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FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
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MANDOLINE
MARIMBA
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OUD
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FUNK
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JEUX VIDEOS
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OPERA
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POLKA
POP ROCK - POP MUSIC
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Non classifié
3985
PIANO & CLAVIERS
Instruments en Do
2725
Piano, Voix
276
Piano seul
260
Piano Facile
229
Piano, Voix et Guitare
139
Accompagnement Piano
128
Piano Trio: piano, violon, violoncelle
38
1 Piano, 4 mains
25
Accordéon
10
Orgue
10
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Accordéons
7
Orgue, Piano (duo)
3
Clavecin
3
Tous Les Instruments
2
Clavier
1
Accordéon, Voix
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
643
Guitare
598
2 Guitares (duo)
75
Basse electrique
70
Dulcimer
62
Ukulele
52
Guitare (partie séparée)
49
Guitare notes et tablatures
37
Mandoline
17
Piano, Guitare (duo)
8
Banjo
5
3 Guitares (trio)
4
4 Guitares (Quatuor)
2
Paroles et Accords
2
Ensemble de guitares
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale Unison
148
Chorale 2 parties
106
Chorale SATB
65
Chorale 3 parties
53
Voix duo, Piano
36
Voix Alto, Piano
21
Voix Soprano, Piano
13
Voix Tenor, Piano
12
Voix Baryton, Piano
12
Chorale SSAA
11
Chorale TTBB
8
Voix duo
8
Voix seule
7
Voix moyenne, Piano
3
Pack Instrumental pour Chorale
2
Instrumentations suivantes
Retracter
VENTS
Instruments en Mib
229
Clarinette et Piano
160
Hautbois, Piano (duo)
133
Saxophone Alto et Piano
129
Flûte traversière et Piano
125
Flûte, Hautbois, Clarinette, Basson
109
Flûte, Clarinette (duo)
101
2 Saxophones (duo)
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
87
Hautbois, Clarinette (duo)
71
Quatuor de Saxophones: 4 saxophones
71
Quintette de Saxophone: 5 saxophones
63
Saxophone Tenor et Piano
61
2 Flûte à bec (duo)
57
Flûte et Guitare
53
Flûte traversière
45
Clarinette
38
2 Flûtes traversières (duo)
38
Saxophone Soprano et Piano
36
Harmonica, Piano
36
Flûte, Hautbois (duo)
35
Flûte, Violon
35
Saxophone Alto
30
Hautbois
25
Saxophone Tenor
23
Flûte à bec Soprano
22
Clarinette, Violon (duo)
20
Hautbois, Flûte
19
2 Clarinettes (duo)
18
Saxophone et Guitare
17
Hautbois (partie séparée)
17
Hautbois, violon (duo)
15
Flûte, Trompette (duo)
15
2 Clarinettes, Piano
15
Clarinette, Trompette (duo)
15
Hautbois, Basson (duo)
13
Clarinette, Basson (duo)
12
Hautbois, Guitare (duo)
11
2 Hautbois (duo)
11
Flûte, Violon, Piano
10
Flûte, Clarinette et Basson
9
Flûte à Bec
9
Clarinette, Guitare (duo)
9
Flûte, Basson et Piano
9
Clarinette, Alto et Piano (trio)
8
Trio de Flûtes: 3 flûtes
8
Saxophone Soprano
6
Flûte, Violoncelle, Piano (trio)
6
Flûte, Violoncelle
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Baryton, Piano
5
Saxophone Baryton
5
3 Clarinettes (trio)
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Saxophone, Clarinette (duo)
5
Hautbois, Trompette (duo)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Trombone (duo)
4
Saxophone, Violon (duo)
4
Piccolo, Piano
4
Cor anglais, Guitare (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Ensemble de Clarinettes
3
2 Flûtes traversières, Piano
3
Flûte à bec Alto, Piano
3
Clarinette, Trombone (duo)
3
Clarinette et Alto
3
Flûte, Hautbois, Piano (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Cor anglais, Piano
2
3 Saxophones (trio)
2
Piccolo
2
Quintette de Clarinettes: 5 clarinettes
2
2 Hautbois, Piano
2
3 Hautbois
2
Flûte à bec Alto
2
Quatuor de Flûtes à bec
2
2 Cors Anglais Et Pianoforte
2
Flûte, Saxophone (duo)
2
Saxophone (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
5 Flûtes à bec
1
2 Saxophones, Piano
1
Clarinette, Orgue
