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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor et Piano
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Cor
16
Euphonium, Piano (duo)
11
Cor anglais, Piano
10
2 Trompettes (duo)
8
2 Tubas (duo)
7
2 Cors (duo)
7
2 Trombones (duo)
7
Trompette, Trombone (duo)
6
Tuba et Orgue
5
Trompette, Cor (duo)
4
Tuba et Piano
3
Trompette, Saxophone (duo)
2
Cor Anglais
2
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2
Ensemble de Trombones
1
Cor (partie séparée)
1
Trio de Cuivres
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2 Euphoniums et 2 Tubas
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Cor et Basson (duo)
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CORDES
Violon
37
Quatuor à cordes: 2 violons, alto, violoncelle
35
Violon et Piano
34
Alto, Piano
28
Violoncelle (partie séparée)
27
Violoncelle, Piano
25
Alto seul
20
2 Violons (duo)
18
2 Altos (duo)
13
Harpe
12
2 Violoncelles (duo)
12
Violon, Alto (duo)
10
Violon, Violoncelle (duo)
7
Violoncelle
6
Violon, Guitare (duo)
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Harpe, Violon (duo)
3
Harpe, Voix
3
4 Violoncelles
2
Contrebasse, Piano (duo)
2
4 Contrebasses
1
Alto et Basson
1
Trio à Cordes: 2 violons, violoncelle
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
95
Orchestre
17
Orchestre à Cordes
13
Orchestre de chambre
8
Ensemble de cuivres
7
Ensemble d'École
6
Cloches
3
Jazz combo
3
Ensemble Jazz
2
Fanfare
1
Percussion
1
Batterie
1
Ensemble de Percussions
1
2 Xylophones
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AUTRES
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Who Is This Child?
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.18 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.18 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.18 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Part Of Your World
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1393885 Composed by Alan Menken…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1393885 Composed by Alan Menken and Howard Ashman. Arranged by Harry Walker. Broadway,Children,Film/TV,Musical/Show,Singer/Songwriter. 72 pages. SCORE EDITIONS #977359. Published by SCORE EDITIONS (A0.1393885). Part of Your World (also known as Part of that World) is a song written and composed by Alan Menken and Howard Ashman for Disney's 1989 animated feature film The Little Mermaid. It serves as the leitmotif of Ariel and the film as the whole. In this version, the composition was arranged for Symphonic Orchestra, Solo Voice and Choir by Harry Walker.
$64.99
60.27 €
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Orchestre
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Alan Menken and Howard Ashman
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Harry Walker
#
Part Of Your World
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SCORE EDITIONS
#
SheetMusicPlus
O Perfect Love - Orchestra/Concert Band Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.751056 Composed by Richard Runc…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.751056 Composed by Richard Runciman Terry 1865-1938. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 35 pages. BJE Music #6516483. Published by BJE Music (A0.751056). O Perfect Love – This hymn of probably the lesser-known tune, called Highwood, is often sung at weddings or funerals. The arrangement here is for both Orchestra and/or Concert Band with parts for Harp and Optional Piano (Both shown on the score). The only percussion part is for the Timpani. Various combinations of instrumentals from a small group with the keyboard to the full Orchestra are possible. There is a descant part for Oboe, Clarinet, or Trumpet in the final verse.Grade = 3 Duration = 2:25 mins. The MP3 was recorded with NotePerformer 3.Introduction – Verse 1: Oboe Solo, Strings, Piano, and Harp.Verse 2: +Woodwinds.Verse 3: +All Brass plus the Descant for Oboe, Clarinet, and Trumpet (Full Orchestra) plus Timpani.Tune: Highwood Meter: Irregular Style: Early 20th Century Composer: Richard Runciman Terry (1865 – 1938) Lyricist: Dorothy Blomfield Gurney (1867 – 1936)The lyrics:O perfect Love, all human thought transcending, lowly we kneel in prayer before thy throne, that theirs may be the love which knows no ending, whom thou forevermore dost join in one.O perfect Life, be thou their full assurance of tender charity and steadfast faith, of patient hope and quiet, brave endurance, with childlike trust that fears not pain nor death.Grant them the joy which brightens earthly sorrow; grant them the peace which calms all earthly strife, and to life’s day the glorious unknown morrow that dawns upon eternal love and life.
