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PARTITIONS GRATUITES
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ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
XYLOPHONE
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186
Partitions
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20 491
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de Musique
17 413
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
205338
PIANO & CLAVIERS
Piano seul
257146
Piano, Voix et Guitare
146495
Piano, Voix
107258
Piano Facile
66188
Orgue
15914
Instruments en Do
11764
Piano grosses notes
9204
1 Piano, 4 mains
7489
Accordéon
5836
Accompagnement Piano
5763
Piano (partie séparée)
2890
Piano Trio: piano, violon, violoncelle
2030
2 Pianos, 4 mains
1419
Piano Quatuor: piano, violon, alto, violoncelle
560
Piano Quintette: piano, 2 violons, alto, violoncelle
537
Piano Quatuor: piano, 2 violons, violoncelle
476
Ligne De Mélodie, Piano
427
Orgue, Trompette (duo)
427
Orgue, Piano (duo)
380
Clavecin
291
1 Piano, 6 mains
232
Accordéon, Voix
190
Clavier
163
Instrument seul et Orgue
146
2 Pianos, 8 mains
91
2 Accordéons
77
Ensemble d'Accordéons
56
Orgue, Voix
46
2 Orgues (duo)
30
Tous Les Instruments
22
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
7
Piano Quintette: piano, violon, alto, violoncelle, contre basse
6
Ensemble de Pianos
6
Orgue et Orchestre
5
Concertina
3
3 Pianos
2
Piano Trio: Instruments de chambre mixtes
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
78131
Ligne De Mélodie, (Paroles) et Accords
47984
Guitare
28897
Paroles et Accords
23937
Ukulele
18075
Basse electrique
12160
Guitare (partie séparée)
3085
2 Guitares (duo)
2148
Banjo
1512
4 Guitares (Quatuor)
1014
Mandoline
951
Basse électrique (partie séparée)
932
Dulcimer
908
Piano, Guitare (duo)
857
Ensemble de guitares
704
3 Guitares (trio)
504
Partitions De Groupes
280
Ukulele Baryton
250
Guitare Pedal Steel
209
Ensemble de Ukulélés
206
Dobro
92
2 Dulcimers (duo)
83
Mandoline, Piano (duo)
79
Mandoline, Guitare (duo)
66
Guitare, Violon, Violoncelle (trio)
40
Guitare Tab, Voix, Basse, Batterie
40
2 Ukuleles
31
3 Dulcimers (trio)
21
Guitare, Flûte, Clarinette
18
Orchestre à Plectres
14
Guitare, Orchestre
12
2 Mandolines (duo)
11
Guitare, Quatuor à cordes
10
Cithare
8
Luth
7
Bouzouki
5
2 Guitares et Orchestre
4
Guitare, Harpe
2
2 Guitares, Clarinette (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
65367
Chorale 3 parties
26501
Chorale 2 parties
15544
Chorale TTBB
12977
Voix seule
8836
Chorale
8714
Chorale SSAA
6669
Chorale Unison
6260
Voix duo, Piano
3506
Voix haute
1575
Voix duo
1548
Voix Soprano, Piano
1378
Voix basse, Piano
652
Voix Tenor, Piano
383
Voix, Guitare
380
Voix moyenne, Piano
341
Chorale SSATB
324
Voix Alto, Piano
288
Voix Moyenne
247
Chorale SSAATTBB
237
Voix Baryton, Piano
195
Voix Mezzo-Soprano, Piano
194
Chorale SSATTB
153
Voix Tenor
141
Chorale SSATBB
125
Soli, choeur mixte et accompagnement
106
Chorale SATTB
93
Voix Soprano
81
Chorale SSAB a cappella
64
Voix haute, Piano
63
Chorale, Orgue
59
Chorale SSAB, Piano
52
Chorale SSAATB
52
Voix basse
50
Voix d'Enfants
43
Voix et basse continue
32
Chorale SAATB A Cappella
32
Chorale SATBB
25
Male Voice
24
Voix Baryton
19
Voix duo, Orgue
10
Chorale SSAATB A Cappella
10
Chorale SATTBB, Clavier
10
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
6
Voix (avec Boîtes d'Accords)
4
Paroles Seulement
3
Voix d'Enfants, Piano
2
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
28082
Flûte traversière
21326
Clarinette
19142
Saxophone
16479
Clarinette (partie séparée)
16057
Flûte traversière et Piano
13836
Saxophone Alto
12275
Saxophone Tenor
10823
Quatuor de Saxophones: 4 saxophones
10672
Clarinette et Piano
9852
Hautbois, Piano (duo)
7404
Saxophone Alto et Piano
7355
2 Saxophones (duo)
7159
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7157
Flute (partie séparée)
6655
Flûte, Hautbois, Clarinette, Basson
