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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Våren
Non classifié
447
Piano & claviers
Piano seul
326
Piano Facile
130
Piano, Voix
88
1 Piano, 4 mains
30
Orgue
27
2 Pianos, 4 mains
22
Instruments en Do
19
Accordéon
18
Piano, Voix et Guitare
18
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
17
Ukulele
8
Piano, Guitare (duo)
7
3 Guitares (trio)
7
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
5
Ensemble de guitares
2
4 Guitares (Quatuor)
1
Paroles et Accords
1
Guitare, Violon, Violoncelle (trio)
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
132
Chorale 3 parties
32
Chorale 2 parties
18
Chorale TTBB
11
Voix duo
10
Chorale SSAA
7
Chorale Unison
7
Voix Soprano, Piano
5
Voix duo, Piano
4
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix haute
1
Voix Soprano
1
Voix moyenne, Piano
1
+ 9 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
60
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte traversière et Piano
54
Hautbois, Piano (duo)
44
Clarinette et Piano
43
Saxophone Alto et Piano
18
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Tenor et Piano
16
Saxophone Alto
15
Flûte et Guitare
14
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Tenor
13
Clarinette
10
Saxophone (partie séparée)
10
Clarinette, Guitare (duo)
9
Flûte traversière
9
2 Saxophones (duo)
8
Hautbois, Violoncelle
7
2 Hautbois (duo)
7
Hautbois, Basson (duo)
7
Flûte, Violoncelle
6
2 Flûtes traversières (duo)
5
Flûte, Violon
5
Clarinette, Violoncelle (duo)
5
Saxophone Soprano et Piano
5
Quintette de Saxophone: 5 saxophones
5
Flûte, Trompette (duo)
4
Clarinette, Violon (duo)
4
Ensemble de Clarinettes
4
Hautbois, Flûte
4
Hautbois, violon (duo)
4
2 Clarinettes (duo)
4
Hautbois (partie séparée)
3
Clarinette, Basson (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Trompette (duo)
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Quintette de Clarinettes: 5 clarinettes
2
2 Flûte à bec (duo)
2
3 Clarinettes (trio)
2
Hautbois
2
Ensemble de Flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Cor anglais, Guitare (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Trombone (duo)
1
Ensemble de saxophones
1
Flûte et Quatuor à Cordes
1
Hautbois, Clarinette (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Saxophone Baryton, Piano
1
Flûte, Clarinette (duo)
1
Saxophone
1
Flûte à bec Soprano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Guitare
1
Instruments en Mib
1
Piccolo
1
2 Clarinettes, Piano
1
Flûte à bec Soprano, Piano
1
Cor Anglais
1
4 Hautbois
1
Piccolo, Piano
1
Saxophone et Orgue
1
Flûte, Trombone (duo)
1
+ 61 instrumentations
Retracter
Cuivres
Trompette
26
Trombone et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Cor
19
Cor et Piano
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Trompette, Piano
10
2 Trompettes (duo)
9
2 Cors (duo)
7
Trompette, Basson (duo)
6
Trombone (partie séparée)
6
Euphonium
6
2 Trombones (duo)
6
Trombone
6
Cor (partie séparée)
6
Quatuor de Cuivres
5
Trompette, Violoncelle (duo)
5
Trompette (partie séparée)
5
Cor, Violoncelle (duo)
4
Ensemble de Trombones
4
Cor et Basson (duo)
4
Quatuor de cuivres: 4 trombones
3
Tuba et Orgue
3
Tuba
3
Bass Clef Instruments
2
Cor anglais, Piano
2
Trompette, Trombone (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
Euphonium, Piano (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Tubas
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
4 Euphoniums
1
Instruments en Sib
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor Anglais
1
+ 36 instrumentations
Retracter
Cordes
Violon et Piano
56
Quatuor à cordes: 2 violons, alto, violoncelle
48
Alto, Piano
28
Violoncelle, Piano
21
Violon
17
Harpe
14
2 Violons (duo)
10
Violoncelle
10
Alto, Violoncelle (duo)
9
2 Violoncelles (duo)
7
Violon, Violoncelle (duo)
7
Violon, Basson (duo)
6
2 Altos (duo)
4
Alto seul
4
Alto et Basson
4
Violon, Guitare (duo)
4
Violon, Alto (duo)
2
Contrebasse (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Orgue
1
Contre Basse
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: violon, alto, violoncelle
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
73
Orchestre
29
Ensemble Jazz
22
Orchestre à Cordes
17
Orchestre de chambre
16
Ensemble de cuivres
13
Marimba
3
Fanfare
2
Xylophone ou Marimba ou Vibraphone
2
Vibraphone
2
Jazz combo
2
Xylophone
1
Batterie
1
Cloches
1
+ 9 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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29 partitions trouvées
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1
26
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra ((pic222clbs2cbn/4331/4perc/tmp/hp/str
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Orchestre
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AVANCÉ
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #...
