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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Musicnotes
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difficulté (tous)
débutant
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intermédiaire
avancé
expert
avec audio
avec vidéo
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Non classifié
470
PIANO & CLAVIERS
Piano, Voix et Guitare
391
Piano seul
141
Piano, Voix
93
Piano Facile
50
Instruments en Do
31
Orgue
17
Piano Trio: piano, violon, violoncelle
7
Accompagnement Piano
6
1 Piano, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
2
Clavier
1
Orgue, Piano (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
20
Guitare
18
Ukulele
14
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
3
4 Guitares (Quatuor)
3
Mandoline
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
Paroles et Accords
1
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VOIX
Chorale SATB
104
Chorale 2 parties
28
Chorale 3 parties
27
Chorale Unison
20
Chorale SSAA
10
Chorale TTBB
10
Voix duo, Piano
8
Voix Baryton, Piano
2
Voix duo
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
Voix seule
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
22
Hautbois, Piano (duo)
20
2 Saxophones (duo)
18
Clarinette et Piano
18
Quatuor de Saxophones: 4 saxophones
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Saxophone Alto et Piano
16
Saxophone Tenor et Piano
16
Flûte traversière
15
Clarinette
13
Quatuor de Clarinettes: 4 clarinettes
13
Flûte, Hautbois, Clarinette, Basson
12
Saxophone Alto
11
Saxophone Soprano et Piano
11
Hautbois (partie séparée)
11
Flûte à Bec
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
6
Saxophone Baryton, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
2 Clarinettes (duo)
6
3 Saxophones (trio)
5
Quintette de Saxophone: 5 saxophones
5
2 Flûtes traversières (duo)
5
3 Clarinettes (trio)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor
4
Saxophone, Clarinette (duo)
4
Flûte à bec Soprano
4
Clarinette, Trompette (duo)
3
Ensemble de Clarinettes
3
Flûte, Alto (duo)
3
Saxophone Soprano
2
Clarinette, Basson (duo)
2
Flûte, Violon
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Tenor
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Cor Anglais
2
Clarinette, Violon (duo)
2
Quatuor de Flûtes à bec
2
Ensemble de Flûtes
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Clarinette Basse, Piano
2
Flûte, Saxophone (duo)
2
Flûte, Basson et Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Violon et Violoncelle
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Violoncelle (duo)
1
Ensemble De Flûte à bec
1
Flûte, trombone et piano
1
Flute, harpe et violon
1
Hautbois, Basson (duo)
1
Clarinette et Alto
1
Clarinette, Trombone (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Flûte
1
Flûte à bec Soprano, Piano
1
3 Flûtes à bec (trio)
1
2 Hautbois (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, trompette et piano
1
2 Flûte à bec (duo)
1
Hautbois, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Trombone et Piano
23
Trompette
20
Trompette, Piano
16
Cor et Piano
15
Trombone
12
Tuba
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Cor anglais, Piano
7
Cor
5
Trompette, Trombone (duo)
4
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
3
Tuba et Piano
3
Quatuor de cuivres: 4 trombones
3
2 Trompettes (duo)
2
Trompette, Cor (duo)
2
Cor Anglais
2
Ensemble de Trompettes
2
2 Trombones (duo)
2
Euphonium
2
Quatuor de Cuivres
2
2 Euphoniums et 2 Tubas
2
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
3 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Tubas
1
Trio de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
50
Violon et Piano
35
Violoncelle, Piano
22
Violon
19
Violon, Violoncelle (duo)
18
Violoncelle
17
Alto, Piano
16
Harpe
13
Trio à Cordes: violon, alto, violoncelle
10
2 Violons (duo)
8
Alto seul
7
Alto (partie séparée)
4
2 Violoncelles (duo)
4
Contre Basse
4
2 Harpes (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violon, Alto (duo)
3
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Harpe, Voix
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Guitare (duo)
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
Alto et Basson
1
4 Violoncelles
1
2 Contrebasses (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
38
Orchestre
24
Ensemble de cuivres
19
Orchestre à Cordes
19
Cloches
14
Orchestre de chambre
11
Ensemble Jazz
4
Jazz combo
4
Batterie
3
Ensemble de Percussions
2
Fanfare
1
Marimba, Piano (duo)
1
Percussion
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
2
Vous avez sélectionné:
Used To Love Her
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Partitions à imprimer
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1
Somewhere In Time
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
72.62 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
You've Got To Hide Your Love Away
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
54.47 €
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Orchestre
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love Away
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Arte Nova Music Lab
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SheetMusicPlus
So This Is Love
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
45.38 €
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Orchestre
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James Ingram
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Ken Litton
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So This Is Love
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Artist of Note, Inc.
