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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
at the end
Non classifié
4 155
Piano & claviers
Piano seul
2 359
Piano, Voix
759
Piano Facile
655
Piano, Voix et Guitare
479
Instruments en Do
340
Orgue
220
Accompagnement Piano
78
1 Piano, 4 mains
75
Piano Trio: piano, violon, violoncelle
50
2 Pianos, 4 mains
36
Piano Quatuor: piano, violon, alto, violoncelle
21
Accordéon
19
Piano grosses notes
16
Piano (partie séparée)
12
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
4
Clavecin
2
Fake Book
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
202
Guitare
194
Ukulele
131
Ligne De Mélodie, (Paroles) et Accords
43
Basse electrique
38
2 Guitares (duo)
24
Guitare (partie séparée)
20
Mandoline
17
Dulcimer
13
4 Guitares (Quatuor)
13
Piano, Guitare (duo)
11
Paroles et Accords
11
Banjo
6
Ensemble de guitares
4
3 Guitares (trio)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
1 242
Chorale 2 parties
415
Chorale 3 parties
352
Chorale TTBB
200
Chorale Unison
159
Voix duo, Piano
157
Chorale SSAA
146
Voix duo
54
Voix Soprano, Piano
48
Voix Tenor, Piano
30
Voix Baryton, Piano
29
Voix Alto, Piano
28
Pack Instrumental pour Chorale
22
Voix haute
17
Voix seule
11
Voix basse, Piano
9
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix moyenne, Piano
4
Voix basse
4
Chorale SSATTB
2
Voix Tenor
2
Voix Soprano
2
Voix duo, Orgue
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Chorale SATTBB A Cappella
1
Chorale SSATB
1
Chorale
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
300
Flûte à bec Soprano
275
Ocarina
275
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
272
Flûte traversière et Piano
250
Clarinette et Piano
222
2 Saxophones (duo)
210
Flûte, Hautbois, Clarinette, Basson
205
Harmonica
205
Flûte à bec Alto
196
Saxophone Alto et Piano
180
Hautbois, Piano (duo)
178
Quintette de Saxophone: 5 saxophones
158
Flûte traversière
150
Clarinette
142
Saxophone Tenor et Piano
124
2 Flûtes traversières (duo)
120
Saxophone (partie séparée)
116
Quatuor de Clarinettes: 4 clarinettes
110
Saxophone Alto
107
Saxophone Soprano et Piano
105
2 Clarinettes (duo)
100
Saxophone Tenor
85
Hautbois (partie séparée)
80
Saxophone
71
Flûte, Clarinette (duo)
65
Quatuor de Flûtes : 4 flûtes
64
Saxophone Baryton, Piano
60
Saxophone, Clarinette (duo)
57
Clarinette, Violon (duo)
46
Ensemble de Clarinettes
46
3 Saxophones (trio)
45
2 Hautbois (duo)
40
Flûte à bec Alto, Piano
37
Flûte à Bec
36
Clarinette, Trompette (duo)
36
Ensemble de Flûtes
35
Hautbois
35
Hautbois, Basson (duo)
35
Cor anglais, Piano
33
Ensemble de saxophones
32
Clarinette Basse, Piano
30
Hautbois, Clarinette (duo)
30
Quintette de Clarinettes: 5 clarinettes
29
3 Clarinettes (trio)
29
Trio de Flûtes: 3 flûtes
28
Flute (partie séparée)
28
Quintette de Flûte : 5 flûtes
24
Flûte et Guitare
24
Hautbois, Flûte
22
Flûte, Violon
22
Clarinette (partie séparée)
21
Flûte, Alto (duo)
21
Flûte, Saxophone (duo)
21
Clarinette et Alto
20
2 Flûte à bec (duo)
20
Quatuor de Flûtes à bec
19
Flûte, Trompette (duo)
17
Flûte, Violon, Piano
16
Saxophone Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Hautbois (duo)
12
Clarinette, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
10
5 Flûtes à bec
9
Clarinette, Violoncelle, Piano (trio)
9
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette et Basson
8
Flûte, Hautbois, Basson
7
2 Clarinettes, Piano
7
Hautbois, Violoncelle
7
Flûte, Hautbois, Piano (trio)
7
Clarinette, Guitare (duo)
6
Saxophone Baryton
6
Flûte, Violoncelle
6
Flûte, Basson et Piano
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Tenor
5
3 Flûtes à bec (trio)
5
2 Flûtes traversières, Piano
4
Clarinette, Harpe (duo)
4
Hautbois, Violoncelle et Piano
4
Flûte, Alto et Piano
4
Hautbois, Clarinette et Piano (Trio)
3
Clarinette, Alto et Piano (trio)
3
Hautbois, Guitare (duo)
3
Clarinette, Basson, Piano (trio)
3
Piccolo
3
Flute, harpe et violon
3
Hautbois, Harpe
3
Piccolo, Piano
3
Flûte à bec Soprano, Piano
3
Hautbois, Basson et Piano
2
2 Saxophones, Piano
2
Hautbois, violon (duo)
2
Ensemble de Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Instruments en Mib
2
Cor Anglais
2
Saxophone et Guitare
2
Hautbois, Violon, Piano
2
Flûte à Bec, Piano
1
Clarinette, Tuba
1
Clarinette, Trombone (duo)
1
Saxophone et Orgue
1
Hautbois et Orchestre
1
2 Hautbois, Piano
1
Hautbois, trombone (duo)
1
4 Hautbois
1
2 Clarinettes, Basson
