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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
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VIOLONCELLE
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CLASSIQUE - BAROQUE …
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Non classifié
8794
PIANO & CLAVIERS
Piano seul
4146
Piano Facile
1008
Piano, Voix et Guitare
770
Piano, Voix
694
Orgue
488
1 Piano, 4 mains
371
2 Pianos, 4 mains
342
Accompagnement Piano
264
Instruments en Do
249
Piano Trio: piano, violon, violoncelle
91
Orgue, Trompette (duo)
76
Piano grosses notes
47
Accordéon
44
2 Accordéons
31
Piano (partie séparée)
29
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
27
Orgue, Piano (duo)
27
Clavecin
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
7
2 Pianos, 8 mains
7
1 Piano, 6 mains
4
2 Orgues (duo)
2
Ligne De Mélodie, Piano
1
Instrument seul et Orgue
1
Fake Book
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
778
Guitare
364
2 Guitares (duo)
332
Ligne De Mélodie, (Paroles) et Accords
176
Piano, Guitare (duo)
153
Ukulele
138
Paroles et Accords
117
Dulcimer
75
Guitare (partie séparée)
59
Basse electrique
58
4 Guitares (Quatuor)
32
Mandoline
30
3 Guitares (trio)
19
2 Dulcimers (duo)
14
Banjo
13
2 Ukuleles
8
Ensemble de guitares
7
2 Mandolines (duo)
4
Mandoline, Guitare (duo)
3
Ukulele Baryton
3
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
2
Guitare, Orchestre
1
Partitions De Groupes
1
Ensemble de Ukulélés
1
Luth
1
Instrumentations suivantes
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VOIX
Chorale 2 parties
1772
Chorale SATB
1610
Chorale 3 parties
622
Chorale Unison
615
Voix duo, Piano
234
Chorale TTBB
207
Voix duo
132
Chorale SSAA
106
Voix seule
79
Voix Soprano, Piano
59
Chorale
44
Voix haute
29
Voix Tenor, Piano
24
Voix moyenne, Piano
22
Voix Baryton, Piano
18
Voix Alto, Piano
14
Pack Instrumental pour Chorale
9
Voix Tenor
8
Voix Soprano
6
Voix basse, Piano
5
Voix, Guitare
4
Voix basse
4
Chorale SSAATTBB
4
Soli, choeur mixte et accompagnement
4
Chorale SSATTB
2
Chorale SSAB a cappella
2
Voix Mezzo-Soprano, Piano
1
Voix Soprano, Orchestre
1
Male Voice
1
Instrumentations suivantes
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VENTS
2 Flûtes traversières (duo)
1925
2 Saxophones (duo)
1526
2 Clarinettes (duo)
1407
Flûte traversière et Piano
807
Clarinette et Piano
534
Hautbois, Piano (duo)
468
Flûte traversière
417
Saxophone Alto et Piano
380
Saxophone Tenor et Piano
377
Quatuor de Saxophones: 4 saxophones
317
Saxophone (partie séparée)
297
2 Hautbois (duo)
285
3 Clarinettes (trio)
278
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
251
2 Flûte à bec (duo)
227
Flûte, Hautbois, Clarinette, Basson
218
Saxophone Soprano et Piano
210
Flûte, Clarinette (duo)
204
Quatuor de Clarinettes: 4 clarinettes
203
Clarinette
174
Quatuor de Flûtes : 4 flûtes
163
Saxophone, Clarinette (duo)
158
Clarinette, Violon (duo)
146
Clarinette (partie séparée)
138
2 Flûtes traversières, Piano
135
Flûte, Violon
134
3 Saxophones (trio)
121
Hautbois (partie séparée)
111
Hautbois, Basson (duo)
108
Quintette de Saxophone: 5 saxophones
105
Trio de Flûtes: 3 flûtes
104
Saxophone Alto
96
Ensemble de Clarinettes
90
Hautbois, Clarinette (duo)
88
Ensemble de saxophones
84
Clarinette, Trompette (duo)
84
Saxophone Tenor
77
Flûte, Violon, Piano
72
Ensemble de Flûtes
68
Hautbois, Flûte
66
Clarinette et Alto
66
Flute (partie séparée)
65
2 Clarinettes, Piano
57
Flûte et Guitare
52
Flûte, Clarinette, Piano (trio)
52
Flûte, Saxophone (duo)
51
Flûte, Alto (duo)
47
Saxophone Baryton, Piano
45
Flûte, Trompette (duo)
45
Cor anglais, Piano
45
Flûte, Violoncelle
40
Clarinette, Basson (duo)
39
Flûte, Violon et Violoncelle
37
Clarinette, Violoncelle (duo)
35
Quintette de Clarinettes: 5 clarinettes
34
Flûte, Clarinette et Basson
33
Flûte, trombone et piano
32
Quatuor de Flûtes à bec
32
2 Clarinettes, Basson
31
Clarinette, Violoncelle, Piano (trio)
30
Saxophone
28
