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HARMONICA
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
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BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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débutant
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avec vidéo
avec play-along
Non classifié
8830
PIANO & CLAVIERS
Piano seul
4490
Piano, Voix
1780
Piano Facile
1411
Orgue
987
Piano, Voix et Guitare
366
Instruments en Do
211
Accompagnement Piano
203
1 Piano, 4 mains
128
Orgue, Trompette (duo)
98
Piano Trio: piano, violon, violoncelle
70
Piano Quatuor: piano, violon, alto, violoncelle
51
2 Pianos, 4 mains
43
Accordéon
31
Piano (partie séparée)
30
Clavecin
24
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Orgue, Piano (duo)
13
Piano grosses notes
11
2 Accordéons
10
Piano Quatuor: piano, 2 violons, violoncelle
10
1 Piano, 6 mains
2
Clavier
1
2 Orgues (duo)
1
Accordéon, Corde(s)
1
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GUITARES
Guitare notes et tablatures
835
Guitare
357
Basse electrique
248
Ligne De Mélodie, (Paroles) et Accords
100
Piano, Guitare (duo)
86
Guitare (partie séparée)
54
2 Guitares (duo)
49
Ukulele
47
Paroles et Accords
35
Mandoline
17
4 Guitares (Quatuor)
13
Dulcimer
10
Banjo
9
3 Guitares (trio)
9
2 Dulcimers (duo)
4
Ensemble de guitares
3
2 Ukuleles
3
Guitare Pedal Steel
2
Basse électrique (partie séparée)
2
Ukulele Baryton
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
3855
Chorale 3 parties
1340
Chorale 2 parties
1040
Chorale TTBB
1032
Chorale SSAA
752
Chorale Unison
348
Voix duo, Piano
176
Voix duo
106
Chorale
44
Voix seule
38
Chorale SSAATTBB
20
Voix Soprano, Piano
16
Voix haute
14
Chorale SSATB
14
Chorale, Orchestre
13
Voix moyenne, Piano
12
Voix basse, Piano
9
Voix Tenor, Piano
7
Voix Mezzo-Soprano, Piano
6
Voix Soprano
5
Voix Alto, Piano
3
Voix Tenor
3
Soli, choeur mixte et accompagnement
3
Chorale SATBB
3
Chorale SSATTB
2
Chorale SSAB, Piano
2
Chorale SAATB A Cappella
2
Voix et basse continue
2
Chorale SSAATB
1
Voix, Guitare
1
Instrumentations suivantes
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VENTS
Harmonica
832
Flûte traversière et Piano
636
Clarinette et Piano
508
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
499
Quatuor de Saxophones: 4 saxophones
481
Flûte, Hautbois, Clarinette, Basson
455
Hautbois, Piano (duo)
383
Saxophone (partie séparée)
322
2 Saxophones (duo)
297
Quintette de Saxophone: 5 saxophones
270
Saxophone Alto et Piano
268
Clarinette
258
Quatuor de Clarinettes: 4 clarinettes
237
Saxophone Tenor et Piano
221
2 Flûtes traversières (duo)
203
Flûte traversière
195
Quatuor de Flûtes : 4 flûtes
185
2 Clarinettes (duo)
171
Saxophone Soprano et Piano
160
Saxophone Alto
150
3 Clarinettes (trio)
116
Saxophone Baryton, Piano
105
Clarinette, Harpe (duo)
100
Hautbois (partie séparée)
98
Trio de Flûtes: 3 flûtes
93
Ensemble de Clarinettes
92
2 Hautbois (duo)
86
3 Saxophones (trio)
83
Flûte, Clarinette (duo)
80
Hautbois
74
Hautbois, Basson (duo)
73
2 Flûte à bec (duo)
69
Quintette de Clarinettes: 5 clarinettes
67
Clarinette (partie séparée)
64
Saxophone Tenor
63
Hautbois, Clarinette (duo)
61
Flûte, Violoncelle
54
Quintette de Flûte : 5 flûtes
49
Flûte et Guitare
48
Flûte, Clarinette et Basson
48
Clarinette, Violon (duo)
47
Clarinette, Basson (duo)
46
Ensemble de Flûtes
46
Ensemble de saxophones
46
Harmonica, Piano
45
Flûte, Violon
44
Clarinette, Violoncelle (duo)
42
Cor anglais, Piano
41