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Hautbois et alto (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte irlandaise
1
Hautbois, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
Flûte, Trombone (duo)
1
Clarinette, Orgue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Tuba (duo)
1
+ 116 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
344
Trompette
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
166
Trombone et Piano
161
Trompette, Piano
152
Cor et Piano
122
Trombone
93
Trombone (partie séparée)
81
Cor
76
Trompette (partie séparée)
74
Ensemble de Trompettes
72
Quatuor de Cuivres: 2 trompettes, Cor, trombone
60
Quatuor de cuivres: 4 trombones
55
Tuba et Piano
51
Tuba
50
2 Trompettes (duo)
48
Trompette, Saxophone (duo)
46
Quatuor de Cuivres
45
Euphonium, Piano (duo)
45
2 Trombones (duo)
44
Ensemble de Trombones
34
Cor anglais, Piano
33
Trompette, Trombone (duo)
31
Cor (partie séparée)
21
2 Cors (duo)
20
Tuba (partie séparée)
13
Trio de Cuivres
13
Quatuor de cuivres: 4 cors
11
Quatuor de cuivres: 4 trompettes
9
2 Tubas (duo)
8
Trompette, Trombone, Piano
7
Euphonium
6
3 Trompettes (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Cor (duo)
6
Trompette, Basson (duo)
5
4 Tubas
4
2 Euphoniums et 2 Tubas
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
4
Trombone basse
3
Bass Clef Instruments
3
Cor et Basson (duo)
3
Trombone, Tuba (duo)
3
Cor et Harpe
3
Ensemble de Cors
3
Trompette, Harpe
3
Trombone, Violon (duo)
2
Euphonium, Tuba (duo)
2
Cor Anglais
2
Trompette, Tuba (duo)
2
Instruments en Sib
2
2 Cors, Piano
2
3 Euphoniums
1
Cor, Trompette, Trombone (trio)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Instruments en Fa
1
Trompette, Violoncelle et Piano
1
Trompette, Orchestre
1
Cor et Orgue
1
2 Euphoniums (duo)
1
3 Trombones (trio)
1
+ 60 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
882
Violon et Piano
323
Violon
225
Violon, Violoncelle (duo)
224
Violoncelle, Piano
202
Trio à Cordes: violon, alto, violoncelle
195
Violoncelle
191
Alto, Piano
182
Alto seul
110
Harpe
109
Trio à Cordes: 2 violons, violoncelle
105
2 Violons (duo)
105
Violon, Alto (duo)
75
Quintette à cordes: 2 violons, alto, violoncelle, basse
72
2 Violoncelles (duo)
67
Contre Basse
55
Contrebasse, Piano (duo)
46
2 Altos (duo)
43
Violon (partie séparée)
29
Alto (partie séparée)
28
Contrebasse (partie séparée)
22
2 Harpes (duo)
19
4 Violoncelles
19
Alto, Violoncelle (duo)
15
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 3 violoncelles
11
Harpe, Flûte (duo)
11
Quatuor à cordes: 4 violons
9
Quatuor à cordes : 4 altos
9
Ensemble d'Altos
8
Trio à cordes: 3 violins
8
Harpe, Violon (duo)
7
Trio à Cordes: 2 violons, alto
7
Ensemble de Violons
7
Trio à cordes: 3 altos
7
Violon, Clarinette, Piano (trio)
6
Harpe, Voix
5
Violon, Guitare (duo)
5
Violon, Basson (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
2 Altos, Piano
3
2 Contrebasses (duo)
3
Alto et Harpe
3
Violoncelle, Orgue
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Harpe et mandoline
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle (partie séparée)
2
Trio à cordes
1
2 Violoncelles, Piano
1
Violon, Violoncelle, Clarinette
1
Alto et Basson
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
Harpe, Trombone (duo)
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 038
Orchestre
388
Orchestre à Cordes
239
Ensemble de cuivres
221
Ensemble Jazz
210
Fanfare
163
Cloches
119
Orchestre de chambre
102
Jazz combo
60
Ensemble de Percussions
51
Percussion (partie séparée)
21
Batterie
20
Xylophone, Piano
14
Xylophone
14
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Marimba
8
Vibraphone
6
Orchestre, Violon
2
Timbales (partie séparée)
2
2 Marimbas
1
Xylophone (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Percussion
1
2 Xylophones
1
Conga
1
Big band
1
3 Marimbas
1
Ensemble d'École
1
+ 25 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
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376
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
#
AVANCÉ
#
Geraldine
#
The Glastry Pearl. Tone Poem E
#
Geraldine
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Missa Solemnis, op. 27 - Score Only
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Orchestre
#
AVANCÉ
#
Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
Friend or Fiend for orchestra (parts)
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Orchestre
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AVANCÉ
