This volume contains the latest compositions by Carsten Gerlitz, the author of the popular Schott Piano Lounge series: 15 expressive and catchy, groovy and easy-to-play pop songs for piano duet. What makes these pieces special is the fact that the primo part not only contains the melody but also adds a pinch of jazz to the harmonies.

Adding to his two successful editions 'Little Stories in Jazz' (ED 7186) and 'Piano Studies in Pop' (ED 7304), Mike Schoenmehl wrote the collection 'Jazz for Two' for piano duet. Originally published in two volumes, the work was reedited in one volume in our new edition. Schoenmehl's commitment in the field of education to make rock, pop and jazz music accessible to pupils in a fun way shows here too: rhythm, harmony, melody, form and phrasing of popular music shall be imparted on the pupils by means of these fifteen entertaining jazz and pop pieces. Some of the pieces are even accompanied by exemplary exercises and educational remarks. Illustrated with funny drawings by Marcus Reinheimer.

The success story of Diabelli's 'Melodic Exercises' Op. 149 for piano duet has lasted now for almost 200 years. They are beautiful melodies covering a range of only five tones, perfectly suitable for beginners, with refined and brilliantly designed accompanying settings in the Secondo part. To this day, the pieces are very popular among pupils, teachers and music lovers. Diabelli, born in 1781, was not only a respected piano teacher and composer in Vienna, but also a busy music publisher and friend of Ludwig van Beethoven who jokingly called him 'my diabolus' from time to time. Sometimes he sent themes composed by himself to the then famous composers, asking them to write and return to him some variations on these themes. This led to the creation of the famous Diabelli Variations by Beethoven, a demanding piano work which is performed in the concert halls all over the world still today.
Hopefully, Mr Diabelli .would not mind some of his wonderful five-tone melodies .being transported into the world of swing, samba and other forms of expression, as has been .done .in this volume. Apart from some arranged melodies from Opus 149, this volume also contains a few newly arranged pieces, all of them inspired by Diabelli's idea to make music with five fingers as varied as possible. The .original arrangement of the keys has been maintained. New .inspiration for piano lessons and four-handed piano playing!