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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.59 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.21 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Prima sinfonia -LA TERRA
Orchestre
Full Orchestra - Digital Download SKU: A0.1011370 Composed by Luca Ficaio. Arranged…
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Full Orchestra - Digital Download SKU: A0.1011370 Composed by Luca Ficaio. Arranged by Luca Ficaio. 20th Century,Romantic Period. Score and parts. 54 pages. Luca ficaio #3241907. Published by luca ficaio (A0.1011370). First work for Orchestra called la TERRA.Composed between 2016-2017.Full Orchestra Full Orchestra (2Fl/2Ob/2Cl/2Ba)-(4Ho/2Tru/2Tro/1Tu) -Timpani-Strings
$20.00
18.25 €
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Orchestre
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Luca Ficaio
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Luca Ficaio
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Prima sinfonia -LA TERRA
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luca ficaio
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SheetMusicPlus
The Queen's Gambit (Main Title) - For Full Orchestra (Full Score and Parts)
Orchestre
Full Orchestra - Intermediate - Digital Download By Carlos Rafael Rivera. Arranged by…
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Full Orchestra - Intermediate - Digital Download By Carlos Rafael Rivera. Arranged by Daniel de la Rosa Oliva. Lead Sheet, Score, Set of Parts. 37 pages. Published by Daniel de la Rosa Oliva
For Full Orchestra.For Full Orchestra.
$49.99
45.62 €
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Orchestre
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Carlos Rafael Rivera
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Daniel de la Rosa Oliva
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The Queen's Gambit
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SheetMusicPlus
Montsegur, The Cathar Tragedy, symphonic poem for solo trombone and orchestra - score
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.925924 Composed by Maxime Aulio…
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Full Orchestra - Level 3 - Digital Download SKU: A0.925924 Composed by Maxime Aulio. Contemporary,Standards. Score and parts. 61 pages. Maxime Aulio #2029863. Published by Maxime Aulio (A0.925924). Montsegur, la Tragedie Cathare (Montsegur, the Cathar Tragedy), symphonic poem for solo trombone and orchestra (originally for wind band), Op.7 (2003) by Maxime Aulio More info: http://www.maximeaulio.net/ENG/Maxime_Aulio_ENG/Blog/Entrees/2003/11/15_Montsegur,_The_Cathar_Tragedy_1.html.
$15.99
14.59 €
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Orchestre
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Maxime Aulio
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Montsegur, The Cathar Tragedy, symphonic poem for solo trombone and orchestra - score
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Maxime Aulio
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SheetMusicPlus
Elefante en la avenida
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1284601 By Carmen Andrea Almarz…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1284601 By Carmen Andrea Almarza Salas. By Carmen Andrea Almarza Salas. Arranged by Carmen Andrea Almarza Salas. 21st Century,Children,Comedy,March,Multicultural,World. Score and Parts. 18 pages. Chari Alma #875775. Published by Chari Alma (A0.1284601). Una orquesta inicial muestra el paso de un elefante por una avenida muy transitada en una ciudad cualquiera, a la hora de mayor tránsito. An initial orchestra depicts the passage of an elephant through a highly trafficked avenue in a random city, during the peak traffic hour.
$50.00
45.63 €
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Orchestre
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Carmen Andrea Almarza Salas
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Carmen Andrea Almarza Salas
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Elefante en la avenida
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Chari Alma
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SheetMusicPlus
- La randonnée d'imprévu // The hike..# ISRC 10262
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069259. Published by Réal Dubois (A0.1018798). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.82 €
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Orchestre
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Gaétane Poitras
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- La randonnée d'imprévu // The hike..# ISRC 10262
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Réal Dubois
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SheetMusicPlus
La petite outarde d'imprévu // The little bustard ..# ISRC 10258
Orchestre
Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. A…
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Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069253. Published by Réal Dubois (A0.1018796). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.82 €
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Orchestre
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Gaétane Poitras
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La petite outarde d'imprévu // The little bustard ..# ISRC 10258
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Réal Dubois
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SheetMusicPlus
La Passerella Di Addio
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. Score and Parts. 166 pages. Flavio Regis Cunha #892557. Published by Flavio Regis Cunha (A0.1302948). 🎶 Unleash Your Orchestra's Potential with 'Otto e Mezzo for Orchestra'! 🎶Calling all maestros, musicians, and music aficionados! Elevate your performances to extraordinary heights with 'La Passerella Di Addio for Orchestra,' a magnum opus meticulously composed by the legendary Italian film composer, Nino Rota, and brilliantly arranged by the maestro Flavio Regis Cunha.✨ Why 'La Passerella Di Addio for Orchestra' Stands Apart: ✨🌟 Cinematic Grandeur: Immerse your audience in the captivating melodies that defined the golden era of Italian cinema. Nino Rota's timeless composition, brought to life by Flavio Regis Cunha, resonates with emotive richness, painting vivid musical landscapes that stir the soul.🌟 Unmatched Versatility: Break free from the constraints of standard ensemble formats! 'La Passerella Di Addio for Orchestra' is a musical chameleon, seamlessly adapting to the unique dynamics of school orchestras, and professional ensembles. Its adaptive brilliance ensures a performance that is nothing short of spectacular, tailored to your specific setting.