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
31.32 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
28.1 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.98 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by …
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Full Orchestra - Advanced Intermediate - Digital Download By John Barry. Arranged by Gregory John Harper. Score, Set of Parts. 56 pages. Published by Gregory Harper
Programme notes: Although John Barry had written 50% of the original 'James Bond' theme for 1962's Dr. No (and orchestrated the whole thing), he felt the need to create a new piecefor 007's second on-screen outing that was entirely his own. Using Elmer Bernstein's'Magnificent Seven' theme as inspiration, he crafted a tune that was full of adventure and awe. Although the '007' theme presented here was not adopted by the cinema-goers as the definitive Bond music, it demonstrates Barry's ability to orchestrate and compose in the style of the classic 40s & 50s Hollywood pictures. The theme has been used in several Bondmovies since - mainly as a secondary theme for scenes that wish to depict Bond's heroism more than his swagger and charisma.<br> <br> Conductor's Notes: When the strings take the melody at 'D', they should 'soar'! While the piece lacks melodic or harmonic development, it does show off each section of the orchestra.Make sure all dynamic markings are strictly adhered to as the melody may get overpowered otherwise. The lead trumpet part is a transcription of Derek Watkins' original performance and is very high in places. In the event of having no harpist, the glissandos may be played on a transposed electronic keyboard so thatthe white notes are tuned to a E Major scale (transpose up a major 3rd). The rest of the harp part should be played on a non-transposed keyboard. The piece should fade out to nothing so make sure all eyes areon the conductor as they will need to guide each player through the dynamic changes from 'G' onwards.
$69.99
63.53 €
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Orchestre
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John Barry
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Gregory John Harper
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007 - From the 1963 motion picture 'FROM RUSSIA WITH LOVE'
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Gregory Harper
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SheetMusicPlus
The Twelfth Of Never
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.850629 By Donny Osmond. By Jerr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.850629 By Donny Osmond. By Jerry Livingston and Paul Francis Webster. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 86 pages. Kevin Riley #457301. Published by Kevin Riley (A0.850629). The Twelfth of Never is a popular song written in 1956 and first recorded by Johnny Mathis the following year. The title is a popular expression, which is used as the date of a future occurrence that will never come to pass. In the case of the song, the 12th of Never is given as the date on which the singer will stop loving his beloved, thus indicating that he will always love her. Mathis initially disliked the song, which was released as the flip side to his number 1 hit single Chances Are. It was written by Jerry Livingston and Paul Francis Webster, the tune (except for the bridge) being adapted from The Riddle Song (also known as I Gave My Love a Cherry), an old English folk song. Mathis's original version reached number 9 on what is now called the Billboard Hot 100 in the USA in 1957. A version by Cliff Richard was released in 1964 and reached number 8 in the UK. Donny Osmond's version, produced by Mike Curb and Don Costa, was his second number 1 single in the UK, spending a single week at the top of the UK Singles Chart in March 1973. In the U.S. it peaked at number 8.
$60.00
54.47 €
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Orchestre
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Donny Osmond
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Kevin Riley
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The Twelfth Of Never
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Kevin Riley
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.69 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.24 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
The Great Escape March
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1454722 Composed by Al Stillman…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others. The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen). The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes. Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story. Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
$100.00
90.78 €
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Orchestre
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Al Stillman and Elmer Bernstein
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The Great Escape March
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www.studio-orchestrations.com
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SheetMusicPlus
Ponder Anew
Orchestre
Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arran…
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Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arranged by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 64 pages. WheatMyer Music #4808643. Published by WheatMyer Music (A0.976722). Joachim Leander's Praise to the LORD, the Almighty, as translated by Catherine Winkworth, has consistently been one of the most published hymns in the English language since the mid-20th Century. Its anonymously composed tune, LOBE DEN HERREN, almost exclusively paired with this text since the 17th Century, is also much loved. Even J.S. Bach found it suitable to feature in his 137th cantata. The title of this arrangement, Ponder Anew, as taken from the commonly used third stanza of the hymn, Ponder anew what the Almighty can do, invites one to consider afresh the attributes and works of Almighty God as one listens to this completely new setting of the tune. This arrangement for orchestra features three variations of the complete hymn tune utilizing metrical and harmonic changes to maintain focus on the tune and its text. These are bracketed via repetitions of the first five tune pitches in harmonic planing over a crescendoed pedal tone producing steadily increasing tension with unexpected resolutions of the beginning and concluding phrases. The music in not particularly difficult and should be readily playable by high school or higher level musicians. Yet, both musicians and audience will find the work interesting and enjoyable with music that reflects the majesty and mystery of its subject. Robert Myers S.D.G.INSTRUMENTATION Picc, Fl1, 2 Oboe 1, 2 Bb Cl 1, 2 + Bass Cl Bsn 1 Hn 1, 2 Tpt 1, 2, 3 Tbn 1, 2, 3 Tuba Timpani Perc. 1 (glock, crash cym, sus cym, ride cym, mark tree, claves, tam tam) Perc. 2 or Drum Set (snare, bass drum, toms (lo/mid/hi), crash cym, finger cym or triangle, ride cym, sys cym) Vln 1, 2 VlaVC DB