6536
Hautbois (partie séparée)
6194
2 Flûtes traversières (duo)
6079
Quatuor de Clarinettes: 4 clarinettes
5731
Saxophone Tenor et Piano
5458
2 Clarinettes (duo)
5269
Quatuor de Flûtes : 4 flûtes
3326
Saxophone Soprano et Piano
3275
Quintette de Saxophone: 5 saxophones
2845
Hautbois
2489
3 Saxophones (trio)
2455
Flûte à Bec
2421
3 Clarinettes (trio)
2387
Flûte, Clarinette (duo)
2047
Flûte et Guitare
2006
Trio de Flûtes: 3 flûtes
1885
Ensemble de Clarinettes
1871
Ensemble de Flûtes
1513
Saxophone Baryton, Piano
1472
Quintette de Clarinettes: 5 clarinettes
1372
Saxophone Soprano
1305
Ensemble de saxophones
1295
2 Hautbois (duo)
1254
Instruments en Mib
1186
2 Flûte à bec (duo)
1163
Cor anglais, Piano
1127
Hautbois, Basson (duo)
1023
Quatuor de Flûtes à bec
976
Flûte, Violon
903
Harmonica
876
Clarinette, Violon (duo)
831
Flûte à bec Soprano
803
Hautbois, Clarinette (duo)
796
Flûte, Clarinette et Basson
679
Saxophone, Clarinette (duo)
676
Flûte, Hautbois, Clarinette (trio)
672
Clarinette Basse, Piano
639
Clarinette, Basson (duo)
579
Flûte, Violoncelle
543
Flûte à bec Alto
533
Flûte, Hautbois, Basson
523
3 Flûtes à bec (trio)
501
Clarinette, Guitare (duo)
497
Hautbois, Clarinette, Basson (trio d'anches)
493
Flûte, Hautbois (duo)
492
Ocarina
476
Piccolo
425
Quintette de Flûte : 5 flûtes
417
Hautbois, Flûte
389
Clarinette Basse
381
Flûte à bec Soprano, Piano
378
Clarinette, Violoncelle (duo)
368
Cor Anglais
366
Saxophone Baryton
354
Flûte à bec Alto, Piano
353
Clarinette, Trompette (duo)
351
Flûte, Clarinette, Piano (trio)
351
Piccolo, Piano
330
Flûte, Trompette (duo)
328
Flûte, Violoncelle, Piano (trio)
313
Flûte, Violon et Violoncelle
310
Clarinette et Alto
304
Flûte, Alto (duo)
304
Flûte, Violon, Piano
290
5 Flûtes à bec
277
Flûte à Bec, Piano
275
Flûte à bec Tenor
272
2 Saxophones, Piano
271
Flûte, Saxophone (duo)
269
2 Flûtes traversières, Piano
266
Clarinette, Harpe (duo)
264
Ensemble De Flûte à bec
247
Saxophone et Guitare
242
3 Hautbois
233
Hautbois, Violoncelle
209
Hautbois, violon (duo)
207
Flûte, Basson et Piano
174
Saxophone et Piano
174
2 Clarinettes, Piano
173
Flûte, Trombone (duo)
158
Hautbois, Guitare (duo)
134
Flûte, Hautbois, Violon
124
Flûte irlandaise
119
Flûte, Clarinette, Violon (trio)
113
Clarinette, Violoncelle, Piano (trio)
113
Saxophone, Violon (duo)
108
Cor anglais, Guitare (duo)
103
2 Clarinettes, Basson
101
Ensemble à vent
95
Cornemuse
93
4 Hautbois
86
Flûte à bec, Guitare (duo)
85
Flûte, Harpe et Violoncelle
79
Flûte, Hautbois, Piano (trio)
76
Flûte traversière, Orgue (duo)
76
Clarinette, Basson, Piano (trio)
75
Flûte, Clarinette, Cor, Basson (Quartet)
74
Flute, harpe et violon
68
Flûte et Trio à cordes
68
Hautbois et alto (duo)
68
Clarinette, Trombone (duo)
68
Flûte, Violon, Violoncelle et Piano
63
Saxophone et Orgue
63
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
63
Flûte, Alto et Piano
57
Flûte à bec Alto, Basse continue
50
Hautbois, trombone (duo)
48
Saxophone, Basson (duo)
47
Hautbois, Harpe
47
Saxophone et Harpe
45
Flûte et Quatuor à Cordes
45
Clarinette, Alto et Piano (trio)
45
Harmonica, Piano
44
Quintette de Clarinette: Clarinette, Quatuor à Cordes
38
Flûte traversière, Basse continue
38
Flûte, alto et harpe
37
2 Cors Anglais Et Pianoforte
36
Saxophone et violoncelle
34
Flûte, trombone et piano
33
Flûte traversière, Orchestre
32
Hautbois, Basson et Piano
31
Flûte, Violoncelle, Guitare
31
Clarinette, Tuba
30
Flûte, Violon, Guitare
29
Hautbois, Violoncelle et Piano
28
Flûte, Tuba (duo)
28
Hautbois, Violin, Alto et Violoncelle (Quatuor)
27
2 Flûtes à bec, Piano
27
Clarinette, Orgue
25
Flute, Cor (duo)
25
Clarinette, trompette et piano
25
Clarinette, Orchestre
24
2 Hautbois, Piano
22
Flûte, Alto et Violoncelle
19
Hautbois, Violon, Piano
19
Saxophone et Orchestre
15
Cor anglais et Harpe (duo)
15
Clarinette, Contrebasse (duo)
15
2 Flûtes traversières, Guitare
14
Hautbois, Clarinette et Piano (Trio)
13
Ensemble de Hautbois
