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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two pieces
Non classifié
733
Piano & claviers
Piano seul
887
Orgue
102
Piano Facile
89
Piano, Voix
76
1 Piano, 4 mains
53
Accompagnement Piano
49
2 Pianos, 4 mains
45
Piano, Voix et Guitare
11
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
6
Instruments en Do
4
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano (partie séparée)
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
Piano Trio: piano, violon, violoncelle
1
1 Piano, 6 mains
1
+ 13 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
113
Guitare
90
2 Guitares (duo)
68
Guitare notes et tablatures
40
Mandoline
10
Ukulele
10
4 Guitares (Quatuor)
5
3 Guitares (trio)
3
2 Ukuleles
3
2 Mandolines (duo)
3
Banjo
3
Dulcimer
3
Ensemble de guitares
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
Luth
1
Basse electrique
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
84
Chorale Unison
26
Chorale 3 parties
20
Chorale 2 parties
19
Voix Tenor, Piano
17
Voix Soprano, Piano
10
Chorale SSAA
9
Voix Alto, Piano
7
Chorale TTBB
6
Voix Tenor
4
Voix duo, Piano
2
Voix Soprano
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Voix duo
1
+ 10 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
212
Flûte traversière et Piano
203
Clarinette et Piano
202
Saxophone Alto et Piano
148
Saxophone Tenor et Piano
136
2 Saxophones (duo)
100
2 Flûtes traversières (duo)
64
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
49
2 Clarinettes (duo)
40
Clarinette
32
2 Flûtes traversières, Piano
28
Quatuor de Saxophones: 4 saxophones
24
Quatuor de Clarinettes: 4 clarinettes
24
Flûte traversière
23
Flûte, Hautbois, Clarinette, Basson
21
2 Hautbois (duo)
19
Saxophone, Clarinette (duo)
16
Hautbois (partie séparée)
16
Quatuor de Flûtes : 4 flûtes
16
Saxophone Soprano et Piano
13
Quintette de Saxophone: 5 saxophones
12
3 Clarinettes (trio)
11
Clarinette, Violon (duo)
10
Clarinette, Trompette (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
Ensemble de Clarinettes
9
Flûte à bec Soprano
9
Saxophone Baryton, Piano
9
Flûte, Clarinette (duo)
7
Hautbois, Basson (duo)
7
Quatuor de Flûtes à bec
7
2 Flûte à bec (duo)
6
Hautbois, Clarinette (duo)
6
3 Saxophones (trio)
6
Ensemble de Flûtes
6
Flûte, Saxophone (duo)
6
Ensemble de saxophones
6
Quintette de Flûte : 5 flûtes
5
Flûte, Trompette (duo)
5
Flûte, Violon
5
Clarinette et Alto
5
Cor anglais, Piano
4
Hautbois, Flûte
4
Saxophone Alto
4
Trio de Flûtes: 3 flûtes
4
Flûte, Alto (duo)
4
Flûte, Violon, Piano
4
5 Flûtes à bec
3
Flûte et Guitare
3
Ensemble De Flûte à bec
2
Flûte, Hautbois (duo)
2
Flute, harpe et violon
2
Flûte, Hautbois, Clarinette (trio)
2
Piccolo, Piano
2
Flûte à bec Tenor
2
Clarinette Basse, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
4 Hautbois
1
Saxophone et Piano
1
Flûte, Violon et Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
Flûte à bec Alto, Basse continue
1
Saxophone et Orgue
1
Clarinette, Harpe (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Cor anglais et Harpe (duo)
1
Saxophone Soprano
1
Piccolo
1
Clarinette, Violoncelle (duo)
1
Saxophone Tenor
1
Flûte et Quatuor à Cordes
1
Flûte, Harpe et Violoncelle
1
+ 76 instrumentations
Retracter
Cuivres
Trombone et Piano
168
Trompette
83
Trompette, Piano
70
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
2 Trombones (duo)
25
2 Trompettes (duo)
22
Cor et Piano
16
Trombone
15
Euphonium, Piano (duo)
15
Trompette (partie séparée)
11
Trompette, Saxophone (duo)
11
Quatuor de cuivres: 4 trombones
11
Tuba et Piano
11
2 Cors (duo)
10
Trompette, Trombone (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Quatuor de cuivres: 4 cors
6
Quatuor de Cuivres
5
2 Euphoniums (duo)
5
Ensemble de Trombones
4
Cor anglais, Piano
4
3 Trombones (trio)
3
2 Tubas (duo)
3
Trombone, Tuba (duo)
3
Ensemble de Trompettes
2
4 Tubas
2
Tuba
2
Euphonium
1
Trio de Cuivres
1
Trombone basse et Piano
1
2 Cors Anglais Et Pianoforte
1
3 Tubas (trio)
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Orgue
1
3 Euphoniums
1
3 Trompettes (trio)
1
Cor anglais et Harpe (duo)
1
3 Cors (trio)
1
Cor et Harpe
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor
1
+ 38 instrumentations
Retracter
Cordes
Violon et Piano
204
Alto, Piano
188
Violoncelle, Piano
169
Quatuor à cordes: 2 violons, alto, violoncelle
131
Harpe
82
Violon, Violoncelle (duo)
58
Violon
49
2 Violoncelles (duo)
34
Violoncelle
34
2 Violons (duo)
32
Violon, Alto (duo)
25
Trio à Cordes: violon, alto, violoncelle
24
2 Altos (duo)
23
2 Violons, Piano
16
Alto seul
15
Contrebasse, Piano (duo)
12
2 Harpes (duo)
12
Alto (partie séparée)
10
Trio à Cordes: 2 violons, violoncelle
7
Violon (partie séparée)
7
Harpe, Flûte (duo)
5
Contre Basse
5
Trio à Cordes: 2 violons, alto
5
Violon, Guitare (duo)
4
4 Violoncelles
4
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Violon (duo)
2
Quatuor à cordes: 4 violons
2
3 Contrebasses
1
Trio à cordes: 3 altos
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
62
Orchestre d'harmonie
52
Orchestre
38
Ensemble de cuivres
31
Cloches
30
Jazz combo
12
Orchestre de chambre
7
Ensemble Jazz
5
Ensemble de Percussions
3
Batterie
2
Fanfare
2
Marimba
2
Caisse Claire
1
Xylophone
1
Ensemble d'École
1
2 Marimbas
1
+ 11 instrumentations
Retracter
Autres
Instruments
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CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Two pieces
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Partitions à imprimer
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N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
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Orchestre
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Contemporain
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N
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A
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N. Medtner - Two Pieces, Op. 5
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Le...
