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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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PIANO & CLAVIERS
Piano seul
279
Piano Facile
94
Piano, Voix et Guitare
66
Piano, Voix
49
2 Pianos, 4 mains
29
Orgue
19
1 Piano, 4 mains
17
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
7
Accompagnement Piano
7
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Orgue, Piano (duo)
2
Orgue, Trompette (duo)
1
Clavecin
1
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GUITARES
Guitare
31
Guitare notes et tablatures
27
2 Guitares (duo)
22
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
3
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2
Piano, Guitare (duo)
2
Ukulele
2
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1
Banjo
1
4 Guitares (Quatuor)
1
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1
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VOIX
Chorale SATB
95
Chorale 2 parties
50
Chorale 3 parties
26
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23
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13
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9
Voix duo
7
Voix duo, Piano
6
Voix haute
4
Voix moyenne, Piano
4
Voix Soprano, Piano
4
Voix Alto, Piano
2
Voix Tenor, Piano
1
Chorale SSAATTBB
1
Instrumentations suivantes
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VENTS
2 Saxophones (duo)
555
2 Clarinettes (duo)
193
2 Flûtes traversières (duo)
177
2 Hautbois (duo)
152
Saxophone, Clarinette (duo)
136
Clarinette, Violon (duo)
89
Clarinette, Trompette (duo)
73
Flûte, Clarinette (duo)
64
2 Flûte à bec (duo)
49
Hautbois, Clarinette (duo)
48
Clarinette et Alto
45
Hautbois, Flûte
45
Flûte traversière et Piano
44
Flûte, Violon
43
Flûte, Saxophone (duo)
43
Clarinette et Piano
42
Hautbois, Basson (duo)
39
Hautbois, Piano (duo)
36
Flûte, Trompette (duo)
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Quatuor de Saxophones: 4 saxophones
32
Saxophone Alto et Piano
30
Flûte traversière
30
Quintette de Saxophone: 5 saxophones
29
Flûte, Alto (duo)
28
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
26
Flûte, Hautbois, Clarinette, Basson
24
Clarinette
22
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Alto
18
Saxophone Tenor
17
Hautbois (partie séparée)
15
Cor anglais, Piano
14
Flûte à bec Soprano
13
Ensemble de saxophones
13
Ensemble de Clarinettes
13
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11
Saxophone (partie séparée)
11
Flûte et Guitare
11
Trio de Flûtes: 3 flûtes
10
Quatuor de Flûtes : 4 flûtes
9
3 Saxophones (trio)
9
Saxophone Baryton, Piano
8
Clarinette Basse, Piano
8
Quintette de Flûte : 5 flûtes
7
3 Clarinettes (trio)
6
Cor Anglais
5
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Violoncelle
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à bec Soprano, Piano
4
Clarinette, Guitare (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Piano
3
Flûte, Hautbois (duo)
3
2 Flûtes traversières, Piano
2
Clarinette Basse
2
Flûte à bec Tenor
2
3 Flûtes à bec (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à Bec
2
Piccolo
2
Clarinette, Harpe (duo)
2
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2
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2
Quatuor de Flûtes à bec
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, violon (duo)
1
Ensemble de Hautbois
1
Piccolo, Piano
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette et Basson
1
Clarinette, Trombone (duo)
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Saxophone Soprano
1
Clarinette, Alto et Piano (trio)
1
Instrumentations suivantes
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CUIVRES
2 Trombones (duo)
156
2 Trompettes (duo)
143
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
138
Trompette, Saxophone (duo)
97
Trompette, Trombone (duo)
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone et Piano
35
Trompette, Piano
26
Trompette
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
20
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Ensemble de Trombones
12
Cor
11
2 Euphoniums (duo)
10
Trombone
10
Cor et Piano
8
Ensemble de Trompettes
6
Quatuor de Cuivres
5
Cor Anglais
5
Tuba
5
Trompette (partie séparée)
4
2 Cors (duo)
4
Trompette, Cor (duo)
3
2 Tubas (duo)
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Euphonium
2
Cor et Harpe
2
Tuba et Piano
2
Quatuor de cuivres: 4 trombones
2
3 Trompettes (trio)
2
Trio de Cuivres
2
3 Euphoniums
1
2 Euphoniums et 2 Tubas
1
Cor, Violoncelle (duo)
1
Trompette, Harpe
1
Quatuor de cuivres: 4 cors
1
3 Trombones (trio)
1
Cor et Basson (duo)
1
Trombone basse
1
Tuba et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
204
Violon, Violoncelle (duo)
198
Violon
157
2 Violons (duo)
154
2 Altos (duo)
151
2 Violoncelles (duo)
139
Trio à Cordes: violon, alto, violoncelle
130
Violon et Piano
69
Violon, Alto (duo)
54
Violoncelle, Piano
43
Trio à Cordes: 2 violons, violoncelle
35
Alto, Piano
34
Violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Harpe
20
Alto seul
19
Contre Basse
7
2 Harpes (duo)
6
4 Violoncelles
6
Alto, Violoncelle (duo)
5
Ensemble de Violons
4
Violon (partie séparée)
3
Harpe, Violoncelle (duo)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
2 Violoncelles, Piano
1
Harpe, Voix
1
4 Contrebasses
1
Violon, Basson (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Harpe, Trombone (duo)
1
Contrebasse (partie séparée)
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
170
Orchestre à Cordes
118
Orchestre
56
Ensemble de cuivres
32
Cloches
27
Orchestre de chambre
24
Ensemble Jazz
19
Ensemble de Percussions
13
Jazz combo
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Batterie
3
Xylophone
3
Xylophone, Piano
2
2 Marimbas
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Ensemble d'École
1
Fanfare
1
Marimba
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
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Elegy Sentimentale for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.03 €
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By F…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
81.09 €
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Orchestre
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
72.09 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
TAPS A Rembrance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
27.03 €
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Orchestre
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