$75.00
68.08 €
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Orchestre
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LOBE DEN HERREN
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Robert Myers
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Ponder Anew
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WheatMyer Music
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SheetMusicPlus
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.48 €
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Orchestre
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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SheetMusicPlus
Come, Thou Long-Expected Jesus - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
31.76 €
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Orchestre
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
Merry-go-round Of Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisai…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
72.62 €
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Orchestre
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Kumiko
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Tom Maher
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Merry-go-round Of Life
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Tom Maher
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SheetMusicPlus
White Horses
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet a…
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Full Orchestra - Level 2 - Digital Download SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
$60.00
54.47 €
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Orchestre
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Ben Nisbet and Michael Carr
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Kevin Riley
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White Horses
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Kevin Riley
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SheetMusicPlus
Easter Hymn 'Regina coeli' - (from Cavalleria rusticana) for ORCHESTRA
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Masca…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Mascagni. Arranged by Flavio Regis Cunha. Christian,Concert,Easter,Romantic Period,Sacred. Score and parts. 46 pages. Flavio Regis Cunha #5310589. Published by Flavio Regis Cunha (A0.597309). This is a music of great beauty and exuberance. In this new arrangement, based on the Berlin edition: Bote & Bock, and the Kalmus edition, the arranger Flavio Regis Cunha sought to follow Mascagni's intentions when orchestrating his Easter Hymn for full orchestra. There is nothing like this original orchestration, where there are creative and powerful passages for brasses and woodwinds and a string background during the middle section. The work ends in a majestic and grandiose way with the woods and strings in the high register, together with the beauty, the brightness and the impact of the Timpani and the brasses. This score is certainly a great addition for your orchestra. You and your orchestra will love playing this piece. Your audience will be delighted. The work will be well received and can be used in the Easter period or in services.Orchestration 2.2.2.2 - 2.2.3.1 - Timp - Choir SSATTB - Org - Str INSTRUMENTATION 2 Flutes, 2 Oboes, 2 Clarinets in Bb,2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani SSATTB Choir, Organ, Strings.
$18.99
17.24 €
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Orchestre
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Pietro Mascagni
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Flavio Regis Cunha
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Easter Hymn 'Regina coeli' -
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Flavio Regis Cunha
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SheetMusicPlus
THE PROPHET
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.887070 Composed by Marilena Zla…
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Full Orchestra - Level 4 - Digital Download SKU: A0.887070 Composed by Marilena Zlatanou. Contemporary. 220 pages. Marilena Zlatanou #3426621. Published by Marilena Zlatanou (A0.887070). THE PROPHET for Soprano (or Mezzo-soprano) and Barytone soloists, SATB choir and Symphony Orchestra.The texts used are excerpts from Kahlil Gibran's book by the same name.The movements are:1. Farewell2. Love3. Children4. Work5. Joy and Sorrow6. Life and DeathDuration of the whole composition is just over one hour. Vocal score, choir score and piano part are included here but the Conductor's score and orchestra parts are also available. The musical writing is melodious and tonal with contemporary effects and composed in an effort to follow closely and give a musical expression to these well known and loved, unique texts.The movements may also be used individually and separately as well as in the vocal score form. The attached mp3 file is a converted sibelius file of the vocal score.Please visit website www.zlatanou.net for more information on the composer who is a member of TONO, the Norwegian copyright org. Â
$50.00
45.39 €
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Orchestre
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Marilena Zlatanou
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THE PROPHET
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Marilena Zlatanou
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SheetMusicPlus
