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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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233
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48
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39
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23
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8
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8
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6
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4
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3
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1
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2
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2
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1
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1
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1
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1
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VOIX
Chorale SATB
162
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59
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45
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17
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16
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14
Voix duo, Piano
7
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4
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3
Voix moyenne, Piano
2
Chorale SSATB
1
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1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
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46
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31
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27
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27
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25
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25
2 Saxophones (duo)
25
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19
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19
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16
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16
2 Flûtes traversières (duo)
16
Clarinette
14
Ensemble De Flûte à bec
13
Saxophone Tenor et Piano
12
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11
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10
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10
Saxophone Soprano et Piano
10
2 Clarinettes (duo)
10
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9
Saxophone Baryton, Piano
9
Flûte traversière
9
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9
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8
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7
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7
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7
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7
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6
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6
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5
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4
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3
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1
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1
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1
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1
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Flûte et Guitare
1
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Saxophone Tenor
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Basson et Piano
1
Flûte traversière, Basse continue
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Trombone (partie séparée)
23
Trompette (partie séparée)
20
Trombone et Piano
18
Cor et Piano
13
2 Trombones (duo)
13
Trompette, Piano
11
2 Trompettes (duo)
11
Cor anglais, Piano
10
Trompette
10
Euphonium, Piano (duo)
10
Quatuor de Cuivres
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba et Piano
9
Ensemble de Trompettes
6
Trompette, Trombone (duo)
5
Trombone
5
Cor (partie séparée)
5
Cor
5
Tuba
4
Trompette, Saxophone (duo)
4
2 Cors (duo)
4
Tuba (partie séparée)
4
Ensemble de Trombones
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Cors
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
Clarinette, Cor (duo)
1
Trompette, Tuba (duo)
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Trombone basse
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
107
Trio à Cordes: violon, alto, violoncelle
28
Violon, Violoncelle (duo)
26
Violon et Piano
25
Alto, Piano
20
Violoncelle, Piano
19
Violon (partie séparée)
12
Violon
12
2 Violons (duo)
10
Violon, Alto (duo)
9
Violoncelle
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
Contrebasse, Piano (duo)
6
2 Altos (duo)
6
Alto seul
5
Contre Basse
5
Alto (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Harpe
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Ensemble d'Altos
2
Violon, Basson (duo)
2
4 Violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Harpe, Violon (duo)
1
Violon, Clarinette, Piano (trio)
1
Violon, Tuba (duo)
1
Violon, Guitare (duo)
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
89
Orchestre à Cordes
63
Ensemble Jazz
52
Orchestre
28
Ensemble de cuivres
27
Orchestre de chambre
16
Cloches
10
Percussion
7
Jazz combo
6
Batterie (partie séparée)
6
Vibraphone
3
Ensemble de Percussions
3
Percussion (partie séparée)
2
Batterie
2
Xylophone
1
Vibraphone et Marimba
1
Marimba
1
2 Xylophones
1
Timbales (partie séparée)
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Partitions à imprimer
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The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
64.36 €
#
Orchestre
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1
#
James Nathaniel Holland
#
SheetMusicPlus
"Te Deum", op. 5 - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
45.81 €
#
Orchestre
#
Adrian Gagiu
#
Adrian Gagiu
#
"Te Deum", op. 5 - Score Only
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Adrian Gagiu
#
SheetMusicPlus
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
29.78 €
#
Orchestre
#
James Nathaniel Holland
#
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
#
James Nathaniel Holland
#
SheetMusicPlus
Newfoundland Folk Song Suite
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1394713 Composed by Otto Kellan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1394713 Composed by Otto Kelland, John Grace. Arranged by Jim Duff. Folk,Historic,Traditional. 283 pages. Jim Duff #978202. Published by Jim Duff (A0.1394713). A 15 minute compilation of the most popular and beloved traditional Newfoundland Folk Songs. The suite captures the essence of the Newfoundland heritage - from heartfelt ballads to flowing waltzes and gleeful â??Kitchen Partyâ? jigs.Includes variations on themes, counterpoint and frequent key changes for added interest. As with the score, parts should be printed on both sides since consideration has been given to page turns.Score Pages 2 to 44 â?? Legal SizePages 45 to 283 â?? Letter Size.
$150.00
137.43 €
#
Orchestre
#
Otto Kelland, John Grace
#
Jim Duff
#
Newfoundland Folk Song Suite
#
Jim Duff
#
SheetMusicPlus
Europa
Orchestre
Orchestra - Digital Download SKU: IZ.OMW221 Composed by Anton J. de Lang. Score and…
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Orchestra - Digital Download SKU: IZ.OMW221 Composed by Anton J. de Lang. Score and Parts. 60 pages. Imagine Music - Digital #OMW221. Published by Imagine Music - Digital (IZ.OMW221). 8.5 x 11 inches.This short, joyful Introit (or Call to Worship) is a setting of familiar phrases from the Book of Psalms. The work is built from five motives. Motives 1 and 5 are presented (and repeated) individually; the other motes appear in various combinations. In the work's final four measures Motives 1 and 2 (in their original and inverted versions) are combined in counterpoint against Motive 2 to bring the work builds to a climax.
