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Vous avez sélectionné:
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Partitions à imprimer
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Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
Manheim Sinfonietta
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Orchestre
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INTERMÉDIAIRE
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Sy Brandon
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Manheim Sinfonietta
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.755143 Composed by Sy Brandon. 20th Century,Classical,Concert,Contemporary. Score and parts. 194 pages. Sy Brandon #3...
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Full Orchestra - Level 3 - SKU: A0.755143 Composed by Sy Brandon. 20th Century,Classical,Concert,Contemporary. Score and parts. 194 pages. Sy Brandon #3406023. Published by Sy Brandon (A0.755143). This three movement piece is in a neo-classic style and is greatly influenced by characteristics of the Mannheim Orchestra of the pre-classic period, said to be the finest during that time. The composers of the Mannheim School wrote in a style that took advantage of the orchestra’s technical capabilities. These include boldly contrasted dynamics, presto movements, calculated use of crescendo and decrescendo, tremolo, and rockets (rising arpeggiated figures). The style was also known for the use of the Mannheim sigh (a half step descending figure). All of these are incorporated into Manheim Sinfonietta. The score prints on legal size paper and the parts on letter.
$39.99
Toccata
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Orchestre
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FACILE
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Hector Berlioz
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Derrick Thom
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Toccata
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Derrick Thom. Lewis
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1217090 Composed by Hector Berlioz. Arranged by Derrick Thom. Lewis. Instructional,Romantic Period. Score and Parts. ...
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Full Orchestra - Level 2 - SKU: A0.1217090 Composed by Hector Berlioz. Arranged by Derrick Thom. Lewis. Instructional,Romantic Period. Score and Parts. 22 pages. Derrick Thom. Lewis #813626. Published by Derrick Thom. Lewis (A0.1217090). This is a “toccata†for whom? Answer: the celli, basses, bassoons and tuba, for this is a workout for those often under-challenged members. In addition, this a gem of a piece as regards its wonderfully concise construction and simple, satisfying form. It is historically ironic, given Berlioz' wild public image and antipathy to musical authority, that he could produce such a work as this so effortlessly, a product a pure intellect without seeming passion. This could serve as an effective curtain-raiser or a daily exercise in general rehearsal. As many characteristics of the composer as I could manage are to be found in this arrangement, viz. Tbn. on melody, High viola the same, W/w tremolos, Fl./vl. Unison melody, --thereby (hopefully) evoking the Corsair Overture, Harold in Italy, Sym.Fantastique, Nuits d'Éte.
$72.00
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