A Christmas Greeting Op. 52
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elga…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,Festival,Holiday,Religious. Score and Parts. 59 pages. Kara Williams #702446. Published by Kara Williams (A0.1098583). Whilst not as well-known as some of his other work, this delicate little Christmas song is distinctly Elgar. Composed for the Choir of Hereford Cathedral it evokes love, friendship and the English countryside at Christmas. Originally scored for two soprano voices, accompanied by two violins and piano, this delightful work has been thoughtfully re-scored for orchestra (including percussion) by Kara Williams, and is aimed at intermediate level ensembles. The passionately pastoral introduction section leads into a joyful 6/8 section featuring the two trumpets and a cheeky quote from Handel’s ‘Messiah’. This work is a lovely addition to any program, and not just for Christmas time! Scoring: Picc; Fl1&2; Ob1&2; Cl1&2; Bsn1&2 (Bsn2 sub Bcl); FHn1&2; Tbn (sub FHn3); Tba; Timp, Perc1&2; Vln I; Vln2; Vla; VC; CB.
$25.00
22.53 €
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Orchestre
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Edward Elgar
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Kara Williams
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Fl1&2
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A Christmas Greeting Op. 52
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Kara Williams
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.39 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Benjamin Sajo
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SheetMusicPlus
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.02 €
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Orchestre
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.39 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.02 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
In Bleak Midwinter's Moonlight - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Cana…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
31.53 €
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Orchestre
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French Canadian Carol and Gustav Holst
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Mark R Lewis
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In Bleak Midwinter's Moonlight - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
45.05 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
Pulcinella - Parte 1
Orchestre
Full Orchestra - Digital Download SKU: A0.1029543 Composed by Alessio Niccolai. 20t…
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Full Orchestra - Digital Download SKU: A0.1029543 Composed by Alessio Niccolai. 20th Century,Contemporary. Score and parts. 136 pages. Alessio Niccolai #5896511. Published by Alessio Niccolai (A0.1029543). Pulcinella - Parte 1 is a composition for symphony orchestra and SATB choir built on an old french doggerel: it's a sometimes funny, lively and bubbly piece, sometimes melancholic and poignant: exactly like the Neapolitan mask that it intends to celebrate.For its performance a complete symphonic ensemble and a chorus of great dramatic intensity are required. Correctly with the creative style of its author, Pulcinella (Polichinelle in French) also needs glockenspiel, tubular bells and xylophone, as well as a couple of harps.There is talk of «Part 1» because a sequel is currently in reworking and is intended for the subtitle of «Part 2» originally - when, at the age of 16 - Alessio Niccolai conceived it as a musical jotting, He intended it as a unique work. Since there were two main thematic guidelines, at the time of his transcription for orchestra and choir, he decided to separate them.
$18.00
16.22 €
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Orchestre
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Alessio Niccolai
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Pulcinella - Parte 1
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Alessio Niccolai
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
40.55 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
180.23 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.05 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Horizons
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1418381 By Nick Elliott. By Nic…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1418381 By Nick Elliott. By Nick Elliott. 21st Century,Classical,Contemporary. 117 pages. Nick Elliott #999942. Published by Nick Elliott (A0.1418381). “Horizons†intends to demonstrate through music the beautiful imagery of nature in Atlantic Canada. The musical imagery expressed in this tone poem is largely inspired by the Acadian forest, Fundy National Park and other geographical features of Atlantic Canada. This tone poem is split into two movements: Sunrise and Sunset. “Horizons aims to reveal what a sunrise and a sunset on the horizon would sound like in Atlantic Canada. In essence “Horizons†aims to create that picture in the listener mind through music. Horizons is a tone poem that seeks to encapsulate the breathtaking nature found in Atlantic Canada. Drawing its inspiration from the lush Acadian forest,  majestic Fundy National Park, and the diverse geographical landscapes that define Atlantic Canada, this piece vividly translates the essence of these natural wonders into sound. The composition is divided into two movements, Sunrise and Sunset, each crafted to convey the unique ambiance and colors of the Atlantic horizon at these times of the day.In Horizons, orchestral textures are pivotal in painting the auditory landscape. The intricate layering of instrumental timbres and dynamics is akin to the interplay of light and shadow across the landscape. The delicate whispers of the woodwinds evoke the gentle rustle of leaves in the Acadian forest at dawn, while the bold, resonant brass mirrors the dramatic hues that streak the sky at dusk. Strings weave throughout, like the constant ebb and flow of the tides at Fundy Bay. Through Horizons, listeners are invited to embark on an auditory journey that mirrors the experience of witnessing a sunrise and sunset on the Atlantic horizon. The orchestral textures serve as dynamic and integral components of the narrative, bringing to life the serene beauty and the vibrant tapestry of Atlantic Canada's natural landscapes through music.
