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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Who's Who with You
Non classifié
1 064
Piano & claviers
Piano seul
1 295
Piano, Voix
915
Piano Facile
665
Piano, Voix et Guitare
185
Accompagnement Piano
112
Instruments en Do
72
Orgue
29
1 Piano, 4 mains
25
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
5
2 Pianos, 4 mains
5
Piano (partie séparée)
3
Accordéon
2
2 Pianos, 8 mains
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
75
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
14
2 Guitares (duo)
12
Basse electrique
10
Ukulele
8
3 Guitares (trio)
6
Guitare (partie séparée)
6
Piano, Guitare (duo)
5
Mandoline
4
Paroles et Accords
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
497
Chorale 3 parties
94
Chorale 2 parties
76
Chorale Unison
51
Chorale TTBB
46
Chorale SSAA
40
Voix Alto, Piano
36
Voix Tenor, Piano
34
Voix Tenor
31
Voix Soprano
24
Voix Baryton, Piano
21
Voix Soprano, Piano
16
Voix duo, Piano
12
Voix haute
11
Voix duo
10
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Chorale
2
Chorale SSATTB
2
Soli, choeur mixte et accompagnement
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Chorale SSATB
1
+ 18 instrumentations
Retracter
Vents
Clarinette et Piano
122
Hautbois, Piano (duo)
114
Flûte traversière et Piano
108
2 Saxophones (duo)
106
Saxophone Alto et Piano
106
Flûte traversière
85
Hautbois (partie séparée)
79
2 Flûtes traversières (duo)
75
Saxophone Alto
74
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Saxophone (partie séparée)
71
Clarinette
69
Quatuor de Saxophones: 4 saxophones
69
Saxophone Tenor et Piano
66
Saxophone Soprano et Piano
64
Quintette de Saxophone: 5 saxophones
52
Flûte, Hautbois, Clarinette, Basson
51
Saxophone Baryton, Piano
47
Saxophone Tenor
43
2 Clarinettes (duo)
39
Saxophone, Clarinette (duo)
32
Cor anglais, Piano
32
Clarinette, Violon (duo)
26
Quatuor de Clarinettes: 4 clarinettes
25
2 Hautbois (duo)
25
Hautbois, Basson (duo)
24
Flûte, Clarinette (duo)
21
Ensemble de Flûtes
20
3 Saxophones (trio)
18
Quatuor de Flûtes à bec
17
Clarinette, Trompette (duo)
17
Cor Anglais
16
2 Flûte à bec (duo)
14
Flûte à Bec
14
Clarinette et Alto
14
Quintette de Flûte : 5 flûtes
14
Flûte, Violon
11
Flûte, Alto (duo)
11
Quintette de Clarinettes: 5 clarinettes
11
Hautbois, Clarinette (duo)
11
Ensemble de Clarinettes
11
Hautbois
11
Flûte à bec Soprano
11
Saxophone Soprano
11
Flûte, Saxophone (duo)
10
Flûte, Trompette (duo)
10
Clarinette Basse, Piano
10
Flûte et Guitare
10
Saxophone Baryton
9
Hautbois, Flûte
9
Quatuor de Flûtes : 4 flûtes
9
5 Flûtes à bec
9
Harmonica
8
Flute (partie séparée)
7
Clarinette, Basson (duo)
7
Saxophone
6
Clarinette (partie séparée)
6
3 Clarinettes (trio)
6
Ensemble de saxophones
6
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
4
Trio de Flûtes: 3 flûtes
4
Cor anglais, Guitare (duo)
4
Flûte à bec Soprano, Piano
4
Flûte, Violoncelle
3
Ocarina
3
Flûte à bec Alto
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Clarinette, Piano (trio)
3
Ensemble De Flûte à bec
2
Saxophone et Harpe
2
Clarinette, Violoncelle (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Basson et Piano
2
Hautbois, Guitare (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, trombone et piano
1
Hautbois, Violoncelle
1
Clarinette, Harpe (duo)
1
Saxophone et Orgue
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Harpe
1
Cornemuse
1
Ensemble de Hautbois
1
Piccolo
1
2 Clarinettes, Piano
1
Flûte, Hautbois (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, violon (duo)
1
+ 86 instrumentations
Retracter
Cuivres
Trombone et Piano
92
Trompette, Piano
85
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Trompette
74
Cor et Piano
72
Trombone
64
Cor
58
Tuba
52
Tuba et Piano
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
39
Cor anglais, Piano
32
Trombone (partie séparée)
23
2 Trompettes (duo)
23
Trompette (partie séparée)
22
Trompette, Saxophone (duo)
21
2 Trombones (duo)
19
Cor Anglais
16
Trompette, Trombone (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
2 Cors (duo)
10
Euphonium, Piano (duo)
10
Quatuor de cuivres: 4 trombones
7
Quatuor de Cuivres
6
Ensemble de Trompettes
6
2 Tubas (duo)
5
Tuba et Orgue
5
Cor (partie séparée)
5
Trompette, Cor (duo)
4
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Trombones
4
Cor anglais, Guitare (duo)
4
