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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
March
Non classifié
470
Piano & claviers
Piano seul
281
Orgue
35
Piano, Voix et Guitare
23
1 Piano, 4 mains
19
Instruments en Do
17
Piano, Voix
14
Piano Trio: piano, violon, violoncelle
7
Orgue, Trompette (duo)
5
Accompagnement Piano
3
2 Pianos, 4 mains
3
Accordéon
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Facile
1
+ 9 instrumentations
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Guitares
Guitare
28
Guitare notes et tablatures
11
Basse électrique (partie séparée)
9
2 Guitares (duo)
7
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
4
Guitare, Violon, Violoncelle (trio)
2
Basse electrique
2
Mandoline
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
1
Ukulele
1
+ 7 instrumentations
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Voix
Chorale SATB
38
Chorale 3 parties
6
Chorale TTBB
5
Chorale Unison
3
Voix Tenor, Piano
1
Voix Soprano, Piano
1
Chorale 2 parties
1
Voix duo
1
+ 3 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
79
Quatuor de Saxophones: 4 saxophones
58
Flûte, Hautbois, Clarinette, Basson
45
Ensemble de saxophones
45
Quatuor de Clarinettes: 4 clarinettes
40
Quintette de Saxophone: 5 saxophones
34
Saxophone (partie séparée)
33
Ensemble de Clarinettes
32
Clarinette (partie séparée)
24
Flûte traversière et Piano
19
Clarinette et Piano
16
Saxophone Alto et Piano
15
Quintette de Clarinettes: 5 clarinettes
13
Quatuor de Flûtes : 4 flûtes
13
Flute (partie séparée)
9
2 Flûtes traversières (duo)
9
Saxophone Soprano et Piano
8
Clarinette
8
2 Clarinettes (duo)
8
Flûte traversière
8
Ensemble de Flûtes
7
Hautbois (partie séparée)
7
Quatuor de Flûtes à bec
6
Saxophone
6
Hautbois, Piano (duo)
6
Saxophone Alto
6
Flûte, Clarinette (duo)
5
Clarinette, Guitare (duo)
4
3 Saxophones (trio)
4
Flûte, Clarinette et Basson
4
2 Saxophones (duo)
4
Ensemble à vent
3
3 Clarinettes (trio)
3
Saxophone Tenor
3
Quintette de Flûte : 5 flûtes
3
Hautbois, Clarinette (duo)
2
Saxophone Tenor et Piano
2
4 Hautbois
2
Flûte, Hautbois, Basson
2
Clarinette, Basson (duo)
2
Clarinette Basse, Piano
2
Saxophone, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois, Violon
1
Hautbois
1
Flûte et Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone Baryton, Piano
1
Ensemble de Hautbois
1
Hautbois, Basson (duo)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Cornemuse
1
Clarinette, Trombone (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Trompette (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Orgue
1
5 Flûtes à bec
1
+ 54 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
136
Quatuor de Cuivres : 2 trompettes, trombone, tuba
63
Quatuor de cuivres: 4 trombones
29
Trombone (partie séparée)
26
Trompette (partie séparée)
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
24
Cor (partie séparée)
18
Quatuor de Cuivres
16
Quatuor de cuivres: 4 cors
15
Trompette, Piano
15
Ensemble de Trombones
13
Tuba (partie séparée)
8
Trombone
8
Trompette
8
2 Euphoniums et 2 Tubas
6
2 Trompettes (duo)
6
Trombone et Piano
5
Ensemble de Trompettes
4
2 Trombones (duo)
3
4 Tubas
3
Ensemble de Cors
3
2 Cors (duo)
3
Cor
2
Euphonium (partie séparée)
2
Euphonium
2
Tuba et Piano
1
Tuba
1
2 Tubas (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette, Trombone (duo)
1
Cor et Piano
1
3 Euphoniums
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
Trompette, Tuba (duo)
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
92
Violon et Piano
19
2 Violons (duo)
18
Violon, Violoncelle (duo)
17
Violon
16
Trio à Cordes: violon, alto, violoncelle
13
Alto, Piano
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violon, Alto (duo)
8
Violoncelle, Piano
8
Violoncelle
8
Harpe
7
Violon, Guitare (duo)
6
Alto, Guitare (duo)
5
2 Violoncelles (duo)
4
Alto seul
3
Violon (partie séparée)
3
Alto, Violoncelle (duo)
3
Contrebasse (partie séparée)
3
2 Altos (duo)
3
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
2 Contrebasses (duo)
1
4 Contrebasses
1
Alto (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Trio à cordes
1
Piano Trio: Violon, Alto, Piano
1
+ 29 instrumentations
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Orchestre & Percussions
Fanfare
1 103
Orchestre d'harmonie
344
Orchestre
72
Ensemble de cuivres
64
Orchestre à Cordes
54
Batterie (partie séparée)
28
Orchestre de chambre
28
Percussion (partie séparée)
25
Ensemble Jazz
15
Jazz combo
12
Batterie
12
Cloches
8
Ensemble de Percussions
6
Timbales (partie séparée)
2
Quintette à Vent
1
Caisse Claire
1
Voix et Orchestre
1
Marimba
1
Batterie-Fanfare
1
Xylophone (partie séparée)
1
+ 15 instrumentations
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Autres
Instruments
ACCORDEON
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CHANT - CHO…
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FLUTE A BEC
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GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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ORGUE
OUD
PARTITIONS …
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PERCU. ORCH…
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SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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TROMPETTE
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JAZZ
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KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
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OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Vous avez sélectionné:
March
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2 Pianos, 4 mains
Partitions à imprimer
3 partitions trouvées
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Norwegian March, from Lyric Suite, op. 54
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Richard Simm
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Norwegian March, from Lyric Su
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1117571 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 5 pages. Richard Simm #719109. Published by Richard Simm (A0.1117571). The second piece in Grieg's orchestral suite is a rustic march, here arranged for two pianos by Richard Simm.
$5.95
March of the Dwarfs, from "Lyric Suite"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Edvard Grieg
#
Richard Simm
#
March of the Dwarfs, from &quo
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Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1121874 Composed by Edvard Grieg. Arranged by Richard Simm. Classical,Romantic Period. Score. 7 pages. Richard Simm #723067. Published by Richard Simm (A0.1121874). The final piece in Grieg's orchestral suite is a volatile and powerful depiction of these mysterious characters from Norwegian folklore. Here it has been arranged for two pianos by Richard Simm.
$5.95
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
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