Quintette de Flûte : 5 flûtes
27
Flûte, Violoncelle, Piano (trio)
26
Hautbois, Violoncelle
26
Flûte, Hautbois, Clarinette (trio)
25
Flûte, Hautbois, Piano (trio)
25
Ensemble De Flûte à bec
23
Clarinette Basse, Piano
23
Flûte à Bec
22
Flûte, Alto et Piano
21
Flûte à bec Soprano
20
3 Flûtes à bec (trio)
19
Flûte, Hautbois (duo)
17
Hautbois, Clarinette, Basson (trio d'anches)
15
Clarinette, Guitare (duo)
14
Flûte, Hautbois, Basson
14
Flûte à bec Soprano, Piano
12
Saxophone Soprano
12
Flûte, Basson et Piano
12
Clarinette, trompette et piano
12
5 Flûtes à bec
10
Hautbois
10
2 Saxophones, Piano
9
2 Cors Anglais Et Pianoforte
9
Hautbois, violon (duo)
9
Cor Anglais
9
Hautbois et alto (duo)
9
Clarinette, Harpe (duo)
9
Flûte, Violon, Violoncelle et Piano
9
Flûte à bec Tenor
8
Flûte à bec Alto, Piano
7
Saxophone et Harpe
6
Clarinette, Trombone (duo)
6
Hautbois, Harpe
6
Piccolo, Piano
5
2 Hautbois, Piano
5
Flûte à bec Alto
5
Flûte à Bec, Piano
5
Piccolo
5
Flute, harpe et violon
5
Flûte, Violoncelle, Guitare
5
Flûte et Trio à cordes
5
Clarinette Basse
4
Flûte irlandaise
4
Ensemble à vent
4
Instruments en Mib
4
Harmonica
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Hautbois et Cor anglais
3
Flûte, Violon, Guitare
3
Saxophone et Orgue
3
Flûte, Hautbois, Violon
3
3 Hautbois
3
Flûte, Trombone (duo)
3
Saxophone et Guitare
3
Clarinette, Tuba
3
Clarinette, Alto et Piano (trio)
3
Clarinette, Contrebasse (duo)
3
Hautbois, trombone (duo)
3
Flûte à bec Alto, Basse continue
3
Hautbois, Guitare (duo)
2
Cornemuse
2
Hautbois, Clarinette et Piano (Trio)
2
Flute, Cor (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Harpe et Violoncelle
2
Cor anglais, Guitare (duo)
2
Saxophone et violoncelle
2
2 Flûtes à bec, Piano
2
Flûte traversière, Orgue (duo)
2
2 Flûtes traversières, Harpe
2
Saxophone, Basson (duo)
2
Flûte, Clarinette, Violon (trio)
2
Hautbois, Basson et Piano
2
4 Hautbois
2
Clarinette, Basson, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Saxophone et Piano
1
Clarinette, Orgue
1
Flûte traversière, Orchestre
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Melodica
1
Flûte à bec Soprano, Basse continue
1
Hautbois, Trompette (duo)
1
2 Hautbois et Basson
1
Flûte, Tuba (duo)
1
Clarinette, Saxophone, Piano
1
Ocarina
1
2 Flûtes, Basse continue
1
Flûte et Quatuor à Cordes
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
843
2 Trompettes (duo)
807
2 Trombones (duo)
766
Trombone et Piano
473
Trompette, Piano
313
Trombone (partie séparée)
250
Quatuor de Cuivres : 2 trompettes, trombone, tuba
242
Trompette
238
Trompette (partie séparée)
197
Quatuor de Cuivres: 2 trompettes, Cor, trombone
156
Trompette, Trombone (duo)
140
2 Cors (duo)
131
Trompette, Saxophone (duo)
114
Cor et Piano
112
Trombone
84
Euphonium, Piano (duo)
69
Quatuor de Cuivres
69
Cor (partie séparée)
67
Ensemble de Trombones
61
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trombones
58
Cor
57
Tuba et Piano
54
2 Trompettes, Clavier (piano ou orgue)
51
2 Tubas (duo)
48
Cor anglais, Piano
45
Trompette, Cor (duo)
43
Ensemble de Trompettes
31
Quatuor de cuivres: 4 cors
31
Quatuor de cuivres: 2 trompettes, 2 trombones
30
Tuba
29
Quatuor de cuivres: 4 trompettes
28
Trompette, Violoncelle et Piano
24
2 Euphoniums (duo)
23
Trombone, Tuba (duo)
22
3 Trombones (trio)
20
2 Euphoniums et 2 Tubas
17
Trio de Cuivres
15
Cor, Violoncelle (duo)
13
3 Trompettes (trio)
12
Trompette, Basson (duo)
12
Euphonium
12
Trompette, Violoncelle (duo)
11
2 Trombones, Piano
10
2 Cors Anglais Et Pianoforte
9
Ensemble de Cors
9
Cor Anglais
9
4 Tubas
9
Euphonium, Tuba (duo)
9
Trombone basse
8
Cor et Harpe
8
3 Euphoniums
7
Trompette, Harpe
6
3 Cors (trio)
6
Bass Clef Instruments
5
Cor et Basson (duo)
5
2 Cors, Piano
5
Trompette, Tuba (duo)
5
Trompette et Guitare
5
Tuba et Orgue
4
Instruments en Sib
4
Trombone, Orgue
4
Trombone basse et Piano
4
Instruments en Fa
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cornet A Pistons
3
3 Tubas (trio)
3
Trompette, Trombone, Piano