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Full Orchestra - Level 5 - SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #119693. Published by Musik Fabrik Music Publishing (A0.532888). For this work, the composer has chosen to write three movements of an equal strength and an equal dramatic force. She leaves aside the idea of a calm slow movement which one usually finds at the center of a long work. With these three outbursts, she understands that she hasn't chosen the easiest route and that she is transgressing the traditional rules of classical form. She knows that she is risking that her work will bore or tire her listeners. Motivated by her inspiration, she has decided to break with the usual equilibrium, which she knows is a challenge and which she holds herself responsible, reminded of the phrase by Jean Cocteau : “It is clear that certain works haunt you, troubling your moral comfort and teach you that the best method is that of men who work outside of learned rules.†The title is inspired by the writing of Hildegarde van Bingen, who was one of the most extraordinary figures of the 12th century. A mystic who was also a doctor, a poet, a linguist and astronomer, her influence spread over all Europe. This is the full score. The parts are on rental from the publisher. Duration 11' I LLe cantique de l'Univers 4' 10 II Vents solaires 3' 20 III Expansion 3' 30 Recorded on Thérèse Brenet : Le Livre de L'Harmonie du Monde http://www.jtbprod.com/llhm.htm The third movement Expansion may be heard here : https://www.youtube.com/watch?v=5fUX_0HC0-o.
$29.95
Thérèse Brenet: Ciels for SATB chorus, orchestra and organ, chorus part
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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only
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533843 Composed by Therese Brenet. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3053311. P...
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Full Orchestra - Level 5 - SKU: A0.533843 Composed by Therese Brenet. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3053311. Published by Musik Fabrik Music Publishing (A0.533843). This work is a setting of a poem by Germain Nouveau (1851-1920) The orchestration is for 2222/2220/timb/2perc/hp/organ/strings. This is the chorus part, which includes a piano reduction only. The orchestral parts are available on rental from the publisher. The score is also for sale. The work may be performed with composer's two other works for chous and orchestra (Rondel and Le Bois Amical) or alone.CielsAutour de la jeune église,Par les près et les clôturesEt les vieilles routes pures,La nuit comme une eau s’épuiseC’est l’aube toute divineEt la plage violette,Avec des voiles en fêtesAu ciel tel qu’une marine.Guerre et semaille, avalancheDe nos thèmes et de nos mythes,Par les labours sans limitesSommeillent pour les revanchesMais le sang petit et pâleQue l’aurore a dans les veines,Ô Seigneur ! est-ce nos peinesOu votre pitié fatale?Nos voeux des vôtres sont frères,Vous tous dont le coeur murmureDepuis l’ancienne aventure :Montez, Aubes et Colères !
$2.50
Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.533513 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 66 pages. Musik Fabrik Music Publishing #...
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Full Orchestra - Level 4 - SKU: A0.533513 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 66 pages. Musik Fabrik Music Publishing #3006617. Published by Musik Fabrik Music Publishing (A0.533513). I. Dans l’harmonie de la force et de l’amour 3’30â€II. Scintillement 1’35â€III. Un immense chant d’espérance 3’10â€IV. Andante 2’05â€V. Un élan de violence 1’00â€VI. Les cycles infinis de la beauté et de la grâce 3’10â€durée totale/total duration : 14’30â€In this work, the author expresses her aim of mediation, of mysticalthought and sometimes even cosmic thought, through a her searchfor contrasting orchestral couleurs, which offer to a composer aseemingly infinite and boundless choice.orchestration: 2(pic)222/4330/timp/2perc/glock/cel/hp/stringsparts on rental from the publisher
$25.95
Thérèse Brenet: Ciels for SATB chorus, orchestra and organ, study score
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533842 Composed by Therese Brenet. Contemporary. Score and parts. 14 pages. Musik Fabrik Music Publishing #3053307. P...