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Contemporain
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Publish...
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Full Orchestra - Level 5 - SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Published by Tom Swafford (A0.914155). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAP Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$25.00
Friend or Fiend for orchestra (score)
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Orchestre
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AVANCÉ
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Contemporain
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Publish...
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Full Orchestra - Level 5 - SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Published by Tom Swafford (A0.914153). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAPÂ Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$5.00
Santa Falls from the Housetop
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Orchestre
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INTERMÉDIAIRE
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M
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M
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Santa Falls from the Housetop
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57...
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Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57 pages. M. L. Daniels #13363. Published by M. L. Daniels (A0.834139). This orchestra music is just for fun, as you can hear when the audience laughs at the end of the recording. Someone must tell the audience what to expect in order to get a good response. The music is made up mostly of public domain Christmas music, woven together in unusual ways, including different melodies appearing at the same time. The audience is told that Santa has had too much Christmas Cheer to drink, and the smears in the trombones indicate his condition. Half the fun is when the melodies bump into each other, and when pieces of Stars and Stripes and National Emblem March find their way into the mix. At the end, the music indicates Santa is falling, and lands with a big thud. Enjoy!
$25.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
You've Got A Friend In Me
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Randy Newman And Lyle Lovett
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You've Got A Friend In Me
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1494236 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by John Langley (Studio Orchestrations). Broadway,...
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Full Orchestra - Level 4 - SKU: A0.1494236 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Wedding. 60 pages. Www.studio-orchestrations.com #1070827. Published by www.studio-orchestrations.com (A0.1494236). This arrangement is for Trombone Solo and Orchestra.Randy Newman's timeless, evergreen and sweet classic ballad comes from the original Disney Toy Story and in its 3 sequels that came after it. The unlikely and - in the early days - strained relationship between Woody and Buzz Lightyear (You ARE A CHILDS PLAYTHING...) comes to its famously happy conclusion at the end of the first movie with a blossoming friendship that we the audience know will endure through eternity, and this song caps that beautifully as only the genius of Randy newman knows how.This score is arranged for Trombone solo and orchestra and would be a perfect addition for a concert of film music or kids music event.Instrumentation :FluteOboeClarinetBassoon2 Horns2 TrumpetsTrombone (Solo)Tuba (Optional ... but certainly preferable!!)1 Percussion (Vibes)DrumsStringsCheckout www.studio-orchestrations.com for other similar arrangements and orchestrations by John Langley and Paul Campbell for sale and hire.
$60.00
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Elizabethen Walzer
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Johann Strauss Sr
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Marek Czekala
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Elizabethen Walzer
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1208496 Composed by Johann Strauss Sr. Arranged by Marek Czekala. 19th Century,Classical. Score and Parts. 83 pages. ...
