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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
no idea
Non classifié
467
Piano & claviers
Piano seul
197
Piano Facile
97
Piano, Voix
18
Piano, Voix et Guitare
17
Orgue
16
Instruments en Do
14
1 Piano, 4 mains
7
2 Pianos, 4 mains
6
Piano Trio: piano, violon, violoncelle
3
Accompagnement Piano
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Accordéon
1
Orgue, Trompette (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare
55
Guitare notes et tablatures
12
Basse electrique
7
4 Guitares (Quatuor)
6
2 Guitares (duo)
5
Guitare (partie séparée)
4
Ensemble de guitares
4
Ligne De Mélodie, (Paroles) et Accords
4
Mandoline
3
Piano, Guitare (duo)
2
Banjo
1
3 Guitares (trio)
1
Ukulele
1
Dulcimer
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
64
Chorale 3 parties
16
Chorale TTBB
9
Chorale 2 parties
7
Chorale SSAA
5
Chorale Unison
4
Voix Soprano, Piano
2
Voix seule
2
Voix Alto, Piano
2
Voix moyenne, Piano
1
Chorale SSAATTBB
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
57
Flûte traversière et Piano
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Flûte, Hautbois, Clarinette, Basson
44
3 Saxophones (trio)
44
Clarinette et Piano
43
Quatuor de Saxophones: 4 saxophones
41
Hautbois, Piano (duo)
37
Clarinette
28
Saxophone Alto et Piano
25
Saxophone Soprano et Piano
25
Saxophone Tenor et Piano
25
2 Clarinettes (duo)
24
Saxophone, Clarinette (duo)
22
Saxophone (partie séparée)
22
Quintette de Saxophone: 5 saxophones
21
3 Clarinettes (trio)
20
Flûte, Clarinette (duo)
19
Flûte traversière
18
Saxophone Baryton, Piano
18
Clarinette, Violon (duo)
17
2 Hautbois (duo)
17
Cor anglais, Piano
15
Hautbois, Clarinette, Basson (trio d'anches)
15
Quatuor de Flûtes : 4 flûtes
14
Saxophone Alto
13
Flûte, Hautbois, Clarinette (trio)
13
Quatuor de Clarinettes: 4 clarinettes
13
Ensemble de Clarinettes
11
Hautbois, Clarinette (duo)
11
Flûte, Hautbois, Basson
10
Clarinette, Trompette (duo)
10
Saxophone Tenor
10
Flûte, Clarinette et Basson
10
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
9
Hautbois (partie séparée)
8
2 Flûte à bec (duo)
8
Saxophone Baryton
8
Clarinette et Alto
8
Hautbois
8
Trio de Flûtes: 3 flûtes
8
Flûte, Violon
8
Flûte, Saxophone (duo)
7
Hautbois, Flûte
7
Flûte, Alto (duo)
7
2 Clarinettes, Basson
6
Piccolo, Piano
6
Saxophone Soprano
6
Clarinette, Basson (duo)
6
Flûte, Trompette (duo)
6
Ensemble De Flûte à bec
6
Cor Anglais
6
Flûte à bec Soprano
6
Clarinette Basse, Piano
6
Ensemble de Flûtes
5
Flûte à bec Tenor
5
Ensemble de saxophones
5
Flûte à Bec, Piano
4
Piccolo
4
Flûte à bec Alto, Piano
4
Flûte et Guitare
4
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle (duo)
3
Flûte, Violoncelle
3
Flute (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Quintette de Clarinettes: 5 clarinettes
2
Hautbois et alto (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Hautbois (duo)
2
Flûte, Tuba (duo)
2
3 Flûtes à bec (trio)
2
3 Hautbois
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Trombone (duo)
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Flûte, Violon et Violoncelle
1
Flûte à Bec
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto
1
Flûte et Trio à cordes
1
+ 80 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
38
Trompette, Piano
37
Trombone et Piano
34
Trompette
32
Cor et Piano
26
Tuba et Piano
21
Cor
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone
15
Cor anglais, Piano
15
Trompette, Saxophone (duo)
14
Trompette, Trombone (duo)
14
Quatuor de cuivres: 4 trombones
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
2 Trompettes (duo)
13
2 Trombones (duo)
13
Quatuor de cuivres: 4 cors
12
Euphonium, Piano (duo)
12
Quatuor de Cuivres
11
Quatuor de cuivres: 4 trompettes
9
Tuba
9
Trombone (partie séparée)
9
Trompette, Cor (duo)
8
Trompette (partie séparée)
8
2 Cors (duo)
7
Cor Anglais
6
4 Tubas
5
Trombone basse
4
Trombone, Cor (duo)
4
3 Trombones (trio)
4
Trombone basse et Piano
3
