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avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
3713
PIANO & CLAVIERS
Piano seul
1938
Piano Facile
539
1 Piano, 4 mains
391
Piano, Voix
342
Instruments en Do
263
Piano, Voix et Guitare
212
Orgue
188
Accompagnement Piano
144
Piano Trio: piano, violon, violoncelle
70
2 Pianos, 4 mains
55
Piano (partie séparée)
13
Orgue, Piano (duo)
11
Piano Quatuor: piano, violon, alto, violoncelle
10
Accordéon
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano grosses notes
8
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Trompette (duo)
5
2 Accordéons
3
2 Pianos, 8 mains
2
Ligne De Mélodie, Piano
2
Clavier
2
Clavecin
1
Ensemble d'Accordéons
1
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GUITARES
Guitare notes et tablatures
273
Guitare
199
Ligne De Mélodie, (Paroles) et Accords
100
Ukulele
57
2 Guitares (duo)
41
Guitare (partie séparée)
29
Basse electrique
17
Paroles et Accords
14
Mandoline
11
4 Guitares (Quatuor)
8
Dulcimer
8
2 Dulcimers (duo)
8
Banjo
6
Piano, Guitare (duo)
6
2 Ukuleles
4
Mandoline, Guitare (duo)
4
Ukulele Baryton
3
3 Guitares (trio)
2
Ensemble de guitares
2
Guitare Pedal Steel
1
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VOIX
Chorale SATB
1016
Chorale Unison
669
Chorale 3 parties
241
Chorale 2 parties
223
Chorale TTBB
212
Chorale SSAA
180
Voix duo, Piano
49
Voix Soprano, Piano
23
Voix duo
20
Voix haute
12
Voix moyenne, Piano
12
Chorale SSAATTBB
10
Chorale SSATB
7
Voix Baryton, Piano
7
Voix Tenor, Piano
7
Voix seule
6
Voix Alto, Piano
5
Chorale
5
Voix basse, Piano
4
Chorale SSATTB
3
Voix Tenor
3
Voix haute, Piano
2
Voix Soprano
2
Voix basse
1
Chorale SSAB, Piano
1
Voix Soprano, Orchestre
1
Voix, Guitare
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
222
Flûte traversière et Piano
217
Quatuor de Saxophones: 4 saxophones
217
Quatuor de Clarinettes: 4 clarinettes
159
Clarinette et Piano
158
Saxophone Alto et Piano
144
Hautbois, Piano (duo)
143
2 Saxophones (duo)
140
Flûte, Hautbois, Clarinette, Basson
123
2 Flûtes traversières (duo)
116
Clarinette
112
Saxophone (partie séparée)
109
2 Clarinettes (duo)
105
Flûte traversière
103
Saxophone Tenor et Piano
97
Quintette de Saxophone: 5 saxophones
76
Quatuor de Flûtes : 4 flûtes
66
3 Saxophones (trio)
55
Saxophone Alto
54
Ensemble de Clarinettes
52
Saxophone Baryton, Piano
43
Quintette de Clarinettes: 5 clarinettes
42
Saxophone Soprano et Piano
41
Saxophone Tenor
40
Ensemble de Flûtes
40
3 Clarinettes (trio)
38
Flûte, Clarinette (duo)
36
Ensemble de saxophones
35
Flûte et Guitare
35
Trio de Flûtes: 3 flûtes
35
Hautbois (partie séparée)
31
Saxophone, Clarinette (duo)
31
2 Hautbois (duo)
31
Clarinette Basse, Piano
26
2 Flûtes traversières, Piano
26
Quintette de Flûte : 5 flûtes
23
Cor anglais, Piano
20
Clarinette, Violon (duo)
20
Hautbois, Basson (duo)
20
Flûte, Hautbois, Clarinette (trio)
18
2 Flûte à bec (duo)
16
Quatuor de Flûtes à bec
16
Flûte, Clarinette et Basson
16
Flûte, Violon, Piano
15
Clarinette, Trompette (duo)
15
Hautbois, Clarinette (duo)
14
Flûte, Hautbois, Basson
14
Hautbois, Flûte
14
Clarinette, Basson (duo)
13
Flûte, Violon
13
Flûte, Saxophone (duo)
12
Flûte, Violon et Violoncelle
12
Clarinette (partie séparée)
11
Flute (partie séparée)
11
Clarinette et Alto
10
Cor Anglais
9
5 Flûtes à bec
9
Flûte, Alto (duo)
8
Flûte, Violoncelle
