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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Traditional Hymn Setting
Non classifié
408
Piano & claviers
Piano seul
246
Piano, Voix
184
Orgue
117
Accompagnement Piano
41
Piano Quatuor: piano, 2 violons, violoncelle
26
Piano Trio: piano, violon, violoncelle
20
Piano Facile
11
Orgue, Trompette (duo)
9
1 Piano, 4 mains
5
Piano, Voix et Guitare
4
Instruments en Do
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Piano (duo)
2
2 Pianos, 4 mains
1
+ 9 instrumentations
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Guitares
Ukulele
14
Guitare
4
Mandoline
2
Guitare notes et tablatures
2
4 Guitares (Quatuor)
1
Voix
Chorale 2 parties
394
Chorale SATB
247
Voix duo, Piano
170
Chorale 3 parties
140
Chorale Unison
117
Voix duo
93
Chorale TTBB
13
Voix moyenne, Piano
9
Voix haute
4
Chorale SSAA
2
Voix Soprano, Piano
2
Voix Alto, Piano
1
Voix basse
1
Voix Tenor
1
+ 9 instrumentations
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Vents
Saxophone Soprano et Piano
102
Saxophone Tenor et Piano
85
Clarinette et Piano
73
Quatuor de Saxophones: 4 saxophones
68
Saxophone Alto et Piano
65
2 Saxophones (duo)
65
Flûte traversière et Piano
62
Flûte, Clarinette (duo)
62
Flûte, Hautbois, Clarinette, Basson
55
Hautbois, Piano (duo)
27
2 Clarinettes (duo)
17
Saxophone Baryton, Piano
16
Saxophone et Orgue
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
2 Flûtes traversières (duo)
11
Clarinette Basse, Piano
8
Flûte traversière
8
Hautbois, Flûte
6
Quintette de Saxophone: 5 saxophones
6
Saxophone (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
5
Quatuor de Flûtes : 4 flûtes
4
Clarinette
4
Saxophone Tenor
4
Saxophone Alto
4
Flûte, Violon, Piano
4
Hautbois, Clarinette (duo)
3
Ensemble de saxophones
3
3 Saxophones (trio)
3
Flûte, Hautbois (duo)
3
Clarinette, Basson (duo)
3
Hautbois (partie séparée)
2
Ensemble de Clarinettes
2
Ocarina
2
Flûte, Clarinette et Basson
2
Flûte, Violoncelle
1
Clarinette, Orgue
1
Hautbois et alto (duo)
1
Saxophone et Harpe
1
Flûte, trombone et piano
1
2 Saxophones, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Basson et Piano
1
Harmonica
1
Flûte, Hautbois, Clarinette (trio)
1
3 Clarinettes (trio)
1
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
Clarinette, trompette et piano
1
Clarinette, Harpe (duo)
1
+ 50 instrumentations
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Cuivres
Trombone et Piano
95
Trompette, Piano
74
Cor et Piano
60
Trompette, Cor (duo)
54
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
2 Trompettes (duo)
39
2 Trombones (duo)
33
Trompette
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de cuivres: 2 trompettes, 2 trombones
11
Trombone, Orgue
10
Trompette, Trombone (duo)
9
2 Cors (duo)
8
Euphonium, Piano (duo)
7
Cor et Orgue
5
Tuba et Piano
5
Trombone
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor
3
2 Trombones, Piano
2
Trompette (partie séparée)
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Cor et Harpe
1
Tuba et Orgue
1
Ensemble de Trombones
1
Trio de Cuivres
1
+ 23 instrumentations
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Cordes
Violoncelle, Piano
68
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon et Piano
64
Alto, Piano
63
Violon, Violoncelle (duo)
45
Piano Trio: Violon, Alto, Piano
41
Violon, Alto (duo)
33
2 Violoncelles (duo)
23
2 Violons (duo)
10
Contrebasse, Piano (duo)
9
2 Altos (duo)
9
2 Harpes (duo)
9
Violoncelle, Orgue
6
Harpe
6
Violoncelle
5
Violon
5
Alto seul
5
Trio à Cordes: violon, alto, violoncelle
3
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
4 Violoncelles
1
Alto (partie séparée)
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Ensemble d'Altos
1
Alto et Harpe
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Cloches
70
Ensemble de cuivres
46
Orchestre d'harmonie
23
Orchestre de chambre
10
Orchestre à Cordes
7
Orchestre
7
Ensemble Jazz
2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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GUITARE LAP ST…
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Vous avez sélectionné:
Traditional Hymn Setting
Orchestre
Partitions à imprimer
7 partitions trouvées
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Come, Thou Long-Expected Jesus - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pa...