3 Trompettes (trio)
3
2 Tubas (duo)
3
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
3 Tubas (trio)
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Ensemble de Cors
2
Trombone, Tuba (duo)
1
Ensemble de Trombones
1
Trio de Cuivres
1
3 Cors (trio)
1
Euphonium
1
Ensemble de Trompettes
1
Trompette, Tuba (duo)
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
Euphonium, Tuba (duo)
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
113
Trio à Cordes: violon, alto, violoncelle
51
Violoncelle, Piano
47
Violon et Piano
45
Alto, Piano
37
Violon, Violoncelle (duo)
34
2 Violons (duo)
30
Violon
28
Violoncelle
28
Violon, Alto (duo)
21
2 Altos (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Alto seul
17
2 Violoncelles (duo)
16
4 Violoncelles
13
Contrebasse, Piano (duo)
13
Contre Basse
11
Trio à cordes: 3 violins
9
Harpe
8
Trio à Cordes: 2 violons, violoncelle
7
Quatuor à cordes : 4 altos
6
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
4
Alto, Violoncelle (duo)
4
Violoncelle , Guitare (duo)
3
Trio à cordes: 3 altos
3
Trio à Cordes: 3 violoncelles
3
Violon (partie séparée)
2
Violon, Basson (duo)
2
Contrebasse (partie séparée)
2
Alto (partie séparée)
2
Harpe, Flûte (duo)
1
Ensemble de Violoncelles
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Trio à Cordes: 2 violons, alto
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
43
Orchestre d'harmonie
33
Orchestre
33
Cloches
26
Ensemble Jazz
21
Orchestre de chambre
20
Marimba
18
Ensemble de cuivres
8
Batterie
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie (partie séparée)
2
Fanfare
1
Instrumentation Flexible
1
Ensemble de Percussions
1
Jazz combo
1
Percussion (partie séparée)
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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26
Symphony No 2 'Variants' for Large Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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15th April 2021
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Symphony No 2 'Variants' for L
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.928008 Composed by Malcolm D Robertson. Contemporary. 70 pages. Mr Malcolm D Robertson #6638437. Published by Mr Malc...
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Full Orchestra - Level 5 - SKU: A0.928008 Composed by Malcolm D Robertson. Contemporary. 70 pages. Mr Malcolm D Robertson #6638437. Published by Mr Malcolm D Robertson (A0.928008). Composed between the 26th February & 15th April 2021. My 2nd Symphony is in one continuous movement, but four clearly defined sections - slow-fast-slow-fast. The subtitle 'Variants' was perhaps rather apt with the Covid-19 pandemic ongoing during the symphony's composition. The initial idea on the violas provides the thematic basis for the entire Symphony, with various aspects of the initial idea being continually varied throughout the course of the work. Unusually for me the Symphony ends loudly almost brashly. The Symphony is scored for a large symphony orchestra and is around 28 minutes in duration.Parts can be supplied upon request.
$30.00
Symphony No. 9 ... My Imaginary London (2014)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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going to London, that is
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Symphony No. 9 ... My Imaginar
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 ...
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Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99
Symphony No. 9
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Orchestre
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Classique
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Gustav Mahler
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Symphony No. 9
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Orchestra - SKU: S9.Q47490 Composed by Gustav Mahler. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downlo...