8
Flûte, Trompette (duo)
8
Flûte à bec Soprano
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à bec Alto
8
3 Flûtes à bec (trio)
7
Hautbois
7
Flûte à bec Soprano, Piano
7
2 Clarinettes, Basson
6
Flûte à Bec
6
Flûte, Hautbois (duo)
6
Clarinette, Guitare (duo)
5
Clarinette, Violoncelle (duo)
5
Saxophone
5
2 Cors Anglais Et Pianoforte
4
Harmonica
4
Ensemble De Flûte à bec
4
Piccolo
4
Flûte, Clarinette, Piano (trio)
4
Flûte à Bec, Piano
4
Clarinette, Harpe (duo)
3
Flûte, Hautbois, Piano (trio)
3
2 Clarinettes, Piano
3
Hautbois, Guitare (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Saxophone Soprano
3
Flûte, Basson et Piano
2
Ocarina
2
2 Saxophones, Piano
2
Piccolo, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Hautbois, violon (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte à bec Tenor
2
Hautbois, Violoncelle
2
Saxophone et Guitare
2
Hautbois, Harpe
2
Flûte à bec, Guitare (duo)
1
3 Hautbois
1
Flûte, Harpe et Violoncelle
1
Clarinette Basse
1
Flûte à bec Soprano, Basse continue
1
Saxophone et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, harpe et violon
1
Melodica
1
Hautbois, Basson et Piano
1
Flute, Cor (duo)
1
Ensemble de Hautbois
1
Flûte irlandaise
1
Flûte à bec, Harpe
1
Flûte, Alto et Piano
1
Flûte, alto et harpe
1
Saxophone et Harpe
1
Ensemble à vent
1
Clarinette, Trombone (duo)
1
Cor anglais, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
278
Quatuor de Cuivres : 2 trompettes, trombone, tuba
155
Trompette
131
Trompette, Piano
118
Trombone et Piano
114
Cor et Piano
85
Trombone (partie séparée)
83
Trompette (partie séparée)
63
Trombone
57
2 Trompettes (duo)
57
Cor
41
Euphonium, Piano (duo)
41
Tuba et Piano
40
2 Cors (duo)
40
2 Trombones (duo)
40
Quatuor de cuivres: 4 trombones
38
Quatuor de Cuivres
37
Trompette, Trombone (duo)
33
Quatuor de cuivres: 4 cors
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Trompette, Saxophone (duo)
21
Cor anglais, Piano
20
Ensemble de Trombones
20
Tuba
20
Trio de Cuivres
11
Trompette, Cor (duo)
11
2 Euphoniums et 2 Tubas
11
Cor (partie séparée)
10
Euphonium, Tuba (duo)
10
3 Trombones (trio)
10
Cor Anglais
9
Ensemble de Trompettes
9
Ensemble de Cors
9
2 Tubas (duo)
8
Tuba (partie séparée)
7
Cornet et Piano
7
Quatuor de cuivres: 4 trompettes
6
4 Tubas
6
3 Tubas (trio)
5
Trombone, Orgue
4
2 Cors Anglais Et Pianoforte
4
Euphonium
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Tuba et Orgue
3
Trombone, Cor (duo)
2
3 Trompettes (trio)
2
Trombone basse
2
Trombone basse et Piano
2
Trompette, Tuba (duo)
2
Clarinette, Cor (duo)
2
Cor, Tuba (duo)
1
3 Cors (trio)
1
2 Cors, Piano
1
Cor et Harpe
1
Bass Clef Instruments
1
Trompette, Trombone, Piano
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
747
Violon et Piano
363
Violon
311
Trio à Cordes: violon, alto, violoncelle
296
Violon, Violoncelle (duo)
263
Violoncelle, Piano
219
Alto, Piano
159
2 Violons (duo)
140
Violoncelle
110
Harpe
107
2 Violoncelles (duo)
95
2 Altos (duo)
55
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
Violon, Alto (duo)
49
Alto seul
47
Alto, Violoncelle (duo)
45
Trio à Cordes: 2 violons, violoncelle
37
Contrebasse, Piano (duo)
34
Contrebasse (partie séparée)
29
Violon (partie séparée)
26
Alto (partie séparée)
22
Contre Basse
20
4 Violoncelles
18
2 Harpes (duo)
14
Trio à Cordes: 3 violoncelles
13
Piano Trio: Violon, Alto, Piano
