Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Trio Movement
Non classifié
950
Piano & claviers
Piano seul
152
Piano Trio: piano, violon, violoncelle
99
Piano, Voix
27
Orgue
13
Piano Facile
10
Piano Quatuor: piano, violon, alto, violoncelle
6
1 Piano, 4 mains
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Accompagnement Piano
1
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
1 Piano, 6 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
13
2 Guitares (duo)
6
Guitare, Flûte, Clarinette
2
Ukulele
1
3 Guitares (trio)
1
2 Mandolines (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
27
Chorale 3 parties
12
Chorale Unison
10
Chorale 2 parties
8
Voix duo
3
Chorale TTBB
3
Chorale SSAA
2
Voix Tenor, Piano
1
Voix basse, Piano
1
+ 4 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
3 Clarinettes (trio)
72
3 Saxophones (trio)
66
Quintette de Saxophone: 5 saxophones
52
Trio de Flûtes: 3 flûtes
46
Flûte, Hautbois, Clarinette (trio)
39
Flûte, Clarinette et Basson
29
2 Flûtes traversières, Piano
26
3 Flûtes à bec (trio)
22
Hautbois, Piano (duo)
20
Hautbois, Clarinette, Basson (trio d'anches)
20
Quatuor de Saxophones: 4 saxophones
16
Flûte, Hautbois, Clarinette, Basson
15
Saxophone Soprano et Piano
14
Flûte traversière et Piano
14
2 Flûtes traversières (duo)
12
Flûte, Hautbois, Basson
12
Clarinette et Piano
11
Flûte, Clarinette, Piano (trio)
11
Saxophone Tenor et Piano
9
2 Saxophones (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Ensemble de Clarinettes
8
Clarinette, Violoncelle, Piano (trio)
8
2 Clarinettes (duo)
8
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone Alto et Piano
7
Flûte traversière
6
Clarinette
6
Quintette de Flûte : 5 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Clarinette Basse, Piano
5
3 Hautbois
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Clarinette, Basson, Piano (trio)
4
Flûte, Violon et Violoncelle
4
2 Clarinettes, Basson
3
Ensemble de saxophones
3
Ensemble de Flûtes
2
Hautbois
2
Quatuor de Flûtes à bec
2
Clarinette, Basson (duo)
2
Flûte, Violon, Piano
2
2 Flûte à bec (duo)
2
Flûte, Basson et Piano
2
Hautbois, Harpe
1
Flûte et Trio à cordes
1
Flûte, Clarinette, Violon (trio)
1
2 Hautbois (duo)
1
Saxophone Baryton, Piano
1
Hautbois, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
Cor anglais, Piano
1
Clarinette, Harpe (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Guitare (duo)
1
2 Clarinettes, Piano
1
+ 57 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
3 Trombones (trio)
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
23
Trombone et Piano
21
Trompette, Piano
11
3 Trompettes (trio)
9
Trompette
9
Trio de Cuivres
8
Ensemble de Trompettes
8
3 Tubas (trio)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Cor et Piano
5
Cor
5
Ensemble de Trombones
4
3 Cors (trio)
4
Tuba et Piano
4
Quatuor de Cuivres
4
Quatuor de cuivres: 4 trombones
4
2 Trompettes (duo)
4
Trompette, Cor (duo)
3
Trompette, Trombone (duo)
3
3 Euphoniums
2
2 Cors (duo)
2
Ensemble de Cors
2
Trombone
2
Trombone, Cor (duo)
2
2 Trombones (duo)
2
Tuba
2
Euphonium, Tuba (duo)
2
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
4 Tubas
1
Trombone basse et Piano
1
+ 31 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
195
Quatuor à cordes: 2 violons, alto, violoncelle
138
Trio à Cordes: 2 violons, violoncelle
57
Trio à cordes: 3 violins
37
Violon et Piano
36
Harpe
28
Trio à Cordes: 3 violoncelles
27
Trio à cordes: 3 altos
26
Piano Trio: Violon, Alto, Piano
16
Trio à Cordes: 2 violons, alto
16
Violoncelle, Piano
15
Violon
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto, Piano
12
Violon, Alto (duo)
10
2 Violons, Piano
9
Violon, Violoncelle (duo)
9
Violoncelle
7
2 Violoncelles, Piano
6
2 Violons (duo)
6
Contre Basse
5
2 Altos (duo)
5
Alto seul
5
Harpe, Flûte (duo)
4
Ensemble d'Altos
4
2 Altos, Piano
4
Ensemble de Violons
4
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
4
Violon, Clarinette, Piano (trio)
3
Trio à cordes
3
3 Contrebasses
2
Violoncelle, Contrebasse (duo)
2
Violon, Violoncelle, Clarinette
2
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Harpe, Violon, Violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre
120
Ensemble de cuivres
39
Orchestre à Cordes
25
Orchestre d'harmonie
16
Orchestre de chambre
10
Ensemble de Percussions
2
Vibraphone (partie séparée)
1
Marimba
1
Piano et Orchestre
1
Cloches
1
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
15
Partitions Numériques
120
Librairie Musicale
11
Matériel de Musique
4
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Trio Movement
Orchestre
Partitions à imprimer
120 partitions trouvées
<
1
26
51
....