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano, Piano
1
Clarinette, Harpe (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Alto (duo)
1
Cor Anglais
1
Ensemble de saxophones
1
Harmonica
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Instrumentations suivantes
Retracter
CUIVRES
Bass Clef Instruments
202
Instruments en Sib
160
Trompette, Piano
148
Tuba et Piano
104
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Tuba
74
Trompette, Trombone (duo)
71
Trompette, Cor (duo)
70
2 Tubas (duo)
69
Trombone et Piano
66
Cor et Piano
57
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Quatuor de Cuivres
46
Trompette
44
Cor
37
Trombone
31
Trompette, Saxophone (duo)
18
Trombone, violoncelle (duo)
15
2 Trompettes (duo)
15
2 Trombones (duo)
13
Trombone, Tuba (duo)
12
2 Cors (duo)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Tuba et Orgue
8
Trompette (partie séparée)
7
Euphonium, Piano (duo)
7
Trombone (partie séparée)
6
Trombone, Cor (duo)
5
Ensemble de Trompettes
5
Trompette, violon (duo)
4
Cor anglais, Guitare (duo)
4
Cor, Violoncelle (duo)
4
Trompette, Tuba (duo)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trompette et Guitare
3
Ensemble de Trombones
3
Euphonium, Tuba (duo)
2
Cor anglais, Piano
2
2 Cors, Piano
2
3 Trombones (trio)
2
Trompette, Basson (duo)
2
Trio de Cuivres
2
2 Cors Anglais Et Pianoforte
2
Cor, Tuba (duo)
2
Cor et Orgue
1
Quatuor de cuivres: 4 cors
1
4 Tubas
1
Trompette, Harpe
1
Euphonium
1
2 Euphoniums (duo)
1
Trompette, Violoncelle (duo)
1
2 Trombones, Piano
1
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Cor et Harpe
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
322
Violon, Violoncelle (duo)
167
Violon, Alto (duo)
150
Quatuor à cordes: 2 violons, alto, violoncelle
135
Alto, Piano
128
Violoncelle, Piano
95
Quintette à cordes: 2 violons, alto, violoncelle, basse
88
Violon
78
2 Contrebasses (duo)
61
Violoncelle
58
Alto seul
57
Piano Trio: Violon, Alto, Piano
43
Alto, Violoncelle (duo)
41
Contrebasse, Piano (duo)
36
Violon, Guitare (duo)
36
Contre Basse
28
2 Violons (duo)
27
2 Violoncelles (duo)
26
Violoncelle , Guitare (duo)
19
Harpe
18
Trio à Cordes: 2 violons, violoncelle
16
2 Harpes (duo)
12
2 Altos (duo)
10
Alto, Guitare (duo)
8
Violoncelle, Contrebasse (duo)
7
Trio à Cordes: violon, alto, violoncelle
6
Alto et Basson
6
Trio à cordes: 3 violins
5
Harpe, Flûte (duo)
4
Alto (partie séparée)
4
Trio à Cordes: 2 violons, alto
4
Violon, Basson (duo)
4
Ensemble de Violons
3
Ensemble d'Altos
2
3 Contrebasses
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon (partie séparée)
2
Trio à Cordes: 3 violoncelles
2
2 Violons, Piano
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
2 Violoncelles, Piano
2
Alto et Harpe
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
2 Altos, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
52
Ensemble Jazz
50
Orchestre
23
Orchestre à Cordes
22
Jazz combo
21
Ensemble de cuivres
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
11
Cloches
8
Orchestre de chambre
5
Xylophone, Piano
4
Ensemble de Percussions
4
Fanfare
2
2 Xylophones
1
Percussion
1
Piano et Orchestre
1
Vibraphone et Marimba
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
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SheetMusicPlus
Partitions à imprimer
23 partitions trouvées
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1
Amazing Grace
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1044792 Composed by Traditional…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1044792 Composed by Traditional American Melody. Arranged by Richard Nicks. Jazz,Multicultural,Spiritual,Traditional,Wedding,World. Score and parts. 22 pages. Rick Szpak #649421. Published by Rick Szpak (A0.1044792). Amazing Grace Orchestra - Beginner - Strings, Woodwind, Percussion, Brass and Chords. Instruments: Flute, Alto Sax, Tenor Sax, Trumpet, Trombone, Tuba, Cymbals, Chords, Violin, Viola, Cello and Bass.