$15.00
13.91 €
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Orchestre
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Richard Runciman Terry 1865-1938
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Brendan Elliget MAGA 537
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O Perfect Love - Orchestra/Concert Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
31.99 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
28.7 €
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Orchestre
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James Nathaniel Holland
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The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2
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James Nathaniel Holland
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.12 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.77 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
37.09 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student). I have orchestrated this for a large symphony orchestra. Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing. 24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc. F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
$40.00
37.09 €
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Orchestre
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Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov
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Arkady Leytush
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Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
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Arkady Leytush
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SheetMusicPlus
REMEMBERING THE FALLEN FOR FULL ORCHESTRA
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.837311 Composed by Garth M. Wil…
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Full Orchestra - Level 4 - Digital Download SKU: A0.837311 Composed by Garth M. Williams. 20th Century,Contemporary,Patriotic,Sacred. Score and parts. 51 pages. Garth M. Williams (Socan) #5778879. Published by Garth M. Williams (Socan) (A0.837311). This full orchestral arrangement is dedicated to the men, women and children of Nova Scotia who were killed April 22, 2020, the members of the crew of the military helicopter which crashed off the coast of Greece, Jenn Casey who died as a result of a Snowbird crash in B.C. in May 2020, and all those who have passed and are remembered as a result of Covid19.
$50.00
46.36 €
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Orchestre
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Garth M
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REMEMBERING THE FALLEN FOR FULL ORCHESTRA
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Garth M. Williams
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SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.83 €
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Orchestre
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
10.2 €
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Orchestre
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Alan Edgar Ted Moon
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SheetMusicPlus
The Flying Hat, Scenes from a Fairy Tale for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.886737 Composed by Panagiotis T…
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Full Orchestra - Level 4 - Digital Download SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panagiotis Theodossiou #6027245. Published by Panagiotis Theodossiou (A0.886737). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478shttps://www.youtube.com/watch?v=-tsNKs5i2b0
$60.00
55.64 €
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Orchestre
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Panagiotis Theodossiou
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The Flying Hat, Scenes from a Fairy Tale for Orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
A Mother's Love - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750845 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750845 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 36 pages. BJE Music #3876383. Published by BJE Music (A0.750845). This piece of music was written for my mother who has just turned 75. She loved and cared for all 10 children equally showing no favorites. Thanks, Mum!Originally arranged for a mixed ensemble, it has now been expanded up to a full orchestra with a piano part included.There is an optional Choir part mostly two-part - no words but AhsThe MP3 gives a much better impression of the overall feel of the piece - it was recorded with Sibelius Sounds
$20.00
18.55 €
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Orchestre
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Brendan Elliget MAGA 537
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A Mother's Love - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
ONCE UPON A TIME
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.991718 Composed by Creative Hor…
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Full Orchestra - Level 4 - Digital Download SKU: A0.991718 Composed by Creative Horizons Music Publishers (ASCAP). Broadway,Children,Musical/Show. Score and parts. 9 pages. Creative Horizons Music Publishers (ASCAP) #3065049. Published by Creative Horizons Music Publishers (ASCAP) (A0.991718). FROM THE BROADWAY BOUND MUSICAL THE TRAVELING COMPANION THIS IS THE LAST SONG IN THE SCORE AND IS SUNG BY THE CHARACTER OF HANS CHRISTIAN ANDERSEN WHOSE ORIGINAL MID 1800'S FAIRY TALE IS THE BASIS OF OUR MUSICAL STORY. ORCHESTRATED TRACK INCLUDED WITH SHEET MUSIC. FOR TENOR VOICE. RECORDED AND SUNG BY DISNEYLAND SINGING STAR BILL LEWIS.
$3.59
3.33 €
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Orchestre
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Creative Horizons Music Publishers
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ONCE UPON A TIME
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Creative Horizons Music Publishers
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SheetMusicPlus
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