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Full Orchestra - Level 4 - SKU: A0.1208496 Composed by Johann Strauss Sr. Arranged by Marek Czekala. 19th Century,Classical. Score and Parts. 83 pages. Marek Czekala #806610. Published by Marek Czekala (A0.1208496). Johann Strauss I (German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian Romantic composer. He was famous for his waltzes, and he popularized them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz).In 1835 he composed one of his most beautiful waltzes – Elisabethen Walzer.Strauss died in Vienna on 25 September 1849 at the age of 45 from scarlet fever contracted from one of his illegitimate children. He was buried at the Döblinger cemetery beside his friend Joseph Lanner. In 1904, both of their remains were transferred to the graves of honour at the Zentralfriedhof. The former Döbling Cemetery is now a Strauss-Lanner Park. Hector Berlioz himself paid tribute to the 'Father of the Viennese Waltz' by commenting that Vienna without Strauss is like Austria without the Danube.
$10.00
Walking In The Air
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Orchestre
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INTERMÉDIAIRE
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Howard Blake
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Kevin Riley
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Walking In The Air
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages....
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Full Orchestra - Level 3 - SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.
$70.00
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 4 "Homage to
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Publishe...
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Full Orchestra - Level 5 - SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
Legend of 10,000 Lakes for Orchestra
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Orchestre
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FACILE
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Contemporain
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Sy Brandon
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Legend of 10,000 Lakes for Orc
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.755142 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 72 pages. Sy Brandon #3406019. Published b...
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Full Orchestra - Level 2 - SKU: A0.755142 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 72 pages. Sy Brandon #3406019. Published by Sy Brandon (A0.755142). Legend of 10,000 Lakes musically depicts the history of Minnesota. The piece opens with a broad theme in the low instruments that represents the natural landscape. This soon develops into a hymn-like section representing the majesty of this great land. The Allegro section represents the struggles between native and outside cultures for control of this land. The Moderato section is a folk dance that leads into a religious hymn of thanks. The Allegro section returns at the end to remind us that no one controls the land, as the land belongs to everyone and should be revered, respected, and protected for future generations. The score prints on legal size paper and the parts on letter.
$29.99
The Magic of Harry Potter: Timpani
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Orchestre
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Methodes
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Michael Story
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The Magic of Harry Potter: Tim
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015970_TMP Timpani. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #...
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Full Orchestra - SKU: AX.00-PC-0015970_TMP Timpani. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015970_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015970_TMP). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$3.00
The Magic of Harry Potter: Flute
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Orchestre
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Methodes
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Michael Story
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The Magic of Harry Potter: Flu
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015970_F1 Flute. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-...
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Full Orchestra - SKU: AX.00-PC-0015970_F1 Flute. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015970_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015970_F1). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$3.00
The Magic of Harry Potter: Bassoon
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Orchestre
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Methodes
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Michael Story
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The Magic of Harry Potter: Bas
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015970_B1 Bassoon. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #0...
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Full Orchestra - SKU: AX.00-PC-0015970_B1 Bassoon. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015970_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015970_B1). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$3.00
The Magic of Harry Potter: Mallets
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Orchestre
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Methodes
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Michael Story
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The Magic of Harry Potter: Mal
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015970_M1 Mallets. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #0...
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Full Orchestra - SKU: AX.00-PC-0015970_M1 Mallets. Arranged by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015970_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015970_M1). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$3.00
The Magic of Harry Potter: Cello
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Orchestre
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Methodes
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Michael Story
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The Magic of Harry Potter: Cel
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015970_VC1 Cello. Arranged by Michael Story. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00...
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Full Orchestra - SKU: AX.00-PC-0015970_VC1 Cello. Arranged by Michael Story. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015970_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015970_VC1). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$3.00
The Magic of Harry Potter: Score
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Orchestre
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Methodes
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Michael Story
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The Magic of Harry Potter: Sco
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0004280 Score. Arranged by Michael Story. Instructional. Score. 32 pages. Alfred Music - Digital Sheet Music #00-P...