$9.99
9.13 €
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Orchestre
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Traditional American Melody
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Richard Nicks
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Amazing Grace
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Rick Szpak
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SheetMusicPlus
Bring Me Sunshine
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1372945 By Willie Nelson. By Ar…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1372945 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Chris Atkinson. Film/TV. 22 pages. Christopher Atkinson #957252. Published by Christopher Atkinson (A0.1372945). Made popular by British comic duo Morecambe and Wise, this arrangement is perfect for school ensembles. Parts have been adapted to suit players of all levels with differentiated second parts for B-flat and E-flat instruments. There is also simplfied string parts (open strings), easy piano part with note names in the note heads, and Ukulele chords. The Piano (Conductor) part can be extemporised further to add rhythmic interest in the accompaniment. This is the ideal piece for summer performances suitable for school or community orchestras.Parts:High C instrumentsC instrumentsB-flat instruments (2 parts)E-flat instruments (2 parts)Brass B-flat instruments (2 parts)Brass Bass ClefPianoEasy PianoUkuleleViolinEasy ViolinEasy CelloCello/Bass.
$49.99
45.7 €
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Orchestre
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Willie Nelson
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Chris Atkinson
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Bring Me Sunshine
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Christopher Atkinson
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
45.67 €
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Orchestre
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
54.85 €
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Orchestre
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.99 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony in D Major for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.809808 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809808 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 253 pages. R. E. Proctor #3400209. Published by R. E. Proctor (A0.809808). A work for full orchestra that loosely revolves around the key of D major. Approximately 21 minutes and 28 seconds in length. Movement subtitles are: The Bass Things, which, as the title implies, emphasizes the low instruments. Tempo is quarter note = 72. The second movement's subtitle, Nocturne is a slow movement, half note = 32, mysterious and moody. The third movement, The Color of Sound, explores a variety of chords / dissonances / etc. In 12/8 with the dotted quarter = 84. The forth movement is up tempo at quarter note = 120. Titled In the All Together is what ever you might imagine....
$19.95
18.24 €
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Orchestre
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Robert E
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Symphony in D Major for Orchestra
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R. E. Proctor
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
191.99 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
In White Trousers
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1188552 Composed by O. Kopenkov…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1188552 Composed by O. Kopenkov. Arranged by Andrepianoart. 20th Century,Children,Classical,Comedy,Folk. Score and Parts. 30 pages. DafnaArt #788160. Published by DafnaArt (A0.1188552). It's added the sound of a small symphony orchestra to the solo melody. In the score, the solo sound of the guitar and the orchestra alternate. This is an ideal piece for the first experience of playing guitar with an orchestra. The guitar part has different types of sound: chords, plucking of strings, tapping on the soundboard. Various strokes and sound effects are also used in the orchestra: pizzicato, characteristic sound of castanets, smooth melody in brass instrumentsÂ
$11.00
10.06 €
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Orchestre
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O
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Andrepianoart
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In White Trousers
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DafnaArt
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SheetMusicPlus
O Come, O Come Emmanuel - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742704 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742704 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 90 pages. AnderKamp Music #3639421. Published by AnderKamp Music (A0.742704). The longing for Emmanuel. This solemn and reverent approach to this well loved hymn for Advent and Christmas will be a welcome addition to any Christmas/Advent service. This full orchestra arrangement in our ‘Cinematic Worship Service’ will require very little rehearsal time and features both a beautiful cello solo and acoustic guitar (written out). Instrumentation: Flute 1-2 Oboe Clarinet 1-2 Bassoon Horn 1-2 Trumpet 1-3 Trombone 1-3 Tuba Timpani Percussion (2 players – Bells, Suspended Cymbal, Wind Chimes/Tree/Crash Cymbal) Harp Violin 1-2 Viola Cello Double Bass Piano (written out with chords for optional rhythm section) Acoustic Guitar Substitution Parts: Bass Clarinet (Bassoon) Alto Sax 1-2 (Horn 1-2) Tenor Sax 1-2 (Trombone 1-2) Bari Sax (Tuba) String Synth 1 (Violins/Viola) String Synth 2 (Viola/Cello) String Synth 3 (Cello/Bass) String Synth 4 (String Reduction)As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tuba2018 Holiday Contest Entry
$69.95
63.95 €
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Orchestre
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Public Domain
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Jeff D
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O Come, O Come Emmanuel - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
Ride The Wild Surf
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Bri…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV,Pop,Rock. 52 pages. Fiji Printing #823311. Published by Fiji Printing (A0.1227318). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single in 1964. The song also served as the title track for the Columbia Pictures film Ride the Wild Surf. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hitInstrumentation includes: WOODWINDS: Oboe, English Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Percussion (suspended cymbal and Hawaiian pu'ili sticks); Drums, Piano; STRINGS: Violin 1-2, Viola, Cello; VOCALS: Lead, Falsetto, Alto, Tenor, Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; and (6) Illustrations, including images from Jan Berry’s music archive.Number of Pages: 52Number of Distinct Chords: 30Note: This arrangement is categorized as Orchestra because no other available category in ArrangeMe accurately reflects the instrumentation.
