue
13
2 Pianos, 4 mains
8
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
4
Accompagnement Piano
3
Piano (partie séparée)
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Guitare
30
Ligne De Mélodie, (Paroles) et Accords
7
Basse electrique
6
2 Guitares (duo)
5
Ukulele
5
Mandoline
5
Guitare (partie séparée)
4
Paroles et Accords
3
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Banjo
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
34
Chorale 2 parties
20
Chorale TTBB
13
Chorale Unison
11
Chorale SSAA
9
Voix Soprano, Piano
6
Voix seule
4
Voix moyenne, Piano
2
Voix Alto, Piano
2
Voix haute
2
Voix Tenor
1
Voix basse, Piano
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière
39
Flûte traversière et Piano
28
Quatuor de Clarinettes: 4 clarinettes
28
2 Saxophones (duo)
27
Flûte, Hautbois, Clarinette, Basson
25
Quintette de Saxophone: 5 saxophones
25
Quatuor de Saxophones: 4 saxophones
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Alto et Piano
19
Clarinette et Piano
19
Hautbois, Piano (duo)
17
Saxophone Alto
17
Clarinette
15
Saxophone (partie séparée)
15
2 Flûtes traversières (duo)
13
3 Saxophones (trio)
11
Hautbois (partie séparée)
11
Ensemble de Flûtes
11
2 Clarinettes (duo)
11
Ensemble de saxophones
10
Ensemble de Clarinettes
10
Flûte à Bec
8
Saxophone Tenor et Piano
7
Saxophone Tenor
7
Hautbois, Clarinette, Basson (trio d'anches)
6
3 Clarinettes (trio)
6
Flûte et Guitare
5
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Soprano et Piano
5
2 Hautbois (duo)
4
Flute (partie séparée)
4
Cor anglais, Piano
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette (duo)
4
Cor Anglais
3
Hautbois
3
Clarinette, Guitare (duo)
2
Hautbois, Clarinette (duo)
2
Cor anglais, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton
2
Flûte à bec Soprano
2
Saxophone Baryton, Piano
2
Saxophone Soprano
2
Clarinette, Violoncelle (duo)
1
Ensemble De Flûte à bec
1
Flûte irlandaise
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Instruments en Mib
1
Hautbois, Basson et Piano
1
Saxophone
1
Clarinette, Basson (duo)
1
Clarinette (partie séparée)
1
Clarinette Basse, Piano
1
Piccolo
1
Flûte à bec Soprano, Piano
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Trompette, Piano
13
Trombone
13
Trombone (partie séparée)
12
2 Trompettes (duo)
11
2 Trombones (duo)
11
Trompette
11
Trompette (partie séparée)
10
Tuba
10
Trombone et Piano
10
Cor
10
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
4
2 Cors (duo)
4
Tuba et Piano
3
Ensemble de Trompettes
3
Cor Anglais
3
Tuba (partie séparée)
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone (duo)
2
Cor (partie séparée)
2
Quatuor de Cuivres
2
Euphonium
1
3 Trompettes (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone basse et Piano
1
Instruments en Sib
1
Bass Clef Instruments
1
Instruments en Fa
1
Ensemble de Tubas
1
+ 29 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon
28
Violoncelle
27
Trio à Cordes: violon, alto, violoncelle
26
Violon et Piano
24
Harpe
22
Violoncelle, Piano
20
Alto, Piano
19
Alto seul
14
2 Violons (duo)
13
2 Violoncelles (duo)
12
Violon, Violoncelle (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
5
2 Altos (duo)
5
Violon, Alto (duo)
5
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Violon, Guitare (duo)
3
Ensemble de Violons
3
Ensemble d'Altos
3
4 Contrebasses
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contrebasse, Piano (duo)
2
Alto (partie séparée)
1
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Harpe, Voix
1
4 Harpes
1
Quatuor à cordes: 4 violons
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
106
Orchestre à Cordes
53
Orchestre
19
Ensemble Jazz
15
Ensemble de cuivres
12
Cloches
10
Orchestre de chambre
10
Ensemble de Percussions
8
Jazz combo
4
Batterie
3
Batterie (partie séparée)
2
Fanfare
2
Vibraphone
1
Piano et Orchestre
1
Bongos
1
+ 10 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
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Nouveautes
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Vous avez sélectionné:
Too Well
Orchestre
Partitions à imprimer
19 partitions trouvées
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1
Don't Let Me Be Misunderstood
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1373029 By The Animals. By Benn…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1373029 By The Animals. By Bennie Benjamin, Gloria Caldwell, and Sol Marcus. Arranged by Bojan MladenoviÄ?. 20th Century,Jazz,Pop. 38 pages. Bojan Mladenovic #957356. Published by Bojan Mladenovic (A0.1373029). Jamie Cullum / Gregory Porter version https://youtu.be/JVNmnxqGo2U?si=2qoUnFs8zYnRmR0tFull Orchestra Arrangement (Band and Back Vocals included) Complete Score and Parts in pdf file.
