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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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AFRICAIN
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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Non classifié
220
PIANO & CLAVIERS
Piano seul
80
Piano, Voix et Guitare
35
Piano, Voix
31
Piano Facile
27
Instruments en Do
23
Orgue
8
1 Piano, 4 mains
6
Piano (partie séparée)
5
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano grosses notes
1
Piano Trio: piano, violon, violoncelle
1
Clavier
1
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
8
Guitare (partie séparée)
8
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
1
Paroles et Accords
1
Piano, Guitare (duo)
1
Basse electrique
1
Banjo
1
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VOIX
Chorale SATB
46
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25
Chorale 2 parties
13
Chorale TTBB
11
Chorale Unison
7
Chorale SSAA
4
Voix basse, Piano
1
Voix seule
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Voix Soprano, Piano
1
Voix duo, Piano
1
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VENTS
Saxophone (partie séparée)
25
Flûte traversière
15
2 Saxophones (duo)
14
3 Clarinettes (trio)
9
Clarinette et Piano
8
2 Flûtes traversières (duo)
7
Flûte traversière et Piano
7
Saxophone, Clarinette (duo)
6
Clarinette, Trompette (duo)
6
Hautbois (partie séparée)
6
Clarinette, Violon (duo)
5
2 Clarinettes (duo)
5
Clarinette
5
Quatuor de Flûtes : 4 flûtes
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Alto et Piano
4
Flûte irlandaise
4
Quatuor de Saxophones: 4 saxophones
4
Quintette de Saxophone: 5 saxophones
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Soprano et Piano
4
Flûte, Alto (duo)
3
Cor anglais, Piano
3
Flute (partie séparée)
3
Ensemble de Flûtes
3
Clarinette et Alto
3
Hautbois, Piano (duo)
3
Saxophone Tenor et Piano
3
Trio de Flûtes: 3 flûtes
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Flûte, Saxophone (duo)
2
Hautbois, Flûte
2
Saxophone Alto
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone Tenor
2
Clarinette (partie séparée)
2
Flûte à bec Alto, Piano
1
Flûte, Trompette (duo)
1
Flûte et Trio à cordes
1
Flûte, Violon
1
Flûte à bec Soprano, Piano
1
3 Saxophones (trio)
1
Hautbois, Basson (duo)
1
Harmonica
1
Saxophone Baryton, Piano
1
Ensemble de Clarinettes
1
Flûte à bec Soprano
1
Hautbois, Clarinette (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Tenor
1
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CUIVRES
Trombone (partie séparée)
19
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Trompette (partie séparée)
13
Trompette, Saxophone (duo)
6
Cor
6
Trompette
5
Cor (partie séparée)
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Tuba (partie séparée)
3
Cor anglais, Piano
3
Trombone
3
2 Trompettes (duo)
3
Trompette, Trombone (duo)
3
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone et Piano
2
2 Trombones (duo)
2
Euphonium, Piano (duo)
2
Cor et Piano
1
Ensemble de Trompettes
1
Trompette, Piano
1
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
27
Harpe
16
Violon et Piano
8
Alto, Piano
6
Violon
6
Violon, Violoncelle (duo)
5
Violoncelle, Piano
5
Contrebasse (partie séparée)
5
Violoncelle
4
Contre Basse
4
Violon, Alto (duo)
4
2 Violons (duo)
3
Alto seul
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Violoncelles (duo)
3
Contrebasse, Piano (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: violon, alto, violoncelle
2
Harpe, Voix
1
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
54
Ensemble Jazz
26
Orchestre à Cordes
24
Cloches
12
Orchestre
9
Orchestre de chambre
8
Batterie (partie séparée)
4
Ensemble de cuivres
2
Jazz combo
2
Fanfare
2
Percussion (partie séparée)
1
Xylophone, Piano
1
Ensemble de Percussions
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
What You Need
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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1
What The World Needs Now Is Love
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1444487 By Jackie DeShannon. By…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1444487 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Contemporary,Film/TV,Pop. 94 pages. Daryl McKenzie #1024379. Published by Daryl McKenzie (A0.1444487). Arranged in the style of Dionne Warwick for Vocal with Choir (Childrens Choir, Gospel Choir or Choir) and Pops Orchestra (2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, Perc, Piano, 2nd Keyboard (or 2nd Guitar), Acoustic Guitar, Acoustic Bass, Drums, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, Cb. Key of G Minor.Note: Playable without Saxes. Playable with 3 Trumpets & 3 Trombones.Also available for Big Band: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
45.47 €
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Orchestre
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Jackie DeShannon
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Daryl McKenzie
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3 Trombones
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What The World Needs Now Is Love
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Daryl McKenzie
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SheetMusicPlus
The Girl I Mean To Be
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden En…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
54.57 €
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Orchestre
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Dreams Don't End (Orchestra)
Orchestre
Full Orchestra - Digital Download SKU: A0.835181 Composed by Cody Weinmann- CJW Mus…