13
2 Harmonicas
11
Flûte à bec Soprano, Basse continue
10
2 Hautbois et Cor anglais
10
Hautbois, Orgue
10
Flûte à bec, Harpe
10
2 Flûtes traversières, Harpe
10
Clarinette, Quatuor à cordes et Piano
9
Saxophone, Tuba (duo)
9
2 Hautbois et Basson
9
Flûte de Pan
8
2 Flûtes, 2 Clarinettes (Quatuor)
7
Hautbois et Orchestre
7
Flûte, Guitare, Piano
7
2 Flûtes, Basse continue
6
Melodica
5
Hautbois, Quatuor à cordes
4
Clarinette, Saxophone, Piano
3
Hautbois, Clarinette, Basson et Piano
3
2 clarinettes, 2 bassons
2
3 Flûtes à bec, Piano
2
2 Flûtes à bec, Guitare
2
Flute, alto, violoncelle et guitare
1
2 Hautbois, 2 Cors et 2 Bassons
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone (partie séparée)
19655
Trompette (partie séparée)
19313
Trompette
17512
Trombone
14429
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9582
Cor
8280
Cor (partie séparée)
7937
Trompette, Piano
6986
Trombone et Piano
5859
Tuba (partie séparée)
5119
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4422
Cor et Piano
4257
2 Trompettes (duo)
3055
Tuba
3041
2 Trombones (duo)
2614
Quatuor de Cuivres
2196
Tuba et Piano
2087
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1853
Bass Clef Instruments
1717
Quatuor de cuivres: 4 trombones
1458
Trompette, Trombone (duo)
1411
Euphonium, Piano (duo)
1278
Euphonium
1208
2 Cors (duo)
1172
Cor anglais, Piano
1127
Instruments en Sib
1117
2 Euphoniums et 2 Tubas
1027
Quatuor de cuivres: 4 cors
1014
Trio de Cuivres
706
Trompette, Saxophone (duo)
646
4 Tubas
644
Trompette, Cor (duo)
562
Ensemble de Trombones
496
3 Trombones (trio)
469
Tuba ou Euphonium ou Saxhorn
380
Cornet A Pistons
368
Cor Anglais
366
2 Tubas (duo)
359
3 Trompettes (trio)
354
Quatuor de cuivres: 4 trompettes
291
Ensemble de Cors
279
Trombone basse et Piano
278
Ensemble de Trompettes
269
Instruments en Fa
248
Trombone, Tuba (duo)
229
Trompette, Tuba (duo)
228
Tuba et Orgue
157
2 Trompettes, Clavier (piano ou orgue)
153
Euphonium, Tuba (duo)
144
Trompette, violon (duo)
133
Trombone, Cor (duo)
121
Trombone basse
121
Trompette, Basson (duo)
119
Cor, Violoncelle (duo)
117
Cor, Tuba (duo)
115
Quatuor de cuivres: 2 trompettes, 2 trombones
114
3 Cors (trio)
105
Cor anglais, Guitare (duo)
103
Trombone, Violon (duo)
92
Trompette, Violoncelle (duo)
87
Ensemble de Tubas
83
2 Euphoniums (duo)
82
Trombone, Orgue
62
Cor et Harpe
57
Cor et Basson (duo)
49
Trompette, Trombone, Piano
48
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
43
Trompette, Harpe
39
2 Cors Anglais Et Pianoforte
36
Trompette et Guitare
36
Clarinette, Cor (duo)
35
2 Trombones, Piano
35
Trombone, Alto (duo)
27
3 Tubas (trio)
27
Trompette, Violoncelle et Piano
25
Cor et Orgue
22
4 Euphoniums
20
Cor, Trompette, Trombone (trio)
20
Trompette, Orchestre
18
2 Cors, Piano
17
Cornet et Piano
17
3 Euphoniums
15
Cor anglais et Harpe (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
14
Bugle
12
Cor, Orchestre
10
Trombone et orchestre
8
Euphonium (partie séparée)
8
Trompette, Euphonium (duo)
8
Cor, Violoncelle et Piano
7
Euphonium Ou Saxhorn Et Piano
5
G Instruments
4
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Cornet et orchestre
2
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
32570
Violon
22383
Violon et Piano
18396
Violoncelle
14785
Alto seul
11951
Violoncelle, Piano
11629
Violon (partie séparée)
11144
Harpe
8869
Alto, Piano
8567
Contrebasse (partie séparée)
6751
2 Violons (duo)
5897
Violon, Violoncelle (duo)
5647
Trio à Cordes: violon, alto, violoncelle
4282
2 Violoncelles (duo)
4189
Alto (partie séparée)
4183
Violoncelle (partie séparée)
3936
Violon, Alto (duo)
2613
Contre Basse
2242
Quintette à cordes: 2 violons, alto, violoncelle, basse
2100
2 Altos (duo)
2087
Contrebasse, Piano (duo)
1715
Trio à Cordes: 2 violons, violoncelle
1656
Alto, Violoncelle (duo)
1381
4 Violoncelles
1106
Trio à cordes
869
Violon, Guitare (duo)
857
Piano Trio: Violon, Alto, Piano
818
Harpe, Flûte (duo)
722