$160.00
147.51 €
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Orchestre
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The Animals
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Bojan MladenoviÄ?
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Don't Let Me Be Misunderstood
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Bojan Mladenovic
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SheetMusicPlus
March of Defiance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.921070 Composed by Michael D. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921070 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 38 pages. Michael D. Blostein #2846143. Published by Michael D. Blostein (A0.921070). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.
$75.00
69.14 €
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Orchestre
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Michael D
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March of Defiance
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Michael D. Blostein
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SheetMusicPlus
March of Defiance (score only)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #2846149. Published by Michael D. Blostein (A0.921074). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.This selection is the score only. For the score and parts, please select the other work title.
$10.00
9.22 €
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Orchestre
#
Michael D
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March of Defiance
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Michael D. Blostein
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.13 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.21 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.19 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Radetzky Swing
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1265447 Composed by Johann Stra…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1265447 Composed by Johann Strauss Sr. Arranged by Jasper Swank. Classical,Comedy,Jazz,March,Standards. Score and Parts. 77 pages. Jasper Swank #858266. Published by Jasper Swank (A0.1265447). This arrangement brings the jazz swing in the traditional well-known Radetzky March.Musicians who have played the original will have no trouble playing this arrangement. It’s pretty faithful to the original (well, one of the many ‘originals’) by Johann Strauss Sr.. But this twist will make it fun for the people who have played the straight version too damn many times by now. And the audience might be in for a pleasant surprise as well.Original title: Radetzky MarchOriginal composer: Johann Strauss I (Sr.).
$54.99
50.7 €
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Orchestre
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Johann Strauss Sr
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Jasper Swank
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Radetzky Swing
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Jasper Swank
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SheetMusicPlus
Amazing Grace
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1003869 Composed by Traditional…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1003869 Composed by Traditional. Arranged by Kristina Howells. 20th Century,Jazz,Patriotic,Praise & Worship,Spiritual. Score and parts. 38 pages. Kristina Howells #5708781. Published by Kristina Howells (A0.1003869). This orchestration has been created in order to dedicate it to all those who have risked their lives and to the memory of all the victims of COVID-19 who lost their lives to this pandemic in 2020, and to the survivers too ! .
$1.99
1.83 €
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Orchestre
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Traditional
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Kristina Howells
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Amazing Grace
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Kristina Howells
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SheetMusicPlus
Band Of Brothers - Main Title
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1447518 Composed by Michael Kam…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1447518 Composed by Michael Kamen. Arranged by John Langley / Studio Orchestrations. 20th Century,Classical,Film/TV,Historic. 108 pages. Www.studio-orchestrations.com #1027298. Published by www.studio-orchestrations.com (A0.1447518). Band of Brothers is one of the most powerful real-life war drama TV series of modern times and its soundtrack composed by the late Michael Kamen (composer of Die Hard and Robin Hood: Prince of Thieves) was a wonderfully poignant support to the series. The haunting Main theme has a prayerful, respectful quality that evokes servce and sacrifice rather than the glory of war. The final moments of the opening sequence, a simple broken F major chord in the manor of a military trumpet, played by horn solo remind us we are indeed in a military drama.This full orchestral arrangement encompasses the cue called REQUIEM as well as the MAIN THEME in a tribute to not only the TV drama itself and its soundtrack but also to Michael Kamen who was taken from us all too early. It includes optional SATB chorus. INSTRUMENTATION:2 Flutes2 Oboes [2nd dbl. Cor Anglais]2 Clarinets [Bb]1 Bass Clarinet [Bb]2 Bassoons4 French Horns3 Trumpets3 trombones1 TubaTimpani1 Percussion [Vibraphone]HarpOptional SATB ChorusSTRINGSCheck out other similar arrangements on this website written by John Langley and Paul Campbell (Studio orchestratios).
