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Vous avez sélectionné:
Way Back Then - Bb Instrument
1 Piano, 4 mains
Partitions à imprimer
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Way Back Then
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1088525 By Jaeil Ju…
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1 Piano,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1088525 By Jaeil Jung. By Jea Il Jung. Arranged by AJ Tan. 20th Century,Children,Contemporary,Film/TV,Multicultural,World. Score. 4 pages. AJTanPiano #692798. Published by AJTanPiano (A0.1088525). The piano is also a percussion instrument. Sometimes playing music is also playing rhythm, without pitches:)Way Back Then is the main theme of Squid Game. It is featured twice in the episode Red Light, Green Light, in the opening scene where Seong Gi-hun narrates his childhood playing Squid Game, and when he wins the game of Ddakji against The Salesman.The intro opens with the 3-3-7 clapping rhythm-- commonly used in South Korea to cheer someone on and the crashing minor 2nds playing the hook intends to imitate the recorder, played by Jung himself, that has a slight beep.Suitable for Grade 4 and above level learning.
$4.99
4.56 €
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1 Piano, 4 mains
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Jaeil Jung
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AJ Tan
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Way Back Then
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AJTanPiano
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SheetMusicPlus
Passacaglia in C (piano duet)
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
9.13 €
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1 Piano, 4 mains
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Joy to the World! Hark! the Herald Angels Sing (A mashup for Piano Duet)
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.835645
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.835645 Composed by George F. Handel, Felix Mendelssohn. Arranged by Renee Hyche McKee. Christian,Christmas,Concert,World. Score and parts. 11 pages. Renee H. McKee #6189565. Published by Renee H. McKee (A0.835645). A crowd pleaser! In this rhythmic toe-tapper both Joy to the World! and Hark! the Herald Angels Sing are given time in the spotlight and are also mashed into action together. Secondo’s opening first four notes of Joy to the World! are answered by the first phrase of Primo’s lively, syncopated Hark! the Herald Angels Sing. A compelling rhythmic drive (lucky Secondo player) pushes the piece into high gear while Joy to the World shines, then the syncopation dissolves into a Primo-frosted Hark! the Herald Angels Sing while Secondo brings its melody forward in a new key. Before you know it, the two songs swing back together and close out the piece with a spirited syncopated flair. Fingerings are added to help facilitate reading but are merely suggestions. Pedaling is to be used at the performers’ discretion. This piece is great for any Christmas event in churches, civic gatherings, or recitals. It is an exciting way to open or close a Holiday program!
$5.50
5.03 €
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1 Piano, 4 mains
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George F
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Renee Hyche McKee
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Joy to the World! Hark! the Herald Angels Sing
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Renee H. McKee
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SheetMusicPlus
A Conversation
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024938
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1024938 Composed by Abigail Gilson. Contemporary. Score and parts. 11 pages. Abigail Gilson #3631501. Published by Abigail Gilson (A0.1024938). A Conversation is a duet that represents the feeling of falling in love. Starting off slow and daunting at first, with shifts and odd dynamics and rhythms as you just allow yourself to fall into this new feeling. Then, the piece takes off. With confusing chords, a ground bass but always a visible motet. The ground bass always sounds like it may rush, like any second the pianist could speed up and leave the other pianist behind but it never does. The voices often trade parts and dance back and forth. With the treble line taking off suddenly, ending the ground bass line. The last section has question chords, and unresolved lines as a relationship starts to lose the new lover buzz and falls into a steady rhythm. Some may feel that the relationship is ending, that the two pianos don’t sound the same as they used to together. But really the two pianos have found their music. They don’t need to experiment with different rhythms, keys, or time signatures. They know what sounds good together, they can continue to make music forever.
$4.99
4.56 €
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1 Piano, 4 mains
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Abigail Gilson
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A Conversation
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Abigail Gilson
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SheetMusicPlus
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