101
A. Arensky - Double Concerto for Violin, (2nd movement), Based on Piano Trio D - minor, Op.32, Orche
#
Orchestre
#
Classique
#
A
#
A
#
A. Arensky - Double Concerto f
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008369 Composed by A. Arensky. Arranged by A. Leytush. Romantic Period. Score and parts. 60 pages. Arkady Leytush #4824111. Pu...
(+)
Full Orchestra - SKU: A0.1008369 Composed by A. Arensky. Arranged by A. Leytush. Romantic Period. Score and parts. 60 pages. Arkady Leytush #4824111. Published by Arkady Leytush (A0.1008369). A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.Timing (4 movements): 32 min.Original version: https://www.youtube.com/watch?v=WR7IgPqscJE&t=1019sFor the rent of Score & Parts please contact at: Leytush51@msn.com
$35.00
Orchestral Movement in D minor
#
Orchestre
#
AVANCÉ
#
Steve Shade
#
Orchestral Movement in D minor
#
Steve Shade
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.834364 Composed by Steve Shade. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Stev...
(+)
Full Orchestra - Level 5 - SKU: A0.834364 Composed by Steve Shade. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Steve Shade #4993543. Published by Steve Shade (A0.834364). The Orchestral Movement in D minor is a single movement piece for symphony orchestra. A slow, sinister melody is introduced by the low strings. This theme is developed across the orchestra until a fast and aggressive theme burst out of the calmness. The energy stops as an oboe solo restates the main theme, paving the way for a woodwind trio that transitions the piece to a lyrical theme in A minor. This slow, expressive melody builds to a gushing climax which resolves with a retransition to the opening themes, both of which are now in A minor. A dissonant deceptive cadences leads to the final section, a coda that restates the main fast theme which is now accelerated, developed, and supported by the full ensemble. The piece concludes with rapid-moving parts from high to low, bringing the piece to an exciting ending. Contents: 109 pages (Cover, Instrumentation List, Conductor's Score, Fully-edited parts for all players)Duration: About 7.5 minutesDifficulty: Early Advanced/AdvancedNotable Features:All strings are given expressive melodiesA Horn quartet is given during the slow A themeFlute, Oboe, and Clarinet are given an expressive trio sectionClarinet is given a solo passage
$39.95
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 1 ... Fallen Ange
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Tho...
(+)
Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
Marches
#
Orchestre
#
AVANCÉ
#
Phillip S
#
Marches
#
Phillip Steven Ledesma
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1009811 Composed by Phillip S. Ledesma. 20th Century,Romantic Period. Score and parts. 11 pages. Phillip Steven Ledes...