Saxophone Soprano
40
Hautbois, Violoncelle
40
Saxophone Baryton
33
Flûte, Alto (duo)
30
Flûte à Bec
28
Flûte, Hautbois, Clarinette (trio)
28
Flute (partie séparée)
28
Flûte, Hautbois, Basson
27
Clarinette et Alto
27
Flûte, Hautbois (duo)
25
Hautbois, violon (duo)
24
Quatuor de Flûtes à bec
24
Flûte à bec Soprano
22
Hautbois et alto (duo)
21
Saxophone, Clarinette (duo)
19
Clarinette Basse, Piano
19
Hautbois, Clarinette, Basson (trio d'anches)
16
Clarinette, Guitare (duo)
16
Flûte, Clarinette, Piano (trio)
16
Saxophone
14
Clarinette, Trompette (duo)
13
Flûte, Violon, Piano
12
Hautbois, Flûte
11
5 Flûtes à bec
11
Cor Anglais
11
Flûte, Violoncelle, Piano (trio)
11
2 Clarinettes, Piano
10
2 Flûtes traversières, Piano
10
Flûte, Basson et Piano
10
Flûte à bec Tenor
9
Flûte à bec Alto
9
Flûte, Alto et Piano
9
Flûte traversière, Orgue (duo)
9
Ensemble De Flûte à bec
8
2 Saxophones, Piano
8
Clarinette, Violoncelle, Piano (trio)
7
Flûte, Trompette (duo)
7
Clarinette, Basson, Piano (trio)
7
Ensemble à vent
7
Hautbois, Violon, Piano
7
Flûte, Saxophone (duo)
7
Cor anglais, Guitare (duo)
7
Flûte, Hautbois, Piano (trio)
6
3 Flûtes à bec (trio)
6
Flute, harpe et violon
6
Flûte à bec Alto, Piano
6
Flûte et Trio à cordes
6
Flûte, Tuba (duo)
5
Hautbois, trombone (duo)
5
Saxophone et Guitare
5
Piccolo, Piano
5
Hautbois, Clarinette et Piano (Trio)
5
Flûte, Trombone (duo)
5
Clarinette, Contrebasse (duo)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois, Violoncelle et Piano
4
Clarinette, Tuba
4
Hautbois, Basson et Piano
4
2 Clarinettes, Basson
4
Clarinette, Alto et Piano (trio)
4
Flûte, Violon et Violoncelle
3
Saxophone et Harpe
2
Flute, Cor (duo)
2
3 Hautbois
2
4 Hautbois
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flûte, Harpe et Violoncelle
2
Flûte à Bec, Piano
2
Flûte à bec Soprano, Piano
2
Flûte, trombone et piano
2
2 Hautbois, Piano
2
Clarinette, Trombone (duo)
2
Clarinette, Saxophone, Piano
1
Flûte traversière, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Cor anglais et Harpe (duo)
1
Flûte à bec Alto, Basse continue
1
Hautbois, Harpe
1
Piccolo
1
Melodica
1
Saxophone et Piano
1
2 Flûtes à bec, Piano
1
Hautbois, Guitare (duo)
1
Instruments en Mib
1
Saxophone, Tuba (duo)
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec, Guitare (duo)
1
Flûte irlandaise
1
Saxophone et Orgue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
521
Trombone et Piano
301
Trompette, Piano
288
Quatuor de Cuivres : 2 trompettes, trombone, tuba
254
Trompette
234
Cor et Piano
227
Trombone (partie séparée)
193
Trombone
170
Tuba et Piano
153
Cor
144
Trompette (partie séparée)
144
Tuba
126
2 Trombones (duo)
116
2 Trompettes (duo)
111
Quatuor de Cuivres: 2 trompettes, Cor, trombone
108
Quatuor de Cuivres
94
2 Cors (duo)
87
Trompette, Trombone (duo)
76
Euphonium, Piano (duo)
70
Quatuor de cuivres: 4 trombones
59
Cor (partie séparée)
54
2 Tubas (duo)
50
Cor anglais, Piano
41
Tuba (partie séparée)
38
Trompette, Cor (duo)
33
Quatuor de cuivres: 4 cors
26
Ensemble de Trombones
24
Ensemble de Trompettes
21
Trio de Cuivres
19
3 Trompettes (trio)
17
Quatuor de cuivres: 4 trompettes
15
2 Trompettes, Clavier (piano ou orgue)
15
Trompette, Violoncelle (duo)
15
Trompette, Basson (duo)
14
Ensemble de Cors
13
3 Trombones (trio)
13
Trompette, Saxophone (duo)
12
2 Euphoniums et 2 Tubas
11
Cor Anglais
11
Tuba et Orgue
10
Cor et Basson (duo)
9
Euphonium
9
2 Euphoniums (duo)
7
Trompette, Tuba (duo)
7
Cor anglais, Guitare (duo)
7
Cor, Violoncelle (duo)
6
Trombone, Cor (duo)
6
