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Quatuor à cordes: 2 violons, alto, violoncelle
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Violon
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Violon et Piano
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Violon, Alto (duo)
25
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Trio à Cordes: 2 violons, violoncelle
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Alto, Piano
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Violoncelle
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Trio à Cordes: 2 violons, alto
9
2 Harpes (duo)
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Alto seul
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4 Violoncelles
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Contre Basse
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Alto (partie séparée)
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Ensemble de Violons
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Alto et Basson
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Harpe, Voix
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Ensemble d'Altos
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Contrebasse (partie séparée)
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Contrebasse, Piano (duo)
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Orchestre à Cordes
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Orchestre d'harmonie
89
Cloches
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Ensemble de cuivres
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Orchestre
28
Ensemble Jazz
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Orchestre de chambre
20
Ensemble de Percussions
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Jazz combo
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Xylophone, Piano
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Vibraphone
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Quintette de Cuivres: autres combinaisons
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Batterie
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2 Xylophones
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Xylophone
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Orchestre, Violon
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Percussion
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Ensemble d'École
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Piano et Orchestre
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2 Marimbas
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
13.7 €
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Orchestre
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
Be My Love
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.966133 Composed by Nicholas Bro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.966133 Composed by Nicholas Brodszky. Arranged by Alexander Timofeev. Contemporary. Score and parts. 120 pages. Alexander Timofeev #6514483. Published by Alexander Timofeev (A0.966133). This arrangement for tenor and orchestra of Be My Love by Nicholas Brodszky and Sammy Cahn was inspired by the famous recording (1950) sung by Mario Lanza. It is one of the closest arrangements for tenor and orchestra to this version of Be My Love. Full Score, and Parts are included. The arrangement is scored for tenor solo and full orchestra: 2-2-2-2, 4-3-3-1, timp, perc., piano, harp, strings. There are also optional parts: mixed choir (SATB), guitar, bass guitar - these parts are in the Lanza recording, so they are also included in this arrangement. The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (4), Trumpets in Bb (3), Trombones (3), Tuba (1), Timpani, Percussion (2), Piano (1), Harp (1), Tenor Soloist (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4), Mixed Choir - SATB (24), Guitar (1), Bass guitar (1). If more string parts or choir parts are needed, please purchase two or more copies of this arrangement.
$79.99
73.28 €
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Orchestre
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Nicholas Brodszky
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Alexander Timofeev
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Be My Love
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Alexander Timofeev
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SheetMusicPlus
Souvenirs d'un concert (Serenata) for Tenor and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Br…
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Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Alexander Timofeev #6669179. Published by Alexander Timofeev (A0.966146). This is an arrangement for Tenor and Orchestra of Souvenirs d'un concert (Serenata) by C. Adolfo Bracco. Lyricist: Enrico Caruso. This arrangement of Serenata was inspired by the famous recording sung by Mario Lanza. Tenor range: D3-B4.  Full Score, and Parts are included. The arrangement is scored for Tenor and Orchestra: 2-2-2-2, 2-0-2-0, 1 perc., harp, strings.  The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (2), Trombones (2), Percussion (1), Harp (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4).  If more string parts are needed, please purchase two or more copies of this arrangement.
$79.99
73.28 €
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Orchestre
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C
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Alexander Timofeev
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Souvenirs d'un concert
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Alexander Timofeev
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SheetMusicPlus
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel Holland #3544313. Published by James Nathaniel Holland (A0.730454). FULL SCORE AND ALL INDIVIDUAL PARTS (Including Solos). The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins. Reduced piano score (with solo parts), Full Score only sold separately. Instrumentation: picc, fl12, ob12, eh, clBb 12, bsn 12, cbsn, hrn 1234, tpt 12, trmb 12, tba, timp, perc (bdrm, hand cym/susp. cym with soft mall., tri, temple blks, gong) harp, soloists, strings Duration: 24 minutes YouTube Presentation: https://youtu.be/BxiTM50KwCk Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$39.95
36.6 €
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Orchestre
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James Nathaniel Holland
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Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Orchestral Score Only)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730453 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730453 Composed by James Nathaniel Holland. Contemporary. Score and parts. 78 pages. James Nathaniel Holland #3544283. Published by James Nathaniel Holland (A0.730453). FULL SCORE ONLY. The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins.