(+)
Full Orchestra - Level 5 - SKU: A0.1009811 Composed by Phillip S. Ledesma. 20th Century,Romantic Period. Score and parts. 11 pages. Phillip Steven Ledesma #1919003. Published by Phillip Steven Ledesma (A0.1009811). Full Orchestral Score. Marches is the 2nd movement to the 1st symphony. In contrast to the more sublime Ruhevoll (and the 4th movement Molto Adagio) Marches utilizes many aspects of the march in various settings, from large brass and woodwind circus venues to trios of soloists, while also encompassing the somber funeral procession. Marches opens the brass and low strings in a dogfight; the brass fire short staccato blasts as 'cellos and basses answer with long lyrical lines setting the pace until the cat and mouse game ends with the low strings driving their way to the trio. When the three soloists finish their introductory theme they are answered by the full orchestra taking the theme and surrounding it with all the boisterous bells and whistles of a circus march! But the reality is that marches are - at their core - war music, and the waste that war causes has to be addressed in the funeral march. These themes are all cycled through once again, with a coda that cleverly ties things up.
$9.99
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 4 "Homage to
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
(+)
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Sinfonietta No.1 (Transformations) for Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Scott Markle
#
Sinfonietta No.1
#
MarcoPolo Press
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 p...
(+)
Full Orchestra - Level 3 - SKU: A0.1021047 Composed by Scott Markle. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 122 pages. MarcoPolo Press #5755357. Published by MarcoPolo Press (A0.1021047). Sinfonietta No.1 (Transformations) is an intermediate orchestral pieces in four movements that is almost 10 minutes (9:53) long. It is called a sinfonietta because, while it has the elements of a full symphony, it is shorter. The entire piece is based on the motif in the first bar of the first movement, and that motif get transformed (hence the subtitle Transformations) in many different ways. It is like how a person changes in various situations and in various stages of their life. The first movement (Allegretto) is in sonata form, the second (Andante Adagio) is in a quasi ABA form, the third (Scherzoish) is a Baroque-like quasi scherzo and trio with a modified scherzo at the end, and the fourth (Theme & Variations) is a theme with 3 variations, but elements of the first 3 movements are repeated at the end. .
$40.00
Symphony No. 5 ... Utopia Parkway (2003) full score
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 5 ... Utopia Park
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
(+)
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Millennium Suite (Full Orchestra)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Paul Barker Music
#
Millennium Suite
#
Paul Barker Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.725191 By Paul Barker Music. By Paul Barker Music. 20th Century,21st Century,Contemporary,Contest,Festival,Patriotic....
(+)
Full Orchestra - Level 4 - SKU: A0.725191 By Paul Barker Music. By Paul Barker Music. 20th Century,21st Century,Contemporary,Contest,Festival,Patriotic. Score and Parts. 95 pages. Paul Barker Music #5316471. Published by Paul Barker Music (A0.725191). The Millennium Suite is a contemporary symphonic work in three contrasting movements for Full Orchestra, Organ, Harpsichord (or Keyboard substitutes) and Orchestral Percussion. The piece begins with the triumphantly bold Festival Fanfare commanding immediate attention with memorable melodic lines and complex harmonic layers. The second movement is a beautiful, yet rousing Anthem laced with emotive themes and warm dissonance. Finally, we are introduced to movement three which is a playful, colourful Scherzo. This movement adds zest and sparkle through spritely use of canon and counterpoint on a fast-paced melodic and rhythmic ‘chase’ around the orchestra! Includes both Conductor Score and Parts. Also available for String Orchestra, Piano & Orchestral Percussion. ​Duration: 6:30 Level: Advanced (UK Grade 7+ & USA 3+) Occasion: Concert - Formal/Informal - Competitions - Orchestral Clinics - Graduations Orchestration: Full Orchestra - Keyboards - Orchestral Percussion
$37.95
Divertimento for Orchestra
#
Orchestre
#
Contemporain
#
Vincent M
#
a prelude
#
Divertimento for Orchestra
#
Vincent M. Bonafede
#
SheetMusicPlus
Full Orchestra - SKU: A0.997183 Composed by Vincent M. Bonafede. Contemporary. Score and parts. 141 pages. Vincent M. Bonafede #5220243. Published by Vi...