3 Trombones (trio)
4
Ensemble de Cors
3
4 Tubas
3
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
2 Euphoniums (duo)
1
Trompette, Harpe
1
Trombone basse et Piano
1
Cor et Harpe
1
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle et Piano
1
Trio de Cuivres
1
+ 43 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
155
Violon et Piano
150
Violon
128
Violoncelle, Piano
121
Alto, Piano
110
Violoncelle
104
Alto seul
65
Violon, Violoncelle (duo)
48
2 Violons (duo)
44
Contre Basse
36
Contrebasse, Piano (duo)
36
2 Violoncelles (duo)
30
2 Altos (duo)
29
Harpe
25
Violon, Alto (duo)
21
Alto (partie séparée)
18
Trio à Cordes: violon, alto, violoncelle
16
Contrebasse (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Trio à Cordes: 2 violons, violoncelle
8
4 Violoncelles
8
Violon (partie séparée)
7
Piano Trio: Violon, Alto, Piano
7
Quatuor à cordes: 4 violons
6
Trio à Cordes: 3 violoncelles
6
Harpe, Voix
5
Quatuor à cordes : 4 altos
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 altos
3
Violoncelle , Guitare (duo)
3
Ensemble de Violons
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
2
Harpe, Violoncelle (duo)
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
Trio à Cordes: 2 violons, alto
1
2 Violoncelles, Piano
1
Violon, Guitare (duo)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon (duo)
1
Ensemble d'Altos
1
2 Violons, Piano
1
4 Contrebasses
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
207
Orchestre
85
Ensemble Jazz
65
Orchestre à Cordes
52
Ensemble de cuivres
44
Cloches
22
Orchestre de chambre
19
Jazz combo
17
Fanfare
6
Batterie
5
Ensemble de Percussions
4
Batterie (partie séparée)
4
Percussion (partie séparée)
3
Marimba
1
Vibraphone
1
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Xylophone, Piano
1
+ 14 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Who's Who with You
Orchestre
Partitions à imprimer
85 partitions trouvées
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76
Tears from My Eyes: Remember Your Feelings (For Orchestra)
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Orchestre
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Contemporain
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Tito Abeleda
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Tears from My Eyes: Remember Y
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Publis...
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Full Orchestra - SKU: A0.984527 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 88 pages. Visionary Quest Records #4312371. Published by Visionary Quest Records (A0.984527). Tears from My Eyes: Remember Your Feelings expresses the pathos experienced when overcome with sadness or sorrow and the reflection or contemplation attached to such grief. I wrote this score with the hope and intention this will be a supportive enhancement to another creator's visual production to help others tell their stories.Free your mind. Relax. Feel & reflect on memories past & those who have been a part of your life journey... those paths that have crossed yours and those paths that have merged with yours. Ponder the significance of how you have been shaped & touched by each of them in their own special way.Solo Cello, Solo Oboe, Cello & Oboe Duet, Orchestra (2 Violins, 2 Violas, 2 Cellos (non-solo), 1 Flute, 1 Piccolo, 1 Oboe (non-solo), 1 Clarinet, 2 Bassoons, 2 French horns, 2 Euphoniums, 2 Trumpets, 2 Trombones, 2 Double Bass, 3 Tubas) Great feature for cello and oboe soloists. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 96 pages. Duration: 8:26License on Songtradr - bit.ly/RememberYourFeelings_SongtradrSpotify: spoti.fi/2CwHt8KDeezer: bit.ly/TearsAlbum_DeezerTidal: bit.ly/TearsAlbum_TidaliTunes/Apple Music: bit.ly/TearsAlbum_iTunesGoogle Play: bit.ly/TearsAlbum_GooglePlayAmazon Music: amzn.to/2tG2hFZiHeartRadio: ihr.fm/2Toc5ijNapster: bit.ly/TearsAlbum_NapsterFor Non U.S. fans:JioSaavn: bit.ly/TearsAlbum_JioSaavnSpecial thanks for Jhonis Martins Photography for sheet music / album cover.Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: www.facebook.com/titoabeledaTwitter: twitter.com/titoabeledaInstagram: www.instagram.com/tabeledaYouTube: www.youtube.com/c/titoabeledaSpotify: bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: bit.ly/TitoAbeleda_iTunes
$55.00
What Are You Doing New Year's Eve?
