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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Workin
Sheetmusicplus
Non classifié
740
Piano & claviers
Piano seul
256
Instruments en Do
211
Piano Facile
99
Piano, Voix et Guitare
70
Piano, Voix
65
Accordéon
35
Orgue
18
1 Piano, 4 mains
8
Piano grosses notes
5
1 Piano, 6 mains
4
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
118
Guitare
62
Dulcimer
49
Ligne De Mélodie, (Paroles) et Accords
15
Paroles et Accords
13
Ukulele
10
Basse electrique
7
Mandoline
6
2 Dulcimers (duo)
5
4 Guitares (Quatuor)
5
Guitare (partie séparée)
4
Banjo
2
Guitare Tab, Voix, Basse, Batterie
1
2 Guitares (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
124
Chorale 3 parties
37
Chorale 2 parties
31
Chorale TTBB
17
Chorale SSAA
15
Voix Soprano, Piano
12
Chorale Unison
12
Voix duo, Piano
11
Voix moyenne, Piano
10
Voix basse, Piano
8
Voix haute
7
Voix seule
5
Voix Alto, Piano
2
Male Voice
2
Chorale SSAATTBB
1
Chorale SSATTB
1
Voix Baryton, Piano
1
Voix, Guitare
1
+ 13 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Flûte traversière et Piano
24
Quatuor de Saxophones: 4 saxophones
19
Clarinette et Piano
18
Saxophone Alto et Piano
17
Flûte traversière
17
Clarinette
16
Hautbois, Piano (duo)
16
2 Flûtes traversières (duo)
15
Quatuor de Clarinettes: 4 clarinettes
15
Flûte, Clarinette (duo)
13
2 Clarinettes (duo)
12
Flûte, Hautbois, Clarinette, Basson
12
Saxophone (partie séparée)
12
2 Saxophones (duo)
12
Quintette de Saxophone: 5 saxophones
10
Saxophone Tenor et Piano
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Alto
8
Hautbois, Flûte
7
Trio de Flûtes: 3 flûtes
6
Saxophone Tenor
6
3 Saxophones (trio)
6
3 Clarinettes (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Ensemble de Clarinettes
5
Flûte, Violon
4
Clarinette, Basson (duo)
4
Saxophone, Clarinette (duo)
4
Ensemble de saxophones
4
Ensemble de Flûtes
4
Quintette de Flûte : 5 flûtes
4
Hautbois (partie séparée)
3
Hautbois, Basson (duo)
3
Saxophone Baryton, Piano
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto
2
2 Flûte à bec (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette Basse, Piano
2
Flûte à Bec
2
2 Hautbois (duo)
2
3 Flûtes à bec (trio)
2
Hautbois, Guitare (duo)
2
Flute (partie séparée)
2
Clarinette et Alto
1
Flute, alto, violoncelle et guitare
1
Flûte, Trompette (duo)
1
5 Flûtes à bec
1
Ensemble De Flûte à bec
1
Cor anglais, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle (duo)
1
Saxophone
1
+ 53 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette
14
Trompette, Piano
10
Trombone et Piano
9
Trombone (partie séparée)
8
Trombone
8
Cor et Piano
8
Trompette (partie séparée)
8
Quatuor de cuivres: 4 trombones
7
Cor
6
Euphonium, Piano (duo)
4
4 Tubas
4
Quatuor de Cuivres
4
Tuba et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
3
Ensemble de Trompettes
3
2 Trompettes (duo)
3
Tuba
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Ensemble de Cors
2
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 cors
1
2 Trombones (duo)
1
Trombone, Tuba (duo)
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Trombone basse
1
3 Cors (trio)
1
3 Trompettes (trio)
1
3 Euphoniums
1
+ 32 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon et Piano
66
Trio à Cordes: violon, alto, violoncelle
34
Violoncelle, Piano
31
Violon
28
Alto, Piano
24
Violoncelle
17
2 Violons (duo)
15
Alto seul
13
Violon (partie séparée)
13
Violon, Violoncelle (duo)
12
Harpe
11
Contrebasse (partie séparée)
9
Contrebasse, Piano (duo)
9
Alto (partie séparée)
7
2 Violoncelles (duo)
7
Trio à Cordes: 2 violons, violoncelle
6
Violon, Alto (duo)
5
Alto, Violoncelle (duo)
5
Trio à cordes: 3 altos
5
Violoncelle (partie séparée)
4
2 Altos (duo)
4
Alto, Guitare (duo)
3
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Violoncelles
2
2 Harpes (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Ensemble de Violons
1
Contre Basse
1
2 Contrebasses (duo)
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Violoncelle, Basse continue
