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118
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14
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4 Violoncelles
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Quatuor à cordes : 4 altos
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Orchestre d'harmonie
74
Ensemble Jazz
34
Orchestre à Cordes
24
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13
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6
Jazz combo
6
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6
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5
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Working Man
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Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.39 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Somewhere In Time
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robert…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
73.91 €
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Orchestre
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Colditz March
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1177491 By Robert Farnon & His …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 41 pages. Kevin Riley #777502. Published by Kevin Riley (A0.1177491). Colditz is a British television drama series co-produced by the BBC and Universal Studios and screened between 1972 and 1974.The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War, Secret Army. Technical consultant for the series was Major Pat Reid, the real British Escape Officer at Colditz. One of the locations used in filming was Stirling Castle.Farnon is probably best known for two famous pieces of light music, Jumping Bean and Portrait of a Flirt, which were originally released in 1955 as the A and B sides on the same , and for Westminster Waltz, and A Star is Born.Farnon also wrote the music for more than forty motion pictures, including Captain Horatio Hornblower R.N.(1951), Gentlemen Marry Brunettes (1955), The Road to Hong Kong (1962), Shalako (1968) and Bear Island (1979). He wrote the theme tune and other music for many, mostly British, television series including Colditz (1972–74), Secret Army (1977–79), and A Man Called Intrepid (1979).
$60.00
55.43 €
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Orchestre
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Robert Farnon & His Orchestra
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Kevin Riley
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Colditz March
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Kevin Riley
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.23 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.23 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Horseshoe Curve
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
36.95 €
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Orchestre
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
The Christmas Song (chestnuts Roasting On An Open Fire)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.844229 By Nat Cole With N. Ridd…
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Full Orchestra - Level 4 - Digital Download SKU: A0.844229 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Chris Rinaman. Christmas,Contemporary,Holiday. Score and parts. 54 pages. CGR Music Service #6630971. Published by CGR Music Service (A0.844229). An original arrangement of the holiday classic for full orchestra and male vocal in the key of C, modulating to Db.  Can be performed with or without the optional rhythm section (piano, electric bass and drum set) giving your orchestra some flexibility in programming this arrangement.  Visit www.chrisrinaman.com for more information on the arrangements and compositions of Chris Rinaman.   As a composer, arranger and orchestrator, Chris's work encompasses big band writing, orchestral arranging and film composition. In 2002, while working as an assistant to Academy Award-winning film composer Howard Shore, Chris Rinaman was the head score consultant for the world premiere of The Fellowship of the Ring for Symphony Orchestra and Chorus at the Hollywood Bowl. He has created orchestral and big band arrangements for many talented vocalists, including Deana Martin, Micheal Castaldo, William Michals, and Allan Harris.  His string arrangements can be heard on the 2016 PBS special, Giada Valenti:  From Venice With Love.
$80.00
73.91 €
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Orchestre
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Nat Cole With N
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Chris Rinaman
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The Christmas Song
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CGR Music Service
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SheetMusicPlus
The Ocean Deep, Orchestral Version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1022840 Composed by Leif Jack. 20th Century,Contemporary. Score and parts. 10 pages. Leif Thomas Marken Jack #5902595. Published by Leif Thomas Marken Jack (A0.1022840). The Ocean Deep is inspired by the majesty of the ocean, its deceiving calmness and our limited knowledge of its greatest depths. It depicts one rising from the calm, sparse mesopelagic layer (the Twilight Zone) to the life-saturated epipelagic layer (the Sunlight Zone). Upon reaching the ocean's surface, a wave of awesome propotions is encountered... This 5-minute work for full orchestra is perfect for both intermediate, student orchestras and advanced, professional orchestras. Inspire your musicians and audience with music reminiscent of Debussy which celebrates the ocean! This work is easily accessible, and features various sections of the orchestra, and various players, who are always supported by other instruments. This work is perfect for a concert related to the ocean or nature in general, and an excellent way to enrich a concert program with contemporary music which is not overly avant-garde.Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries or check out my Instagram leif.jack.3 to see what I've been working on. Performing rights managed by SOCAN and BMI.
$8.99
8.31 €
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Orchestre
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Leif Jack
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The Ocean Deep, Orchestral Version
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Leif Thomas Marken Jack
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SheetMusicPlus
Spirit of Christmas 2/5 - Advent
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.750069 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 46 pages. Bradley Sowash #1087. Published by Bradley Sowash (A0.750069). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 2. Advent (5:00) This reworking of the 12th century Advent hymn, O Come Emmanuel, connects us with the long history of this time of waiting by referencing medieval church bell towers, solemn drums and ancient harmonies before moving into a more contemporary interpretation. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00
41.57 €
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Orchestre
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 2/5 - Advent
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Bradley Sowash
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SheetMusicPlus
Lucky
Orchestre
Full Orchestra - Digital Download SKU: A0.1301488 By Sheffield. By Amphibia Cultura…
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Full Orchestra - Digital Download SKU: A0.1301488 By Sheffield. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. Classical,Contemporary,Folk,Ska,Soul. 7 pages. Amphibia Cultural Legacy #891116. Published by Amphibia Cultural Legacy (A0.1301488). The orchestral arrangement used for Lucky by Sheffield incorporates a rich and lush sound, enhancing the emotional depth of the song. The section features instruments, all working together to create a layered and dynamic musical landscape.The strings section plays a prominent role in the arrangement, providing a lush and sweeping backdrop and adding warmth and depth to the overall sound. The violins, violas, cellos, and double basses create a sense of grandeur and elegance, with the melodies soaring and cascading across the composition. The brass section adds power and intensity to the arrangement.Trombones and French horns contribute bold and majestic tones, building a climactic group and providing a sense of grandiosity. The brass also brings a touch of nobility and strength to the composition, further enhancing the emotional impact of the music.The orchestral arrangement for Lucky by Sheffield showcases the skilled craftsmanship and attention to detail in creating a cohesive and evocative musical experience. The strings and brass have a dynamic and captivating orchestral arrangement that complements the song's heartfelt lyrics and powerful vocals.
$30.00
27.72 €
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Orchestre
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Sheffield
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Amphibia Cultural Legacy
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Lucky
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Amphibia Cultural Legacy
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.15 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.95 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.23 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
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