Contagion (Full Album Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Fr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1121448 By Franco Esteve. By Franco Esteve. Arranged by Franco Esteve. Classical,Contemporary,Film/TV. Score and parts. 68 pages. Franco Esteve #722619. Published by Franco Esteve (A0.1121448). About Contagion, the music From quarantine life, something painful this way comes, a new, pandemic inspired, life soundtrack… Contagion is a moment, an interruption, signifying an expression of feelings and music that the Covid-19 coronavirus pandemic and quarantine brought to light. It’s a contemporary classical life-track, serving as a soundtrack to the contagion, to its spread, to its mystery, its attack on the body, to our losses during the Covid-19 pandemic and to our future beyond them. As the virus flooded every news outlet, Contagion became an interruption, a mysterious invader, taking over everything, needing to be expressed. It’s a “lifetrack†or “life soundtrack†with its contemporary classical orchestral sounds expressing the feelings and experiences of those first few months of dread and quarantine, through which many of us felt the fear of it all and the actual loss of loved ones. Original Album Release date: May 14th, 2020 Genre: Contemporary Classical / Life Soundtrack • The album length is 9 minutes and 33 seconds About the Score This version of the score includes ALL 5 songs in the album and the instrument selection varies in accordance with the specific composition of each of the songs. The instruments used are: Horn Section, Soprano Trumpet, Bass Drum, Piano, Harp, Tuba, Wine Glasses, Cabasa, Triangle, Violins I, Violins II, Horn, Trumpet, Trombone, Timpani, Crash Cymbals, Cello Section, Trumpet Section, Gong, Cello Solo. I can imagine the songs can work adapted in a number of ways by different groups or a very advanced group of students. It'll be fun to hear how others interpret them. Music included In the package, I've included the full album's music score with each of the individual songs and their instrument parts and the original published songs as a single HQ MP3 (320 kbps), so players can get a feel for my intentions when composing each one. (You can listen to them free at https://francoesteve.com or on your favorite streaming service - links on my website’s album page linked below). The MP3 also includes a cello solo version of Death Is Not the End. Track list 1. Contagion (2:15) 2. The Spread (2:24) 3. Patient Zero (1:26) 4. Infected (1:26) 5. Death Is Not the End (2:02) Composer: Franco Esteve Genres: Contemporary Classical, Modern Classical, 21st Century Level: Advanced The Package includes 1. PDF with the Score The full score for each of the 5 songs in the album. All the individual parts for each song as written. 2. All 5 songs in a single MP3 HQ (320 kbps) format file including the Bonus Cello Only Version of Death is Not the End. Find out more about this album on Contagion's page on the Franco Esteve website here: https://www.francoesteve.com/music/contagion-music-album/ Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it. Don’t forget to keep up to date with everything Franco Esteve: Website: http://www.francoesteve.com/ Patreon: https://patreon.com/FrancoEsteve Facebook: https://www.facebook.com/seefrancoesteve Twitter: https://www.twitter.com/FrancoEsteve Instagram: https://www.instagram.com/seefrancoesteve My music is also available on all major, online music stores and streaming services. I'm a BMI affiliated artist and you can contact me using the contact form at: http://www.francoesteve.com or through Facebook and Twitter. Thank you again and enjoy! :).
$25.00
22.69 €
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Orchestre
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Franco Esteve
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Franco Esteve
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Contagion
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Franco Esteve
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SheetMusicPlus
Hyfrydol
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.529925 Composed by Rowland Hugh…
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Full Orchestra - Level 4 - Digital Download SKU: A0.529925 Composed by Rowland Hugh Prichard. Arranged by Matt Riley. Christian,Christmas,Contemporary,Sacred. Score and parts. 106 pages. Www.mattrileymusic.com #3244379. Published by www.mattrileymusic.com (A0.529925). Hyfrydol, which means cheerful is a Welsh hymn tune composed by Rowland Prichard. Hyfrydol has been used as a setting for hymns such as Alleluia! Sing to Jesus!, Love Divine, All Loves Excelling, Come, Thou Long Expected Jesus, I Will Sing the Wondrous Story, Our Great Savior (Jesus, what a friend for sinners), I Will Sing of My Redeemer, as well as many other hymns from a variety of church traditions.This arrangement for violin and orchestra is sure to please audiences.Questions? Email matt@mattrileymusic.com
$59.95
54.42 €
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Orchestre
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Rowland Hugh Prichard
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Matt Riley
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Hyfrydol
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www.mattrileymusic.com
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.3 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.08 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Peace
Orchestre
Orchestra - Digital Download SKU: H1.9055DP Composed by Joel Raney. Instrumental pa…
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Orchestra - Digital Download SKU: H1.9055DP Composed by Joel Raney. Instrumental parts. 812 pages. Hope Publishing - Digital #9055DP. Published by Hope Publishing - Digital (H1.9055DP). A Christmas celebration for SATB choirs This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. The iconic ballad, Let There Be Peace on Earth is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion-filled climax. In between, the Christmas story is told through scriptural narration and six beloved carols set in a variety of styles ranging from jazz, to gospel, to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.
$399.00
362.2 €
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Orchestre
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Joel Raney
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Peace
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Hope Publishing - Digital
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.4 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
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