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
219
Ensemble Jazz
75
Orchestre à Cordes
50
Orchestre
34
Fanfare
33
Batterie
29
Jazz combo
27
Ensemble de cuivres
14
Cloches
8
Orchestre de chambre
7
Ensemble de Percussions
5
Batterie (partie séparée)
3
Marimba
2
Vibraphone et Marimba
1
2 Marimbas
1
Xylophone, Piano
1
Orchestre, Violon
1
Percussion (partie séparée)
1
Vibraphone
1
+ 14 instrumentations
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Autres
Théorie de la musique
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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OCARINA
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MARIAGE - AMOUR - BA…
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Partitions à imprimer
34 partitions trouvées
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26
Working out of silence - Score Only
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Grant Colfax Tullar and Isaac
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Klender Carrenho Barbosa
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Working out of silence - Score
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Klender Carrenho Barbosa
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1497485 Composed by Grant Colfax Tullar and Isaac H. Meredith. Arranged by Klender Carrenho Barbosa. 20th Century,Chr...
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Full Orchestra - Level 3 - SKU: A0.1497485 Composed by Grant Colfax Tullar and Isaac H. Meredith. Arranged by Klender Carrenho Barbosa. 20th Century,Christian,Praise & Worship,Religious,Spiritual. 2 pages. Klender Carrenho Barbosa #1073898. Published by Klender Carrenho Barbosa (A0.1497485). The original hymn presents us with a beautiful waltz, but I had the idea of harmonizing and transforming each voice (SATB) into a melody to see how it would sound.Was a hard work of harmonizing the work, eliminating the original waltz style and converting it into a beautiful harmony.
$7.99
Pulcinella - Parte 1
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Orchestre
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Alessio Niccolai
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Pulcinella - Parte 1
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Alessio Niccolai
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SheetMusicPlus
Full Orchestra - SKU: A0.1029543 Composed by Alessio Niccolai. 20th Century,Contemporary. Score and parts. 136 pages. Alessio Niccolai #5896511. Publish...
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Full Orchestra - SKU: A0.1029543 Composed by Alessio Niccolai. 20th Century,Contemporary. Score and parts. 136 pages. Alessio Niccolai #5896511. Published by Alessio Niccolai (A0.1029543). Pulcinella - Parte 1 is a composition for symphony orchestra and SATB choir built on an old french doggerel: it's a sometimes funny, lively and bubbly piece, sometimes melancholic and poignant: exactly like the Neapolitan mask that it intends to celebrate.For its performance a complete symphonic ensemble and a chorus of great dramatic intensity are required. Correctly with the creative style of its author, Pulcinella (Polichinelle in French) also needs glockenspiel, tubular bells and xylophone, as well as a couple of harps.There is talk of «Part 1» because a sequel is currently in reworking and is intended for the subtitle of «Part 2» originally - when, at the age of 16 - Alessio Niccolai conceived it as a musical jotting, He intended it as a unique work. Since there were two main thematic guidelines, at the time of his transcription for orchestra and choir, he decided to separate them.
$18.00
Sleazy Louise
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Richard Bowyer
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Sleazy Louise
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Richard Bowyer
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Ri...