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Noël
#
Frank Loesser
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Bryan Kidd
#
French Horn, F-sharp 5
#
What Are You Doing New Year's
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BryanKiddMusic.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 page...
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Full Orchestra - Level 4 - SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486). A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters. Full Orchestra with Vocal Soloist (G3 to A-flat 4) Brass high note: Trumpet F 5; French Horn, F-sharp 5; Trombone E 4 Saxophones are optional NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$65.00
Paris Without You
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Orchestre
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Phil Sims
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Paris Without You
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Imagine Music - Digital
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SheetMusicPlus
Tenor Saxophone Solo with Orchestra - SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Im...
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Tenor Saxophone Solo with Orchestra - SKU: IZ.OMW223 Composed by Phil Sims. Score and Parts. 268 pages. Imagine Music - Digital #OMW223. Published by Imagine Music - Digital (IZ.OMW223). 8.5 x 11 inches.The Waking, by Theodore Roethke, is an enigmatic villanelle written in 1953, a year after he got married. In it the poet puts forward various ideas about life and how to live it. A villanelle is based on repeated lines (a refrain) that connects each stanza as the poem progresses.Theodore Roethke's poetry is known for its exploration of the self through reflection on family and nature; there is plenty of depth and technical skill. His mental illness also caused him to look into the darkness from time to time, recording his inner life in personal poems.Growing up, he spent lots of time in his father's garden and greenhouses and soil and plants and roots and things often turn up in his work. In fact the greenhouse, for Roethke, was a symbol 'for the whole of life, a womb, a heaven-on-earth.'The Waking doesn't contain a greenhouse but it does have symbolism and takes the reader into unexpected places. It is both introspective and positive in its outlook.
$120.00
Into the Depths - Conductor's Score - Score Only
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Orchestre
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INTERMÉDIAIRE
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Christian James Jesse
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Into the Depths - Conductor's
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940130 Composed by Christian James Jesse. Contemporary,Video Game. Score and parts. 24 pages. Christian James Jesse #...
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Full Orchestra - Level 3 - SKU: A0.940130 Composed by Christian James Jesse. Contemporary,Video Game. Score and parts. 24 pages. Christian James Jesse #6668901. Published by Christian James Jesse (A0.940130). You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-MooreScoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings
$20.00
You Give Love A Bad Name
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Bon Jovi
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Brett A Foster
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Con...
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Full Orchestra - Level 4 - SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Orchestre
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
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Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
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Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
The Day Thou Gavest Lord Is Ended - Horn Quartet with Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Rev
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Brendan Elliget MAGA 537
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The Day Thou Gavest Lord Is En
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750792 Composed by Rev. Clement Cotterill Scholefield (1839–1904). Arranged by Brendan Elliget MAGA 537. Chris...
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Full Orchestra - Level 3 - SKU: A0.750792 Composed by Rev. Clement Cotterill Scholefield (1839–1904). Arranged by Brendan Elliget MAGA 537. Christian,Contemporary,Sacred. Score and parts. 31 pages. BJE Music #3601971. Published by BJE Music (A0.750792). This piece of music is dedicated to the memory of Vic Sykes (1929-2018) - who was Principal Horn player for my local orchestra - The Frankston Symphony Orchestra - for over 50 years!It is an arrangement of the hymn tune St. Clement - The Day Thou Gavest Lord Is Ended - or Evening Hymn. It features, of course, the French Horn - a Horn Quartet in fact, with orchestral accompaniment. Very appropriate for ANZAC day or Remembrance Day...St Clement, in 98. 98. meter is a popular British tune to John Ellerton's hymn The Day Thou Gavest, Lord, is Ended. The tune is generally credited to the Rev. Clement Cotterill Scholefield (1839–1904). It first appeared in Sir Arthur Sullivan's Church Hymns with Tunes (1874). Scholefield was born at Edgbaston, Birmingham, and was the youngest son of William Scholefield, MP for Birmingham. [Wikipedia]Grade = 3.5 Duration = 3:05 mins.The MP3 recording was done with NotePerformer 3.
