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7
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3 Trompettes (trio)
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Violon
266
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104
Alto seul
77
2 Violons (duo)
59
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55
2 Violoncelles (duo)
41
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33
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24
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21
2 Altos (duo)
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Contre Basse
15
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13
Alto, Violoncelle (duo)
7
Violoncelle, Piano
6
Alto, Piano
6
Trio à cordes: 3 violins
5
Contrebasse, Piano (duo)
4
4 Violoncelles
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
3
Alto et Basson
2
Harpe
1
Violon, Basson (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
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Trio à Cordes: 2 violons, alto
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2 Violons, Piano
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Violon, Guitare (duo)
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Trio à Cordes: 2 violons, violoncelle
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8
Orchestre à Cordes
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Cloches
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Marimba
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Orchestre de chambre
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Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.4 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Whirling-bass clarinet solo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.845000 Composed by Phil Beaman.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.845000 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Score and parts. 1 pages. Phil Beaman #6063455. Published by Phil Beaman (A0.845000). Whirling, for unaccompanied instrumental solo, is my musical interpretation of the act and feeling of whirling. It contains whirling broken chords at Prestissimo speed; a frenzied but controlled perpetual motion etude. The piece is a giant chord progression with each whirling chord lasting 8 bars. This piece creates a unique, fun, and impressive performance. Or show your technique and make a friendly speed challenge with your colleagues!
$3.99
3.66 €
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Orchestre
#
Phil Beaman
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Whirling-bass clarinet solo
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Phil Beaman
#
SheetMusicPlus
Lauda
Orchestre
Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. …
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Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published by Imagine Music - Digital (IZ.OMW213). 8.5 x 11 inches.This brief, simple work was originally written for a service of Lessons and Carols. The text is taken from Martin Lutherâ??s â??A Hymn for Children at Christmas,and this beautiful setting reflects the simplicity and tenderness of Lutherâ??s message. To Us This Night is Born a Child is only two minutes long, but fits nicely into a series of lessons and carols. Sopranos and altos sing the first verse as the angels announce the birth of Jesus; tenors and basses sing the second, as the shepherds make their way to the stable; and the concluding verse is sung by full choir unaccompanied. Both singers and listeners will find the message of the text effectively reflected in this beautiful musical setting.
$80.00
73.29 €
#
Orchestre
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Daniel Baldwin
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Lauda
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Imagine Music - Digital
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
192.4 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
There Is Sweet Music
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar…
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Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. Score and parts. 22 pages. Burke & Bagley #4793345. Published by Burke & Bagley (A0.787361). This is an orchestra arrangement of Elgar's choral setting of the Tennyson poem, There Is Sweet Music. Scored for single winds, horn in F, and strings. 1111 1000 Strings. Duration approx. 3'45. Among the best-known compositions of Sir Edward Elgar (1857-1934) are his orchestral works, the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies among them. He is also known for his choral works, including The Dream of Gerontius, chamber music and songs. Elgar’s 1907 set of Four Part Songs, choral miniatures for unaccompanied mixed chorus, are some of the most challenging in the repertoire. The first of these, setting a poem by Alfred, Lord Tennyson (1809-1892), There Is Sweet Music presents a particularly special challenge to the singers, as apparently the first music ever published composed in two simultaneous keys. The men are in G major throughout, while the women are in A-flat major, two harmonically distant keys. Nevertheless, the music never sounds particularly dissonant and the effect is gentle. Choral conductor Dr. Gary D. Cannon noted an orchestral quality in Elgar’s choral writing and suggested the possibility that There Is Sweet Music might be transcribed for orchestra, giving the men’s parts to the strings and the women’s parts to the winds. Composer Greg Bartholomew accepted this challenge and produced this arrangement.
$35.00
32.07 €
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Orchestre
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Edward Elgar
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Greg Bartholomew
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There Is Sweet Music
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Burke & Bagley
#
SheetMusicPlus
Santa Claus Is Comin' To Town
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.727903 By Steve Tyrell. By John…
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Full Orchestra - Level 3 - Digital Download SKU: A0.727903 By Steve Tyrell. By John Frederick Coots. Arranged by Emily Gray. Jazz. Score and parts. 2 pages. Emily Gray #4895227. Published by Emily Gray (A0.727903). This familiar Christmas song is arranged here in a jazzy version for unaccompanied bass clarinet. Alternative low notes are provided for bass clarinets that have notes down to the low C.
$6.00
5.5 €
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Orchestre
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Steve Tyrell
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Emily Gray
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Santa Claus Is Comin' To Town
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Emily Gray
#
SheetMusicPlus
O Holy Night; Cantique de Noel - Solo Bass Clarinet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.721609 Composed by Adam, Adolph…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.721609 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred,Spiritual. Score and parts. 2 pages. Music-Scores.com #4846431. Published by Music-Scores.com (A0.721609). Cantique de Noel, or O Holy Night. The setting of a poem by Cappeau which was written to celebrate the renovation of the Church organ in Roquemaure, on the west of the Rhone. This arrangement has an option to improvise, and is for unaccompanied Bass Clarinet.Duration up to 3 minutes, 30 seconds.Arranged by Anne Christopherson and www.music-scores.com
$5.95
5.45 €
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Orchestre
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Adam, Adolph
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O Holy Night; Cantique de Noel - Solo Bass Clarinet
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Music-Scores.com
#
SheetMusicPlus
Bicycle Race - Queen for Orchestra
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javie…
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Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javier Martínez Maya. Score, Set of Parts. 59 pages. Published by Arte Nova Music Lab
"Bicycle Race" is a single by the British rock band Queen. It was released on their 1978 album Jazz and written by Queen's lead singer Freddie Mercury. It was released as a double A-side single together with the song "Fat Bottomed Girls". The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was controversial at the time, with the video being edited or even banned in several countries.<br> <br> The song was written by Freddie Mercury and was inspired by watching the 18th stage of the 1978 Tour de France passing Montreux, where the band were recording Jazz in the Mountain Studios. It starts with a chorus unaccompanied by instruments. The chorus is followed by two verses connected with a bridge, both followed by a chorus. Around the middle of the song is a solo played with numerous bicycle bells. The song has an unusual chord progression with numerous modulations, a change of metre in the bridge, and multitracked vocal and guitar harmonies.<br> <br> Taken from https://en.wikipedia.org/wiki/Bicycle_Race"Bicycle Race" is a single by the British rock band Queen. It was released on their 1978 album Jazz and written by Queen's lead singer Freddie Mercury. It was released as a double A-side single together with the song "Fat Bottomed Girls". The song is notable for its video featuring a bicycle race with nude women at Wimbledon Stadium, which was controversial at the time, with the video being edited or even banned in several countries.<br> <br> The song was written by Freddie Mercury and was inspired by watching the 18th stage of the 1978 Tour de France passing Montreux, where the band were recording Jazz in the Mountain Studios. It starts with a chorus unaccompanied by instruments. The chorus is followed by two verses connected with a bridge, both followed by a chorus. Around the middle of the song is a solo played with numerous bicycle bells. The song has an unusual chord progression with numerous modulations, a change of metre in the bridge, and multitracked vocal and guitar harmonies.<br> <br> Taken from https://en.wikipedia.org/wiki/Bicycle_Race
$60.00
54.97 €
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Orchestre
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Queen
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Javier Martínez Maya
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Bicycle Race - Queen for Orchestra
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Arte Nova Music Lab
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SheetMusicPlus
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