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Full Orchestra - Level 3 - SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Richard Bowyer (A0.1009742). Fat Fred and Sleazy Louise Got together one day; Fat Fred was easy to please, And she was going his way.... This is a reworking of a fun piece I originaally wrote over 30 years ago, and I have to admit that after all this time I can't actually remember why I gave it the title Sleazy Louise. But in the slow, smoochy middle section (not included in the sample recording) you'll hear that there is something a bit disreputable, down-at-heel and nicotine-stained about this lady. Scored for full orchestra, including alto and tenor saxophones, there are optional additional parts for baritone saxophone, Eb horn, treble clef trombone in Bb, easy violin and descant recorder. The violin cues in the clarinet part should only be played if the violins need reinforcing. Sleazy Louise has been performed in several countries, notably when some orchestral players fitted silly words to it and sang it to startled onlookers in Red Square, Moscow!
$50.00
Spirit of Christmas 2/5 - Advent
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 2/5 - Adve
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 pages. Bradley So...
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Full Orchestra - Level 4 - SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 pages. Bradley Sowash #1087. Published by Bradley Sowash (A0.750069). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 2. Advent (5:00) This reworking of the 12th century Advent hymn, O Come Emmanuel, connects us with the long history of this time of waiting by referencing medieval church bell towers, solemn drums and ancient harmonies before moving into a more contemporary interpretation. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
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Orchestre
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Includes complete notes
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Claude Debussy: Rhapsodie Maur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95
Mendelssohn Unfinished Symphony No. 6 C-Major (1845) - Completed
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Orchestre
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AVANCÉ
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Gerd Prengel
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Adrian Gaigu
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Mendelssohn Unfinished Symphon
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Gerd Prengel
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published ...
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Full Orchestra - Level 5 - SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3
$100.00
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Horseshoe Curve
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published ...
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Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Thunderbirds - Score Only
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Orchestre
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AVANCÉ
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Barry Gray
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Chris Siddall
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Thunderbirds - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #108968...
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Full Orchestra - Level 5 - SKU: A0.1515188 Composed by Barry Gray. Arranged by Chris Siddall. Film/TV. 114 pages. Chris Siddall Music Publishing #1089680. Published by Chris Siddall Music Publishing (A0.1515188). 30th September 1965 saw the first airing of creator Gerry Anderson’s iconic Supermarionation” series Thunderbirds. Set in the 2060s, the series follows the exploits of International Rescue, an organisation that uses technologically-advanced rescue vehicles to save human life. The series was notable for using marionette puppets but being filmed in the style of a feature film, incorporating dynamic shooting and lighting, and three-dimensional sets and extensive use of model miniatures. Special effects were directed by Derek Meddings, who later became known for his work on the James Bond (from Live and Let Die to GoldenEye), Superman and Batman (1989) movies. During his time working on Thunderbirds and Gerry Anderson’s other Supermarionation series, Meddings and his team developed a number of innovations in the filming of miniature models and landscapes which have since become standard in the industry.Having collaborated with Anderson on six previous TV series, composer Barry Gray was the obvious choice to provide music for Thunderbirds. Employing a large orchestra which dwarfed other TV productions of the time, he made extensive use of leitmotif, which each of the Thunderbird machines having its own theme, as well as notable characters such as Lady Penelope and the Tracy family’s arch nemesis The Hood.Now musicians, music students, conductors – any music lover – can study the complete score from Thunderbirds: Trapped in the Sky in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.
$50.00
Sergei Lyapunov - "Humoreske", Op. 34. Orchestrated by Arkady Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sergei Lyapunov
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Arkady Leytush
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Sergei Lyapunov - "Humore
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1408248 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 72 pages. Arkady Leytush #990829. Publ...