3
Clarinette, Cor (duo)
3
Trompette, violon (duo)
3
Cor anglais, Guitare (duo)
2
Trombone, Cor (duo)
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
Trombone, Violon (duo)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Cor et Orgue
1
Instrumentations suivantes
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CORDES
2 Violons (duo)
1797
Harpe
1167
Quatuor à cordes: 2 violons, alto, violoncelle
1070
2 Violoncelles (duo)
1018
Violon et Piano
805
Violon
664
2 Altos (duo)
584
Violon, Violoncelle (duo)
570
Alto, Piano
504
Trio à Cordes: violon, alto, violoncelle
479
Violoncelle, Piano
478
Trio à Cordes: 2 violons, violoncelle
423
Violon, Alto (duo)
234
Violoncelle
196
2 Harpes (duo)
178
Quintette à cordes: 2 violons, alto, violoncelle, basse
142
Trio à Cordes: 2 violons, alto
121
Alto seul
116
Violon (partie séparée)
111
Contrebasse (partie séparée)
74
Alto, Violoncelle (duo)
74
2 Violons, Piano
68
Harpe, Violon (duo)
62
Harpe, Flûte (duo)
50
Violon, Guitare (duo)
50
Trio à cordes: 3 violins
49
4 Violoncelles
48
Alto (partie séparée)
47
2 Contrebasses (duo)
42
Piano Trio: Violon, Alto, Piano
40
Contrebasse, Piano (duo)
39
Quatuor à cordes: 4 violons
36
Contre Basse
29
Violoncelle (partie séparée)
27
Trio à cordes
22
Violon, Basson (duo)
21
2 Violoncelles, Piano
21
Trio à Cordes: 3 violoncelles
19
Violoncelle, Contrebasse (duo)
17
Harpe, Violoncelle (duo)
14
Violon, Clarinette, Piano (trio)
14
Alto et Basson
13
Alto et Harpe
13
Violoncelle , Guitare (duo)
13
Ensemble de Violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Alto, Guitare (duo)
10
Harpe, Voix
8
Ensemble d'Altos
7
Quatuor à cordes : 4 altos
7
Ensemble de Violoncelles
5
Trio à cordes: 3 altos
4
Flûte, Contrebasse (duo)
3
3 Harpes
3
Violoncelle, Orgue
3
Violoncelle, Basse continue
3
5 Harpes
2
Violon, Basse continue
2
Harpe, Trombone (duo)
2
2 Altos, Piano
2
Violoncelle, Orchestre
2
Harpe et Piano
2
Violon, Trompette et Piano
1
Violon, Tuba (duo)
1
Alto et orchestre
1
Harpe, Violon, Violoncelle
1
Autoharp
1
4 Contrebasses
1
3 Contrebasses
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1478
Orchestre à Cordes
617
Cloches
461
Orchestre
407
Ensemble de cuivres
384
Ensemble Jazz
317
Orchestre de chambre
219
Ensemble de Percussions
86
Jazz combo
80
Batterie
69
Percussion (partie séparée)
66
Marimba
39
Batterie (partie séparée)
32
Percussion
27
Fanfare
24
Timbales (partie séparée)
22
Vibraphone
12
2 Xylophones
7
Xylophone, Piano
6
2 Marimbas
5
Xylophone
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
3
2 Caisses Claires (duo)
3
Caisse Claire
3
Piano et Orchestre
2
3 Percussions
1
2 Percussions
1
Conga
1
Quintette à Vent
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Ensemble d'École
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
3
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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
(+)
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.66 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simo…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
41.14 €
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Orchestre
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Johann Simon Mayr
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Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Concerto for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: …
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
32.9 €
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Orchestre
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Elegy Sentimentale for Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemp…
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Full Orchestra - Digital Download SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
27.43 €
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchestra
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Keith Terrett
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