Trio à Cordes: 3 violoncelles
683
Trio à cordes: 3 violins
673
Violoncelle , Guitare (duo)
664
2 Harpes (duo)
638
Quatuor à cordes: 4 violons
515
Harpe (partie séparée)
442
Harpe, Violon (duo)
410
2 Contrebasses (duo)
349
2 Violons, Piano
338
Alto, Guitare (duo)
335
Violoncelle, Contrebasse (duo)
325
Quatuor à cordes : 4 altos
324
Trio à Cordes: 2 violons, alto
309
Violon, Basson (duo)
240
Trio à cordes: 3 altos
213
Alto et Basson
166
Quintette à cordes: 2 violons, 2 altos, violoncelle
156
Harpe, Violoncelle (duo)
128
2 Violoncelles, Piano
118
Violon, Clarinette, Piano (trio)
105
Harpe et Piano
103
Harpe, Voix
96
Quintette à cordes : 2 violons, alto et 2 violoncelles
93
Ensemble de Violoncelles
92
Violon, Orgue
79
Alto et Harpe
73
Violoncelle, Orgue
73
2 Altos, Piano
71
Violoncelle, Orchestre
68
4 Contrebasses
65
Flûte, Contrebasse (duo)
57
Violon, Basse continue
55
Harpe, Violon, Violoncelle
48
Ensemble de Violons
47
3 Contrebasses
43
Violoncelle, Basse continue
41
2 Violons et Basse continue
39
3 Harpes
33
Violon, Tuba (duo)
32
Ensemble d'Altos
31
Harpe et mandoline
24
Autoharp
21
Alto et orchestre
19
Violon, Contrebasse (duo)
16
Violon, Violoncelle, Clarinette
16
Violoncelle et Marimba
15
Harpe, Trombone (duo)
15
Alto, Orgue
15
Violon, Trompette et Piano
13
4 Harpes
12
Harpe, Orchestre
9
Harpe et Orgue
8
5 Harpes
6
Harpe, Quatuor à cordes
6
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443
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40
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33
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32
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28
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25
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24
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18
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18
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18
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7
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I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
53.88 €
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Orchestre
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.45 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.45 €
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Orchestre
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Claude Debussy
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Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.45 €
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Orchestre
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Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Sussex by the Sea for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1435052 Composed by Ward-Higgs.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1435052 Composed by Ward-Higgs. Arranged by Marcus Martin. 20th Century,March,Patriotic. 32 pages. Cornelius Edition (uk) #1015153. Published by Cornelius Edition (uk) (A0.1435052). William Ward-Higgs 1866 – 1936 was an English lawyer and songwriter who wrote Sussex by the Sea: The unofficial anthem of that county, a regimental march of the Royal Sussex Regiment, and the official song of Brighton & Hove Albion F.C.From 1902–08, he lived at Hollywood House in Bersted, West Sussex and wrote Sussex by the Sea when his favourite sister-in-law became engaged to Captain Waithman of the 2nd Battalion, Royal Sussex Regiment. This version for Orchestra (2121 2231 Perc Timp Str) is in the lower key of Bb(which corresponds to the key used in Military Band performances. The vocal edition in the low key ID 1529973 corresponds if this is to be sung. For further arrangements by Marcus Martin vist www.marcusmartinmusic.co.uk.
$31.00
27.84 €
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Orchestre
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Ward-Higgs