13
Violon, Guitare (duo)
10
Quatuor à cordes: 4 violons
10
Violoncelle, Contrebasse (duo)
9
Trio à cordes: 3 violins
9
Harpe, Violon (duo)
8
Harpe, Flûte (duo)
8
Violoncelle , Guitare (duo)
7
Trio à cordes
7
Violoncelle (partie séparée)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
2 Contrebasses (duo)
5
Trio à cordes: 3 altos
5
Quatuor à cordes : 4 altos
5
Trio à Cordes: 2 violons, alto
4
2 Violons, Piano
4
Ensemble de Violons
3
Violon, Basson (duo)
2
Alto, Guitare (duo)
2
5 Harpes
2
3 Harpes
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe et Piano
1
Flûte, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Harpe, Voix
1
Alto et Basson
1
Violoncelle, Orgue
1
Violoncelle, Basse continue
1
4 Contrebasses
1
Violon, Violoncelle, Clarinette
1
Autoharp
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
2 Altos, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1103
Orchestre à Cordes
417
Orchestre
323
Ensemble de cuivres
248
Ensemble Jazz
142
Cloches
141
Orchestre de chambre
128
Ensemble de Percussions
56
Jazz combo
41
Batterie
39
Fanfare
37
Batterie (partie séparée)
14
Percussion (partie séparée)
11
Marimba
9
Xylophone, Piano
7
Vibraphone
6
Percussion
5
Orchestre, Violon
4
Timbales (partie séparée)
2
2 Xylophones
2
Marimba, Piano (duo)
2
Piano et Orchestre
2
Xylophone
1
Voix Mezzo-Soprano, Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Ensemble d'École
1
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.69 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Walking In The Air
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blak…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1118521 Composed by Howard Blake. Arranged by Kevin Riley. 20th Century,Christmas,Film/TV. Score and parts. 53 pages. Kevin Riley #720042. Published by Kevin Riley (A0.1118521). Walking in the Air is a song written by Howard Blake for the 1982 animated film The Snowman based on Raymond Briggs' 1978 children's book of the same name. The song forms the centrepiece of The Snowman, which has become a seasonal favourite on British and Finnish television. The story relates the fleeting adventures of a young boy and a snowman who has come to life. In the second part of the story, the boy and the snowman fly to the North Pole. Walking in the Air is the theme for the journey. They attend a party of snowmen, at which the boy seems to be the only human until they meet Father Christmas with his reindeer, and the boy is given a scarf with a snowman pattern. In the film, the song was performed by St Paul's Cathedral choirboy Peter Auty, and reissued in 1985 (on Stiff Records) and 1987. In 1985, an altered version was recorded for use in a TV advertising campaign for Toys R Us. As Auty's voice had then broken, Blake recommended the then-14-year-old Welsh chorister Aled Jones, whose recording reached number five in the UK Singles Chart, and who became a popular celebrity on the strength of his performance. The association of the song with Jones, combined with Auty not being credited on The Snowman, led to a common misbelief that Jones performed the song in the film. Walking in the Air has subsequently been performed by over forty artists, in a variety of styles. In a UK poll in 2012, the Aled Jones version was voted 13th on the ITV television special The Nation's Favourite Christmas Song.