182.85 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.72 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Double Concerto in B Minor for Double Bass and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809761 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809761 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 185 pages. R. E. Proctor #2898967. Published by R. E. Proctor (A0.809761). A concerto for two double basses. Approximately 19 minutes and 36 seconds in length. This work explores the full range of the bass. As in the other two concertos for bass, the harp plays a significant roll throughout the work providing a harmonic backdrop on which the basses play. Conceived as a conversation between the two soloists, their parts interweave, calling and answering each other. The orchestra is interwoven with the basses to add contrast and color. The Double Concerto in B Minor should be interesting to both performer and audience.
$19.95
18.24 €
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Orchestre
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Robert E
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Double Concerto in B Minor for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.13 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Calgary Little Suite (For Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1303163 Composed by Han-Ki Kim.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1303163 Composed by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. 129 pages. Han-Ki Kim #892756. Published by Han-Ki Kim (A0.1303163). Living in Calgary from summer to fall of 2023, I thought I should compose a music describing the scenery of this place. From the lively city of Calgary, the historic Bow River flowing leisurely, the light rail (LRT) running through the city, the birch forest in Wentworth, where I am staying, and finally, Calgary's most famous event, the Stampede Festival. These are all five scenes that I am familiar with that I have encountered around me.In particular, the year 2023, when this music was composed, is even more meaningful as it marks the 60th anniversary of diplomatic relations between Korea and Canada.  The contents of each movement are as follows.   * Calgary Little Suite* For Orchestra  Op.317A       1st movement: Cheerful City Calgary.       2nd movement: Bow River.       3rd movement: Light Rail Train.       4th movement: Birch forest of Wentworth.       5th movement: Stampede Festival     Playing time is approximately 7 minutes and 40 seconds.
$39.90
36.48 €
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Orchestre
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Han-Ki Kim
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Calgary Little Suite
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Han-Ki Kim
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SheetMusicPlus
Andante and Rondo for Two Clarinets and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.889840 Composed by Gary Friedma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.889840 Composed by Gary Friedman. 20th Century,Contemporary,Ragtime. Score and parts. 99 pages. Gary Friedman #2032997. Published by Gary Friedman (A0.889840). The Andante is a relatively slow contemplative movement in concert F minor. The Rondo has a variety of passages between the repeats of the main theme. All are lively and one is in ragtime style. The world premier was held on January 30, 2011. Rachel Dusenbury and David Treganowen were the soloists with the San Francisco Civic Symphony. The second performance was on April 20, 2013 by the College of Marin Symphony with David Treganowen and Shelley Hodgen, soloists. This performance may be heard and seen on YouTube; the link is http://youtu.be/i9tJf9VGwu0 Duration: About 11 minutes Year: 2010 The download provided here includes the score, piano reduction, clarinet solos shown singly and as a duet, and all orchestra parts.