Trombone basse
6
4 Tubas
6
Trompette, Trombone, Piano
5
Cor, Tuba (duo)
5
Trombone, Violon (duo)
5
Trombone, Tuba (duo)
4
Trombone basse et Piano
4
Trompette et Guitare
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Euphonium, Tuba (duo)
3
Instruments en Sib
3
Trompette, violon (duo)
3
Clarinette, Cor (duo)
2
2 Trombones, Piano
2
2 Cors, Piano
2
Cor et Harpe
2
Cor et Orgue
2
Trompette, Harpe
2
3 Cors (trio)
2
Trombone, Orgue
2
Trombone et orchestre
2
Cor, Violoncelle et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
3 Euphoniums
1
3 Tubas (trio)
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1484
Violon et Piano
767
Violoncelle, Piano
422
Alto, Piano
402
Violon
357
Harpe
327
Violon, Violoncelle (duo)
297
Trio à Cordes: violon, alto, violoncelle
266
2 Violons (duo)
263
Harpe, Flûte (duo)
204
Alto seul
176
Violoncelle (partie séparée)
170
Quintette à cordes: 2 violons, alto, violoncelle, basse
168
Violon, Alto (duo)
161
2 Violoncelles (duo)
149
Contrebasse, Piano (duo)
141
2 Altos (duo)
135
Violon (partie séparée)
119
Violoncelle
113
Trio à Cordes: 2 violons, violoncelle
112
Contre Basse
96
Harpe, Violon (duo)
89
Alto (partie séparée)
89
Alto, Violoncelle (duo)
66
Contrebasse (partie séparée)
63
2 Harpes (duo)
62
2 Contrebasses (duo)
39
Violon, Basson (duo)
37
4 Violoncelles
34
Piano Trio: Violon, Alto, Piano
32
Violon, Guitare (duo)
30
Trio à cordes: 3 violins
26
Violoncelle, Contrebasse (duo)
24
Quintette à cordes : 2 violons, alto et 2 violoncelles
21
Trio à Cordes: 3 violoncelles
20
Alto et Basson
19
Violon, Orgue
17
Quatuor à cordes: 4 violons
13
Quatuor à cordes : 4 altos
13
Violoncelle , Guitare (duo)
12
Violoncelle, Orgue
11
Ensemble de Violons
10
Violon, Clarinette, Piano (trio)
9
Ensemble d'Altos
9
Alto, Guitare (duo)
9
Flûte, Contrebasse (duo)
9
Trio à Cordes: 2 violons, alto
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
8
Trio à cordes: 3 altos
7
Violon, Tuba (duo)
5
Harpe, Voix
5
4 Contrebasses
5
Harpe, Violoncelle (duo)
5
Harpe, Violon, Violoncelle
4
Violon, Violoncelle, Clarinette
3
2 Altos, Piano
3
2 Violoncelles, Piano
3
4 Harpes
2
Alto, Orgue
2
2 Violons, Piano
2
Alto et Harpe
2
Harpe, Trombone (duo)
1
3 Harpes
1
3 Contrebasses
1
Autoharp
1
Trio à cordes
1
Violon, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
68810
Orchestre à Cordes
796
Orchestre
350
Cloches
299
Ensemble de cuivres
266
Ensemble Jazz
241
Orchestre de chambre
137
Jazz combo
74
Ensemble de Percussions
47
Percussion (partie séparée)
44
Batterie (partie séparée)
42
Fanfare
33
Marimba
24
Xylophone, Piano
17
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
16
Batterie
16
Vibraphone
15
Xylophone
13
Voix et Orchestre
4
Quintette à Vent
3
Piano et Orchestre
3
Instrumentation Flexible
3
2 Xylophones
2
Percussion
2
Marimba, Saxophone (duo)
1
2 Marimbas
1
Orchestre, Violon
1
Big band
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
8
Théorie de la musique
4
Vous avez sélectionné:
harm
Orchestre
Partitions à imprimer
350 partitions trouvées
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Charmaine
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1165971 Composed by Erno Rapee …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1165971 Composed by Erno Rapee and Lew Pollack. Arranged by Kevin Riley. 20th Century,Standards. Score and parts. 31 pages. Kevin Riley #766347. Published by Kevin Riley (A0.1165971). Charmaine has bee covered by many people but especially Mantovani. Â Here is a version with that sound in mind.