$49.99
45.7 €
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Orchestre
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Jan and Dean
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Jan Berry
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Ride The Wild Surf
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Fiji Printing
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SheetMusicPlus
IRISH TUNE - PRECIOSO DEUS
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1363085 By Irish Tune. By Tradi…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1363085 By Irish Tune. By Traditional. Arranged by FABRICIO GORRERA. Celtic,Christian,Easter,Folk,Irish,Traditional. 26 pages. FGORRERA #947469. Published by FGORRERA (A0.1363085). ARRANGEMENT FOR BEGINNER FULL ORCHESTRAGRADE: 1INSTRUMENTATION:FLUTE, CLARINET IN Bb 1 and 2, ALTO SAX, TENOR SAX, TRUMPET IN Bb 1 and 2, HORN IN F, TROMBONE, TUBA, PIANO (CHORDS), VIOLIN 1, 2 and 3, VIOLA, CELLO AND DOUBLE BASS.
$60.00
54.85 €
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Orchestre
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Irish Tune
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FABRICIO GORRERA
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IRISH TUNE - PRECIOSO DEUS
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FGORRERA
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SheetMusicPlus
DEUS É TÃO BOM & GLORIAS CANTAREI - GOD IS SO GOOD & GLORIFY THY NAME
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1363278 Composed by AFRICAN MEL…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1363278 Composed by AFRICAN MELODY & DONNA ADKINS. Arranged by FABRICIO GORRERA. Christian,Folk,Praise & Worship,Religious,Sacred. 20 pages. FGORRERA #947763. Published by FGORRERA (A0.1363278). ARRANGEMENT FOR BEGINNER ORCHESTRAGRADE: 1INSTRUMENTATION:FLUTE 1, OBOÉ OR FLUTE 2, CLARINET IN Bb, ALTO SAX, TENOR SAX, TRUMPET IN Bb, HORN IN F, TROMBONE, TUBA, PIANO (CHORDS), VIOLIN 1 & 2, VIOLA AND CELLO.
$50.00
45.71 €
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Orchestre
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AFRICAN MELODY & DONNA ADKINS
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FABRICIO GORRERA
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2, VIOLA AND CELLO.
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DEUS É TÃO BOM & GLORIAS CANTAREI - GOD IS SO GOOD & GLORIFY THY NAME
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FGORRERA
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SheetMusicPlus
CONSAGRAR TUDO (SOMETHING FOR JESUS)
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1362619 By CANTOR CRISTÃO. B…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1362619 By CANTOR CRISTÃO. By SYLVANUS DRYDEN PHELPS/ROBERT LOWRY. Arranged by FABRICIO GORRERA. Christian,Praise & Worship,Religious,Sacred,Spiritual. 28 pages. FGORRERA #947043. Published by FGORRERA (A0.1362619). ARRANGEMENT FOR BEGINNER ORCHESTRAINSTRUMENTATION:FLUTE 1, OBOÉ OR FLUTE 2, CLARINET IN Bb 1 & 2, ALTO SAX 1 & 2, TENOR SAX, TRUMPET IN Bb 1 & 2, HORN IN F, TROMBONE, TUBA, PIANO (CHORDS), VIOLIN 1 & 2, VIOLA AND CELLO.