$15.95
14.61 €
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Orchestre
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James Nathaniel Holland
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Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra
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James Nathaniel Holland
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SheetMusicPlus
America
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1244379 By Simon And Garfunkel.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1244379 By Simon And Garfunkel. By Paul Simon. Arranged by Patrick Sheehan. Folk,Patriotic,Pop. Score and Parts. 122 pages. Patrick Sheehan #839362. Published by Patrick Sheehan (A0.1244379). Transcribed as recorded from the album “Bookendsâ€, 1968.  Arranged for two baritone vocalists, guitar and orchestra.INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Baritone Voice I, Baritone Voice II, Acoustic Guitar, Glockenspiel, Timpani, Shaker, Drumset, Violin I, Violin II, Viola, Cello, Contrabass.ABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
45.81 €
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Orchestre
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Simon And Garfunkel
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Patrick Sheehan
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rock selections
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America
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Patrick Sheehan
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SheetMusicPlus
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bac…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
$5.00
4.58 €
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Orchestre
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no. 2 in E major, BWV 1053
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Gabriel Vinicius
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.9 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.9 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.9 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
"Te Deum", op. 5 - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
45.81 €
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Orchestre
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Adrian Gagiu
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Adrian Gagiu
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"Te Deum", op. 5 - Score Only
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Adrian Gagiu
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SheetMusicPlus
19 de Janeiro de 1982
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.896908 Composed by Marcelo Torc…
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Full Orchestra - Level 2 - Digital Download SKU: A0.896908 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Jazz. Score and parts. 90 pages. Marcelo Torca #708195. Published by Marcelo Torca (A0.896908). Este livro é uma suÃte, composto de cindo a sete de janeiro de dois mil e dezesseis, uma música para orquestra sinfônica, para bateria, solo instrumental, onde pode-se tocar apenas um instrumento, ou tocar todos. No Solo Instrumental há os instrumentos musicais: piano; teclado; acordeão; escaleta. No Solo Instrumental II há os instrumentos musicais: flauta-doce sopranino; flauta-doce soprano; flauta-doce contralto. Essa data, é a de inÃcio do meu aprendizado musical, foi quando em Barueri, Estado de São Paulo, Brasil, comecei a estudar piano. No ano de dois mil e dezesseis, sei tocar vários instrumentos musicais, componho, além de ter projetos desenvolvidos como: Grupo Instrumental; Curso de Música Gratuito; Orquestra Grupo Instrumental; Orquestra Sinfônica; Orquestra de Sopro Sinfônica; Quinteto Marcelo Torca; Rádio MACRISAN. Também participo da Escola de Música MACRISAN. Através do Clube de Autores, possuo em torno de duzentos livros lançados, através da CD Baby, são duas dúzias de álbuns musicais aproximadamente. Deste livro, há um álbum musical, onde há mais músicas gravadas, incluindo música eletrônica e improvisações ao piano. This book is a suite composed of five to 7 January two thousand and sixteen, music for symphony orchestra, for battery, instrumental solo, where you can play only one instrument, or touch everyone. Ground Instrumental there are musical instruments: piano; keyboard; accordion; melodica. Ground II Instrumental there are musical instruments: flute sweet sopranino; flute, soprano; flute sweet contralto. This date is the start of my musical learning, it was when in Barueri, São Paulo, Brazil, began to study piano. In the year two thousand and sixteen, I can play various musical instruments, compose, and has developed projects as: Instrumental Group; Free Music course; Orchestra Instrumental Group; Symphonic Orchestra; Orchestra Symphony blow; Marcelo Torca quintet; Radio MACRISAN. Also participate in the School of Music MACRISAN. Through the Authors Club, we have around two hundred books released through CD Baby, are two dozen musical albums about. This book, there's a musical album, where there are more recorded music including electronic music and improvisation at the piano.
$10.00
9.16 €
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Orchestre
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Marcelo Torca
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Marcelo Torca
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teclado
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19 de Janeiro de 1982
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Marcelo Torca
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.65 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Ts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
36.64 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Brass Quintet in my stores
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Bulgarian National Anthem
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Keith Terrett
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SheetMusicPlus
Pas de Deux from the Nutcracker Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.886275 Composed by Pyotr Tchaik…
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Full Orchestra - Level 4 - Digital Download SKU: A0.886275 Composed by Pyotr Tchaikovsky. Arranged by Alexander Safford. Christmas,Romantic Period,Traditional,World. Score and parts. 99 pages. North Summit Music Press, LLC #3629425. Published by North Summit Music Press, LLC (A0.886275). With its enduring romantic melodies, Tchaikovsky's Pas de Deux remains a favorite of audiences everywhere, and one of the few Nutcracker movements that works as a year-round concert piece. This effective arrangement offers a stylistically genuine edition for community, collegiate, and high school orchestras. The two original harp parts have been combined into a single, more manageable part for one harpist or pianist, offered at the advanced level and the intermediate level. Tchaikovsky's original two-player harp parts are also included in the set.
