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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Viola Concerto in G
Non classifié
62
Piano & claviers
Piano seul
9
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Facile
1
Guitares
Voix
Vents
Flûte et Trio à cordes
2
Saxophone Alto et Piano
1
Flûte traversière, Orchestre
1
Clarinette et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte traversière et Piano
1
Saxophone Tenor et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 4 instrumentations
Retracter
Cuivres
Trompette, Piano
1
Trombone et Piano
1
Cor et Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
42
Alto, Piano
36
Alto seul
25
Trio à Cordes: violon, alto, violoncelle
14
Violon
13
2 Altos (duo)
6
Violoncelle
5
Violon, Alto (duo)
4
Ensemble d'Altos
2
Alto, Violoncelle (duo)
2
Violon et Piano
2
Contrebasse, Piano (duo)
1
Contre Basse
1
Violoncelle, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
Violon (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons (duo)
1
Quatuor à cordes : 4 altos
1
+ 17 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
15
Orchestre de chambre
9
Orchestre
7
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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Crtitères actifs :
Viola Concerto in G
Orchestre
Partitions à imprimer
7 partitions trouvées
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Bach : Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 2)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bach
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Concerto brandebourgeois n° 3
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Tomplay
Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 2) de Bach. Partition pour Grand Ensemb...
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Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 2) de Bach. Partition pour Grand Ensemble -- Classique
6.99€
Bach : Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 1)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bach
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Concerto brandebourgeois n° 3
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Tomplay
Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 1) de Bach. Partition pour Grand Ensemb...
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Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 1) de Bach. Partition pour Grand Ensemble -- Classique
6.99€
Bach : Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 3)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bach
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Concerto brandebourgeois n° 3
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Tomplay
Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 3) de Bach. Partition pour Grand Ensemb...
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Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - I. Allegro (Alto 3) de Bach. Partition pour Grand Ensemble -- Classique
6.99€
Bach : Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - III. Allegro
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Orchestre
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AVANCÉ
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Classique
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Bach
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Concerto brandebourgeois n° 3
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Tomplay
Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - III. Allegro de Bach. Partition pour Grand Ensemble -- ...
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Telechargez la partition Bands et Ensembles Concerto brandebourgeois n° 3 en sol majeur, BWV 1048 - III. Allegro de Bach. Partition pour Grand Ensemble -- Classique
5.99€
Brandenburg Concerto No. 3 in G Major (BWV 1048)
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Orchestre
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Brandenburg Concerto No. 3 in
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SheetmusicLAB
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SheetMusicPlus
Orchestra (Flute, Clarinet, Violin, Violin, Viola, Cello) - Primer Level - SKU: P5.CL-BAR-16588 Composed by Johann Sebastian Bach. Baroque Period. Score...
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Orchestra (Flute, Clarinet, Violin, Violin, Viola, Cello) - Primer Level - SKU: P5.CL-BAR-16588 Composed by Johann Sebastian Bach. Baroque Period. Score and Parts. 48 pages. SheetmusicLAB #CL-BAR-16588. Published by SheetmusicLAB (P5.CL-BAR-16588). 490 x 297 mm inches.
$44.17
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
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