$140.00
129.07 €
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Orchestre
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Michael Kamen
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Band Of Brothers - Main Title
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www.studio-orchestrations.com
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.44 €
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Orchestre
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
46.1 €
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Orchestre
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.835244 Composed by B.A. Roberts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.835244 Composed by B.A. Robertson and John Barry. Arranged by Claudio Porstmann. Contemporary,Film/TV. 20 pages. Claudio Porstmann #4991661. Published by Claudio Porstmann (A0.835244). This beautiful melody by John Barry was used for the 80s movie Somewhere in Time with Jane Seymour and Chritopher Reeve, considered by some to be the most romantic movie ever. This arrangement for string orchestra is complemented by piano which also has some solo parts like a mini piano concerto. Actually, the piece draws from two melodic sources, the main theme by John Barry, as well as a second theme composed by Sergei Rachmaninoff, who in turn wrote it as a series of variations based on a theme by Paganini. The piece itsself is not too complicated, but does need an intermediate level to be able to play; the piano part should be performed by someone with advanced intermediate skills, as it has some flashy passages.You can listen to the complete piece here:https://soundcloud.com/claudio-porstmann/somewhere-in-time-movie-theme-john-barry
$12.99
11.98 €
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Orchestre
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B
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Claudio Porstmann
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Somewhere In Time
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Claudio Porstmann
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SheetMusicPlus
Round Up - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel We…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9.21 €
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Orchestre
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Various
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Chris Siddall
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Round Up - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
The Parting Glass
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Tr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032233 Composed by Scottish Traditional. Arranged by Josiah V. Smiddy. Folk,World. Score and parts. 31 pages. Josiah V. Smiddy #4615131. Published by Josiah V. Smiddy (A0.1032233). This arrangement of The Parting Glass is written for full orchestra with tacet percussion and modeled after the style of the of the Irish supergroup, Celtic Woman. The Parting Glass is in the same vein as Auld Lang Syne but is still sung traditionally by the Irish though not so much by the Scottish. The original lyrics from this song describe a person bidding farewell to a good friend who is leaving and my not return. This arrangement opens with a cadenza solo from the principal cello that is intended to set the tone of the piece in that sorrowful dismissal of a good friend. It is intentionally written with basic instrumentation. It does not stretch the ranges too far, but still provides some technical and musical challenges to your ensemble. This would be a great performance piece for a high school or community orchestra.
$30.00
27.66 €
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Orchestre
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Scottish Traditional
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Josiah V
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The Parting Glass
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Josiah V. Smiddy
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SheetMusicPlus
Horseshoe Curve
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
36.87 €
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Orchestre
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
In The Hall Of the Mountain King (Score & Parts)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.931980 Composed by Edvard Grieg…
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Full Orchestra - Level 4 - Digital Download SKU: A0.931980 Composed by Edvard Grieg. Arranged by Steven Klaus. Romantic Period. Score and parts. 69 pages. NiceChart #4764135. Published by NiceChart (A0.931980). This Grieg masterpiece has stood the test of time and represents the standard for setting a creepy, mysterious mood. This arrangement stays true to the original and is designed to be a challenging piece for groups who want to explore this work past its catchy, well known theme. The playing range of both the violins and woodwinds are pushed.Includes supplemental parts for piano, guitar and xylophone.
$65.00
59.92 €
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Orchestre
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Edvard Grieg
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Steven Klaus
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In The Hall Of the Mountain King
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NiceChart
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SheetMusicPlus
Barnum
Orchestre
Full Orchestra - Digital Download SKU: A0.507785 Composed by Cy Coleman and Michael…
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Full Orchestra - Digital Download SKU: A0.507785 Composed by Cy Coleman and Michael Stewart. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 115 pages. Published by Kevin Riley (A0.507785). Barnum is an American musical with a book by Mark Bramble, lyrics by Michael Stewart, and music by Cy Coleman. It is based on the life of showman P. T. Barnum, covering the period from 1835 through 1880 in America and major cities of the world where Barnum took his performing companies. The production combines elements of traditional musical theater with the spectacle of the circus. The characters include jugglers, trapeze artists and clowns, as well as such real-life personalities as Jenny Lind and General Tom Thumb. The original Broadway production ran for 854 performances and was followed by a London production, among others.
$80.00
73.75 €
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Orchestre
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Cy Coleman and Michael Stewart
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Kevin Riley
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Barnum
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Kevin Riley
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SheetMusicPlus
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
27.65 €
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Orchestre
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An-lun Huang
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Dream of Dunhuang - Ballet in 3 Acts, O,p.29
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DoReMi Edition
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SheetMusicPlus
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