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Marcus Martin
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Hove Albion F
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Sussex by the Sea for Orchestra
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Cornelius Edition
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SheetMusicPlus
A. Arensky - Double Concerto, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1378908 Composed by A. Arensky.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1378908 Composed by A. Arensky. Arranged by A. Leytush. 19th Century. 190 pages. Arkady Leytush #963624. Published by Arkady Leytush (A0.1378908). A. Arensky Double Concerto for Violin, Cello and Orchestra, Based on Piano Trio D - minor, Op.32, Orchestrated by A. Leytush. A double concert for violin and cello is difficult to find in the list of works of Russian composers of the 19th century. There are simply no such well-known works. I decided to take a chance by trying to do an orchestral transcription of the brilliant Arensky Piano Trio D minor op. 32, where the parts of the solo violin and cello remained in their place, and the piano part was completely replaced by the orchestra. Particular attention is paid to the balance of sound between solo instruments and the orchestra.
$60.00
53.88 €
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Orchestre
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A
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A
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A. Arensky - Double Concerto, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Piano Concerto No. 1, Op. 53. (Conductors Score, Set of Parts, Solo Piano, 2 Piano Reduction) : by J
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1015029 Composed by James V. Si…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1015029 Composed by James V. Signorile. 20th Century,Contemporary. Score and parts. 663 pages. James V. Signorile #4621673. Published by James V. Signorile (A0.1015029). Piano Concerto No. 1, Op. 53. in 3 Movements. Composed by James V. Signorile.Full Orchestral (Conductors) Score. 216 pages. Duration approx. 31 minutes. All Parts, Piano Solo and a 2-Piano reduction are also included in this one PDF file.Commissioned in 1999 by Carson P. Cooman. MIDI Rendering by Steve Mitchell. Published by James V. Signorile. Copyright (©) 1999 James V. Signorile.
$50.00
44.9 €
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Orchestre
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James V
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Piano Concerto No. 1, Op. 53.
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James V. Signorile
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SheetMusicPlus
John Field, Sonata II (Movement I) - orchestra by Scott Fields Davis
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fields Davis #6190351. Published by Scott Fields Davis (A0.998491). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the second of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all the parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 30 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis. Â
$15.00
13.47 €
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Orchestre
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John Field
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Scott Fields Davis
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
C. Debussy: The Complete Preludes, #9 (I), "Interrupted Serenade", Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008398 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008398 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Leytush #6232469. Published by Arkady Leytush (A0.1008398). Sometimes an orchestral transcription of a program piece like this Interrupted Serenade turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.