$50.00
45.71 €
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Orchestre
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CANTOR CRISTÃO
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FABRICIO GORRERA
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2, ALTO SAX 1 &
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CONSAGRAR TUDO
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FGORRERA
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SheetMusicPlus
Whirling-bass clarinet solo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.845000 Composed by Phil Beaman.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.845000 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Score and parts. 1 pages. Phil Beaman #6063455. Published by Phil Beaman (A0.845000). Whirling, for unaccompanied instrumental solo, is my musical interpretation of the act and feeling of whirling. It contains whirling broken chords at Prestissimo speed; a frenzied but controlled perpetual motion etude. The piece is a giant chord progression with each whirling chord lasting 8 bars. This piece creates a unique, fun, and impressive performance. Or show your technique and make a friendly speed challenge with your colleagues!
$3.99
3.65 €
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Orchestre
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Phil Beaman
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Whirling-bass clarinet solo
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Phil Beaman
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SheetMusicPlus
Jesus, What a Wonderful Child with Amen
Orchestre
Orchestra - Digital Download SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompa…
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Orchestra - Digital Download SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra or Rhythm. Christmas, Spiritual. Set of Instrumental Parts. 90 pages. Hope Publishing - Digital #C6106ODP. Published by Hope Publishing - Digital (H1.C6106ODP). Luke 2.Traditional Spiritual Ideal for both church and school Christmas celebrations, this high energy arrangement also includes the spiritual Amen, and comes from Joel's best-selling cantata, Joy! (Code No. 8721). It may be accompanied simply with piano, or with an added rhythm section, or full orchestra. Any way you choose, choirs will enjoy the upbeat rhythms and joyous proclamation of the birth of Jesus. This rhythm chart is written in lead-sheet style with chords for piano, guitar and bass. Four copies are included. There is no separate drum part.
$89.95
82.24 €
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Orchestre
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Joel Raney
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Jesus, What a Wonderful Child with Amen
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Hope Publishing - Digital
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.42 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Golden Hour
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1281289 By Jvke. By Jake Lawson…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1281289 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Diogo Martins and Sara Lopes. Pop. Score and Parts. 19 pages. Diogo Martins #867334. Published by Diogo Martins (A0.1281289). Golden Hour is a captivating musical masterpiece composed by Jvke (Jake Lawson) and arranged for tenor saxophone solo and concert band. This enchanting composition takes its inspiration from the magical moments that occur during the twilight of a sunlit day. As the sun begins to set, casting its warm, golden glow across the landscape, a sense of tranquility and introspection permeates the air. The piece opens with a gentle and lyrical marimba and vibraphone duo playing the iconic melody of the piano that Jvke played.The concert band, in turn, weaves a tapestry of harmonies and textures that complement the soloist's performance. The lush instrumentation adds depth and color to the overall experience, accentuating the serene ambiance of the Golden Hour. Soft woodwind harmonies, shimmering brass chords, and delicate percussion accompaniment provide a seamless backdrop for the saxophone solo, creating a harmonious balance between the soloist and the ensemble.As the piece progresses, the music gradually builds in intensity, representing the gradual transition from twilight to dusk. The interplay between the soloist and the ensemble intensifies, symbolizing the beauty and complexities of life's fleeting moments.In the climax, the saxophone's soaring melodies soar over the powerful ensemble, culminating in a breathtaking and emotionally charged finale. The music captures the essence of the fleeting beauty of a golden hour, leaving the audience captivated and moved by its evocative storytelling.
$55.00
50.28 €
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Orchestre
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Jvke
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Diogo Martins and Sara Lopes
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Golden Hour
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Diogo Martins
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SheetMusicPlus
España Cañí - Pasodoble - Espana Cani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Mar…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Marquina Narro. Arranged by Pablo Guerrero-MartÃn. Classical,Contest,Festival,Folk,March,Multicultural,World. Score and Parts. 51 pages. Pablo Guerrero-MartÃn #809346. Published by Pablo Guerrero-MartÃn (A0.1211732). España cañà (meaning Gypsy Spain in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide.Several arrangements of the tune are often used for the Latin Paso Doble dance (to the point that, among Latin dancers, it is known as the paso doble song as it is very commonly played in competition due to the common custom for the choreography to match the phrasing and accents of the music for the full effect of the dance). The song has also been used as the theme song for Pablo Sanchez in the Backyard Sports games.
