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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
claude debussy
Sheetmusicplus
Non classifié
398
Piano & claviers
Piano seul
533
Piano, Voix
325
Piano Facile
130
1 Piano, 4 mains
30
Piano Trio: piano, violon, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue
7
Instruments en Do
7
Piano, Voix et Guitare
6
Accompagnement Piano
5
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
2 Pianos, 8 mains
1
+ 9 instrumentations
Retracter
Guitares
Guitare
32
Guitare notes et tablatures
19
2 Guitares (duo)
16
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
4
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
3
Guitare, Violon, Violoncelle (trio)
2
Mandoline
1
Ukulele
1
Ensemble de guitares
1
2 Ukuleles
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
11
Voix Alto, Piano
9
Voix seule
4
Chorale 2 parties
4
Chorale
2
Voix Soprano, Piano
1
Voix haute
1
Voix basse, Piano
1
Voix Baryton, Piano
1
+ 4 instrumentations
Retracter
Vents
Flûte traversière et Piano
87
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
82
Quatuor de Saxophones: 4 saxophones
57
Clarinette et Piano
45
Hautbois, Piano (duo)
35
Saxophone Alto et Piano
33
Clarinette
33
2 Saxophones (duo)
32
Flûte traversière
29
Saxophone Tenor et Piano
26
Quatuor de Clarinettes: 4 clarinettes
26
Flûte, Hautbois, Clarinette, Basson
23
2 Flûtes traversières (duo)
21
Saxophone Alto
20
Saxophone Soprano et Piano
19
Quatuor de Flûtes : 4 flûtes
16
Saxophone Tenor
15
Hautbois (partie séparée)
15
Saxophone (partie séparée)
14
Ensemble de Clarinettes
14
Flûte et Guitare
13
Quintette de Clarinettes: 5 clarinettes
13
Quintette de Saxophone: 5 saxophones
12
Saxophone Baryton, Piano
11
3 Clarinettes (trio)
11
Flûte, Clarinette (duo)
9
2 Clarinettes (duo)
9
Trio de Flûtes: 3 flûtes
8
Clarinette (partie séparée)
7
3 Saxophones (trio)
7
Clarinette Basse, Piano
6
Ensemble de saxophones
6
Flûte à bec Soprano
5
Cor anglais, Piano
5
Hautbois
5
Flûte, Clarinette et Basson
5
Flûte à bec Tenor
4
Saxophone Soprano
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violoncelle, Piano (trio)
3
2 Hautbois (duo)
3
Flûte à bec Alto
3
Cor Anglais
3
Quatuor de Flûtes à bec
3
Saxophone Baryton
3
Ensemble de Flûtes
3
Clarinette, Basson (duo)
3
Flûte, Violon, Piano
3
Quintette de Flûte : 5 flûtes
3
Piccolo, Piano
3
Flûte, Alto et Violoncelle
2
Clarinette Basse
2
Flûte, Hautbois, Basson
2
Flûte à Bec
2
Flûte, trombone et piano
2
Clarinette, Guitare (duo)
2
Flûte, alto et harpe
2
Flute (partie séparée)
2
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Clarinette (duo)
1
2 Clarinettes, Piano
1
Flûte, Basson et Piano
1
Hautbois, Guitare (duo)
1
4 Hautbois
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Basson (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone et Guitare
1
Flûte, Violon
1
Flûte à bec, Guitare (duo)
1
3 Hautbois
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trombone et Piano
34
Trompette, Piano
27
Trompette
25
Cor et Piano
24
Tuba et Piano
20
Trombone
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor
16
Euphonium, Piano (duo)
14
Trombone (partie séparée)
12
Tuba
11
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de cuivres: 4 trombones
8
Tuba (partie séparée)
7
Euphonium
6
2 Trompettes (duo)
6
Quatuor de cuivres: 4 cors
5
Cor (partie séparée)
5
Cor anglais, Piano
5
2 Trombones (duo)
4
2 Euphoniums et 2 Tubas
4
Trombone basse
4
Trompette, Trombone (duo)
4
Cor Anglais
3
4 Tubas
3
2 Cors (duo)
3
Trio de Cuivres
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Trombone basse et Piano
2
Quatuor de Cuivres
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
Trompette et Guitare
1
Trombone, Tuba (duo)
1
Ensemble de Trombones
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
4 Euphoniums
1
2 Tubas (duo)
1
Trompette, Violoncelle et Piano
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
101
Violon et Piano
78
Violoncelle, Piano
66
Alto, Piano
45
Violon
30
Violon, Violoncelle (duo)
25
Violoncelle
23
Alto seul
21
2 Violons (duo)
13
Contrebasse, Piano (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Contre Basse
10
Violon (partie séparée)
10
2 Violoncelles (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Harpe
7
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Alto, Violoncelle (duo)
5
2 Altos (duo)
5
2 Violons, Piano
4
Contrebasse (partie séparée)
4
Violoncelle (partie séparée)
4
Violon, Guitare (duo)
4