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Full Orchestra - Level 4 - SKU: A0.1408248 Composed by Sergei Lyapunov. Arranged by Arkady Leytush. 20th Century. 72 pages. Arkady Leytush #990829. Published by Arkady Leytush (A0.1408248). Sergei Lyapunov, the centenary of his death, which we celebrate this year, was a brilliant pianist, gifted composer and teacher. His scherzo, modestly titled “Humoresque,†​​is a brilliant virtuoso piece in which, thanks to symphonic development, I heard a potential orchestra. Working on the orchestral transcription of this work was an absolute pleasure for me, since the soloists and groups of the future orchestra reproduced exclusively in accordance with their nature, character and mobility. In other words, to put it in theatrical language, the casting turned out to be very successful. In a regular score, the overall sound takes on a different scale and can delight listeners and musicians with excellent virtuosic compositions, updating the standard repertoire.
$40.00
Somewhere In Time
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Sho...
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Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
Theme From "The A Team"
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Mike Post and Pete Carpenter
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Kevin Riley
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Law and Order
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Theme From "The A Team"
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Rile...
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Full Orchestra - Level 4 - SKU: A0.1374380 Composed by Mike Post and Pete Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV. 71 pages. Kevin Riley #958983. Published by Kevin Riley (A0.1374380). The A-Team is an American action-adventure television series that ran on NBC from January 1983 to March 1987 about former members of a fictitious United States Army Special Forces unit. The four members of the team were tried by court martial for a crime they had not committed. They were convicted and sentenced to serve terms in a military prison, but later escaped to Los Angeles and began working as soldiers of fortune, while trying to clear their names and avoid capture by law enforcement and military authorities. The series was created by Stephen J. Cannell and Frank Lupo. A feature film based on the series was released by 20th Century Fox in 2010.Mike Post (born Leland Michael Postil, September 29, 1944) is an American composer, best known for his television theme music for various shows, including The White Shadow; Law and Order; Law and Order: Special Victims Unit; The A-Team; The Byrds of Paradise; NYPD Blue; Renegade; The Rockford Files; L.A. Law; Quantum Leap; Magnum, P.I.; and Hill Street Blues. He was also the producer of the Van Halen IIIalbum by the band Van Halen.
$80.00
Ivan Kupala folk custom
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Orchestre
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Liudmila Knyazeva
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Ivan Kupala folk custom
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Liudmila Knyaz
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SheetMusicPlus
Full Orchestra - SKU: A0.509071 By Liudmila Knyazeva. By Liudmila Knyazeva. 20th Century,Classical. Score and parts. 9 pages. Published by Liudmila Knya...
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Full Orchestra - SKU: A0.509071 By Liudmila Knyazeva. By Liudmila Knyazeva. 20th Century,Classical. Score and parts. 9 pages. Published by Liudmila Knyaz (A0.509071). Dear colleagues. I would like to share my new score. This is the first movement from the orchestral suite. I am still working on the next parts. I ask the esteemed conductors to audition this music and, if possible, perform with the orchestra. Thanks for watching. My contacts for communication: email: novayaklassika@gmail.com whatsapp (for messages): +7 926 5254744 Sincerely. Composer Liudmila Knyazeva.
$2.00
O Clap your Hands (Orlando Gibbons visits Venice) for wind, strings and brass choirs
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Orchestre
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INTERMÉDIAIRE
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Orlando Gibbons
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David Warin Solomons
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O Clap your Hands
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.579774 Composed by Orlando Gibbons. Arranged by David Warin Solomons. 20th Century,Christian,Renaissance,Sacred. Scor...
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Full Orchestra - Level 3 - SKU: A0.579774 Composed by Orlando Gibbons. Arranged by David Warin Solomons. 20th Century,Christian,Renaissance,Sacred. Score and parts. 74 pages. David Warin Solomons #3383435. Published by David Warin Solomons (A0.579774). This is an instrumental arrangement of Orlando Gibbons' anthem O clap your hands, in which I imagine Orlando visiting his contemporary Giovanni Gabrieli in Venice and working on this piece with
$20.00
Chai
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Orchestre
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AVANCÉ
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Juan Gomez-Sanchez
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Chai
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Juan Gomez-Sanchez
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.944278 Composed by Juan Gomez-Sanchez. Contemporary,Jazz. Score and parts. 29 pages. Juan Gomez-Sanchez #5991259. Pub...