$40.00
36.57 €
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Orchestre
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Gary Friedman
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the link is http://youtu
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Andante and Rondo for Two Clarinets and Orchestra
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Gary Friedman
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SheetMusicPlus
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
13.67 €
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Orchestre
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
Forever Reign
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.489936 Composed by Jason Ingram…
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Full Orchestra - Level 2 - Digital Download SKU: A0.489936 Composed by Jason Ingram and Reuben Morgan. Arranged by Scott Harris. Contemporary,Easter,Praise & Worship,Sacred,Spiritual. Score and Parts. 69 pages. Scott Harris Music #106040. Published by Scott Harris Music (A0.489936). Full Orchestra with Rhythm Section accompaniment to my SATB Choir arrangement of this beloved worship song! *NOTE: The SATB Choir part is on the score ONLY (for reference) and NOT included as a separate part in this product! You are legally required to purchase enough copies for your chorus ensemble of the SATB Choir part (with rehearsal piano) available at Sheet Music Direct and Sheet Music Plus.* This arrangement was based on an early recording of this title found on an EP called Fellowship Songs, Volume One produced by Fellowship Bible Church in Brentwood, TN where this song was introduced in the States and first sung in corporate worship. Instrumentation:-SATB choir-Flutes-Oboe-Clarinets-Horns-Trumpet 1-3-Trombone 1-2-Trombone 3/Tuba-Percussion-Timpani-Rhythm Section-Violin 1-2-Viola-Cello-String Bass/Cello 2. Approximate Performance time: 5:03For comments, questions, or special requests, please email me at scott@scottharrismusic.com or visit my website at ScottHarrisMusic.com.
$59.99
54.85 €
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Orchestre
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Jason Ingram and Reuben Morgan
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Scott Harris
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Forever Reign
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Scott Harris Music
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SheetMusicPlus
Y Ddwy Chwaer (The Two Sisters) (full score) - Full Score
Orchestre
Ensembles,Performance Ensemble - Digital Download SKU: HX.1518168 Composed by Paul …
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Ensembles,Performance Ensemble - Digital Download SKU: HX.1518168 Composed by Paul Mealor. This edition: scorch. Classical. 32 pages. Hal Leonard - Digital #1446142_Y_DDWY_CHWAER_THE_TWO_SISTERS. Published by Hal Leonard - Digital (HX.1518168).
$16.95
15.5 €
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Orchestre
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Paul Mealor
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Y Ddwy Chwaer
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Hal Leonard - Digital
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SheetMusicPlus
Fantasy from Padang Wulan for Two Piano and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1028510 Composed by Renardi Eff…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1028510 Composed by Renardi Effendi (1990 - ). World. Score and parts. 268 pages. Renardi Effendi #3550377. Published by Renardi Effendi (A0.1028510). My Original Composition for Two Piano and Orchestra, written in 2011This Composition is based on Indonesia folk / children song from Centre Java called Padang Wulan. This is basically theme and variation but with different structure than usual Theme and Variation.
$15.00
13.71 €
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Orchestre
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Renardi Effendi
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Fantasy from Padang Wulan for Two Piano and Orchestra
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Renardi Effendi
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SheetMusicPlus
Rondo in A minor for Viola and Orchestra
Orchestre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723062 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 154 pages. Joel Jacklich #2075161. Published by Joel Jacklich (A0.723062). This is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Viola and Orchestra. There is also a version arranged for Cello and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
59.43 €
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Orchestre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Viola and Orchestra
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Joel Jacklich
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
54.85 €
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Orchestre
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
Bach - Double Concerto in C minor BWV1060R for Oboe, Violin, Strings and Cembalo
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517468 Composed by Bach Joha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.517468 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score and parts. 117 pages. Santino Cara #5713599. Published by Santino Cara (A0.517468). Complete score and parts of the Double Concerto in C minor BWV 1060r for Oboe and Violin Concertanti, Strings and Cembalo. Rewritten and elaborated by Santino Cara from the arrangement for oboe and violin of the Double Concerto for two Harpsichords and string orchestra by Johann Sebastian Bach.