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
Trio à cordes: 3 violins
3
Harpe, Violon (duo)
3
2 Altos, Piano
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes : 4 altos
2
Trio à cordes
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
1
3 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 altos
1
2 Violoncelles, Piano
1
Alto (partie séparée)
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre
98
Orchestre à Cordes
63
Orchestre d'harmonie
39
Orchestre de chambre
23
Ensemble de cuivres
11
Quintette à Vent
4
Cloches
4
Ensemble de Percussions
3
Percussion
2
Vibraphone (partie séparée)
2
Timbales (partie séparée)
1
Vibraphone et Marimba
1
Orchestre, Violon
1
Marimba, Piano (duo)
1
Marimba
1
Percussion (partie séparée)
1
Vibraphone
1
+ 12 instrumentations
Retracter
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FLUTE A DIX…
FLUTE DE PA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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claude debussy
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.31 €
#
Orchestre
#
Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy: Sarabande (Pour le piano) (For the piano), L. 95- wind dectet
Orchestre
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by…
(+)
Large Ensemble - Digital Download Composed by Claude Debussy (1862-1918). Arranged by Ray Thompson. 20th Century. Score and parts. 17 pages. RayThompsonMusic #6109107. Published by RayThompsonMusic
Pour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglaisPour le piano (For the piano), L. 95, is a suite for solo piano by Claude Debussy. It consists of three individually composed movements, Prélude, Sarabande and Toccata. The suite was completed and published in 1901. It was premiered on 11 January 1902 at the Salle Érard, played by Ricardo Viñes. Maurice Ravel orchestrated the middle movement.<br> <br> This is my arrangement of that movement.based on Ravel's orchestration.<br> <br> Regarded as Debussy's first mature piano composition, the suite has frequently been recorded.Arranged double wind quintet/double bass<br> Clarinet parts are for clarinets in A<br> Oboe 2 is for cor anglais
$14.95
13.72 €
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Orchestre
#
Claude Debussy (1862-1918)
#
Ray Thompson
#
Debussy: Sarabande
#
RayThompsonMusic
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.94 €
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Orchestre
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Claude Debussy
#
Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.94 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.94 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534688 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 75 pages. Musik Fabrik Music Publishing #6215671. Published by Musik Fabrik Music Publishing (A0.534688). This new version of the Debussy Saxophone Rapsodie goes back to the two original autograph sources. Dr. Robert Orledge is one of the World's leading Debussy scholars and this new reworking represents his long years of work on Debussy's incomplete scores. Scored for 3(pic)2(EH)22/4331/timb/2perc/cel/hp/strings This is the orchestral score. The piano reduction with the solo part is also available for sale. Parts are on rental from the publisher. Includes complete notes.
$29.95
27.48 €
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Orchestre
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Claude Debussy/Robert Orledge
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Includes complete notes
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Claude Debussy: Rhapsodie Mauresque for alto saxophone and orchestra, revised by Robert Orledge, sco
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Cl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152389 By Asya Fateyeva. By Claude Debussy/Robert Orledge. 19th Century,Classical,Romantic Period. 34 pages. Musik Fabrik Music Publishing #752612. Published by Musik Fabrik Music Publishing (A0.1152389). Taken from a sketch given by Debussy's wife to Joachim Nin, the work was complete and orchestred for 32(EH)23/2100/timp/1perc/hp/strings by the Debussy Scholar Robert Orledge for the saxophonist Asya Fateyeva. This item is the score plus the solo part. A version for saxophone and piano a the score of the version for saxophone and 17 instruments are available for sale. The parts are on rental from the publishe.