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Full Orchestra - SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041). Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady LeytushMedtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.
$50.00
Two Songs of Hope (Choral Score)
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Orchestre
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FACILE
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Randy Edwards
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Two Songs of Hope
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB or 2-part mixed voices, keyboard (organ or piano), optional full orchestra - Moderately Easy - SKU: MQ.50-2507A-E Composed by Randy Edwards. Lent, ...
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SATB or 2-part mixed voices, keyboard (organ or piano), optional full orchestra - Moderately Easy - SKU: MQ.50-2507A-E Composed by Randy Edwards. Lent, 9/11 Service. 15 pages. MorningStar Music Publishers - Digital Sheet Music #50-2507A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-2507A-E). Two pieces that blend several favorite biblical passages of comfort and hope. These two pieces grew out of experiences surrounding the tragedy at Columbine High School and a choir tour to Kenya. A good piece for high school or adults.
$2.85
2 Christmas Favourites for School Orchestra (volume two)
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Orchestre
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FACILE
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Noël
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John H
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David Burndrett
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2 Christmas Favourites for Sch
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David Burndrett
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1317816 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. 57 pages. David Burndrett #...
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Full Orchestra - Level 2 - SKU: A0.1317816 Composed by John H. Hopkins, Traditional. Arranged by David Burndrett. Christmas. 57 pages. David Burndrett #906506. Published by David Burndrett (A0.1317816). No.1 We Three KingsNo.2 The Angel GabrielI have arranged these pieces so that they can be played by grade three standard players upwards!As usual, I have added an optional violin three part, which is the same as the viola part, for if you do not have any viola players.I have also added an optional piano part.Download includes the score and all of the parts.
$14.95
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Chostakovitch : Cinq pièces pour deux violons et piano - I. Prelude
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INTERMÉDIAIRE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - I. Prelude. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - I. Prelude. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - I. Prelude (Violon 1)
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FACILE
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - I. Prelude (Violon 1) de Chostakovitch. Partition pour Trio -- Class...
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Chostakovitch : Cinq pièces pour deux violons et piano - I. Prelude
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Chostakovitch
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Cinq pièces pour deux violons
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - I. Prelude de Chostakovitch. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - I. Prelude de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - IV. Waltz (Violon 1)
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - IV. Waltz (Violon 1) de Chostakovitch. Partition pour Trio -- Classi...
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Chostakovitch : Cinq pièces pour deux violons et piano - V. Polka (Violon 1)
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - V. Polka (Violon 1) de Chostakovitch. Partition pour Trio -- Classiq...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - V. Polka (Violon 1) de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - II. Gavotte (Violon 1)
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte (Violon 1) de Chostakovitch. Partition pour Trio -- Clas...
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Chostakovitch : Cinq pièces pour deux violons et piano - III. Elegy (Violon 1)
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - III. Elegy (Violon 1) de Chostakovitch. Partition pour Trio -- Class...
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Chostakovitch : Cinq pièces pour deux violons et piano - IV. Waltz
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - IV. Waltz. Partition pour Trio -- Classique...
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Chostakovitch : Cinq pièces pour deux violons et piano - I. Prelude (Violon 2)
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - I. Prelude (Violon 2) de Chostakovitch. Partition pour Trio -- Class...
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Chostakovitch : Cinq pièces pour deux violons et piano - III. Elegy
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - III. Elegy. Partition pour Trio -- Classique...
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Chostakovitch : Cinq pièces pour deux violons et piano - V. Polka
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INTERMÉDIAIRE
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - V. Polka. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - V. Polka. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - II. Gavotte
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - II. Gavotte
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INTERMÉDIAIRE
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte de Chostakovitch. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - III. Elegy (Violon 2)
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - III. Elegy (Violon 2) de Chostakovitch. Partition pour Trio -- Class...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - III. Elegy (Violon 2) de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - IV. Waltz
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - IV. Waltz de Chostakovitch. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - IV. Waltz de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - II. Gavotte (Violon 2)
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FACILE
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte (Violon 2) de Chostakovitch. Partition pour Trio -- Clas...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - II. Gavotte (Violon 2) de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - V. Polka
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FACILE
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - V. Polka de Chostakovitch. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - V. Polka de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - III. Elegy
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FACILE
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - III. Elegy de Chostakovitch. Partition pour Trio -- Classique...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - III. Elegy de Chostakovitch. Partition pour Trio -- Classique
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Chostakovitch : Cinq pièces pour deux violons et piano - IV. Waltz (Violon 2)
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Orchestre
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FACILE
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Classique
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Chostakovitch
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Cinq pièces pour deux violons
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Tomplay
Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - IV. Waltz (Violon 2) de Chostakovitch. Partition pour Trio -- Classi...
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Telechargez la partition Bands et Ensembles Cinq pièces pour deux violons et piano - IV. Waltz (Violon 2) de Chostakovitch. Partition pour Trio -- Classique
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