$50.00
45.06 €
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Orchestre
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Nick Elliott
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Horizons
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Nick Elliott
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
61.28 €
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Orchestre
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bac…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
$5.00
4.51 €
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Orchestre
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no. 2 in E major, BWV 1053
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Gabriel Vinicius
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SheetMusicPlus
Yetzer Hara, for orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454805 Composed by Daniel Desp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454805 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 20 pages. Daniel Despins #1033873. Published by Daniel Despins (A0.1454805). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$20.00
18.02 €
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Orchestre
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Daniel Despins
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Yetzer Hara, for orchestra - Score Only
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Daniel Despins
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SheetMusicPlus
Yetzer Hara, for orchestra - Full Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454803 Composed by Daniel Desp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454803 Composed by Daniel Despins. 21st Century,Classical,Contemporary,Jewish. 65 pages. Daniel Despins #1031955. Published by Daniel Despins (A0.1454803). Powerful, moving, and dramatic, Yetzer Hara by Daniel Despins is a perfect concert opener for any program!A note from the composer:In Jewish mysticism, the “yetzer hara” refers to one’s “evil inclination,” or the desire to commit acts that are considered evil or immoral. The yetzer hara is controlled and restrained by the “yetzer hatov,” or the inclination to do good things and commit acts of kindness. Rabbinic teachings emphasize the importance of both inclinations – without the yetzer hara, people would have no sense of motivation or purpose to their actions, but the yetzer hatov is necessary to ensure that those actions do not harm others. Thus, the two inclinations depend on each other for balance.This teaching resonates with me very personally, as someone who was prone to fits of anger while I was growing up. My adolescent years tested me as I struggled to keep my yetzer hara in check. Even at the time of this piece’s creation, I was struggling with the evil inclination, which was feeding feelings of animosity I had towards people that I believed had wronged me. This is a battle I will fight for the rest of my life, but I believe that balance will come with time and patience. We must all fight to keep our inclinations balanced, so that we are able to mature emotionally as human beings..
$80.00
72.09 €
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Orchestre
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Daniel Despins
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Yetzer Hara, for orchestra - Full Score and Parts
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Daniel Despins
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
54.06 €
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Orchestre
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
Rondo Capriccioso op.14 for flute and Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.1035210 Composed by Felix Bartholdy Mende…
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Full Orchestra - Digital Download SKU: A0.1035210 Composed by Felix Bartholdy Mendelssohn. Arranged by James Strauss. Romantic Period. Score and parts. 77 pages. James Strauss #3115803. Published by James Strauss (A0.1035210). The sparkling bravura piece was called an Etude in the first version of 1828. Two years later Mendelssohn wanted to present the work to the young piano virtuoso Delphine von Schauroth, whom he was courting at the time. He reworked it under the new title Rondo capriccioso, making it even more brilliant and adding a moving introductory adagio (thus described in a letter to Fanny). In this form, the work still presents all good pianists with a rewarding challenge. I did a bravoure piece for flute and orchestra respecting the Mendelssohn style.
$45.00
40.55 €
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Orchestre
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Felix Bartholdy Mendelssohn
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James Strauss
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Rondo Capriccioso op.14 for flute and Orchestra
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James Strauss
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SheetMusicPlus
Due Leggende della Magna Grecia (CM 2016)
Orchestre
Full Orchestra - Digital Download SKU: A0.1012948 Composed by Carmelo Mantione. 20t…
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Full Orchestra - Digital Download SKU: A0.1012948 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. Score and parts. 63 pages. Carmelo Mantione #5805761. Published by Carmelo Mantione (A0.1012948). A musical journey for orchestra through two legendary places in Sicily at the time of Magna Graecia: the Akragas Valley with its majestic temples and the Etna volcano with its legends about the forge of the thunderbolts forged by the cyclops.
$4.99
4.5 €
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Orchestre
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Carmelo Mantione
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Due Leggende della Magna Grecia
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Carmelo Mantione
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SheetMusicPlus
Due Leggende della Magna Grecia (CM 2016) complete parts
Orchestre
Full Orchestra - Digital Download SKU: A0.1012949 Composed by Carmelo Mantione. 20t…
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Full Orchestra - Digital Download SKU: A0.1012949 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards,World. Score and parts. 62 pages. Carmelo Mantione #5820869. Published by Carmelo Mantione (A0.1012949). Complete orchestral parts.A musical journey for orchestra through two legendary places in Sicily at the time of Magna Graecia: the Akragas Valley with its majestic temples and the Etna volcano with its legends about the forge of the thunderbolts forged by the cyclops.
$2.99
2.69 €
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Orchestre
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Carmelo Mantione
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Due Leggende della Magna Grecia
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Carmelo Mantione
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SheetMusicPlus
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