$15.00
13.47 €
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Orchestre
#
means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end
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Claude Debussy
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A
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C. Debussy: The Complete Preludes, #9
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Arkady Leytush
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SheetMusicPlus
Sinfonietta on Russian Themes opus 31 by Rimsky-Korsakov for community orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.997182 Composed by Nikolai Rimsky-Korsako…
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Full Orchestra - Digital Download SKU: A0.997182 Composed by Nikolai Rimsky-Korsakov 1844-1908. Arranged by Vincent M. Bonafede. Contemporary. Score and parts. 74 pages. Vincent M. Bonafede #5217919. Published by Vincent M. Bonafede (A0.997182). This is an engaging work with folk like Russian themes. It has been abridged and has had keys adjusted to make it playable by the average volunteer community orchestra. It has been field tested by two community orchestras and has been received well by both musicians and audience.
$12.00
10.78 €
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Orchestre
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Nikolai Rimsky-Korsakov 1844-1908
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Vincent M
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Sinfonietta on Russian Themes opus 31 by Rimsky-Korsakov for community orchestra
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Vincent M. Bonafede
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SheetMusicPlus
STARGAZING BY NIGHT for Bass Clarinet by Ellen Macpherson
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.740851 Composed by Ellen Macphe…
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Full Orchestra - Level 2 - Digital Download SKU: A0.740851 Composed by Ellen Macpherson. Concert,Contemporary,Standards,Video Game. Score and parts. 2 pages. Ellen Macpherson #6258043. Published by Ellen Macpherson (A0.740851). STARGAZING BY NIGHT for Bass Clarinet by Ellen Macpherson
$2.99
2.69 €
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Orchestre
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Ellen Macpherson
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STARGAZING BY NIGHT for Bass Clarinet by Ellen Macpherson
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Ellen Macpherson
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SheetMusicPlus
STANDCHEN (Serenade) by Franz SCHUBERT - Full Orchestra Arrangement by Marc GARETTO
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.722924 Composed by Franz Schube…
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Full Orchestra - Level 2 - Digital Download SKU: A0.722924 Composed by Franz Schubert. Arranged by Marc GARETTO. Classical,Instructional,Romantic Period,Standards,Wedding. Score and parts. 42 pages. Marc GARETTO - Harmonie Editions #3516119. Published by Marc GARETTO - Harmonie Editions (A0.722924). One of the most famous Classical Music (Lied) composed by Schubert.
$70.00
62.86 €
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Orchestre
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Franz Schubert
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Marc GARETTO
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STANDCHEN
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
By The River
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1451821 Composed by Fredrick De…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1451821 Composed by Fredrick Delius. Arranged by Kevin Riley. 19th Century,Classical. 65 pages. Kevin Riley #1031132. Published by Kevin Riley (A0.1451821). The Florida Suite is an orchestral suite by English composer Frederick Delius (1862-1934). Despite the work's title, Delius actually composed this suite in Leipzig in 1887 after his time as manager of an orange grove in Jacksonville (Florida). 'By the River' is the second - flowing - movement of the 'Florida Suite. It's illustrating the gentle but perpetual movement of the 'St. Johns River' (on the banks of which was Delius's plantation). The calmness and steady rhythm of this movement guides the listener into a peaceful reflection.
$70.00
62.86 €
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Orchestre
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the River' is the second - flowing - movement of the 'Florida Suite
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Fredrick Delius
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Kevin Riley
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By The River
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Kevin Riley
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SheetMusicPlus
Concerto Semplice - Mozart’s Simple Sonata arranged as a concerto by Edvard Grieg and Paul Cowell
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.837146 Composed by Wolfgang Ama…
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Full Orchestra - Level 4 - Digital Download SKU: A0.837146 Composed by Wolfgang Amadeus Mozart. Arranged by Edvard Grieg, Paul Cowell. Classical,Romantic Period. Score and parts. 110 pages. Paul Cowell #2965527. Published by Paul Cowell (A0.837146). This is the 'simple' sonata by Mozart (No 16 in C) arranged as a concerto using the additional accompaniment that Grieg wrote in 1876. The piano part is just as Mozart wrote it, so is well within the ability of most competent pianists. The orchestra is small to balance with the small range and clear textures of Mozart’s sonata (single winds, two horns, trumpet, trombone, timpani, percussion and strings). The parts should be playable by advanced school and amateur orchestras; some alternatives for high string passages are given.Score and parts (including solo)Three movements: Allegro, Andante, Allegretto grazioso. Duration: around 12 min.