$70.00
64.03 €
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Orchestre
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Howard Blake
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Kevin Riley
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Walking In The Air
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Kevin Riley
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SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
42.03 €
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Orchestre
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James Nathaniel Holland
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Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.14 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.68 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
The European Anthem
Orchestre
Orchestra - Digital Download Music from the last movement of the Ninth Symphony. Comp…
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Orchestra - Digital Download Music from the last movement of the Ninth Symphony. Composed by Ludwig van Beethoven (1770-1827). Arranged by Herbert von Karajan. This edition: score. Downloadable. Duration 2 minutes 15 seconds. Schott Music - Digital #Q2742. Published by Schott Music - Digital
The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.<br> In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.<br> In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.<br> In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.<br> <br> The score of this offical anthem is exclusively available from the Schott publishing house.The European Hymn is the hymn not only of the European Union but of Europe in a broader sense. The melody has been taken from the Ninth Symphony by Ludwig van Beethoven from 1823.<br> In the last movement of this symphony Beethoven set music to the 'Ode to Joy' by Friedrich von Schiller from 1785. This poem sprang from Schiller's idealistic vision of men who become brothers - a vision Beethoven shared with him.<br> In 1972 the Council of Europe adopted Beethoven's 'Ode to Joy' as its anthem. The well-known conductor Herbert von Karajan was commissioned to arrange three instrumental versions - for solo piano, wind orchestra and symphony orchestra. Without words, in the universal language of music, the anthem is an expression of the idealistic values of freedom, peace and solidarity which Europe stands for.<br> In 1985 the heads of state and government adopted the hymn as the EU's official anthem. It does not replace the national anthems of the member states, but rather celebrates common values as well as unity in diversity.<br> <br> The score of this offical anthem is exclusively available from the Schott publishing house.
$17.99
16.46 €
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Orchestre
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Ludwig van Beethoven
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Herbert von Karajan
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The European Anthem
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Schott Music - Digital
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.81 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.29 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Harry Potter and the Chamber of Secrets, Themes from: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016621_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016621_B1 Bassoon. Composed by John Williams. Arranged by Bob Cerulli. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016621_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016621_B1). ISBN 9780757936371. UPC: 654979058267.A charming medley of a few of the selections from the second blockbuster Harry Potter film including Fawkes the Phoenix, Gilderoy Lockhart, Dobby the House Elf, Moaning Myrtle, and Fawkes Heals Harry. Some of these selections are the most enjoyable for your strings. Although this is scored at the intermediate level where winds and percussion are supplementary to the arrangement, they sure add to the luster. Truly magical! (5:13).
$3.00
2.74 €
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Orchestre
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John Williams
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Bob Cerulli
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Harry Potter and the Chamber of Secrets, Themes from: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Chamber of Secrets, Themes from: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016621_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016621_VC1 Cello. Composed by John Williams. Arranged by Bob Cerulli. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016621_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016621_VC1). ISBN 9780757936371. UPC: 654979058267.A charming medley of a few of the selections from the second blockbuster Harry Potter film including Fawkes the Phoenix, Gilderoy Lockhart, Dobby the House Elf, Moaning Myrtle, and Fawkes Heals Harry. Some of these selections are the most enjoyable for your strings. Although this is scored at the intermediate level where winds and percussion are supplementary to the arrangement, they sure add to the luster. Truly magical! (5:13).
$3.00
2.74 €
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Orchestre
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John Williams
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Bob Cerulli
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Harry Potter and the Chamber of Secrets, Themes from: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Chamber of Secrets, Themes from: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016621_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016621_M1 Mallets. Composed by John Williams. Arranged by Bob Cerulli. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016621_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016621_M1). ISBN 9780757936371. UPC: 654979058267.A charming medley of a few of the selections from the second blockbuster Harry Potter film including Fawkes the Phoenix, Gilderoy Lockhart, Dobby the House Elf, Moaning Myrtle, and Fawkes Heals Harry. Some of these selections are the most enjoyable for your strings. Although this is scored at the intermediate level where winds and percussion are supplementary to the arrangement, they sure add to the luster. Truly magical! (5:13).
$3.00
2.74 €
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Orchestre
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John Williams
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Bob Cerulli
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Harry Potter and the Chamber of Secrets, Themes from: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Chamber of Secrets, Themes from: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016621_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016621_TMP Timpani. Composed by John Williams. Arranged by Bob Cerulli. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016621_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016621_TMP). ISBN 9780757936371. UPC: 654979058267.A charming medley of a few of the selections from the second blockbuster Harry Potter film including Fawkes the Phoenix, Gilderoy Lockhart, Dobby the House Elf, Moaning Myrtle, and Fawkes Heals Harry. Some of these selections are the most enjoyable for your strings. Although this is scored at the intermediate level where winds and percussion are supplementary to the arrangement, they sure add to the luster. Truly magical! (5:13).