$60.00
56.15 €
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Orchestre
#
Erno Rapee and Lew Pollack
#
Kevin Riley
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Charmaine
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Kevin Riley
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SheetMusicPlus
Les oiseaux dans la charmille (La chanson d'Olympia)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1162762 Composed by Jacques Off…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1162762 Composed by Jacques Offenbach. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 28 pages. Patricio Cueto #763129. Published by Patricio Cueto (A0.1162762). Jacques Offenbach's aria Les oiseaux dans la charmille (Chanson d'Olympia) The Doll song in a concert version with reduced orchestration, only two horns and no trombones.
$35.00
32.75 €
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Orchestre
#
Jacques Offenbach
#
Patricio Cueto
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Les oiseaux dans la charmille
#
Patricio Cueto
#
SheetMusicPlus
Debut Harmony (Orchestra)
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1002949 Composed by Dianne Weir…
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Full Orchestra - Level 1 - Digital Download SKU: A0.1002949 Composed by Dianne Weir. Contemporary,Instructional,Standards. Score and parts. 28 pages. Willscore Publishing #6699885. Published by Willscore Publishing (A0.1002949). Listed pricing includes Score and all Parts. Debut Harmony is an Elementary level Orchestral piece for developing bands. It would make a great addition to your Orchestral repertoire. A fun piece to play for your junior musicians. You can combine your wind program with your string program. This title would make a great introductory piece for your orchestra as it is very easy to play. Your audience will love this piece. Enjoy!
$25.00
23.4 €
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Orchestre
#
Dianne Weir
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Debut Harmony
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Willscore Publishing
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SheetMusicPlus
Coming Into Harmony
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.787310 Composed by Greg Barthol…
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Full Orchestra - Level 3 - Digital Download SKU: A0.787310 Composed by Greg Bartholomew. Concert,Contemporary,Standards. Score and parts. 30 pages. Burke & Bagley #50561. Published by Burke & Bagley (A0.787310). Coming Into Harmony was commissioned in 2007 by Miguel Almaguer Molina for the Meaning of Peace project. For orchestra: 2222 2221 Timpani Percussion & Strings. Duration: ca. 1 minute. A Back to School 2015 feature.
$14.99
14.03 €
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Orchestre
#
Greg Bartholomew
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Coming Into Harmony
#
Burke & Bagley
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SheetMusicPlus
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra ((pic222clbs2cbn/4331/4perc/tmp/hp/str
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.532888 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #119693. Published by Musik Fabrik Music Publishing (A0.532888). For this work, the composer has chosen to write three movements of an equal strength and an equal dramatic force. She leaves aside the idea of a calm slow movement which one usually finds at the center of a long work. With these three outbursts, she understands that she hasn't chosen the easiest route and that she is transgressing the traditional rules of classical form. She knows that she is risking that her work will bore or tire her listeners. Motivated by her inspiration, she has decided to break with the usual equilibrium, which she knows is a challenge and which she holds herself responsible, reminded of the phrase by Jean Cocteau : “It is clear that certain works haunt you, troubling your moral comfort and teach you that the best method is that of men who work outside of learned rules.†The title is inspired by the writing of Hildegarde van Bingen, who was one of the most extraordinary figures of the 12th century. A mystic who was also a doctor, a poet, a linguist and astronomer, her influence spread over all Europe. This is the full score. The parts are on rental from the publisher. Duration 11' I LLe cantique de l'Univers 4' 10 II Vents solaires 3' 20 III Expansion 3' 30 Recorded on Thérèse Brenet : Le Livre de L'Harmonie du Monde http://www.jtbprod.com/llhm.htm The third movement Expansion may be heard here : https://www.youtube.com/watch?v=5fUX_0HC0-o.