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Full Orchestra - Level 5 - SKU: A0.533842 Composed by Therese Brenet. Contemporary. Score and parts. 14 pages. Musik Fabrik Music Publishing #3053307. Published by Musik Fabrik Music Publishing (A0.533842). This work is a setting of a poem by Germain Nouveau (1851-1920) The orchestration is for 2222/2220/timb/2perc/hp/organ/strings. This is the score only. The orchestral parts are available on rental from the publisher. The chorus part, which includes a piano reduction, is for sale. The work may be performed with composer's two other works for chous and orchestra (Rondel and Le Bois Amical) or alone.CielsAutour de la jeune église,Par les près et les clôturesEt les vieilles routes pures,La nuit comme une eau s’épuiseC’est l’aube toute divineEt la plage violette,Avec des voiles en fêtesAu ciel tel qu’une marine.Guerre et semaille, avalancheDe nos thèmes et de nos mythes,Par les labours sans limitesSommeillent pour les revanchesMais le sang petit et pâleQue l’aurore a dans les veines,Ô Seigneur ! est-ce nos peinesOu votre pitié fatale?Nos voeux des vôtres sont frères,Vous tous dont le coeur murmureDepuis l’ancienne aventure :Montez, Aubes et Colères !
$16.95
A. Arensky - Double Concerto for Violin, (2nd movement), Based on Piano Trio D - minor, Op.32, Orche
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Orchestre
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Classique
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A
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A
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A. Arensky - Double Concerto f
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008369 Composed by A. Arensky. Arranged by A. Leytush. Romantic Period. Score and parts. 60 pages. Arkady Leytush #4824111. Pu...
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Full Orchestra - SKU: A0.1008369 Composed by A. Arensky. Arranged by A. Leytush. Romantic Period. Score and parts. 60 pages. Arkady Leytush #4824111. Published by Arkady Leytush (A0.1008369). A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.Timing (4 movements): 32 min.Original version: https://www.youtube.com/watch?v=WR7IgPqscJE&t=1019sFor the rent of Score & Parts please contact at: Leytush51@msn.com
$35.00
Bizet: Jeux D'Enfants (Children's Games) V. Galop (Le bal) - symphonic wind
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMus
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SheetMusicPlus
Large Ensemble - Level 4 - Composed by Georges Bizet (1838-1875). Arranged by Ray Thompson. 20th Century, Children, Standards. Score and parts. 17 p...
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Large Ensemble - Level 4 - Composed by Georges Bizet (1838-1875). Arranged by Ray Thompson. 20th Century, Children, Standards. Score and parts. 17 pages. RayThompsonMusic #6087957. Published by RayThompsonMus
$14.95
Mi Plaza Bolívar - Children's Symphonic Orchestra (Score only)
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Orchestre
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FACILE
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Bernardo Bernal
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Mi Plaza Bolívar - Chil
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Bernal
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.948064 Composed by Bernardo Bernal. Folk,World. Score and parts. 18 pages. Bernal #3125991. Published by Bernal (A0.9...
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Full Orchestra - Level 2 - SKU: A0.948064 Composed by Bernardo Bernal. Folk,World. Score and parts. 18 pages. Bernal #3125991. Published by Bernal (A0.948064). Ideal for End of season concerts. Perfomance time: 2 minutes and 45 seconds.Score and set of parts sold separatelyYoutube:https://www.youtube.com/watch?v=-Bk05WKBy40www.facebook.com/aioniosmusical
$9.99
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Piano Concerto No. 1, Op. 53. (Conductors Score, Set of Parts, Solo Piano, 2 Piano Reduction) : by J
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Orchestre
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AVANCÉ
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Contemporain
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James V
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Piano Concerto No. 1, Op. 53.
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James V. Signorile
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James V. Signorile #46...
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Full Orchestra - Level 5 - SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James V. Signorile #4621673. Published by James V. Signorile (A0.1015029). Piano Concerto No. 1, Op. 53. in 3 Movements. Composed by James V. Signorile.Full Orchestral (Conductors) Score. 216 pages. Duration approx. 31 minutes. All Parts, Piano Solo and a 2-Piano reduction are also included in this one PDF file.Commissioned in 1999 by Carson P. Cooman. MIDI Rendering by Steve Mitchell. Published by James V. Signorile. Copyright (©) 1999 James V. Signorile.
$50.00
Chega De Saudade (No More Blues)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Antonio Carlos Jobim, Jessie C
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Brian Lawrence
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Chega De Saudade
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Brian Lawrence
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1470000 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Brian ...