🌟 Masterful Arrangement: Dive into the nuances of expertly crafted sheet music. Flavio Regis Cunha's arrangement strikes the perfect balance between complexity and accessibility, catering to musicians of all levels. Whether you're a seasoned virtuoso or a budding talent, this composition challenges and inspires, fostering musical growth.🌟 Spellbinding Storytelling: Every note in 'Otto e Mezzo for Orchestra' narrates a story, evoking emotions that linger long after the performance concludes. From the delicate whispers to the powerful crescendos, experience the enchanting journey that this composition offers, leaving your audience enthralled and yearning for more.🎻 Unlock Limitless Musical Horizons - Get Your Copy Now! 🎻Don't miss this chance to infuse your orchestra with the magic of 'La Passerella Di Addio for Orchestra.' Whether you're orchestrating a divine church recital, a spirited school concert, or a professional orchestral masterpiece, this sheet music is your passport to musical brilliance.🎵 Transform Ordinary Moments into Extraordinary Memories! 🎵Order your copy today and embark on a musical odyssey that transcends boundaries. Let the melodies of Nino Rota and the expertise of Flavio Regis Cunha redefine your orchestra's legacy. Elevate your performances, mesmerize your audience, and create memories that resonate for a lifetime.🔥 **Seize the Baton and Make Your Orchestra's Mark! Order Now! 🔥Level: Advanced intermediate Format: Concert, 9 x 12 inchesSize: 166 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font.
$89.99
82.13 €
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Orchestre
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Nino Rota
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Flavio Regis Cunha
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La Passerella Di Addio
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Flavio Regis Cunha
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SheetMusicPlus
Zima la noire d'imprévu // The black Zima..# ISRC 10259
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dub…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069325. Published by Réal Dubois (A0.1018811). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.82 €
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Orchestre
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Réal Dubois
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Zima la noire d'imprévu // The black Zima..# ISRC 10259
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Réal Dubois
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SheetMusicPlus
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dub…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitras & Marcel Messervier. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069265. Published by Réal Dubois (A0.1018800). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.82 €
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Orchestre
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Réal Dubois & Marcel Messervier
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La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
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Réal Dubois
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SheetMusicPlus
La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
Orchestre
Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arran…
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Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069263. Published by Réal Dubois (A0.1018799). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.82 €
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Orchestre
#
Réal Dubois
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La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
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Réal Dubois
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SheetMusicPlus
How To Train Your Dragon - End Credit Suite
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1304481 Composed by John James …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1304481 Composed by John James Powell. Arranged by Daniel de la Rosa Oliva. Film/TV. Score and Parts. 200 pages. Daniel de la Rosa Oliva #893973. Published by Daniel de la Rosa Oliva (A0.1304481). For Full orchestraTracklist- This is Berk - Wounded - This Time For Sure - Romantic Flight - Counter Attack - Where's Hiccup? - Coming Back Around.
$85.00
77.58 €
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Orchestre
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John James Powell
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Daniel de la Rosa Oliva
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How To Train Your Dragon - End Credit Suite
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Daniel de la Rosa Oliva
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SheetMusicPlus
How To Train Your Dragon - End Credit Suite - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1304482 Composed by John James …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1304482 Composed by John James Powell. Arranged by Daniel de la Rosa Oliva. Film/TV. 39 pages. Daniel de la Rosa Oliva #893974. Published by Daniel de la Rosa Oliva (A0.1304482). For Full OrchestraTracklist- This is Berk- Wounded- This Time For Sure- Romantic Flight- Counter Attack- Where's Hiccup?- Coming Back Around.
$50.00
45.63 €
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Orchestre
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John James Powell
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Daniel de la Rosa Oliva
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How To Train Your Dragon - End Credit Suite - Score Only
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Daniel de la Rosa Oliva
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SheetMusicPlus
La Jornada/Din din din. Aguinaldo venezolano. Full intermediate-level orchestra. SCORE & PARTS
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1292788 Composed by Tradicional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1292788 Composed by Tradicional. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Folk,Latin,Multicultural,World. 60 pages. Laura Quijada #883329. Published by Laura Quijada (A0.1292788). Popular aguinaldo venezolano arreglado para full orquesta, nivel intermedio.Detalles:Sol MayorLa cuerda toca en primera posiciónLetra incluida al final del score, adaptado para acortar la duración del aguinaldoInstrumentación: flute, oboe, clarinet Bb, bassoon, horn in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, xylophone, triangle, stringsVisita mi IG para más: @lauraqmusic.