$49.99
45.7 €
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Orchestre
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Pascual Marquina Narro
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Pablo Guerrero-MartÃn
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España Cañí - Pasodoble - Espana Cani
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Pablo Guerrero-MartÃn
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SheetMusicPlus
Summer Holiday
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1269798 By Cliff Richard. By Br…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1269798 By Cliff Richard. By Brian Bennett and Bruce Welch. Arranged by Samantha Jellett. Children,Holiday,Instructional. Score and Parts. 20 pages. Samantha Jellett #862305. Published by Samantha Jellett (A0.1269798). Made famous by Cliff Richard, this arrangement of Bennett and Welch's Summer Holiday will be a favourite with junior ensemble players and great for programming into a summer concert.Parts and approximate difficulty level (ABRSM Grades):Violin 1/Cello 1/Flute 1: Grade 2Oboe/Clarinet 1: Grade 1Violin 2/Flute 2/Clarinet 2: Prelim-Grade 1 (low second finger required for Violin 2)Violin 3/Cello 2: beginner- open strings only (features col legno for fun and interest)Trumpet/Trombone: Prelim-Grade 1Piano: Prelim-Grade 1; features simple repeated patterns and chordsFull instrumentation is not needed for a successful performance; most combinations will work well, with any significant solos being reassigned to another instrument if necessary.Duration: 2'.
$49.99
45.7 €
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Orchestre
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Cliff Richard
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Samantha Jellett
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Summer Holiday
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Samantha Jellett
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
27.38 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
23.72 €
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Orchestre
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Carson Cooman
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Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Autumn tableau
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
14.62 €
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Orchestre
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Zoetrope - Wheel of Life
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Nick Hunter. 21…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Nick Hunter. 21st Century. Score, Set of Parts. 172 pages. Published by Nick Hunter
Zoetrope-Wheel of Life is a new orchestral composition written for the Manawatu Sinfonia and made possible with a grant from the Earle creativity trust in 2015. It was premiered on May 21st 2017. Suitable for community/amateur and youth orchestras through to professional orchestras. Approximately 10 minutes long. Full score and parts.<br> <br> A zoetrope is a 19th century barrel-like mechanical device that creates an early form of simple animation on a loop. ‘Wheel of life’ is its transliteration, the name being coined from the Greek words for life and turning. The title is inspired by the composers daughter, Zoey (meaning life) and was written throughout her first year. The work creates a feeling of wheel-like, rhythmical sequences that tell a story and draw the listener into a new sound world. The opening repeated chords heard throughout the work are cyclic in nature perhaps signifying the turning seasons/phases of life. <br> <br> Instrumentation: 2(2nd flute doubling Piccolo, 2,2,2 2,2,2,1 Timpani, Cymbals, Strings.Zoetrope-Wheel of Life is a new orchestral composition written for the Manawatu Sinfonia and made possible with a grant from the Earle creativity trust in 2015. It was premiered on May 21st 2017. Suitable for community/amateur and youth orchestras through to professional orchestras. Approximately 10 minutes long. Full score and parts.<br> <br> A zoetrope is a 19th century barrel-like mechanical device that creates an early form of simple animation on a loop. ‘Wheel of life’ is its transliteration, the name being coined from the Greek words for life and turning. The title is inspired by the composers daughter, Zoey (meaning life) and was written throughout her first year. The work creates a feeling of wheel-like, rhythmical sequences that tell a story and draw the listener into a new sound world. The opening repeated chords heard throughout the work are cyclic in nature perhaps signifying the turning seasons/phases of life. <br> <br> Instrumentation: 2(2nd flute doubling Piccolo, 2,2,2 2,2,2,1 Timpani, Cymbals, Strings.
$34.99
31.99 €
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Orchestre
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Nick Hunter
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Zoetrope - Wheel of Life
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Nick Hunter
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SheetMusicPlus
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