Partitions Numériques de Trinidad pour Orchestre

Trinidad

Seven Boleros
Orchestre

Large orchestra - Digital Download SKU: S9.Q5770 For large orchestra. Compos…(+)

Large orchestra - Digital Download SKU: S9.Q5770 For large orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 22 minutes. Schott Music - Digital #Q5770. Published by Schott Music - Digital (S9.Q5770). 3 (2. auch Picc., 3. auch Picc. u. Altfl.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * Altsax. * 3 (3. auch Kfg.) - 4 * 3 * Basstrp. * 3 * 1 - P. S. (3 hg. Beck. * chin. Gong * Trinidad Steel Drum * 3 Tamt. * 4 Tomt. * Tamb. * kl. Tr. * gr. Tr. m. Beck. * Kast. * Flex. * Peitsche * Vibr. * Marimba) (7 Spieler) - Hfe. * Cel. * Klav. - Str.3 (2. auch Picc., 3. auch Picc. u. Altfl.) Â· 3 (3. auch Engl. Hr.) Â· 3 (3. auch Bassklar.) Â· Altsax. Â· 3 (3. auch Kfg.) - 4 Â· 3 Â· Basstrp. Â· 3 Â· 1 - P. S. (3 hg. Beck. Â· chin. Gong Â· Trinidad Steel Drum Â· 3 Tamt. Â· 4 Tomt. Â· Tamb. Â· kl. Tr. Â· gr. Tr. m. Beck. Â· Kast. Â· Flex. Â· Peitsche Â· Vibr. Â· Marimba) (7 Spieler) - Hfe. Â· Cel. Â· Klav. - Str.
$43.99 40.4 € #Orchestre #Hans Werner Henze #Seven Boleros #Schott Music - Digital #SheetMusicPlus

Fandango
Orchestre

Orchestra - Digital Download SKU: S9.Q3133 On a ground bass by Padre Soler. …(+)

Orchestra - Digital Download SKU: S9.Q3133 On a ground bass by Padre Soler. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q3133. Published by Schott Music - Digital (S9.Q3133). 3 (2. auch Picc., 3. auch Altfl.) * 2 * Engl. Hr. * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 4 * 3 * 1 * Basspos. * 1 - P. S. (I: 3 hg. Beck. * Beckenpaar * 3 Tamt. * Sistra * Vibr.; II: Tamb. * Mil. Tr. * Trinidad Steel Drum * Mar. * Marimba; III: 3 Tamt. * 3 Tomt. * gr. Tr. * Guiro * Glsp.) (3 Spieler) - 2 Hfn. * Klav. (auch Cel.) - Str.3 (2. auch Picc., 3. auch Altfl.) Â· 2 Â· Engl. Hr. Â· 3 (3. auch Bassklar.) Â· 3 (3. auch Kfg.) - 4 Â· 3 Â· 1 Â· Basspos. Â· 1 - P. S. (I: 3 hg. Beck. Â· Beckenpaar Â· 3 Tamt. Â· Sistra Â· Vibr.; II: Tamb. Â· Mil. Tr. Â· Trinidad Steel Drum Â· Mar. Â· Marimba; III: 3 Tamt. Â· 3 Tomt. Â· gr. Tr. Â· Guiro Â· Glsp.) (3 Spieler) - 2 Hfn. Â· Klav. (auch Cel.) - Str.
$47.99 44.08 € #Orchestre #Hans Werner Henze #II: Tamb #Fandango #Schott Music - Digital #SheetMusicPlus

Sinfonia N. 10
Orchestre

Orchestra - Digital Download SKU: S9.Q6369 In four movements for large orchestra…(+)