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Full Orchestra - Digital Download SKU: A0.835181 Composed by Cody Weinmann- CJW Music. 20th Century,Contemporary. Score and parts. 7 pages. Cody Weinmann #6363277. Published by Cody Weinmann (A0.835181). This is my piece Dreams Don't End that was originallycomposed for piano, orchestrated for symphony orchestra.This is printable on 11 x 17 and 12x 16 paper, or you coulduse your devices to view and play the score. It is in C Major.Enjoy! What do you think?Need me to score something for you, email codybusiness78@gmail.com Youtube: Channel Links: Cody Weinmann, Composer: https://www.youtube.com/channel/UCXq0u6NR-2FKeowdNzcJbng? CJW Music Tutorials: https://www.youtube.com/channel/UCeQjG3LlwSFprkTFvoJNqNA? Sheet Music is available at the links below: http://www.codyweinmann.musicneo.com. https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308
$20.00
18.19 €
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Orchestre
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Cody Weinmann- CJW Music
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Dreams Don't End
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Cody Weinmann
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.65 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.19 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Chester - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Bill…
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Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and parts. 22 pages. Joel Jacklich #3111503. Published by Joel Jacklich (A0.723123). William Billings, the first native-born American composer, wrote Chester as a patriotic tune embracing the American disdain for their British overlords and espousing the need for freedom and self-determination. The title, merely reflects a common practice of the time of having hymn tunes named for the location of their composition, rather than for their content. The piece served as a sort of de facto national anthem in the early years of our nationhood. The original words are supposedly by Billings himself.Let tyrants shake their iron rod,And Slav'ry clank her galling chains,We fear them not, we trust in God,New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescot and Cornwallis join'd,Together plot our Overthrow,In one Infernal league combin'd.When God inspir'd us for the fight,Their ranks were broke, their lines were forc'd,Their ships were Shatter'd in our sight,Or swiftly driven from our Coast.The Foe comes on with haughty Stride;Our troops advance with martial noise,Their Vet'rans flee before our Youth,And Gen'rals yield to beardless Boys.What grateful Off'ring shall we bring?What shall we render to the Lord?Loud Halleluiahs let us Sing,And praise his name on ev'ry Chord.
$19.99
18.18 €
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Orchestre
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William Billings
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Joel Jacklich (ASCAP)
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Chester - Full Orchestra
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Joel Jacklich
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SheetMusicPlus
El Tango De Roxanne
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1250907 Composed by Baz Luhrman…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1250907 Composed by Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores. Arranged by John Langley. 21st Century,Broadway,Film/TV,Latin,Musical/Show,Pop. Score and Parts. 169 pages. Www.studio-orchestrations.com #845188. Published by www.studio-orchestrations.com (A0.1250907). This arrangement is a full symphonic 'filmic' transcription of this iconic modern classic song sung by Ewan MacGregor and the cast of the movie soundtrack uncut. There are some optional instruments (2nd guitar, 2nd keyboard, even SATB choir) but there is a feature guitar and violin solo part. In it’s fullest form this orchestration is very colourful and dramatic, but conductors and concert organisers would be able to omit some additional instruments to taste to fit their specific orchestral line-up needs without degrading the high impact of the song and this orchestrated version.With clear, concise typeset parts [with page turns all properly formatted for practical use by the individual players] this chart would make a stunning dramatic feature item in any concert with orchestra and soloist(s).  Suitable for professional or advanced inetrmediate orchestrasThe instrumentation comprises:2 FlutesPiccoloOboe Cor Anglais2 ClarinetsBass Clarinet2 Bassoons4 French Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion [Cymbals/Bass Drum]HarpPiano (keyboard 1)Keyboard 2 [Optional]2 Acoustic guitars [2nd Optional]Bass GuitarDrum Kit2 SoloistsSATB Chorus  [Optional]StringsYou might also be interested in my orchestration of Come What May:https://www.sheetmusicplus.com/title/come-what-may-digital-sheet-music/22530128.
$120.00
109.15 €
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Orchestre
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Baz Luhrmann, Craig Pearce, Gordon Sumner, and Mariano Mores
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John Langley
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El Tango De Roxanne
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www.studio-orchestrations.com
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SheetMusicPlus
Karrinyup Fanfare
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
68.22 €
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.38 €
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
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