$18.95
17.39 €
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Orchestre
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Asya Fateyeva
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Claude Debussy/Robert Orledge : Sérénade for alto saxophone and orchestra - Score Only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Poème for violin and orchestra, full score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debus…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Music Publishing #4347323. Published by Musik Fabrik Music Publishing (A0.534580). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. The orchestration is for 21EH22/4200/timp/1perc/hp/strings (minimum 12.10.8.6.4). The work lasts aproximately ten minutesThis version the full score and solo part The piano reduction is available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$29.95
27.48 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy: Poème for violin and orchestra, full score and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Le Roi Lear Suite for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debus…
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Full Orchestra - Level 4 - Digital Download SKU: A0.534682 Composed by Claude Debussy/Robert Orledge. 20th Century. Score and parts. 45 pages. Musik Fabrik Music Publishing #6133659. Published by Musik Fabrik Music Publishing (A0.534682). A seven-movement suite of Debussy's music for King Lear, completed and orchestrated by Dr. Robert Orledge. Scored for 2.1CA22/4311/timp/1perc/2hps/strings. Score only, parts on rental from the publisher
$25.95
23.81 €
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Orchestre
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Claude Debussy/Robert Orledge
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Scored for 
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Claude Debussy: Le Roi Lear Suite for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Rêverie for Orchestra - Claude Debussy - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1114943 By Tiziano de Felice. By Claude Debussy. Arranged by Tiziano de Felice. 19th Century,20th Century,Classical,Romantic Period. 23 pages. Tiziano de Felice #716781. Published by Tiziano de Felice (A0.1114943). Orchestration of Debussy's famous piano piece Rêverie. Scored for: 2 fl. / 2 ob. / eng. h. / 2 Bb cl. / 2 bsn / 4 Horns in F / 2 tr. in C / harp & strings.
$25.00
22.94 €
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Orchestre
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Tiziano de Felice
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Tiziano de Felice
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strings.
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Rêverie for Orchestra - Claude Debussy - Score Only
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Tiziano de Felice
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SheetMusicPlus
C. Debussy - The Complete Preludes, #2 (II) Feuilles mortes, Orchestrated by A. Leytush - Score Only
Orchestre
By Claude Debussy. By Claude Debussy (1862-1918). Arranged by Arkady Leytush. 20th C…
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By Claude Debussy. By Claude Debussy (1862-1918). Arranged by Arkady Leytush. 20th Century. 11 pages. Arkady Leytush #814837. Published by Arkady Leytush
$25.00
22.94 €
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Orchestre
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Claude Debussy
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C. Debussy - The Complete Preludes, #2
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #4 (II) Les fées sont d'exquises da, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218366 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 30 pages. Arkady Leytush #814839. Published by Arkady Leytush (A0.1218366).
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #4
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #5 (II) Bruyères, Heather, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218369 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218369 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 13 pages. Arkady Leytush #814842. Published by Arkady Leytush (A0.1218369).
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #5
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #7 (II) La Terrasse des Audiences du, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1223678 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1223678 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 15 pages. Arkady Leytush #814845. Published by Arkady Leytush (A0.1223678).
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #7
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Arkady Leytush
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SheetMusicPlus
C. Debussy - The Complete Preludes, #8 (II) "Ondine", Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1218374 By Claude Debussy. By C…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1218374 By Claude Debussy. By Claude Debussy. Arranged by A. Leytush. 20th Century. 22 pages. Arkady Leytush #814848. Published by Arkady Leytush (A0.1218374).