$29.95
28.03 €
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Orchestre
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Therese Brenet
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Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra
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Musik Fabrik Music Publishing
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SheetMusicPlus
ESCALA HARMÔNICA OU HARMONIZADA
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1118649 By RICHARD PAULINO SAX.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1118649 By RICHARD PAULINO SAX. By Richard Isaac Ferreira Paulino. Arranged by Richard Isaac Ferreira Paulino. Multicultural,World. Score and Parts. 3 pages. Richard Paulino Sax #720141. Published by Richard Paulino Sax (A0.1118649).
$9.99
9.35 €
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Orchestre
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RICHARD PAULINO SAX
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ESCALA HARMÔNICA OU HARMONIZADA
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Richard Paulino Sax
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SheetMusicPlus
Man With The Harmonica
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1153612 Composed by Ennio Morri…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153612 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 45 pages. FRC Music #753877. Published by FRC Music (A0.1153612). Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide.The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.It was Leone's desire to have the music available and played during filming. Leone had Morricone composed the score before shooting started and would play the music in the background for the actors on set. Arranged for Orchestra Intermediate Level Fomat: Concert 9 x 12 inches. 45 pages.
$49.99
46.78 €
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Orchestre
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Ennio Morricone
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Flavio Regis Cunha
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Man With The Harmonica
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FRC Music
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SheetMusicPlus
Man With The Harmonica (from The Motion Picture "ONCE UPON A TIME IN THE WEST")
Orchestre
By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 45 pages. P…
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By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 45 pages. Published by Flavio Regis Cunha
Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972. The film score sold about 10 million copies worldwide.<br> <br> The soundtrack features leitmotifs that relate to each of the main characters of the movie (each with their own theme music), as well as to the spirit of the American West. The theme music for the Claudia Cardinale character has wordless vocals by Italian singer Edda Dell'Orso.<br> <br> It was Leone's desire to have the music available and played during filming. Leone had Morricone composed the score before shooting started and would play the music in the background for the actors on set.
$69.99
65.5 €
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Orchestre
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Ennio Morricone
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Man With The Harmonica
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Flavio Regis Cunha
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SheetMusicPlus
Harmony
Orchestre
Orchestra (Flute, Clarinet, Violin, Viola, Cello, Piano) - Primer Level - Digital Download…
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Orchestra (Flute, Clarinet, Violin, Viola, Cello, Piano) - Primer Level - Digital Download SKU: P5.OS-MOV2-13595 By JeA & Lee Younghyun. By Kang eun kyung. Movies. Score and Parts. 27 pages. SheetmusicLAB #OS-MOV2-13595. Published by SheetmusicLAB (P5.OS-MOV2-13595). 8.3 x 11.7 inches.