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Orchestra - SKU: S9.Q47490 Composed by Gustav Mahler. This edition: study score. Ernst eulenburg - orchestra - score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q47490. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q47490). German • English.All of Mahler's symphonies are now available in the Eulenburg catalogue. Mahler 2 – written between 1888 and 1894 and known as 'Resurrection Symphony'. Mahler came up with the idea for the final movement 'Resurrection' at the funeral ceremony for Hans von Bülow. Mahler 3 – the middle of the three symphonies which sets texts from the poetry collection 'Des Knaben Wunderhorn' to music and is often described in the history of reception as peak of Mahler's monumentality. Mahler 9 – the last finished symphony; composed in a creative frenzy as a farewell of a great superstitious composer; often regarded in the history of reception as work of the highest compositional value and as transition to a new musical epoch. For Mahler 10, realised by Yoel Gamzou, see ED 21849 (published by Schott Music) and WER 51222.
$17.99
Symphony No. 3 D minor
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Orchestre
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Classique
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Gustav Mahler
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Symphony No. 3 D minor
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q47489 Composed by Gustav Mahler. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Dow...
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Orchestra - SKU: S9.Q47489 Composed by Gustav Mahler. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q47489. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q47489). Key: D minor.All of Mahler's symphonies are now available in the Eulenburg catalogue. Mahler 2 – written between 1888 and 1894 and known as 'Resurrection Symphony'. Mahler came up with the idea for the final movement 'Resurrection' at the funeral ceremony for Hans von Bülow. Mahler 3 – the middle of the three symphonies which sets texts from the poetry collection 'Des Knaben Wunderhorn' to music and is often described in the history of reception as peak of Mahler's monumentality. Mahler 9 – the last finished symphony; composed in a creative frenzy as a farewell of a great superstitious composer; often regarded in the history of reception as work of the highest compositional value and as transition to a new musical epoch. For Mahler 10, realised by Yoel Gamzou, see ED 21849 (published by Schott Music) and WER 51222.
$18.99
Symphony No. 1, "The Dawning of 2012" For Large Orchestra, Full Score and Individual Parts, James Na
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Symphony No. 1, "The Dawn
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730463 Composed by James Nathaniel Holland. Contemporary. Score and parts. 464 pages. James Nathaniel Holland #362087...
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Full Orchestra - Level 5 - SKU: A0.730463 Composed by James Nathaniel Holland. Contemporary. Score and parts. 464 pages. James Nathaniel Holland #3620879. Published by James Nathaniel Holland (A0.730463). 2012. The end of the world. How much did we have to suffer through all those articles, movies, and events that never happened? But I still like the idea of it. Some sort of awakening.
$79.95
Symphony No. 1, "The Dawning of 2012" For Large Orchestra, Individual Parts Only, James Nathaniel Ho
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Orchestre
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AVANCÉ
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Contemporain
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James Nathaniel Holland
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Symphony No. 1, "The Dawn
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730462 Composed by James Nathaniel Holland. Contemporary. Score and parts. 312 pages. James Nathaniel Holland #362087...
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Full Orchestra - Level 5 - SKU: A0.730462 Composed by James Nathaniel Holland. Contemporary. Score and parts. 312 pages. James Nathaniel Holland #3620873. Published by James Nathaniel Holland (A0.730462). 2012. The end of the world. How much did we have to suffer through all those articles, movies, and events that never happened? But I still like the idea of it. Some sort of awakening.
$65.25
Symphony No 4 for large orchestra - Score Only
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Orchestre
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AVANCÉ
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Malcolm D Robertson
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the start of July 2023
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Symphony No 4 for large orches
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1322867 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 111 pages. Mr Malcolm D Robertson #9111...
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Full Orchestra - Level 5 - SKU: A0.1322867 Composed by Malcolm D Robertson. 21st Century,Classical,Contemporary. 111 pages. Mr Malcolm D Robertson #911135. Published by Mr Malcolm D Robertson (A0.1322867). Composed between the end of December 2022 & the start of July 2023. The Symphony is in 4 movements following a more classical ordering and is a little under 35 minutes in length. The initial rising scale idea with 'missing' notes pervades much of the material in the symphony The symphony took longer to compose than is normal for me as it was composed during the difficult period of my father's swiftly evolving final illness, death & dealing with the aftermath. The shadow of my father's final illness & witnessing his swift decline particularly hangs over the slow 2nd movement. The first movement after a broad but forward moving introduction, is energetic with a continual forward momentum. The 3rd movement is a deliberately elusive scherzo movement with a strange inconclusive coda. The finale, after a reserved opening is surprisingly optimistic pushing to a sonorous conclusion. As is the norm for me, I composed directly into full score.Orchestral parts can be supplied upon request.