$19.99
17.95 €
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Orchestre
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Wolfgang Amadeus Mozart
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Edvard Grieg, Paul Cowell
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Concerto Semplice - Mozart’s Simple Sonata arranged as a concerto by Edvard Grieg and Paul Cowell
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Paul Cowell
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SheetMusicPlus
S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged…
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Full Orchestra - Digital Download SKU: A0.1008360 Composed by S. Lyapunov. Arranged by A. Leytush. 20th Century. Score and parts. 125 pages. Arkady Leytush #4809177. Published by Arkady Leytush (A0.1008360). Variations on a Georgian Theme, (1915) were originally written for piano. This piece belongs to the late period of Lyapunov’s work. The composition is distinguished not only by its virtuosity, but also by the brilliant development of Georgian folk melody. Bright national color, musical contrast, rhythm variety and its collision, polymeric - all of these have pushed me to make an orchestral transcription of this brilliant piece. Being played at the end, this composition can certainly enhance the program and leave a long lasting impression.
$80.00
71.85 €
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Orchestre
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S
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A
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S. Lyapunov - Variations on a Georgian Theme, Op.60, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Messiah, HWV 56 (arranged for Full Symphony Orchestra by Sir Eugene Goossens) - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Hand…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1281547 By George Frideric Handel. By George Frideric Handel. Arranged by Sir Eugene Goossens. Baroque,Christmas,Classical,Easter. 304 pages. Paladino Editions #872887. Published by Paladino Editions (A0.1281547). Sir Eugene Goossens' orchestration of Handel's Messiah was composed in 1959. The orchestral material is available for hire here.Sir Eugene Goossens’ monumental full symphony-sized orchestration of Handel’s Messiah from 1959 is now available in print for the first time. Formerly parts were falsely claimed by Sir Thomas Beecham and combined with other people’s work. However, this edition presents only Goossens’ version, which mysteriously appeared in the 1990s in England. This is the perfect version for playing the work in the context of a Romantic symphony orchestra.Orchestration: 3 Flauti (il 3o. anche piccolo) 4 Oboi (il 3o. anche corno inglese) 2 Clarinetti in Bb & A (il 2o. anche basso) 2 Fagotti 1 Contrafagotto 4 Corni 2 Trombe 3 Tromboni 1 Tuba Timpani Percossa (3 suonatori): Tamburo rullante, Triangolo, Piatti, Piatto sospeso, Gran Cassa Arpa Archi
$69.95
62.82 €
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Orchestre
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George Frideric Handel
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Sir Eugene Goossens
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A (il 2o
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Messiah, HWV 56
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Paladino Editions
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SheetMusicPlus
C. Debussy - Images, Book 1, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1195043 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1195043 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 79 pages. Arkady Leytush #794217. Published by Arkady Leytush (A0.1195043). As it Known, IMAGES Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular pisces, along whit Book 2also orchestrated by me.
$60.00
53.88 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Images, Book 1, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Am…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1233066 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 59 pages. Ondine Press #828698. Published by Ondine Press (A0.1233066). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a set of parts to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The full score is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$60.00
53.88 €
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Orchestre
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Wolfgang Amadeus Mozart
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Yoon Jae Lee
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Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Set of Parts
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Ondine Press
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SheetMusicPlus
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student). I have orchestrated this for a large symphony orchestra. Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing. 24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc. F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
$40.00
35.92 €
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Orchestre
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Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov
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Arkady Leytush
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Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
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Arkady Leytush
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SheetMusicPlus
Marechiare - Neopolitan Song by Tosti - Arranged for Symphonic Orchestra and Tenor in Eb minor
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.772396 Composed by Francesco Pa…
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Full Orchestra - Level 3 - Digital Download SKU: A0.772396 Composed by Francesco Paolo Tosti. Arranged by Amir Awad. Folk,World. Score and parts. 27 pages. Amir Awad #6429521. Published by Amir Awad (A0.772396). Marechiare is one of the favorite Neapolitan Songs , composed by Tosti , it was sung my many well known tenors It is rearranged for Symphonic Orchestra by Amir Awad.