Orchestra - Digital Download SKU: S9.Q6369 In four movements for large orchestra. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 42 minutes. Schott Music - Digital #Q6369. Published by Schott Music - Digital (S9.Q6369). 4 (2. auch Picc., 3. auch Picc. u. Altfl., 4. auch Altfl. u. Bassfl.) * 1 * Ob. d'am. * 2 Engl. Hr. (2. auch Heckelphon) * 4 (3. auch Bassklar., 4. auch Bassklar. u. Kb.-Klar.) * 4 (4. auch Kfg.) - 6 * 4 * 4 * 0 - P. S. (3 hg. Beck. * 3 Tamt. * 4 Thai Gongs * Trinidad Steel Drum * Wassergong [tief] * Crot. * 7 Bong. * 12 Tomt. [chrom.] * Schellentr. * O-Daiko * Log Drums * kl. Tr. * gr. Tr. mit Beck. * Tempelbl. * 3 Woodbl. * 2 Sistr. * Guiro * Mar. * Ratsche * Kast. * Frusta * 2 Flex. * Donnerblech [bronze] * Glsp. * Vibr. * Marimba) (5 Spieler) - Hfe. * Cel. * Klav. - Str.4 (2. auch Picc., 3. auch Picc. u. Altfl., 4. auch Altfl. u. Bassfl.) Â· 1 Â· Ob. d'am. Â· 2 Engl. Hr. (2. auch Heckelphon) Â· 4 (3. auch Bassklar., 4. auch Bassklar. u. Kb.-Klar.) Â· 4 (4. auch Kfg.) - 6 Â· 4 Â· 4 Â· 0 - P. S. (3 hg. Beck. Â· 3 Tamt. Â· 4 Thai Gongs Â· Trinidad Steel Drum Â· Wassergong [tief] Â· Crot. Â· 7 Bong. Â· 12 Tomt. [chrom.] Â· Schellentr. Â· O-Daiko Â· Log Drums Â· kl. Tr. Â· gr. Tr. mit Beck. Â· Tempelbl. Â· 3 Woodbl. Â· 2 Sistr. Â· Guiro Â· Mar. Â· Ratsche Â· Kast. Â· Frusta Â· 2 Flex. Â· Donnerblech [bronze] Â· Glsp. Â· Vibr. Â· Marimba) (5 Spieler) - Hfe. Â· Cel. Â· Klav. - Str.
$47.99 44.08 € #Orchestre #Hans Werner Henze #Sinfonia N. 10 #Schott Music - Digital #SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1030571 Composed by Hans Zimmer, Lebo M, and Mark Mancina. Arranged by Brian Strohmetz. Broadway,Film/TV,Multicultural,Musical/Show,World. Score and parts. 71 pages. Brian Strohmetz #633740. Published by Brian Strohmetz (A0.1030571). For Orchestra, Solo Vocalist and Choir Shadowland is a song written by Lebo M., Hans Zimmer and Mark Mancina for the musical The Lion King (1997), a stage adaptation of Disney's 1994 animated film of the same name. Based on the song Lea Halalela (Holy Land), a track featured on Lebo's Lion King-inspired concept album Rhythm of the Pride Lands (1995), Lebo composed the track with Zimmer, while both Lebo and Mancina contributed new lyrics to its melody. Lebo based the song's lyrics on his own experiences having been exiled from South Africa during apartheid, therefore imbuing Shadowland with themes about refugeeism and survival. Originally performed by Trinidadian-American singer and actress Heather Headley as Nala, and South African actress Tsidii Le Loka as Rafiki, roles both performers originated on stage, Shadowland narrates Nala's decision to leave the Pride Lands in search of a more habitable environment upon realizing that her homeland has grown dry and barren in the midst of Scar's reign. Taking place shortly after Nala rejects Scar's romantic advances, director Julie Taymor used the song to develop Nala into a stronger character for the stage adaptation, and identified Shadowland as her favorite among the production's original songs, believing its message and themes to be universal. Musically, Shadowland is a soul power ballad. Sung in both English and African languages, its instrumentation combines African percussion with European orchestration to create a more exotic sound while accompanying pop vocals and African chants; some critics have observed political themes such as feminism, injustice and the ecosystem throughout the song's lyrics. Shadowland has been mostly positively received by music and theatre critics; both Headley and actresses who replaced her in subsequent productions of the musical have been praised for their vocals and performances.