$20.00
You Really Know How To Hurt A Guy
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Orchestre
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AVANCÉ
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Jan Berry, Jill Gibson, and Ro
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Jan Berry and George Tipton
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You Really Know How To Hurt A
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Fiji Printing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Centur...
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Full Orchestra - Level 5 - SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
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Orchestre
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Caleb Liu
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Main Titles of America - Orche
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Caleb Liu
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu...
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Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
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Orchestre
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INTERMÉDIAIRE
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Alexander Borodin, Cesar Anton
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Arkady Leytush
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Collective composition by Boro
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arrange...
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Full Orchestra - Level 3 - SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student). I have orchestrated this for a large symphony orchestra. Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing. 24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc. F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
$40.00
Rosary Sonatas: The Annunciation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Annunciati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081578 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 57 pages. JMJ Arrangements #685700. Published by JMJ Arrangements (A0.1081578). In the sixth month the angel Gabriel was sent from God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David; and the virgin’s name was Mary. And he came to her and said, 'Hail, full of grace, the Lord is with you!' But she was greatly troubled at the saying, and considered in her mind what sort of greeting this might be. And the angel said to her, 'Do not be afraid, Mary, for you have found favor with God. And behold, you will conceive in your womb and bear a son, and you shall call his name Jesus. He will be great, and will be called the Son of the Most High; and the Lord God will give to him the throne of his father David, and he will reign over the house of Jacob for ever; and of his kingdom there will be no end.' And Mary said to the angel, 'How can this be, since I have no husband?' And the angel said to her, 'The Holy Spirit will come upon you, and the power of the Most High will overshadow you; therefore the child to be born will be called holy, the Son of God. And behold, your kinswoman Elizabeth in her old age has also conceived a son; and this is the sixth month with her who was called barren. For with God nothing will be impossible.' And Mary said, 'Behold, I am the handmaid of the Lord; let it be to me according to your word.' And the angel departed from her. (Luke 1:26-38 RSV-CE).
$19.99
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James ...
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Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestre
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126...
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Full Orchestra - Level 4 - SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Somewhere In Time
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Sho...
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Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
Somewhere In Time
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Full Orchestra - SKU: A0.506903 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 53 pages. Pub...
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Full Orchestra - SKU: A0.506903 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 53 pages. Published by Kevin Riley (A0.506903). Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour and Christopher Plummer. Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he wishes himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour), but comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and resolves to stop him. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$80.00
Last Of The Summer Wine Theme
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Orchestre
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INTERMÉDIAIRE
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Ronald Hazlehurst
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Kevin Riley
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Last Of The Summer Wine Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin...
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Full Orchestra - Level 3 - SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.
$50.00
Into the Depths - Instrumental Parts
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Orchestre
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INTERMÉDIAIRE
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Christian Jesse
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Into the Depths - Instrumental
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #66689...
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Full Orchestra - Level 3 - SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #6668913. Published by Christian James Jesse (A0.940132). Instrumental Parts for Into the Depths-Scoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings-You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-Moore
$20.00
Rosary Sonatas: The Crucifixion
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Orchestre
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AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Crucifixio
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score a...
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Full Orchestra - Level 5 - SKU: A0.1081697 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 95 pages. JMJ Arrangements #685818. Published by JMJ Arrangements (A0.1081697). [S]tanding by the cross of Jesus were his mother, and his mother’s sister, Mary the wife of Clopas, and Mary Magdalene. When Jesus saw his mother, and the disciple whom he loved standing near, he said to his mother, 'Woman, behold, your son!' Then he said to the disciple, 'Behold, your mother!' And from that hour the disciple took her to his own home. After this Jesus, knowing that all was now finished, said (to fulfil the scripture), 'I thirst.' A bowl full of vinegar stood there; so they put a sponge full of the vinegar on hyssop and held it to his mouth. When Jesus had received the vinegar, he said, 'It is finished'; and he bowed his head and gave up his spirit. Since it was the day of Preparation, in order to prevent the bodies from remaining on the cross on the sabbath (for that sabbath was a high day), the Jews asked Pilate that their legs might be broken, and that they might be taken away. So the soldiers came and broke the legs of the first, and of the other who had been crucified with him; but when they came to Jesus and saw that he was already dead, they did not break his legs. But one of the soldiers pierced his side with a spear, and at once there came out blood and water. He who saw it has borne witness—his testimony is true, and he knows that he tells the truth—that you also may believe. For these things took place that the scripture might be fulfilled, 'Not a bone of him shall be broken.' And again another scripture says, 'They shall look on him whom they have pierced.' --John 19:25-37.
$34.99
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