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Full Orchestra - Level 4 - SKU: A0.1470000 Composed by Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, and Vinicius De Moraes. Arranged by Brian Lawrence. 20th Century,Contemporary,Film/TV,Jazz,Latin. 144 pages. Brian Lawrence #1047738. Published by Brian Lawrence (A0.1470000). Here is Antonio Carlos Jobim's Chega de Saudade (No More Blues) arranged for studio orchestraInstrumentation: Voice Tenor Saxophone (solo) Fl, fl, ob, cl, cl, bs cl, bsn Hn, hn, tpt, tpt, tpt, tbn, tbn, bs tbn Gtr, pno, bs, drums Harp Solos: Voice Tenor Saxophone (although anyone could solo in this section) Performance by the University of North Texas Brian Lawrence Studio Orchestra: https://www.youtube.com/watch?v=2ba-sdzwqBwTo view a full score preview, and see other music for sale, please visit my website www.brianlawrencemusic.com/chega-de-saudade
$74.99
Sinfonie Operistiche (Vol. 2) - Opera Overtures (Vol. 2) [Full Score]
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Orchestre
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Opera
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Classique
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Domenico Cimarosa
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Simone Perugini
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Sinfonie Operistiche
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Accademia Lirica Toscana
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SheetMusicPlus
Full Orchestra - SKU: A0.985978 Composed by Domenico Cimarosa. Arranged by Simone Perugini. Classical,Opera. Score and parts. 106 pages. Accademia Liric...
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Full Orchestra - SKU: A0.985978 Composed by Domenico Cimarosa. Arranged by Simone Perugini. Classical,Opera. Score and parts. 106 pages. Accademia Lirica Toscana #3214055. Published by Accademia Lirica Toscana (A0.985978). Domenico CimarosaSinfonie Operistiche (Vol. 2) - Opera Overtures (Vol. 2)Critical edition by Simone PeruginiContents:I. Absalon II. Amor Rende Sagace III. Il Capriccio Drammatico IV. Il Convito (Florence Version) V. Il Martirio VI. Il Matrimonio Per Sussurro VII. Il Padre alla Moda VIII. Il Trionfo Della Fede IX. San Filippo Che Risuscita Paolo Massimi[Partitura - Full Score]
$65.00
Coleção OGI: Orquestra Grupo Instrumental
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Orchestre
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FACILE
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Marcelo Torca
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Marcelo Torca
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Coleção OGI: Orq
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Marcelo Torca
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and part...
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Full Orchestra - Level 2 - SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and parts. 508 pages. Marcelo Torca #2548811. Published by Marcelo Torca (A0.896909). Este livro dá as noções iniciais para formar uma orquestra de câmara de um grupo instrumental, de instrumentos musicais diferentes dos normalmente utilizados nas orquestras tradicionais. Os instrumentos musicais trabalhados serão: Flauta-doce Sopranino; Flauta-doce Soprano; Flauta-doce Contralto; Escaleta; Bandolim; Cavaco; Violão; Guitarra; Viola Caipira; Baixo elétrico; Acordeão; Teclado; Piano; Metalofone; Bateria; Percussão, Pandeiro, Surdo, Tamborim, Agogô, Reco-reco, Tantã ou Timba, Berimbau, Cajón, Rebolo. Os arranjos para estes instrumentos, a forma como organizar as ideias musicais e como interpretar, seguem nas páginas seguintes. As Grades fornecidas, são ideias de formação de conjuntos e como organizar. Há arranjos para ritmos para percussão e para os demais instrumentos musicais abordados neste livro, exemplos de como pode se organizar as ideias rÃtmicas. Nos exercÃcios de Harmonizando, com inÃcio na página trinta, coloca-se na prática as ideias, lembrando que nem sempre a ideia funciona bem, a confirmação é através do som. Depois de ter feito os arranjos, basta transferir para a grade, este livro tem a preocupação de ensinar uma forma de arranjo, organizando as ideias, pois num conjunto grande, é fácil se perder, principalmente quando não tem algo fixo a ser seguido. O solo pode ser distribuÃdo em vários instrumentos, assim como tocar todos os instrumentos de uma vez fica bom em trechos da música, mas não sempre a totalidade da música, assim vai dar as caracterÃsticas mais de orquestra e não somente de um conjunto. Este livro também fala sobre a grade dos instrumentos de percussão utilizados na OGI – Orquestra Grupo Instrumental, e o arranjo para várias levadas, assim como, várias levadas para a bateria. Percussão e Bateria, onde se podem tocar juntos, ou separados. As levadas são apenas uma noção do que se pode fazer, é apenas um guia, o arranjo de cada música é único e sempre tem que ser criativo. Na última página encontra-se a legenda da notação musical para cada instrumento de percussão, respeitando sua caracterÃstica sonora. Há várias opções de organização e possibilidades.