$70.00
64.13 €
#
Orchestre
#
Anton J
#
Europa
#
Imagine Music - Digital
#
SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_F1 Flute. Composed b…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_F1 Flute. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_F1). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
#
Orchestre
#
Johnny Richards
#
John Whitney
#
La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): Piccolo
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_P1 Piccolo. Composed…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_P1 Piccolo. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_P1). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
#
Orchestre
#
Johnny Richards
#
John Whitney
#
La Suerte de los Tontos
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): 3rd F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_H3 3rd F Horn. Compo…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_H3 3rd F Horn. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_H3). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
#
Orchestre
#
Johnny Richards
#
John Whitney
#
La Suerte de los Tontos
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_TMP Timpani. Compose…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_TMP Timpani. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_TMP). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
#
Orchestre
#
Johnny Richards
#
John Whitney
#
La Suerte de los Tontos
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): 2nd Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_B2 2nd Bassoon. Comp…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_B2 2nd Bassoon. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_B2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_B2). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
#
Orchestre
#
Johnny Richards
#
John Whitney
#
La Suerte de los Tontos
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): 3rd Percussion
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_PC3 3rd Percussion. …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016179_PC3 3rd Percussion. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_PC3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_PC3). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
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Orchestre
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Johnny Richards
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John Whitney
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La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): Drums
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_D Drums. Composed by…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016179_D Drums. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_D). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
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Orchestre
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Johnny Richards
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John Whitney
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La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): 4th F Horn
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_H4 4th F Horn. Compo…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016179_H4 4th F Horn. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_H4). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
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Orchestre
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Johnny Richards
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John Whitney
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La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016179_VC1 Cello. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_VC1). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
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Orchestre
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Johnny Richards
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John Whitney
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La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): 2nd Oboe
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_O2 2nd Oboe. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016179_O2 2nd Oboe. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_O2). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
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Orchestre
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Johnny Richards
#
John Whitney
#
La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
La Suerte de los Tontos (Fortune of Fools): Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016179_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016179_B1 Bassoon. Composed by Johnny Richards. Arranged by John Whitney. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016179_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016179_B1). UPC: 038081323503.Remember the word fire when preparing this music. It is powerful, dynamic and exciting music with infectious rhythmic feel, emphasized by the rhythm section and the counterpoint. Written for the Stan Kenton Band as one of the seven movements of Cuban Fire Suite, this piece makes Latin jazz perfect for the orchestra! (4:30)Concert/Contest.
$3.00
2.75 €
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Orchestre
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Johnny Richards
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John Whitney
#
La Suerte de los Tontos
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Herald (A Xylophone Ensemble)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1159120 Composed by Uzowulu Eze…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1159120 Composed by Uzowulu Ezenwa Henry Uche. Arranged by Uzowulu Ezenwa Henry Uche. Christmas,Film/TV,Folk,Multicultural,Traditional,World. Score and parts. 14 pages. Greathenz #759370. Published by Greathenz (A0.1159120). This is a Xylophone ensemble with accompanying instruments such as Wood block, Maracas, Conga, Bass Drum, Hand clap. This piece is an intercultural indigenous African piece. It incorporates Western harmonic structure and forms such as free counterpoint and a blend with African rhythms and styles.This piece annouces the coming of a great king or a great event. Hope you would love this piece.
$3.00
2.75 €
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Orchestre
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Uzowulu Ezenwa Henry Uche
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Uzowulu Ezenwa Henry Uche
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Herald
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Greathenz
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.62 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.29 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.29 €
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Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.29 €
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Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
45.81 €
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Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
36.65 €
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Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Millennium Suite (Full Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.725191 By Paul Barker Music. By…
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Full Orchestra - Level 4 - Digital Download SKU: A0.725191 By Paul Barker Music. By Paul Barker Music. 20th Century,21st Century,Contemporary,Contest,Festival,Patriotic. Score and Parts. 95 pages. Paul Barker Music #5316471. Published by Paul Barker Music (A0.725191). The Millennium Suite is a contemporary symphonic work in three contrasting movements for Full Orchestra, Organ, Harpsichord (or Keyboard substitutes) and Orchestral Percussion. The piece begins with the triumphantly bold Festival Fanfare commanding immediate attention with memorable melodic lines and complex harmonic layers. The second movement is a beautiful, yet rousing Anthem laced with emotive themes and warm dissonance. Finally, we are introduced to movement three which is a playful, colourful Scherzo. This movement adds zest and sparkle through spritely use of canon and counterpoint on a fast-paced melodic and rhythmic ‘chase’ around the orchestra! Includes both Conductor Score and Parts. Also available for String Orchestra, Piano & Orchestral Percussion. ​Duration: 6:30 Level: Advanced (UK Grade 7+ & USA 3+) Occasion: Concert - Formal/Informal - Competitions - Orchestral Clinics - Graduations Orchestration: Full Orchestra - Keyboards - Orchestral Percussion
$37.95
34.77 €
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Orchestre
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Paul Barker Music
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Millennium Suite
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Paul Barker Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.9 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
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