$3.00
2.74 €
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Orchestre
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John Williams
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Bob Cerulli
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Harry Potter and the Chamber of Secrets, Themes from: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Star Trek Main Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1451230 By Various. By Alexande…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1451230 By Various. By Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Kevin Riley. 21st Century,Film/TV. 79 pages. Kevin Riley #1030686. Published by Kevin Riley (A0.1451230). Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as Captain James T. Kirk, with Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton Yelchin, Bruce Greenwood, and Leonard Nimoy reprising their roles from the previous film. Benedict Cumberbatch, Alice Eve, and Peter Weller are also in the film's principal cast. It was Nimoy's last film appearance before his death in 2015. Set in the 23rd century, the film follows Kirk and the crew of USS Enterprise as they are sent to the Klingon homeworld seeking a former Starfleet member-turned-terrorist, John Harrison.
$80.00
73.18 €
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Orchestre
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Various
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Kevin Riley
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Star Trek Main Theme
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Kevin Riley
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SheetMusicPlus
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95
23.74 €
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Orchestre
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James Nathaniel Holland
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Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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James Nathaniel Holland
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SheetMusicPlus
The Second Day - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750966 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750966 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 67 pages. BJE Music #5733237. Published by BJE Music (A0.750966). This original composition started out as a round for 4 clarinets in 1982 and has now ( in 2020) been expanded into an arrangement for full Orchestra. Parts include Harp, Glockenspiel, and Timpani. There are still elements of the original theme and the round - There are interludes with a peaceful feel and a building up to a final climax! The composition was finished on 2nd May 2020 (my birthday) - hence the name The Second Day.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 5:25 mins
$25.00
22.87 €
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Orchestre
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Brendan Elliget MAGA 537
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The Second Day - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
The Christmas Waltz
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.798382 Composed by Jule Styne. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.798382 Composed by Jule Styne. Arranged by Paul Hemmer. Contemporary. Score and parts. 58 pages. PJMS MUSIC #6566777. Published by PJMS MUSIC (A0.798382). Sinatra first recorded The Christmas Waltz with a chorus with an arrangement by Nelson Riddle on August 23, 1954. In 1957, Gordon Jenkins took over the arranging, and The Ralph Brewster Singers provided backing vocal on the recording for A Jolly Christmas from Frank Sinatra. In 1968, Riddle again provided arrangements, but it was The Jimmy Joyce Singers who lent their voices to the recording for The Sinatra Family Wish You a Merry Christmas.This arrangement for SATB with orchestra includes a key change to provide a brief instrumental break with the chorus rejoining on the second 8 bars with Ahhs and then back to the lyric. It makes a great opening number for any Holiday concert.
$60.00
54.88 €
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Orchestre
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Jule Styne
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Paul Hemmer
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The Christmas Waltz
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PJMS MUSIC
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SheetMusicPlus
The First Noel (Variations for Full Orchestra) Full Set
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.754301 Composed by Traditional. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. Score and Parts. 106 pages. NJR Music #3216569. Published by NJR Music (A0.754301). Theme and variation setting.  The work starts with a traditional setting followed by 3 variations:  the first variation is in the Major, the second in minor and the third is a gigue.  Forces:  213[1.2.bc]2:22[1.pt]11:timp:str  Contains the full score and a complete set of parts and is approximately 2 1/2 minutes long.  Additionally, there is a setting of this arrangement for string orchestra that is available separately: at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850429/Product.aspx at Sheet Music Plus: https://www.sheetmusicplus.com/title/the-first-noel-variations-for-string-orchestra-full-set-digital-sheet-music/20061619?ac=1 ASCAP.