$35.00
Die Ideale
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Orchestre
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Franz Liszt
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Die Ideale
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q4385 Symphonic Poem No. 12. Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenbu...
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Orchestra - SKU: S9.Q4385 Symphonic Poem No. 12. Composed by Franz Liszt. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 29 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4385. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4385). German • English.With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$13.99
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Orchestre
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Classique
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B M
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Neil Crossland
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SheetMusicPlus
Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossl...
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Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Symphony No. 2 - Finale
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INTERMÉDIAIRE
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Classique
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Artyfile
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Paul Lorenz
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Symphony No. 2 - Finale
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1366865 By Artyfile. By Gustav Mahler. Arranged by Paul Lorenz. 20th Century,Classical,Film/TV,Praise and Worship,Rom...
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Full Orchestra - Level 3 - SKU: A0.1366865 By Artyfile. By Gustav Mahler. Arranged by Paul Lorenz. 20th Century,Classical,Film/TV,Praise and Worship,Romantic Period. 42 pages. Paul Lorenz #951198. Published by Paul Lorenz (A0.1366865). Paul Lorenz's Majestic Arrangement of Mahler's Symphony No. 2 Finale Rediscovering a Masterpiece: The Finale of Mahler's Symphony No. 2 Experience the grandeur of Gustav Mahler's Symphony No. 2 like never before with Paul Lorenz specially arranged concert version. Meticulously crafted for orchestras, soloists, and choirs, this edition brings the awe-inspiring 'Resurrection Symphony' to a wider audience. Its adaptability makes it perfect for a diverse range of ensembles, from full orchestras to chamber groups, ensuring that the magnificence of this monumental work is accessible to all. Elevating Performance Standards Paul Lorenz's expert arrangement encapsulates the essence of Mahler's vision, offering an exquisite balance between authenticity and practicality. The orchestration includes flutes, oboes, clarinets, horns, trumpets, trombones, timpani, organ, strings, and a four-part choir, creating a rich tapestry of sound. This version is ideal for smaller ensembles seeking to perform a large-scale work without compromising on quality. It's a testament to the timeless appeal of Mahler's symphony and a tribute to the innovative spirit of Paul Lorenz Music. A Symphony for the Ages The 'Resurrection Symphony' is renowned for its profound emotional depth and complexity. This arrangement not only encapsulates the essence of Mahler's masterpiece but also aligns with the contemporary cinematic narrative, as seen in the award-winning film 'Maestro' featuring Bradley Cooper as Leonard Bernstein. Paul Lorenz Music's version honors this legacy, providing musicians and audiences alike with an unforgettable experience. This arrangement is not just a score; it's an opportunity to connect with one of the greatest musical works of all time, brought to life through a contemporary lens. Find More About Paul Lorenz Music: - Homepage- Instagram- Facebook- YouTube
$156.00
"Now Thank We" and "Praise the Lord" adapted from MENDELSSOHN'S Symphony No. 2 "Song of Praise" (4:3
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Paul Ferington
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"Now Thank We" and &
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.982352 Arranged by Paul Ferington. Holiday,Praise & Worship,Sacred. Score and parts. 56 pages. Paul K Ferington #6436...
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Full Orchestra - Level 3 - SKU: A0.982352 Arranged by Paul Ferington. Holiday,Praise & Worship,Sacred. Score and parts. 56 pages. Paul K Ferington #6436829. Published by Paul K Ferington (A0.982352). Adaptation of Mendelssohn's powerful SYMPHONY NO. 2 Hymn of Praise for reduced orchestra; movements Now Thank We All Our God and Let All Who Have Breath Praise the Lord (4:30) for church / school orchestra of intermediate ability. Instrumentation Strings + 2/2/2/1 2/2/2/1 Timp / Organ; ideal for concert ending or church service postlude. .