$26.67
24.96 €
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Orchestre
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JeA & Lee Younghyun
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Harmony
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SheetmusicLAB
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SheetMusicPlus
New World Symphony - 1st Movement - Antonin DVORAK - Full Orchestra - transcripted by Marc Garetto
Orchestre
Composed by Antonin Dvorak (1841-1904). Arranged by Marc GARETTO. 20th Century, Romantic P…
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Composed by Antonin Dvorak (1841-1904). Arranged by Marc GARETTO. 20th Century, Romantic Period, Classical Period, Movies, Fairy Tales. Score, Set of Parts. 106 pages. Published by Marc GARETTO - Harmonie Editions (S0.187157). - Score,Set of Parts - 20th Century,Romantic Period,Classical Period,Movies,Fairy Tales - Marc GARETTO - Harmonie Editions
$70.00
65.51 €
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Orchestre
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Antonin Dvorak
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Marc GARETTO
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New World Symphony - 1st Movement - Antonin DVORAK - Full Orchestra - transcripted by Marc Garetto
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
New World Symphony - 3rd Movement - Antonin DVORAK - Full Orchestra - transcripted by Marc Garetto
Orchestre
Composed by Antonin Dvorak (1841-1904). Arranged by Marc GARETTO. 20th Century, Romantic P…
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Composed by Antonin Dvorak (1841-1904). Arranged by Marc GARETTO. 20th Century, Romantic Period, Classical Period, Movies, Children's Music. Score, Set of Parts. 77 pages. Published by Marc GARETTO - Harmonie Editions (S0.187987). - Score,Set of Parts - 20th Century,Romantic Period,Classical Period,Movies,Children's Music - Marc GARETTO - Harmonie Editions
$70.00
65.51 €
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Orchestre
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Antonin Dvorak
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Marc GARETTO
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New World Symphony - 3rd Movement - Antonin DVORAK - Full Orchestra - transcripted by Marc Garetto
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Waltz of the Flowers - Nutcracker - TCHAIKOVSKY - Arranged for Full Modern Orchestra by Marc GARETTO
Orchestre
Composed by Piotr Ilitch TCHAIKOVSKY. Arranged by Marc GARETTO. Romantic Period, Classical…
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Composed by Piotr Ilitch TCHAIKOVSKY. Arranged by Marc GARETTO. Romantic Period, Classical Period, Musicals, New Year's, Children's Musicals. Score, Set of Parts. 128 pages. Published by Marc GARETTO - Harmonie Editions (S0.154373). - Score,Set of Parts - Romantic Period,Classical Period,Musicals,New Year's,Children's Musicals - Marc GARETTO - Harmonie Editions
$90.00
84.22 €
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Orchestre
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Piotr Ilitch TCHAIKOVSKY
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Marc GARETTO
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Waltz of the Flowers - Nutcracker - TCHAIKOVSKY - Arranged for Full Modern Orchestra by Marc GARETTO
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
PEER GYNT SELECTIONS for Full Orchestra - Edvard Grieg - Arr. Marc Garetto
Orchestre
Composed by Edvard Grieg (1843-1907). Arranged by Marc GARETTO. Romantic Period, Musicals,…
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Composed by Edvard Grieg (1843-1907). Arranged by Marc GARETTO. Romantic Period, Musicals, Movies, Comedy. Score, Set of Parts. 91 pages. Published by Marc GARETTO - Harmonie Editions (S0.50057). - Score,Set of Parts - Romantic Period,Musicals,Movies,Comedy - Marc GARETTO - Harmonie Editions
$82.00
76.74 €
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Orchestre
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Edvard Grieg
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Marc GARETTO
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PEER GYNT SELECTIONS for Full Orchestra - Edvard Grieg - Arr. Marc Garetto
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Christmas Classicals - The Ultimate Xmas Medley !
Orchestre
Composed by Marc GARETTO / Schubert / Haendel / Schubert / Bizet, etc. Arranged by Marc GA…
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Composed by Marc GARETTO / Schubert / Haendel / Schubert / Bizet, etc. Arranged by Marc GARETTO. Classical Period, Christian, World, Christmas, Children's Music. Score, Set of Parts. 91 pages. Published by Marc GARETTO - Harmonie Editions (S0.75419). - Score,Set of Parts - Classical Period,Christian,World,Christmas,Children's Music - Marc GARETTO - Harmonie Editions
$80.00
74.86 €
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Orchestre
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Marc GARETTO / Schubert / Haendel / Schubert / Bizet, etc
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Marc GARETTO
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Christmas Classicals - The Ultimate Xmas Medley !