$55.00
50.31 €
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Orchestre
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Traditional
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Nick Raspa
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The First Noel
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NJR Music
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SheetMusicPlus
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730404 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. James Nathaniel Holland #3218589. Published by James Nathaniel Holland (A0.730404). A suite in four movements for orchestra taken from the contemporary opera On the Wings of the Scarlet Messenger by American Costa Rican composer James Nathaniel Holland. The first, Dance of the Spirits is a percussionists dream evoking Southeast Asian flavor and energy. The second movement The Party: Intermezzo is a popular dance type of driving beat. The suite slows with the third movement with the haunting The Party: Art Imitates Life and a recap of the Spanish chorus here arranged for orchestra Bailen, Canten, Que Noche Bonita Perfect for New Year's Eve or New Year's Day concert. Use with the arrangement Bailen, Canten Que Noche Bonita with chorus or any of the stand alone arias from the opera. YouTube video presentation: https://youtu.be/QHzyUfKLI9MDuration 14:02 minutes.Instrumentation: picc, 12fl, 12ob, eh, 12cl, bcl, ts, 12bsn, 1234 hrn, 12 trp, trmb, btrmb, tim, perc( snare, hand cym, bd, ride cym with mallets, large gong, sm. gong, claves, castanets, tam., mid tom, tri., high hat) hrp, and stringsFull score in concert pitch with individual parts included. Full opera orchestral score and piano vocal score sold separately.Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html .
$21.95
20.08 €
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Orchestre
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James Nathaniel Holland
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Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
An Orchestration of the Second Movement of Brahms' C minor String Quartet
Orchestre
Full Orchestra - Digital Download SKU: A0.1031704 Composed by Johannes Brahms. Arra…
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Full Orchestra - Digital Download SKU: A0.1031704 Composed by Johannes Brahms. Arranged by Marty Matteson. Romantic Period. Score and Parts. 19 pages. Marty Matteson #3517501. Published by Marty Matteson (A0.1031704). It is an accurate attempt at orchestrating the Brahms String Quartet - there are no parts that wander from the original score. .
$3.99
3.65 €
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Orchestre
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Johannes Brahms
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Marty Matteson
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An Orchestration of the Second Movement of Brahms' C minor String Quartet
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Marty Matteson
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SheetMusicPlus
Joy to the World (Orchestra Accompaniment)
Orchestre
Full Orchestra - Digital Download SKU: A0.723432 Composed by Issac Watts, George Ha…
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Full Orchestra - Digital Download SKU: A0.723432 Composed by Issac Watts, George Handel. Arranged by Sam Cardon, Garrett Breeze. Christmas,Praise & Worship,Sacred. Score and parts. 73 pages. Lagom Music #6230959. Published by Lagom Music (A0.723432). This arrangement begins slow and sparse, with the women singing the first verse in unison. It builds in intensity as the second verse is sung by men in lush harmony, then makes a dramatic shift in tempo and key for a joyous final verse sung by the full choir. Arranged by Sam Cardon and Garrett Breeze.Also available SATB + Piano: http://bit.ly/2Mi35hgVisit https://garrettbreeze.com to read my blog and discover new music!
$125.00
114.34 €
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Orchestre
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Issac Watts, George Handel
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Sam Cardon, Garrett Breeze
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Joy to the World
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Lagom Music
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SheetMusicPlus
Home on the Range - for symphony orchestra (optional sing-along)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin. Classical,Folk,Patriotic,Traditional. Score and parts. 118 pages. Evan Halloin #679638. Published by Evan Halloin (A0.1075450). Home on the Range is arranged here for full symphony orchestra, with and option to perform it as an audience sing-along. There is a short intro, 4 verses and choruses, and a short coda. Each verse and chorus is slightly different, like a series of variations.This arrangement was originally created for the Kansas City Symphony's Symphony in the Flint Hills event in 2022, an annual outdoor concert which traditionally ends with a crowd singing along to this, the state song of Kansas. The key is a friendly E flat, and the text is provided on the second page of the score. There are parts for:the sing-along vocal part 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons optional piccolo, English horn, bass clarinet, contrabassoon 4 horns in F, 3 trumpets in C, 2 trombones, bass trombone, tuba Timpani, 2 percussionists (glockenspiel, triangle, suspended cymbal), harp violin I, violin II, viola, cello, double bassI mean, it's a good tune! Score is 11 x 17 and parts are 9 x 12 size. Adobe Acrobat will easily shrink to fit letter size paper.
$60.00
54.88 €
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Orchestre
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Lyrics by Brewster M
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Evan Halloin
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Home on the Range - for symphony orchestra
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Evan Halloin
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SheetMusicPlus
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