(+)
Full Orchestra - SKU: A0.997183 Composed by Vincent M. Bonafede. Contemporary. Score and parts. 141 pages. Vincent M. Bonafede #5220243. Published by Vincent M. Bonafede (A0.997183). Divertimento is a work for full orchestra not to be taken too seriously! It is a diversion! It contains 5 very diverse movements. First a prelude; second a generic ragtime tune; third a quiet reverie featuring a flute trio; fourth a march to the saloon on Saturday night and five a finale based on a hymn tune from the Sacred Harp. Each movement is short. Whole work is about 9' 30. All string parts are suitable for the average community orchestra. I have conducted the work with two different community orchestras and feedback was positive from both musicians and audience members.
$15.00
Symphony No. 3 in A minor, op. 17 (parts)
#
Orchestre
#
AVANCÉ
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op.
#
Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
(+)
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 1
#
Orchestre
#
INTERMÉDIAIRE
#
Joseph Pugh
#
Symphony No. 1
#
Joseph Pugh
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.855238 Composed by Joseph Pugh. 20th Century,Contemporary,Holiday,Patriotic,Pop. Score and parts. 47 pages. Joseph Pu...
(+)
Full Orchestra - Level 3 - SKU: A0.855238 Composed by Joseph Pugh. 20th Century,Contemporary,Holiday,Patriotic,Pop. Score and parts. 47 pages. Joseph Pugh #6494753. Published by Joseph Pugh (A0.855238). A light Classical piece with a nod to the military and my four Uncles who served as officers in WWll.The Four Captains, is the 3rd movement from Joseph's first symphony, Entitled The Four Captains.The orchestral work plays as follows:1st Movement, Opus 18 in C minor( Pleasant Places). 2nd Movement, The Abyss.3rd Movement, The Four Captains. The Finale is ,Solar Exspanse .
$35.00
Dialogues with Shostakovich
#
Orchestre
#
Rodion Shchedrin
#
Dialogues with Shostakovich
#
Schott Music - Digital
#
SheetMusicPlus
Orchestra - SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score...
(+)
Orchestra - SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q6198. Published by Schott Music - Digital (S9.Q6198). Many of Rodion Shchedrin’s compositions are distinguished by deeply Slavonic feeling and thrilling virtuoso displays. Even though Shchedrin has won recognition all over the world for his work, he remains an essentially Russian composer who has not broken off his ties to Russian musical folk traditions and poetry. It is thus not surprising to learn of his profound admiration for his compatriot Shostakovich (Shchedrin writes: “He is like a God to me.â€) The “dialogues†in this one-movement orchestral piece give expression to this admiration; they describe and offer a musical commentary on the character of Shostakovich’s music and of the man himself.2 Picc. · 2 · 2 · 1 Engl. Hr. · Es-Klar. · 2 · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (I: hg. Crot. Mil.-Tr. [hoch], Choclo; II: Tamt., Mil.-Tr. [mittel], Troika-Schellen, Pfeife; III: 2 Tomt. [mittel/mitteltief]; IV: Beckenpaar, Gr. Tr.) (4 Spieler) - Str. (18 · 16 · 14 · 12 · 10).
$27.99
RAGING FURIES - Goettinnen der Rache
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Rainer Fabich Orchestra
#
Rainer Fabich
#
RAGING FURIES - Goettinnen der
#
Fajora Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
(+)
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Haydn - Symphony No.51 in B flat major, Hob.I:51
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.51 in B fl
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819644 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 70 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819644 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 70 pages. J.G. Cuco Barber #5988231. Published by J.G. Cuco Barber (A0.819644). Composer Haydn, JosephOpus/Catalogue Number Hob.I:51Key B-flat majorMovements/Sections 4 movements:Vivace (B♠major, 209 bars)Adagio (E♠major, 93 bars)Minuet – Trio I – Trio II (B♠major, 56 bars)Finale. Allegro (B♠major, 114 bars)Year/Date of Composition 1773First Publication 1782 ca.Average Duration 24 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in Bb/Eb original & F transposedHorn in Bb/Eb original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
Haydn - Symphony No.66 in B flat major, Hob.I:66
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.66 in B fl
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819660 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 80 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819660 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 80 pages. J.G. Cuco Barber #5988427. Published by J.G. Cuco Barber (A0.819660). Composer Haydn, JosephOpus/Catalogue Number Hob.I:66Key B-flat majorMovements/Sections 4 movements:Allegro con brio (B♠major, 152 bars)Adagio (F major, 89 bars)Minuet - Trio (B♠major, 52 bars)Finale. Presto) (B♠major, 242 bars)Year/Date of Composition 1774-76First Publication 1779 (Hummel) (incomplete, without minuet), 1783 or earlier (all 4 movements)Average Duration 20 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2Bassoon 1Bassoon 2Horn in Bb/F 1 original & F transposedHorn in Bb/F 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
Symphony No. 9 ... My Imaginary London (2014)
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 9 ... My Imaginar
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 ...
