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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Plan b
Non classifié
90
Piano & claviers
Piano, Voix et Guitare
72
Piano seul
35
Piano, Voix
8
1 Piano, 4 mains
2
Orgue
2
Instruments en Do
2
Piano Facile
2
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 4 instrumentations
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Guitares
Basse electrique
22
Paroles et Accords
8
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
6
Guitare
4
Voix
Chorale SATB
9
Voix duo
2
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1
Voix haute
1
Voix duo, Piano
1
Chorale 2 parties
1
+ 1 instrumentations
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Vents
Clarinette
31
Saxophone
24
Clarinette et Piano
19
Clarinette (partie séparée)
17
Saxophone (partie séparée)
16
Flûte traversière
14
2 Saxophones (duo)
8
2 Clarinettes (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
5
2 Flûtes traversières (duo)
4
Flûte, Clarinette (duo)
4
Flûte à bec Soprano
4
Saxophone, Clarinette (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette, Violon (duo)
3
Clarinette, Trompette (duo)
2
Flûte traversière et Piano
2
Quintette de Saxophone: 5 saxophones
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois (partie séparée)
1
Flûte, Trompette (duo)
1
Cor anglais, Piano
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette et Alto
1
Hautbois, Flûte
1
2 Hautbois (duo)
1
Saxophone Alto
1
2 Saxophones, Piano
1
Flûte, Saxophone (duo)
1
Flûte et Guitare
1
Saxophone Tenor et Piano
1
Flûte, Alto (duo)
1
+ 33 instrumentations
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Cuivres
Trompette
33
Trompette (partie séparée)
23
Trombone (partie séparée)
16
Trompette, Piano
10
Trombone
9
Tuba (partie séparée)
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
2 Trompettes (duo)
4
Trompette, Trombone (duo)
4
2 Trombones (duo)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette, Saxophone (duo)
2
Trombone, Orgue
2
Cor et Piano
2
Tuba et Piano
1
Cor anglais, Piano
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Tuba ou Euphonium ou Saxhorn
1
+ 15 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
9
2 Harpes (duo)
6
Violon
5
Violon et Piano
4
2 Altos (duo)
4
2 Violons (duo)
3
2 Violoncelles (duo)
3
Violoncelle, Piano
2
Harpe
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
Violoncelle
2
Alto, Piano
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Alto seul
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
118
Orchestre
13
Fanfare
8
Orchestre à Cordes
8
Batterie
7
Ensemble d'École
3
Orchestre de chambre
3
Ensemble de cuivres
3
Cloches
2
Jazz combo
2
Orchestre, Violon
1
+ 6 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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Crtitères actifs :
Plan b
1 Piano, 4 mains
Partitions à imprimer
2 partitions trouvées
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1
Thank You For Being A Friend
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Ameritz Audio Karaoke
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Susan Staples Bell
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Thank You For Being A Friend
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Susan Staples Mast Bell
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1455834 By Ameritz Audio Karaoke. By Andrew Gold. Arranged by Susan Staples Bell. Comedy,Film/TV,Pop,Rock...
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1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1455834 By Ameritz Audio Karaoke. By Andrew Gold. Arranged by Susan Staples Bell. Comedy,Film/TV,Pop,Rock,Standards. Score. 11 pages. Susan Staples Mast Bell #1034981. Published by Susan Staples Mast Bell (A0.1455834). This super fun Intermediate Piano Duet (1 Piano, 4 Hands) of Thank You for Being a Friend, will have everyone smiling and maybe even singing along! Melody mostly in the Primo part but Let's be friends: Secondo gets the melody in Verse 2!10 pages long - pages arranged in Duet playing fashion (2 Page spread: Secondo part - Left side, Primo part - Right side). Easy to turn pages for planned for Primo part. In the original Key of B flat. You'll love it!! Interested in more fun music from Susan Staples Bell? Check out her website. Also available, FREE BACKING TRACKS for most Piano Ensembles. You can see them here.
$7.99
Passacaglia in C (piano duet)
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1 Piano, 4 mains
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
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