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
Symphony "Die Harmonie der Welt"
Orchestre
2 (2. auch Picc.) · 2 · 2 · Bassklar. · 2 · Kfg. – …
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2 (2. auch Picc.) · 2 · 2 · Bassklar. · 2 · Kfg. – 4 · 2 · 3 · 1 – P. S. (Trgl. · 3 Röhrengl. · Gong [Tamt.] · 2 hg. Beck. · Beckenpaar · Tamb. · Rührtr. · kl. Tr. · 2 Holztr. · gr. Tr. · Glspl.) (5 Spieler) – Str. Large Orchestra - Digital Download Composed by Paul Hindemith (1895-1963). This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 34 minutes. Schott Music - Digital #Q22671. Published by Schott Music - Digital
$23.99
22.45 €
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Orchestre
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Paul Hindemith (1895-1963)
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2 ·
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Symphony "Die Harmonie der Welt"
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Schott Music - Digital
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SheetMusicPlus
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
28.07 €
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Orchestre
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doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Gordon Cherry
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SheetMusicPlus
Pacific Tides
Orchestre
Full Orchestra - Digital Download SKU: A0.802946 Composed by David Dolatowski. Conc…
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Full Orchestra - Digital Download SKU: A0.802946 Composed by David Dolatowski. Concert,Contemporary. Score and parts. 28 pages. Golden Hawk Music #6382329. Published by Golden Hawk Music (A0.802946). Pacific Tides is a new, contemporary piece for full Orchestra composed in 2021. Instrumentation is for a standard orchestra with English Horn, Contra bassoon, Piano and 4 percussion Players. Duration: 17:18.Style features tonal and atonal harmonies with some string harmonic techniques. Note: string harmonics could not be realized in the Mp3 file.
$25.00
23.4 €
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Orchestre
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David Dolatowski
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Pacific Tides
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Golden Hawk Music
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SheetMusicPlus
Wiener Blut
Orchestre
Klav.-Dir., Harm., V.-Dir., V.obl., Vc., Basso, Fl., Klar.I, Klar.II, Ob., Trp., Pos., A.-…
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Klav.-Dir., Harm., V.-Dir., V.obl., Vc., Basso, Fl., Klar.I, Klar.II, Ob., Trp., Pos., A.-Sax.I, A. -Sax.II, T.-Sax., Schlgz. (Timp.) Salon orchestra - Digital Download SKU: S9.Q5197 Overture. Composed by Johann Strauss Jr. Arranged by Joseph Gregor Bayer. This edition: piano direction and parts. Odeon. Downloadable, Piano conductor and parts. Duration 5:30. Edition Cranz GmbH - Digital #Q5197. Published by Edition Cranz GmbH - Digital (S9.Q5197).
$41.99
39.29 €
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Orchestre
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Johann Strauss Jr
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Joseph Gregor Bayer
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Wiener Blut
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Edition Cranz GmbH - Digital
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SheetMusicPlus
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00
10.29 €
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Orchestre
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Alan Edgar Ted Moon
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SheetMusicPlus
Festival
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
51.47 €
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Orchestre
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Armonica
Orchestre
Orchestra - Digital Download SKU: S9.Q23760 For Orchestra. Composed by Joerg…
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Orchestra - Digital Download SKU: S9.Q23760 For Orchestra. Composed by Joerg Widmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q23760. Published by Schott Music - Digital (S9.Q23760). Mit seinem Orchesterwerk Armonica begibt sich Jörg Widmann auf die Suche nach der Harmonie. Klänge wie von einer Glasharmonika bestimmen Anfang und Ende des Stücks. In seinem Verlauf weitet sich das Werk Hinsichtlich der rhythmische, melodischen und dynamischen Differenzierung, als stelle es eine einzige, riesige Atembewegung dar oder: das Ein- und Ausatmen einer Ziehharmonika.1 · 2 · 2 · 2 - 2 · 2 · 0 · 0 - P. S. (I: Crot. · Beck. · Watergong · 2 Tamt.; II: Glsp. · Beck. · Watergong · 2 Tamt.; III: Vibr. · Beck. · chin. Beck. · Watergong · 2 Tamt. · Trgl.) - Glasharm. · Hfe. · Cel. · Akk. · Klav. - Str. (12 · 10 · 8 · 6 · 6).
$29.99
28.06 €
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Orchestre
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Joerg Widmann
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II: Glsp
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Armonica
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Schott Music - Digital
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SheetMusicPlus
A Well-Traveled Road
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
65.51 €
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Orchestre
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.4 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.4 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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