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Full Orchestra - Level 5 - SKU: A0.944278 Composed by Juan Gomez-Sanchez. Contemporary,Jazz. Score and parts. 29 pages. Juan Gomez-Sanchez #5991259. Published by Juan Gomez-Sanchez (A0.944278). Chai is a blend between contemporary jazz and orchestral space age electronic music. This piece was made during one of my low points during the quarantine, where finding ways to be productive was a monumental task. I spent about a month working on this song, changing it where I saw fit, and this is the final product, which I am incredibly proud of. I wish to submit this piece for SMP Press' 2020 Composition Competition, for contemporary music. I am currently studying to become a film composer, and winning this competition would completely change the course of my career. With the reward, I plan to spend it on new musical equipment, notably enhanced software, a microphone, a new snare drum, as well as tuition so that I can continue my education. If you are interested in my work, I implore you to check out my social media, as well as my Musescore and Fiverr accounts below:Instagram: https://www.instagram.com/juaangs_/Fiverr: https://www.fiverr.com/juanpgs_?up_rollout=trueMusescore: https://musescore.com/user/13432216Thank you,-Juan
$4.99
Fantasy for Horn and Orchestra - score and parts
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Orchestre
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AVANCÉ
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Contemporain
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Philip Orem
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Fantasy for Horn and Orchestra
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.872612 Composed by Philip Orem. Contemporary. Score and parts. 109 pages. Philip Orem #3523825. Published by Philip O...
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Full Orchestra - Level 5 - SKU: A0.872612 Composed by Philip Orem. Contemporary. Score and parts. 109 pages. Philip Orem #3523825. Published by Philip Orem (A0.872612). My Fantasy for Horn and Orchestra featured on the CD, Concerto, from Roven Records available on iTunes.After a mysterious opening with the horn rising from the depths the orchestra breaks into a jagged fugue which the horn then quells. A lyrical melody follows after a short cadenza which gives way to a march macabre. After some working out of material the fugue and lyrical melody return before a rousing finale. A great show piece for the soloist!SCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER. Parts are on standard letter size paper.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$150.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Nat Cole With N
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Chris Rinaman
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The Christmas Song
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CGR Music Service
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contempor...
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Full Orchestra - Level 4 - SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contemporary,Holiday. Score and parts. 54 pages. CGR Music Service #6630971. Published by CGR Music Service (A0.844229). An original arrangement of the holiday classic for full orchestra and male vocal in the key of C, modulating to Db.  Can be performed with or without the optional rhythm section (piano, electric bass and drum set) giving your orchestra some flexibility in programming this arrangement.  Visit www.chrisrinaman.com for more information on the arrangements and compositions of Chris Rinaman.   As a composer, arranger and orchestrator, Chris's work encompasses big band writing, orchestral arranging and film composition. In 2002, while working as an assistant to Academy Award-winning film composer Howard Shore, Chris Rinaman was the head score consultant for the world premiere of The Fellowship of the Ring for Symphony Orchestra and Chorus at the Hollywood Bowl. He has created orchestral and big band arrangements for many talented vocalists, including Deana Martin, Micheal Castaldo, William Michals, and Allan Harris.  His string arrangements can be heard on the 2016 PBS special, Giada Valenti:  From Venice With Love.
$80.00
Dwarves, Op. 10
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Dwarves, Op. 10
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Ian Deterling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Publi...