$19.60
17.92 €
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Orchestre
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Bach Johann Sebastian
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Santino Cara
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Bach - Double Concerto in C minor BWV1060R for Oboe, Violin, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Warriors' Last Stand (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984566 Composed by Tito Abeleda…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984566 Composed by Tito Abeleda. Contemporary. Score and parts. 79 pages. Visionary Quest Records #6697403. Published by Visionary Quest Records (A0.984566). The enemies have attacked on two fronts. The fight to overcome the adversity appear futile. The warriors' consolidate their energy and position to defend their honor and their families. The odds do not look favorable. But they will not give up for it is the Warriors' Last Stand.Warriors' Last Standwas composed by Tito Abeleda (1964 - ) for orchestra and is available for immediate digital download. Warriors' Last Stand is an exciting cinematic orchestral piece with a duration of 3 minutes 11 seconds. Digital download includes score plus parts (79 pages).Instrumentation: Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombone, Timpani, Snare Drum, Tenor Drum, Bass Drum, Cymbals, Violin I, Violin II, Viola, Violoncello, Contrabass© 2022 Tito AbeledaOriginal sheet music cover photo by Alessandro GuerreiroSheet Music Artwork by Tito AbeledaContact Tito Abeleda at tito@visionaryquestrecords.comVisionary Quest Recordshttps://www.visionaryquestrecords.comhttps://bit.ly/3bIKHHv
$25.00
22.86 €
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Orchestre
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Tito Abeleda
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Warriors' Last Stand
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Visionary Quest Records
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SheetMusicPlus
Coventry Carol for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.979772 Composed by Anon. Arrang…
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Full Orchestra - Level 3 - Digital Download SKU: A0.979772 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 44 pages. Monkspath Music #6079181. Published by Monkspath Music (A0.979772). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all orchestras of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur orchestras. For further pieces, view the Monkspath Music catalogue and click here!
$39.99
36.56 €
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Orchestre
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Anon
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Robert Luke Thompson
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Coventry Carol for Orchestra
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Monkspath Music
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
45.7 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.13 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra (score)
Orchestre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Edu…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Eduard Goltermann. Arranged by Michele Galvagno. Instructional,Romantic Period,Standards. Score and parts. 52 pages. Artistic Score Engraving di Galvagno Michele #6136077. Published by Artistic Score Engraving di Galvagno Michele (A0.841365). Finally, after almost two years of work, we can present to the world the reconstructed score of Goltermann's Fourth Cello Concerto, a pillar, a fundamental milestone in the repertoire of every growing cellist. This arrangement allows students to get the feeling of playing this concerto with a full orchestra while using only strings. No orchestral part has been forgotten or misplaced. It requires at least 2 double basses but for the rest, an ordinary music school should be able to handle this with ease.This Critical Edition corrects every clear mistake and adds editorial markings where needed. A comprehensive 12-page comments section details all the notes found by our musicologists in the creation process. A solo cello part, both marked and unmarked, is available separately, along with performing material for this version and the original version as well.
$19.95
18.24 €
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Orchestre
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Georg Eduard Goltermann
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Michele Galvagno
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Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Memorable Themes for Orchestra - Set Two
Orchestre
Full Orchestra - Digital Download SKU: A0.811435 Composed by Antonio Vivaldi, Pyotr…
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Full Orchestra - Digital Download SKU: A0.811435 Composed by Antonio Vivaldi, Pyotr Tchaikovsky, and Richard Wagner. Arranged by Daniel Ashcroft. Contemporary. Score and parts. 737 pages. DanielAshcroftMusic #1602145. Published by DanielAshcroftMusic (A0.811435). Set Two of Memorable Themes for Orchestra, comprising Vivaldi's Autumn 3rd Movement, Tchaikovsky's The Nutcracker March and Wagner's Ride of the Valkyries. A detailed score and complete set of parts for each work is included, with a total of 737 pages. Each work is also available individually on Sheet Music Plus in Score and Parts, Score only or Parts only formats.
$90.00
82.28 €
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Orchestre
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Antonio Vivaldi, Pyotr Tchaikovsky, and Richard Wagner
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Daniel Ashcroft
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Memorable Themes for Orchestra - Set Two
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DanielAshcroftMusic
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SheetMusicPlus
Symphony No 3 for large orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.
$30.00
27.43 €
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Orchestre
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Malcolm D Robertson
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Symphony No 3 for large orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
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