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Full Orchestra - Level 3 - SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Hyfrydol
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rowland Hugh Prichard
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Matt Riley
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Hyfrydol
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www.mattrileymusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.529925 Composed by Rowland Hugh Prichard. Arranged by Matt Riley. Christian,Christmas,Contemporary,Sacred. Score and ...
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Full Orchestra - Level 4 - SKU: A0.529925 Composed by Rowland Hugh Prichard. Arranged by Matt Riley. Christian,Christmas,Contemporary,Sacred. Score and parts. 106 pages. Www.mattrileymusic.com #3244379. Published by www.mattrileymusic.com (A0.529925). Hyfrydol, which means cheerful is a Welsh hymn tune composed by Rowland Prichard. Hyfrydol has been used as a setting for hymns such as Alleluia! Sing to Jesus!, Love Divine, All Loves Excelling, Come, Thou Long Expected Jesus, I Will Sing the Wondrous Story, Our Great Savior (Jesus, what a friend for sinners), I Will Sing of My Redeemer, as well as many other hymns from a variety of church traditions.This arrangement for violin and orchestra is sure to please audiences.Questions? Email matt@mattrileymusic.com
$59.95
What Wondrous Love is This--Parts.pdf
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Orchestre
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Musique Sacrée
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Traditional
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MarilynThompson
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Score, and
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What Wondrous Love is This--Pa
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Marilyn Thompson
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SheetMusicPlus
Full Orchestra - SKU: A0.809504 Composed by Traditional. Arranged by MarilynThompson. Christian,Sacred. Score and parts. 16 pages. Marilyn Thompson #605...
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Full Orchestra - SKU: A0.809504 Composed by Traditional. Arranged by MarilynThompson. Christian,Sacred. Score and parts. 16 pages. Marilyn Thompson #6058797. Published by Marilyn Thompson (A0.809504). Sometimes, described as a white spiritual, this hymn is widely known in most Christian denominations. Its beautiful, haunting melody was derived from an English ballad. This unusual setting is moving and reflective of the profound truths expressing Christ's love for humanity. Score, and Solo Piano/ Duo Piano are found on other posts. For further information, please contact marilyn@mtmusicministries.com ASCAP.
$19.99
What Wondrous Love is This--Full Score.pdf
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Orchestre
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Musique Sacrée
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Traditional
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MarilynThompson
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What Wondrous Love is This--Fu
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Marilyn Thompson
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SheetMusicPlus
Full Orchestra - SKU: A0.809503 Composed by Traditional. Arranged by MarilynThompson. Christian,Sacred. Score and parts. 15 pages. Marilyn Thompson #605...
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Full Orchestra - SKU: A0.809503 Composed by Traditional. Arranged by MarilynThompson. Christian,Sacred. Score and parts. 15 pages. Marilyn Thompson #6058783. Published by Marilyn Thompson (A0.809503). Sometimes, described as a white spiritual, this hymn is widely known in most Christian denominations. Its beautiful, haunting melody was derived from an English ballad. This unusual setting is moving and reflective of the profound truths expressing Christ's love for humanity. Versions for both Parts, Solo Piano and/or Duo Piano are found on other posts. For further information, please contact marilyn@mtmusicministries.com ASCAP.
$4.99
SAGINA
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Orchestre
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INTERMÉDIAIRE
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Thomas Campbell
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Robert Myers
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SAGINA
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976733 Composed by Thomas Campbell. Arranged by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 90 pages. ...
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Full Orchestra - Level 3 - SKU: A0.976733 Composed by Thomas Campbell. Arranged by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 90 pages. WheatMyer Music #6318013. Published by WheatMyer Music (A0.976733). OK, to answer your first question, call it suh-JEE-nuh. Rhymes with Regina. This arrangement is a colorful and moving setting of the Charles Wesley hymn, And Can It Be, for traditional orchestra. The beauty of the music, the prominence of the familiar tune, and the text painting of Wesley's poignant lyrics will find immediate acceptance in the hearts of its hearers. Aside from frequently shifting asymmetrical meters the difficulty level is very basic yet your musicians should still find it interesting and fulfilling to play.
$75.00
"Te Deum", op. 5 - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Adrian Gagiu
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"Te Deum", op. 5 - S
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. ...
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Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
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Traditional Hymn Setting
