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Trumpet Duets
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219
Piano & claviers
Piano, Voix et Guitare
9
1 Piano, 4 mains
4
Accompagnement Piano
2
Piano seul
1
Piano Trio: piano, violon, violoncelle
1
Guitares
Voix
Chorale SATB
1
Vents
Clarinette, Trompette (duo)
106
Flûte, Trompette (duo)
53
Flûte, Hautbois, Clarinette, Basson
14
2 Flûtes traversières (duo)
11
2 Saxophones (duo)
10
2 Clarinettes (duo)
6
Saxophone Alto
5
Saxophone Alto et Piano
5
Saxophone (partie séparée)
4
Saxophone Tenor
4
Hautbois (partie séparée)
4
Clarinette
4
Flûte traversière
3
2 Hautbois (duo)
3
Clarinette, Basson (duo)
1
Quintette de Saxophone: 5 saxophones
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Flûte
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Clarinette (duo)
1
2 Saxophones, Piano
1
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2 Trompettes (duo)
217
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122
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119
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69
Trompette
28
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trompettes, Clavier (piano ou orgue)
16
Trompette, Cor (duo)
10
Trompette, Trombone, Piano
9
2 Trombones (duo)
8
Trompette (partie séparée)
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
2 Cors (duo)
6
Trompette, Tuba (duo)
5
Cor
5
Trombone
4
Tuba
4
Trompette, Violoncelle (duo)
4
Euphonium
4
2 Tubas (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette, violon (duo)
2
2 Euphoniums (duo)
2
3 Trompettes (trio)
1
Instruments en Sib
1
Ensemble de Trombones
1
Trombone, Cor (duo)
1
+ 22 instrumentations
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2 Violons (duo)
9
2 Violoncelles (duo)
7
2 Altos (duo)
4
Violoncelle
4
Violon
4
Contre Basse
4
2 Contrebasses (duo)
3
Alto (partie séparée)
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
Alto seul
2
Alto, Violoncelle (duo)
1
2 Violoncelles, Piano
1
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37
Ensemble de cuivres
18
Orchestre
6
Ensemble de Percussions
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1
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1
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AUTOHARPE
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CORNET
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Vous avez sélectionné:
Trumpet Duets
SheetMusicPlus
Partitions à imprimer
6 partitions trouvées
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1
Mix & Match Ensembles - Volume I - Duets
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Orchestre
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968562 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968562 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. Lawrence H Underwood #6666527. Published by Lawrence H Underwood (A0.968562). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
Mix & Match Ensembles - Volume II - Duets
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Orchestre
#
INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968581 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 44 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968581 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 44 pages. Lawrence H Underwood #6666571. Published by Lawrence H Underwood (A0.968581). 8 all-new,original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Mix & Match Ensembles - Volume IV - Quartets
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Orchestre
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968617 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 86 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968617 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 86 pages. Lawrence H Underwood #6666657. Published by Lawrence H Underwood (A0.968617). Eight original quartets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$13.95
Mix & Match Ensembles - Volume III - Trios
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Orchestre
#
INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968599 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 59 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968599 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 59 pages. Lawrence H Underwood #6666615. Published by Lawrence H Underwood (A0.968599). Eight original trios – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$11.95
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky
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A
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I. Stravinsky – Serenade
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Publishe...
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Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
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Trumpet Duets