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Full Orchestra - SKU: AX.00-PR-0004280 Score. Arranged by Michael Story. Instructional. Score. 32 pages. Alfred Music - Digital Sheet Music #00-PR-0004280. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004280). UPC: 038081451275.The Magic of Harry Potter contains themes from all eight motion pictures in the Harry Potter series. The themes included are Hedwig's Theme and Nimbus 2000 from Harry Potter and the Sorcerer's Stone, Fawkes the Phoenix from Harry Potter and the Chamber of Secrets, Double Trouble from Harry Potter and the Prisoner of Azkaban, Hogwarts' Hymn from Harry Potter and the Goblet of Fire, Dumbledore's Army from Harry Potter and the Order of the Phoenix, Harry and Hermione from Harry Potter and the Half-Blood Prince, Ministry of Magic from Harry Potter and the Deathly Hallows -- Part 1, Showdown from Harry Potter and the Deathly Hallows -- Part 2, and Leaving Hogwarts, which appeared at the end of both the first and last movies. This arrangement is scored for full orchestra, but is completely playable by strings alone. (6:00) This title is available in SmartMusic.
$11.00
Spinning Through The Ages-A Chanukah Tribute
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Orchestre
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Klezmer
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M
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Jeremiah Klarman
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Spinning Through The Ages-A Ch
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Inner Places Music
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SheetMusicPlus
Full Orchestra - SKU: A0.920226 Composed by M. Gelbart, S. Goldfarb, and Traditional. Arranged by Jeremiah Klarman. Contemporary,Hanukkah,Jewish,World. ...
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Full Orchestra - SKU: A0.920226 Composed by M. Gelbart, S. Goldfarb, and Traditional. Arranged by Jeremiah Klarman. Contemporary,Hanukkah,Jewish,World. Score and parts. 17 pages. Inner Places Music #5025887. Published by Inner Places Music (A0.920226). This fun and moving selection is a great choice for orchestras who need Chanukah selections for their Holiday Concerts. The arrangement incorporates four classic Chanukah songs and combines two of them at the end in a never-heard-before mashup of I Have A Little Dreidel and Maoz Tzur. This arrangement is sure to be a hit with orchestras and audiences alike at your next Holiday Concert!
$29.99
In the beginning
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Orchestre
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INTERMÉDIAIRE
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Luis Diego Piedra
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In the beginning
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Piedra Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. Published by Pie...
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Full Orchestra - Level 3 - SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. Published by Piedra Music (A0.1343380). This piece was composed in 2023 to be premiered during Christmas at Valpo, at Valparaiso University. It is a musical representation of the world in chaos without God, and then towards the middle and end the music changes, as if the heavens open up and we are being shown the light of Christ. At the end we hear the arrival of a baby -Jesus-.
$20.00
S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
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Orchestre
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Contemporain
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S
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A
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S. Lyapunov - Variations on a
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytush #4809177. Pub...
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Full Orchestra - SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytush #4809177. Published by Arkady Leytush (A0.1008360). Variations on a Georgian Theme, (1915) were originally written for piano. This piece belongs to the late period of Lyapunov’s work. The composition is distinguished not only by its virtuosity, but also by the brilliant development of Georgian folk melody. Bright national color, musical contrast, rhythm variety and its collision, polymeric - all of these have pushed me to make an orchestral transcription of this brilliant piece. Being played at the end, this composition can certainly enhance the program and leave a long lasting impression.
$80.00
The Ash Grove - Orchestra Score and Parts PDF
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Orchestre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Welsh Tune
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Brendan Elliget MAGA 537
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The Ash Grove - Orchestra Scor
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.751048 Composed by Traditional Welsh Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 35 pages. BJE...
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Full Orchestra - Level 3 - SKU: A0.751048 Composed by Traditional Welsh Tune. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 35 pages. BJE Music #6506175. Published by BJE Music (A0.751048). The Ash Grove -The first published version of the tune was in 1802 in The Bardic Museum, a book written by the Welsh harpist Edward Jones. About four years later a version with words appeared, under the name Llwyn Onn. It tells of a sailor's love for Gwen of Llwyn. At the end of the song, Gwen dies, and in one version of the piece, the writer talks about him mourning and that she is lying 'neath the shades of the lonely ash grove. The tune might be much older, as a similar air appears in The Beggar's Opera by John Gay (1728), in the song Cease Your Funning. [Wikipedia]This arrangement is for the Orchestra with most instruments getting a turn at playing this well-known melody.Grade = 3.5 Duration = 2:34 minsThe MP3 was recorded with NotePerformer 3.
$25.00
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