(+)
Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99
Schubert - Symphony No.3, D.200
#
Orchestre
#
Classique
#
Franz Schubert
#
J
#
Schubert - Symphony No.3, D.20
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819599 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 232 pages. J.G. Cuco Barb...
(+)
Full Orchestra - SKU: A0.819599 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 232 pages. J.G. Cuco Barber #5968291. Published by J.G. Cuco Barber (A0.819599). Composer Schubert, FranzOpus/Catalogue Number D.200Key D majorMovements/Sections 4 movements:Adagio maestoso - Allegro con brioAllegrettoMenuetto. Vivace - TrioPresto vivaceYear/Date of Composition 1815First Publication 1884Average Duration 20 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation Orchestra:2 flutes2 oboes2 clarinets in A & Bb transposed2 bassoons2 horns in F2 trumpets in Bbtimpaniviolin Iviolin IIviolavioloncellocontrabass
$50.00
Schubert - Symphony No.4, D.417
#
Orchestre
#
Classique
#
Franz Schubert
#
J
#
Schubert - Symphony No.4, D.41
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819601 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 280 pages. J.G. Cuco Barb...
(+)
Full Orchestra - SKU: A0.819601 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 280 pages. J.G. Cuco Barber #5983735. Published by J.G. Cuco Barber (A0.819601). Work Title Symphony No.4, Tragische (Tragic)Composer Schubert, FranzOpus/Catalogue Number D.417Key C minorMovements/Sections 4 movements:Adagio molto - Allegro vivaceAndanteMenuetto. Allegro vivace - TrioAllegroYear/Date of Composition 1816First Publication 1884Average Duration 31 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation Orchestra:2 flutes2 oboes2 clarinets in Bb2 bassoons4 horns in F2 trumpets in Bbtimpaniviolin Iviolin IIviolavioloncellocontrabass
$50.00
Schubert - Symphony No.5, D.485
#
Orchestre
#
Classique
#
Franz Schubert
#
J
#
Contrabass
#
Schubert - Symphony No.5, D.48
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819714 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 176 pages. J.G. Cuco Barb...
(+)
Full Orchestra - SKU: A0.819714 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 176 pages. J.G. Cuco Barber #5998515. Published by J.G. Cuco Barber (A0.819714). Composer Schubert, FranzOpus/Catalogue Number D.485Key B-flat majorMovements/Sections 4 movements:Allegro (B-flat major, 299 bars)Andante con moto (E-flat major, 141 bars)Menuetto. Allegro molto (G minor, 88 bars) ; Trio (G major, 40 bars)Allegro vivace (B-flat major, 394 bars)Year/Date of Composition 1816 (September-October)First Publication 1885Average Duration 30 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation: orchestra: FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in F 1Horn in F 2Violin IViolin IIViolaVioloncello & Contrabass
$50.00
Schubert - Symphony No.1, D.82
#
Orchestre
#
Classique
#
Franz Schubert
#
J
#
Schubert - Symphony No.1, D.82
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819595 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 305 pages. J.G. Cuco Barb...