$60.00
54.97 €
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Orchestre
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Pyotr Tchaikovsky
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Alexander Safford
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Pas de Deux from the Nutcracker Score and Parts
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North Summit Music Press, LLC
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SheetMusicPlus
Australia Our Land - Orchestra with SATB Choir and Piano
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
25.65 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Australia Our Land - Orchestra with SATB Choir and Piano
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BJE Music
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SheetMusicPlus
Rap Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.882396 Composed by David Chesky…
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Full Orchestra - Level 5 - Digital Download SKU: A0.882396 Composed by David Chesky. Contemporary,Jazz. Score and parts. 69 pages. Pamaluc Music #18967. Published by Pamaluc Music (A0.882396). The Rap Symphony for large orchestra featuring two rappers is about a transitional society, a society that is shifting from the word to the image. Our civilization once used to believe in depth and reading and art; now abstract thought is changing into a simplistic, superficial society where one is consumed with the quick Starbucks or Twitter fix. It's all lightness of being today. We don't celebrate anticipation anymore, people don't want to put the time in. This symphony is about the collapse of that whole ethos. The phrase in the lyrics that says 'kill the philharmonic' doesn't mean that literally. It's a metaphor for a society that has no use for the philharmonic. We're losing these things. Pretty soon John Coltrane and Miles Davis, along with all jazz and classic music, will become museum pieces. We used to have a culture that cherished these, but in a super simplistic society, there's just no room for them. Duration 19.38 min 3fl./ 2ob./ 2cl./ B.Cl/ 2bs./ cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 6 perc./ harp/ strings View the video here https://www.youtube.com/watch?v=8XAuO9Rm3Cs.
$4.98
4.56 €
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Orchestre
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David Chesky
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Rap Symphony
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Pamaluc Music
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SheetMusicPlus
The Holberg Suite: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_B1 Bassoon. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_B1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_F1 Flute. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_F1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_VC1 Cello. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_VC1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Holberg Suite: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017337_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0017337_TMP Timpani. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_TMP). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
2.75 €
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Orchestre
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Alexander Glazunov - Grand Concert Waltz in E-Flat Major, Op. 41, For Piano and Orchestra, Orche
Orchestre
Full Orchestra - Digital Download SKU: A0.1008425 Composed by Alexander Glazunov. A…
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Full Orchestra - Digital Download SKU: A0.1008425 Composed by Alexander Glazunov. Arranged by Arkady Leytush. Romantic Period. Score and parts. 82 pages. Arkady Leytush #6599291. Published by Arkady Leytush (A0.1008425). Glazunov's orchestral repertoire includes two famous waltzes op. 47 and 51. Big concert waltz op. 41 was written exclusively for piano. I had a great desire to change the salon scale of this work, moving it to the concert stage, making a transcription for piano with a large symphony orchestra. The structure and periodicity of the musical form allowed me to realize this idea as a dialogue, a duet of a soloist and an orchestra. In some episodes, only the orchestra or only the solo piano sounds, while a number of other places are more like a typical concert for piano and orchestra. I hope this new transcription should be of an interest for both, pianists and conductors. Considering the compactness of the sound (7 minutes), this piece could, for example, decorate a concert program after performing a concert for piano and orchestra as an encore.
$60.00
54.97 €
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Orchestre
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Alexander Glazunov
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Arkady Leytush
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both, pianists and conductors
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Alexander Glazunov - Grand Concert Waltz in E-Flat Major, Op. 41, For Piano and Orchestra, Orche
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Arkady Leytush
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SheetMusicPlus
John Field, Sonata I (Movement I) - orchestra by Scott Fields Davis
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787. Published by Scott Fields Davis (A0.998472). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the first of the two movements of Field's first piano sonata.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 5 minutes and 59 seconds. This download contains the conductor’s score and all of the parts. To download the other movement, please click on the following link. John Field, Sonata I (Movement II) arranged for orchestra by Scott Fields Davis  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.
$15.00
13.74 €
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Orchestre
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
The Holberg Suite: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0005616 Score. Composed by E…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005616 Score. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Score. 21 pages. Alfred Music - Digital Sheet Music #00-PR-0005616. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005616). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$10.00
9.16 €
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Orchestre
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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