$12.95
Dvorak New World Symphony No 9 Movement IV with Transposed Instruments and Full Score - Allegro con
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AVANCÉ
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Classique
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Antonin Dvorak
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Daniel G Fritch
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Dvorak New World Symphony No 9
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Daniel G Fritch
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.919782 Composed by Antonin Dvorak. Arranged by Daniel G Fritch. Romantic Period. Score and parts. 230 pages. Daniel G...
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Full Orchestra - Level 5 - SKU: A0.919782 Composed by Antonin Dvorak. Arranged by Daniel G Fritch. Romantic Period. Score and parts. 230 pages. Daniel G Fritch #4270301. Published by Daniel G Fritch (A0.919782). This is the full orchestration of movement IV Allegro con fuco with full score and transposed instruments for Clarinet in Bb, Trumpet in Bb, and Horn in F. Trombone in bass clef. Additionally, Bass Clarinet parts are provided to cover Bassoon. These transposed instruments are provided in a keyless notation to simply reading where many sharps would normally be found. Each part has extensive cue notes to help members with entrances. This arrangement is ideal for use by community orchestras.
$49.95
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
One Sows for the Benefit of Another Age - Orchestra
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
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Orchestre
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AVANCÉ
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbi
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes...
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Full Orchestra - Level 5 - SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky
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A
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I. Stravinsky – Serenade
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Publishe...
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Full Orchestra - Level 4 - SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
Intermezzo Sinfonico from Cavalleria Rusticana ? original orchestration
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Orchestre
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INTERMÉDIAIRE
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Classique
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Pietro Mascagni
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Michele Galvagno
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Intermezzo Sinfonico from Cava
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic...
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Full Orchestra - Level 3 - SKU: A0.1374671 Composed by Pietro Mascagni. Arranged by Michele Galvagno. 19th Century,20th Century,Opera,Religious,Romantic Period. 33 pages. Artistic Score Engraving di Galvagno Michele #959220. Published by Artistic Score Engraving di Galvagno Michele (A0.1374671). Pietro Mascagniâ??s (1863â??1945) Intermezzo Sinfonico from his opera Cavalleria Rusticana needs no presentation. The idea of this edition comes from an update to an arrangement created for a friendâ??s wedding in 2010. While arranging, I stumbled upon the composerâ??s autograph of this Intermezzo, for piano solo, and decided to add a modern engraving of it to the mix. Finally, an orchestral score and a full set of parts have been included to close the circle.There are, therefore, three versions of this piece: ASE 0055: for piano solo, based on the composerâ??s autograph from 1888. ASE 0057: arrangement for cello ensemble (min. 8 cellos), based on the piano part and not on the orchestral version, which differs greatly in dynamics and agogic marking ASE 0058: original orchestration, score and parts This editionâ??s piano solo and original orchestration versions inaugurate a new series dedicated to Italian composers and/or to composers who thought about Italy while writing their music. It is called: Viva lâ??Italia!
$38.00
The Last Supper
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Orchestre
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AVANCÉ
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Contemporain
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Kevin Longley
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The Last Supper
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Kevin Longley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kev...
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Full Orchestra - Level 5 - SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kevin Longley (A0.1019350). The Last Supper, scored for Symphony Orchestra was conceived in 1984, completed in 1986 and later revised in 2017. The work is built around the idea of a visitor who is transported back in time to the events of the Last Supper. This visitor is only an observer to the event; having no effect upon what he sees. The piece opens with a dark theme, signifying the visitor walking through the shadowy streets of Jerusalem. As the theme comes to an end an oboe, high above, signals the visitors first view of the Last Supper. The music takes the listener from the Passover Meal to the Mount of Olives and finally to the Betrayal of Lord Jesus. Throughout the score are written biblical passages, meant to inspire the performer and give context to the music. They may optionally be spoken as part of the performance. Orchestra (1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, suspended cymbal, tam-tam, snare drum, triangle, harp, strings) Composed by Kevin Longley (1958-). Full score. 55 pages. Duration 15 minutes.
$15.50
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Orchestre
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AVANCÉ
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Classique
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doing so, you will be able to
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba w
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon ...
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Full Orchestra - Level 5 - SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
Chevalier De Sangreal
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Orchestre
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AVANCÉ
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Rel...
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Full Orchestra - Level 5 - SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00
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