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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Symphony F Major
Non classifié
54
Piano & claviers
Piano seul
56
Piano Facile
16
Orgue
7
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 2 instrumentations
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Guitares
Guitare notes et tablatures
2
Guitare
1
Voix
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte traversière et Piano
7
Clarinette et Piano
5
Saxophone (partie séparée)
5
Saxophone Alto et Piano
5
Clarinette
5
Flûte traversière
5
Saxophone Tenor et Piano
4
Hautbois, Piano (duo)
3
Saxophone Soprano et Piano
3
2 Hautbois (duo)
3
Saxophone Baryton, Piano
2
Hautbois (partie séparée)
2
Saxophone Alto
2
Saxophone Tenor
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Saxophone
1
Flûte, Clarinette (duo)
1
2 Flûtes traversières (duo)
1
2 Clarinettes (duo)
1
2 Saxophones (duo)
1
Quintette de Flûte : 5 flûtes
1
+ 18 instrumentations
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Cuivres
Cor
22
Trompette
18
Trombone
9
Cor et Piano
5
Trombone et Piano
4
Trompette, Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
2 Cors (duo)
3
Tuba
2
Tuba et Orgue
2
2 Trompettes (duo)
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 cors
2
3 Cors (trio)
2
Trombone, Cor (duo)
2
Ensemble de Cors
2
Trompette (partie séparée)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 14 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Violon et Piano
6
Violoncelle, Piano
6
Alto, Piano
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon
4
Contrebasse, Piano (duo)
3
Contre Basse
3
Violoncelle
2
Alto seul
2
Violon, Alto (duo)
2
Violon, Violoncelle (duo)
2
2 Violons (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
2 Violoncelles, Piano
1
Harpe
1
Alto (partie séparée)
1
2 Violoncelles (duo)
1
+ 17 instrumentations
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Orchestre
143
Orchestre à Cordes
6
Ensemble de cuivres
6
Orchestre d'harmonie
3
Cloches
1
Vibraphone (partie séparée)
1
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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Vous avez sélectionné:
Symphony F Major
1 Piano, 4 mains
Partitions à imprimer
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New World Symphony: Largo [easy - intermediate duet] by Jennifer Eklund - 1 Piano 4-Hands
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1 Piano, 4 mains
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Jennifer Eklund
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New World Symphony: Largo [eas
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Musicnotes
Sheet Music for New World Symphony: Largo [easy - intermediate duet] by Jennifer Eklund arranged for 1 Piano 4-Hands;Instrumental Duet in F Major. Digital sheet...
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Sheet Music for New World Symphony: Largo [easy - intermediate duet] by Jennifer Eklund arranged for 1 Piano 4-Hands;Instrumental Duet in F Major. Digital sheet music from Musicnotes.
$5.79
Passacaglia in C (piano duet)
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1 Piano, 4 mains
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
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Symphony F Major