$20.00
Rev.
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Orchestre
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INTERMÉDIAIRE
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Drew Morris
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Rev.
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Yellow Envelope Publications
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1272832 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 84 pages. Yel...
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Full Orchestra - Level 3 - SKU: A0.1272832 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 84 pages. Yellow Envelope Publications #865030. Published by Yellow Envelope Publications (A0.1272832). Rev. was written for full orchestra and tried to embody various concepts that start with the letters r-e-v, such as revolve, revolution, reverent, and revival.Instrumentation2 Flute, Oboe, 2 Clarinet, Bassoon,2 Trumpet, 2 Horn, 2 Trombone (or Euphonium), Tuba4 Percussionists - Timpani, Snare Drum, Tam-tam,Bass Drum, Tambourine Marimba, Xylophone, Glockenspiel, ChimesViolin I, Violin II, Viola, Cello, String Bass.
$75.00
"Premonitions" for large orchestra
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Orchestre
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AVANCÉ
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Panagiotis Theodossiou
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"Premonitions" for l
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis The...
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Full Orchestra - Level 5 - SKU: A0.886728 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 157 pages. Panagiotis Theodossiou #5753415. Published by Panagiotis Theodossiou (A0.886728). Work written in 2018 a thesis for composer's postgraduate studies in Musical Department of Ionian University (Composition for Vocal and Instrumental Ensembles). It is based on the, under the same title ('Premonition'), poem by the 19th century British-Canadian poet Robert William Service (1874 - 1958). Point of departure is the eternal conflict between light and darkness, hope and despair, vision and nightmare, spiritual formation and inner confusion, being together and being apart, past and future, life and death. Leading by love (eros), a series of sudden thoughts and premonitions and the composer's inner visions on Service's text is a vehicle, a canvas for this composition. It follows a multilanguage style between serial-atonal and tonal idiom. It consists of an introduction which is repeated variated at the end as an epilogue and nine variations, each of a different character - independent but following one another without a pause: 1. Introduction, Sudden Thoughts (Severo) 2. Var.I. Towards the Light (Lento ambiamente) 3. Var.II.Nightmare - Shadows' Chase (Allegro deciso) 4. Var.III. Hope (Lento mystico) 5. Var.IV. Moonlight Wandering (Valse noire) (Poco piu mosso) 6. Var.V.Vision i, An Imaginary Procession (L' istesso tempo) 7.Var.VI.Vision ii, Butterflies - An Unexpected Love Affair (Valse d'amour) (Allegro) 8.Var.VΙI. Depression and Relief (Illusion) (Grave) 9.Var.VIII. Contemplation Waltz (Passacaglia) (Con moto) 10.Var.IΧ. Confusion - A Broken Heart (Moderato) 11. Finale. Last Thought (Tempo primo)
$60.00
Selections from American Suite: Cello
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Orchestre
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Classique
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Antonin Dvorák
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Brendan Mcbrien
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Selections from American Suite
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001777_VC1 Cello. Composed by Antonin Dvorák. Arranged by Brendan Mcbrien. Classical. Part. 4 pages. Alfre...
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Full Orchestra - SKU: AX.00-PC-0001777_VC1 Cello. Composed by Antonin Dvorák. Arranged by Brendan Mcbrien. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0001777_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001777_VC1). UPC: 038081355177.A musical postcard to the world! Your audiences will be thrilled with this early piece of Americana, and your musicians will love the colors and energy of this uniquely American music as imagined by the great Czech master following his visit to America in the 1890s. This work contains music inspired by African-American, Native-American and Scottish music and features three movements (I, IV and V) of AntonAn DvorA!k's original five-movement suite.Concert/Contest.
$3.00
The Waltz Of The Toys
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Orchestre
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FACILE
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Stephen DeCesare
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The Waltz Of The Toys
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Exultet Music
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.612048 Composed by Stephen DeCesare. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 42 pages...
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Full Orchestra - Level 2 - SKU: A0.612048 Composed by Stephen DeCesare. Children,Concert,Contemporary,Instructional,Standards. Score and parts. 42 pages. Exultet Music #3444853. Published by Exultet Music (A0.612048). An orchestral work that is scored for Violin (2), Viola, Cello, Contrabass, Flute, Oboe, Bassoon, French Horn, Glockenspiel, Harp, Celeste, and Piano (Parts included). Accessible and appropriate for any school or concert setting. A rehearsal track is also available. Video Review: https://www.youtube.com/watch?v=PX4FMSdjj_I&feature=youtu.be.