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - The Complete Preludes, #8
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Arkady Leytush
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
91.76 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
C. Debussy - 3 Preludes,
Orchestre
Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008416 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and Parts. 60 pages. Arkady Leytush #6417961. Published by Arkady Leytush (A0.1008416). “La Sérénade Interrompueâ€,#9(I)Sometimes an orchestral transcription of a program piece like this “Interrupted Serenade†turns into a kind of theatrical performance on the stage of the theater. By means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end.La puerta del Vino,#3(II)While creating the orchestral version of this Debussy prelude, two things stood before my eyes -the seductive Habanera performed by an oriental beauty and the unforgettable beauty of Alhambra. General Lavine - eccentric,#6(II)Debussy creates the effect of three hands playing. Lavine’s clown acts were accompanied by trumpets and drums, often backstage. “Strident,†“spiritual and discreetâ€: tongue-in-cheek. â€Sec,†a dry sound for staccato chords. Debussy’s transformation of the American popular tune, “Camp town Races.†Sudden dynamic changes suggest the juggling act of “General†Lavine, tossing large and small items at the same time.
$60.00
55.06 €
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Orchestre
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means of the orchestra, as in painting, you can try to reproduce the whole mysterious picture of such an episode full of passion, nocturnal rustles, fear of being discovered by the family of your beloved and even the sudden opening of the window, but in the end, a hasty escape by flight, without finishing the serenade to the end
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Claude Debussy
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A
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C. Debussy - 3 Preludes,
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Arkady Leytush
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SheetMusicPlus
C. Debussy: The Complete Preludes, #6 (II), "General Lavine - eccentric", Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008400 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008400 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 19 pages. Arkady Leytush #6246337. Published by Arkady Leytush (A0.1008400). Debussy creates the effect of three hands playing. Lavine’s clown acts were accompanied by trumpets and drums, often backstage. Strident, spiritual and discreet: tongue-in-cheek. Sec, a dry sound for staccato chords. Debussy’s transformation of the American popular tune, Camp town Races. Sudden dynamic changes suggest the juggling act of General Lavine, tossing large and small items at the same time.This is a new orchestra transcription.
$20.00
18.35 €
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Orchestre
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Claude Debussy
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A
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C. Debussy: The Complete Preludes, #6
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Arkady Leytush
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SheetMusicPlus
C. Debussy - "En Blanc et Noir", Orchestra Suite, orchestrated by A. Leytush, Full Score only
Orchestre
Full Orchestra - Digital Download SKU: A0.1008393 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008393 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 111 pages. Arkady Leytush #6207109. Published by Arkady Leytush (A0.1008393). This virtuoso piano work has been expanded using the full orchestra palette to exploit the beautiful colors of Debussy's Impressionistic style.Full Orchestra: Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in B, Bass Clarinet, 2 Bassoons, Contrabassoon, 4 Horns in F, 2 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani, Xylophone, Triangle, Cymbals, Gong, Tam-Tam, Snare Drum, Bass Drum, Harp, Piano/Celesta, Violins I, Violins 2, Violas, Cellos, D. Basses
$60.00
55.06 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - "En Blanc et Noir", Orchestra Suite, orchestrated by A. Leytush, Full Score only
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. Published by Arkady Leytush (A0.1008373). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. Published by Arkady Leytush (A0.1008371). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 29 pages. Arkady Leytush #4847871. Published by Arkady Leytush (A0.1008370). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
22.94 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy: The Complete Preludes, #3(II), Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008399 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008399 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #6237205. Published by Arkady Leytush (A0.1008399). While creating the orchestral version of this Debussy prelude, two things stood before my eyes -
$20.00
18.35 €
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Orchestre
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Claude Debussy
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A
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C. Debussy: The Complete Preludes, #3(II), Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Images oubliées, (1894), Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1503185 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1503185 Composed by Claude Debussy. Arranged by A. Leytush. 19th Century. 81 pages. Arkady Leytush #1078714. Published by Arkady Leytush (A0.1503185).
$60.00
55.06 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Images oubliées,
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Arkady Leytush
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SheetMusicPlus
C. Debussy - Prelude #10 (I), "La cathédrale engloutie", Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008409 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008409 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 21 pages. Arkady Leytush #6320745. Published by Arkady Leytush (A0.1008409).
$20.00
18.35 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Prelude #10
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Arkady Leytush
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SheetMusicPlus
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