$25.00
22.45 €
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Orchestre
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Francesco Paolo Tosti
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Amir Awad
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Marechiare - Neopolitan Song by Tosti - Arranged for Symphonic Orchestra and Tenor in Eb minor
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Amir Awad
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SheetMusicPlus
Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Am…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1233065 Composed by Wolfgang Amadeus Mozart. Arranged by Yoon Jae Lee. Chamber,Classical,Early Music,Historic,Opera. 18 pages. Ondine Press #828697. Published by Ondine Press (A0.1233065). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – strThis is a full score to Yoon Jae Lee's concert ending of Mozart's Overture to Idomeneo. The set of parts is available separately.This newly composed concert ending to Mozart's Idomeneo overture by conductor & arranger Yoon Jae Lee allows for a more conventional forte ending that is akin to other overtures by Mozart. Although the overture ends on the tonic (D Major), it ends softly because it leads directly into the opera. Unlike Carl Reinecke's crude and unseemly version, this concert ending is based on themes and motifs that occur in the overture itself and stays true to the character of Mozart's classical compositional style. It is a welcome addition to the concert overture oeuvre.Click here to view perusal score.
$25.00
22.45 €
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Orchestre
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Wolfgang Amadeus Mozart
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Yoon Jae Lee
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Idomeneo Overture, K. 366 concert ending by Yoon Jae Lee - Score Only
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Ondine Press
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SheetMusicPlus
John Field, Sonata I (Movement I) - orchestra by Scott Fields Davis
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787. Published by Scott Fields Davis (A0.998472). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the first of the two movements of Field's first piano sonata.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 5 minutes and 59 seconds. This download contains the conductor’s score and all of the parts. To download the other movement, please click on the following link. John Field, Sonata I (Movement II) arranged for orchestra by Scott Fields Davis  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.
$15.00
13.47 €
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Orchestre
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Pineapple Rag by Scott Joplin arr. for community orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.997181 Composed by Scott Joplin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.997181 Composed by Scott Joplin. Arranged by Vincent M. Bonafede. Ragtime. Score and parts. 60 pages. Vincent M. Bonafede #5209941. Published by Vincent M. Bonafede (A0.997181). This arrangement is playable by the average volunteer community orchestra. Players and audiences will love the tunes. It is suitable for concerts at retirement communities, nursing home, public libraries and secular church events. String parts are playable by the average community player.
$12.00
10.78 €
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Orchestre
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Scott Joplin
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Vincent M
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Players and audiences
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Pineapple Rag by Scott Joplin arr. for community orchestra
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Vincent M. Bonafede
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SheetMusicPlus
Concerto Semplice - Mozart’s Simple Sonata arranged as a concerto by Edvard Grieg and Paul Cowell
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.837145 Composed by Wolfgang Ama…
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Full Orchestra - Level 4 - Digital Download SKU: A0.837145 Composed by Wolfgang Amadeus Mozart. Arranged by Edvard Grieg, Paul Cowell. Classical,Romantic Period. Score and parts. 54 pages. Paul Cowell #2965525. Published by Paul Cowell (A0.837145). This is the 'simple' sonata by Mozart (No 16 in C) arranged as a concerto using the additional accompaniment that Grieg wrote in 1876. The piano part is just as Mozart wrote it, so is well within the ability of most competent pianists. The orchestra is small to balance with the small range and clear textures of Mozart’s sonata (single winds, two horns, trumpet, trombone, timpani, percussion and strings). The parts should be playable by advanced school and amateur orchestras; some alternatives for high string passages are given.Score onlyThree movements: Allegro, Andante, Allegretto grazioso. Duration: around 12 min.
$9.99
8.97 €
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Orchestre
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Wolfgang Amadeus Mozart
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Edvard Grieg, Paul Cowell
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Concerto Semplice - Mozart’s Simple Sonata arranged as a concerto by Edvard Grieg and Paul Cowell
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Paul Cowell
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SheetMusicPlus
String Orchestra Arrangement of Tannhauser Overture by Wagner
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.927701 Composed by Richard Wagn…
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Full Orchestra - Level 1 - Digital Download SKU: A0.927701 Composed by Richard Wagner. Arranged by Laura Jekel. Opera,Romantic Period,Standards. Score and parts. 4 pages. Laura Jekel #5335257. Published by Laura Jekel (A0.927701). Fun arrangement for string orchestra. Written for and played by the MYCincinnati Youth Orchestra, and greatly enjoyed by the students. This arrangements is also for sale as part of a collection 20 Arrangements of Classical Favorites for Beginner and Intermediate String Orchestra..
$5.99
5.38 €
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Orchestre
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Richard Wagner
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Laura Jekel
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String Orchestra Arrangement of Tannhauser Overture by Wagner
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Laura Jekel
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SheetMusicPlus
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