(+)
Full Orchestra - SKU: A0.819595 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 305 pages. J.G. Cuco Barber #5888789. Published by J.G. Cuco Barber (A0.819595). Composer Schubert, FranzOpus/Catalogue NumberD.82Key D majorMovements/Sections 4 movements:Adagio - Allegro vivaceAndanteMenuetto. Allegro - TrioAllegro vivaceYear/Date of Composition 1813First Publication1884Average Duration 30 minutesComposer Time Period RomanticPiece Style ClassicalInstrumentation Orchestra: flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings.
$50.00
Schubert - Symphony No.2, D.125
#
Orchestre
#
Classique
#
Franz Schubert
#
J
#
Schubert - Symphony No.2, D.12
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819597 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 336 pages. J.G. Cuco Barb...
(+)
Full Orchestra - SKU: A0.819597 Composed by Franz Schubert. Arranged by J.G. Cucó Barber. Romantic Period. Score and parts. 336 pages. J.G. Cuco Barber #5954519. Published by J.G. Cuco Barber (A0.819597). Name Aliases Symphony No. 2 in B-flat Major, D. 125Composer Schubert, FranzOpus/Catalogue Number D.125Key B-flat majorMovements/Sections 4 movements:Largo - Allegro vivaceAndanteMenuetto. Allegro vivace - TrioPrestoYear/Date of Composition 1814First Publication 1884Average Duration 35 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation Orchestra: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 horns in F, 2 trumpets in Bb, timpani, strings.
$50.00
Haydn - Symphony No.3 in G major, Hob.I:3
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.3 in G maj
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819590 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 53 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819590 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 53 pages. J.G. Cuco Barber #5798319. Published by J.G. Cuco Barber (A0.819590). Movements/Sections 4 movements: 1. Allegro (G major, 122 bars) 2. Andante moderato (G minor, 86 bars) 3. Minuet - Trio (G major, 48 bars) 4. Finale. Alla breve (G major, 131 bars) Year of Composition 1762 First Publication 1769 Duration 18 minutes Composer Time Period Classical Piece Style Classical Instrumentation Orchestra: 2 oboes, [bassoon], 2 horns, strings.
$30.00
Haydn - Symphony No.90 in C major, Hob.I:90
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.90 in C ma
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819684 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 127 pages. J.G. Cuco Barber...
(+)
Full Orchestra - SKU: A0.819684 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 127 pages. J.G. Cuco Barber #5988881. Published by J.G. Cuco Barber (A0.819684). Composer Haydn, JosephOpus/Catalogue Number Hob.I:90Key C majorMovements/Sections 4 movements:Adagio – Allegro assai (C major, 227 bars)Andante (F major, 132 bars)Minuet – Trio (C major, 86 bars)Allegro assai (C major, 240 bars)Year/Date of Composition 1788First Publication 1791 or beforeAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in C/F 1 original & F transposedHorn in C/F 2 original & F transposedTrumpet in C 1 original & Bb transposedTrumpet in C 2 original & Bb transposedTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00
Haydn - Symphony No.81 in G major, Hob.I:81
#
Orchestre
#
Classique
#
Franz Joseph Haydn
#
J
#
Haydn - Symphony No.81 in G ma
#
J.G. Cuco Barber
#
SheetMusicPlus
Full Orchestra - SKU: A0.819675 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 99 pages. J.G. Cuco Barber ...
(+)
Full Orchestra - SKU: A0.819675 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 99 pages. J.G. Cuco Barber #5988571. Published by J.G. Cuco Barber (A0.819675). Composer Haydn, JosephOpus/Catalogue Number Hob.I:81Key G majorMovements/Sections 4 movements:Vivace (G major, 179 bars)Andante (D major, 60 bars)Minuet - Trio (G major, 84 bars)Finale. Allegro (G major, 141 bars)Year/Date of Composition 1784First Publication 1784 – London: W. ForsterAverage Duration 25 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:FluteOboe 1Oboe 2Bassoon 1Bassoon 2Horn in G/D 1 original & F transposedHorn in G/D 2 original & F transposedViolin IViolin IIViolaVioloncelloContrabass
$28.00
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Trio Movement