$35.00
It Could Happen To You
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Orchestre
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AVANCÉ
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June Christy
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Brad Ritchie
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It Could Happen To You
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Main Office Productions & Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1443399 By June Christy. By James Van Heusen and Johnny Burke. Arranged by Brad Ritchie. Jazz,Pop,Singer/Songwriter,S...
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Full Orchestra - Level 5 - SKU: A0.1443399 By June Christy. By James Van Heusen and Johnny Burke. Arranged by Brad Ritchie. Jazz,Pop,Singer/Songwriter,Standards. 114 pages. Main Office Productions & Publishing #1023343. Published by Main Office Productions & Publishing (A0.1443399). This arrangement is based on the rendition of this classic song by Laufey. Featuring a solo vocal as well as a small jazz ensemble, the orchestra adds to the color and excitement.Original single version by Laufey may be found here: https://www.youtube.com/watch?v=stUgPKqQXaAOrchestral Demo is NotePerformer Playback from Sibelius.Orchestration is 2222 - 4331 - Timp+2 - Harp - Guitar (optional) - Piano - Upright Bass - Drum Set - Solo Vocal - StringsApproximately 2 minutes in length.
$100.00
The Flying Hat, Scenes from a Fairy Tale for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Panagiotis Theodossiou
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The Flying Hat, Scenes from a
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panag...
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Full Orchestra - Level 4 - SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panagiotis Theodossiou #6027245. Published by Panagiotis Theodossiou (A0.886737). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478shttps://www.youtube.com/watch?v=-tsNKs5i2b0
$60.00
19 de Janeiro de 1982
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Orchestre
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FACILE
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Contemporain
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Jazz
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Marcelo Torca
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Marcelo Torca
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teclado
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19 de Janeiro de 1982
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Marcelo Torca
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.896908 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Jazz. Score and parts. 90 pages. Marcelo To...
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Full Orchestra - Level 2 - SKU: A0.896908 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Jazz. Score and parts. 90 pages. Marcelo Torca #708195. Published by Marcelo Torca (A0.896908). Este livro é uma suÃte, composto de cindo a sete de janeiro de dois mil e dezesseis, uma música para orquestra sinfônica, para bateria, solo instrumental, onde pode-se tocar apenas um instrumento, ou tocar todos. No Solo Instrumental há os instrumentos musicais: piano; teclado; acordeão; escaleta. No Solo Instrumental II há os instrumentos musicais: flauta-doce sopranino; flauta-doce soprano; flauta-doce contralto. Essa data, é a de inÃcio do meu aprendizado musical, foi quando em Barueri, Estado de São Paulo, Brasil, comecei a estudar piano. No ano de dois mil e dezesseis, sei tocar vários instrumentos musicais, componho, além de ter projetos desenvolvidos como: Grupo Instrumental; Curso de Música Gratuito; Orquestra Grupo Instrumental; Orquestra Sinfônica; Orquestra de Sopro Sinfônica; Quinteto Marcelo Torca; Rádio MACRISAN. Também participo da Escola de Música MACRISAN. Através do Clube de Autores, possuo em torno de duzentos livros lançados, através da CD Baby, são duas dúzias de álbuns musicais aproximadamente. Deste livro, há um álbum musical, onde há mais músicas gravadas, incluindo música eletrônica e improvisações ao piano. This book is a suite composed of five to 7 January two thousand and sixteen, music for symphony orchestra, for battery, instrumental solo, where you can play only one instrument, or touch everyone. Ground Instrumental there are musical instruments: piano; keyboard; accordion; melodica. Ground II Instrumental there are musical instruments: flute sweet sopranino; flute, soprano; flute sweet contralto. This date is the start of my musical learning, it was when in Barueri, São Paulo, Brazil, began to study piano. In the year two thousand and sixteen, I can play various musical instruments, compose, and has developed projects as: Instrumental Group; Free Music course; Orchestra Instrumental Group; Symphonic Orchestra; Orchestra Symphony blow; Marcelo Torca quintet; Radio MACRISAN. Also participate in the School of Music MACRISAN. Through the Authors Club, we have around two hundred books released through CD Baby, are two dozen musical albums about. This book, there's a musical album, where there are more recorded music including electronic music and improvisation at the piano.
$10.00
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
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