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Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Published by Ian Deterling (A0.742984). Composed by Ian Deterling, published by Deterling Music I wrote Dwarves in 2018 for Brian Langley - a good friend and wonderful band director. One day over a cup of coffee, he suggested that I should look into writing/arranging works for Flex-Band - a way of scoring music so that ensembles that frequently have to deal with ‘incomplete’ instrumentation (‘incomplete’ as far as traditional concert band ensembles go) can still perform works with the guarantee that all the parts are covered and the ensemble is properly balanced. Dwarves is the first piece I wrote specifically for Flex-Band. This orchestral arrangement was made specifically for the Northshore Philharmonic Orchestra - Tracey Gibbens, conductor. I always find it fascinating yet challenging (in a good way) whenever I revisit a work/adapt and rewrite it for a different instrumentation. Dwarves was definitely no exception. While working on different chord voicing, counter melodies, and having the full pallet of orchestral timbres at my disposal, I decided to transpose the piece up to B Minor (original key of G Minor). I felt this added an extra degree of brilliance while allowing some melodies and musical ideas to be dropped an octave for a contrasting heavier low end. Dwarves is based primarily on two different themes - the A theme (minor and serious) and the B (major, a bit more uplifting). There is a ‘C’ section, but it is loosely based on a variation of the A theme.
$60.00
Trumbull Sketches
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
Colditz March
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert Farnon & His Orchestra
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Kevin Riley
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Colditz March
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and ...
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Full Orchestra - Level 4 - SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 41 pages. Kevin Riley #777502. Published by Kevin Riley (A0.1177491). Colditz is a British television drama series co-produced by the BBC and Universal Studios and screened between 1972 and 1974.The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War, Secret Army. Technical consultant for the series was Major Pat Reid, the real British Escape Officer at Colditz. One of the locations used in filming was Stirling Castle.Farnon is probably best known for two famous pieces of light music, Jumping Bean and Portrait of a Flirt, which were originally released in 1955 as the A and B sides on the same , and for Westminster Waltz, and A Star is Born.Farnon also wrote the music for more than forty motion pictures, including Captain Horatio Hornblower R.N.(1951), Gentlemen Marry Brunettes (1955), The Road to Hong Kong (1962), Shalako (1968) and Bear Island (1979). He wrote the theme tune and other music for many, mostly British, television series including Colditz (1972–74), Secret Army (1977–79), and A Man Called Intrepid (1979).
$60.00
La Califfa
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Orchestre
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INTERMÉDIAIRE
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Ennio Morricone
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Kevin Riley
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La Califfa
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1103613 Composed by Ennio Morricone. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin ...
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Full Orchestra - Level 3 - SKU: A0.1103613 Composed by Ennio Morricone. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #706884. Published by Kevin Riley (A0.1103613). N the Emilia province of Italy, out of solidarity with the workers fired from another failed company, the workers occupy the factory of self-made industrialist Annibale Doberdò. In dealing with the situation, he starts negotiations. An employee, the beautiful and fiery Irene, nicknamed Califfa, whose worker-husband was killed during a demonstration, meets with Doberdò. He wants to induce the strikers back to work and they show uncertainty between the directives of their union and the incitements to violence by extremists. Irene becomes Doberdò's lover and asks the workers to listen to the industrialist's proposals for renewal of working terms and worker participation in the factory management. The riots, however, continue. The industrialist's stance is badly received by other employers. While he returns from yet another meeting with his lover, Doberdò is killed by assassins.
$60.00
Joyful Rebirth
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Timothy J
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Joyful Rebirth
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Olt Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.758969 Composed by Timothy J. Olt. 20th Century. Score and parts. 64 pages. Olt Music #2893363. Published by Olt Musi...
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Full Orchestra - Level 4 - SKU: A0.758969 Composed by Timothy J. Olt. 20th Century. Score and parts. 64 pages. Olt Music #2893363. Published by Olt Music (A0.758969). Joyful Rebirth is a programmatic work for orchestra detailing the struggles of a close friend. This person was abused at home both emotionally and physically. In 2014 they ran away from home. Since this time they have turned their life around, are working on a bachelors’ degree, and starting to do amazing things with their life. The work starts with a brief description of the ridicule and abuse, then moves to the turmoil of deciding to run away. The person then leaves home, is taken in and nurtured, and starts their new life. They explore various things they had been denied, truly finding their own feet for the first time. The piece ends with the hope and promise of a bright future.
$50.00
Delius: La Calinda (from Koanga) for Orchestra
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Orchestre
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AVANCÉ
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Fest...
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Full Orchestra - Level 5 - SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99
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