$45.00
41.07 €
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Orchestre
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Tradicional
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Laura C
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La Jornada/Din din din. Aguinaldo venezolano. Full intermediate-level orchestra. SCORE & PARTS
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Laura Quijada
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SheetMusicPlus
Orchestraining No. 01 [Orchestra]
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃ…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
4.56 €
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Orchestre
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
"La Leyenda del Beso" - Intermedio
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1518046 Composed by Soutullo y …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1518046 Composed by Soutullo y Vert. Arranged by Iugrum Leunam. Classical,Contest,Festival. 82 pages. Iugrum Leunam #1090915. Published by Iugrum Leunam (A0.1518046). La leyenda del beso (The leyend of a kiss) is a zarzuela in three acts, with music composed by Reveriano Soutullo and Juan Vert. Premiered in 1924, the work blends love, passion, and drama with the peculiarity of a gypsy legend.Set in a gypsy camp, the protagonist, Mario, falls in love with Amapola, a gypsy with a tragic destiny linked to a legend about a kiss that brings death. As the plot unfolds, themes of impossible love, jealousy, and fate intertwine.The work is famous for its captivating melodies and evocative atmosphere. This version of its interlude, the best-known part, the work has been revised and adapted to be performed by a student orchestra. It is also valid for the professional orchestra since it maintains the musical essence of the original score.
$74.99
68.44 €
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Orchestre
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Soutullo y Vert
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Iugrum Leunam
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"La Leyenda del Beso" - Intermedio
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Iugrum Leunam
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SheetMusicPlus
Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533513 Composed by Therese Bren…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533513 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 66 pages. Musik Fabrik Music Publishing #3006617. Published by Musik Fabrik Music Publishing (A0.533513). I. Dans l’harmonie de la force et de l’amour 3’30â€II. Scintillement 1’35â€III. Un immense chant d’espérance 3’10â€IV. Andante 2’05â€V. Un élan de violence 1’00â€VI. Les cycles infinis de la beauté et de la grâce 3’10â€durée totale/total duration : 14’30â€In this work, the author expresses her aim of mediation, of mysticalthought and sometimes even cosmic thought, through a her searchfor contrasting orchestral couleurs, which offer to a composer aseemingly infinite and boundless choice.orchestration: 2(pic)222/4330/timp/2perc/glock/cel/hp/stringsparts on rental from the publisher
$25.95
23.68 €
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Orchestre
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Therese Brenet
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Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
41.07 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
La Clemenza di Tito
Orchestre
Orchestra - Digital Download SKU: S9.Q4475 Overture. Composed by Wolfgang Am…
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Orchestra - Digital Download SKU: S9.Q4475 Overture. Composed by Wolfgang Amadeus Mozart. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4475. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4475). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$9.99
9.12 €
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Orchestre
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Wolfgang Amadeus Mozart
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La Clemenza di Tito
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Symphony No. 83 G minor, "La Poule"
Orchestre
Orchestra - Digital Download SKU: S9.Q4415 Paris No. 2. Composed by Franz Jo…
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Orchestra - Digital Download SKU: S9.Q4415 Paris No. 2. Composed by Franz Joseph Haydn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4415. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4415). Key: G minor.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
10.94 €
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Orchestre
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Franz Joseph Haydn
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Symphony No. 83 G minor, "La Poule"
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Ce qu'on entend sur la montagne
Orchestre
Orchestra - Digital Download SKU: S9.Q50143 Symphonic Poem No. 1. Composed b…
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Orchestra - Digital Download SKU: S9.Q50143 Symphonic Poem No. 1. Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q50143. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q50143). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$17.99
16.42 €
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Orchestre
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Franz Liszt
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Ce qu'on entend sur la montagne
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Symphony No. 85 Bb major, "La Reine"
Orchestre
Orchestra - Digital Download SKU: S9.Q21357 Paris No. 4. Composed by Franz J…
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Orchestra - Digital Download SKU: S9.Q21357 Paris No. 4. Composed by Franz Joseph Haydn. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q21357. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21357). Key: B flat major. German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$11.99
10.94 €
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Orchestre
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Franz Joseph Haydn
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Symphony No. 85 Bb major, "La Reine"
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
La cucaracha - tamburitza orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1000800 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1000800 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Latin,World. Score and parts. 11 pages. Zoran Radanovic #6425019. Published by Zoran Radanovic (A0.1000800). The arrangement is made for a tamburitza orchestra. The musicians need very good concentration because of the music score (solo, accompaniment, dynamics, gradually adding instruments to the score). Das Arrangement ist für ein Tamburitza-Orchester gemacht. Die Musiker brauchen aufgrund der Musikpartitur eine sehr gute Konzentration (Solo, Begleitung, Dynamik, schrittweise Hinzufügen von Instrumenten zur Partitur). Aranžman je napravljen za tamburaÅ¡ki orkestar. Glazbenicima je potrebna vrlo dobra koncentracija zbog glazbene partiture (solo, pratnja, dinamika, postupno dodavanje instrumenata u partituru). A feldolgozás tamburica zenekarra készült. A zenészeknek nagyon jó koncentrációra van szükségük a kották miatt (szóló, kÃséret, dinamika, fokozatosan csatlakoznak a hangszerek).
$9.99
9.12 €
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Orchestre
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Traditional
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Zoran Radanovic
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La cucaracha - tamburitza orchestra
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Zoran Radanovic
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SheetMusicPlus
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