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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
1
Non classifié
3 217
Piano & claviers
Piano seul
1 674
1 Piano, 4 mains
473
Instruments en Do
443
Piano, Voix et Guitare
185
Piano, Voix
173
Orgue
87
2 Pianos, 4 mains
22
Piano Trio: piano, violon, violoncelle
22
Accompagnement Piano
20
Piano Facile
19
Clavecin
16
Accordéon
13
Piano Quatuor: piano, violon, alto, violoncelle
12
1 Piano, 6 mains
11
Orgue, Piano (duo)
10
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Orgue, Trompette (duo)
7
Ensemble d'Accordéons
2
2 Pianos, 8 mains
2
2 Accordéons
1
2 Orgues (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
267
Guitare notes et tablatures
114
Ligne De Mélodie, (Paroles) et Accords
84
Piano, Guitare (duo)
40
Dulcimer
34
Basse electrique
31
2 Guitares (duo)
21
Ukulele
14
Basse électrique (partie séparée)
9
4 Guitares (Quatuor)
9
3 Guitares (trio)
5
Banjo
3
2 Dulcimers (duo)
3
Mandoline
2
Guitare, Violon, Violoncelle (trio)
2
Guitare (partie séparée)
2
Ensemble de guitares
2
Paroles et Accords
1
+ 13 instrumentations
Retracter
Voix
Voix seule
384
Chorale SATB
348
Chorale TTBB
67
Chorale SSAA
48
Chorale 3 parties
40
Voix Soprano, Piano
24
Chorale Unison
11
Chorale 2 parties
10
Voix haute
8
Voix duo
6
Voix duo, Piano
5
Voix Tenor, Piano
3
Voix moyenne, Piano
3
Chorale
2
Voix Baryton, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Voix Soprano
1
Pack Instrumental pour Chorale
1
Voix Alto, Piano
1
+ 16 instrumentations
Retracter
Vents
Saxophone (partie séparée)
529
Flûte traversière
225
Clarinette
207
Hautbois (partie séparée)
205
Quatuor de Clarinettes: 4 clarinettes
203
Clarinette (partie séparée)
195
3 Saxophones (trio)
184
Saxophone Alto
170
Flute (partie séparée)
162
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
162
Quatuor de Saxophones: 4 saxophones
159
Saxophone Tenor
154
Flûte traversière et Piano
150
3 Clarinettes (trio)
129
Hautbois, Piano (duo)
125
Clarinette et Piano
122
Saxophone Alto et Piano
96
Quatuor de Flûtes : 4 flûtes
91
Ensemble de saxophones
90
Ensemble de Clarinettes
87
Flûte, Hautbois, Clarinette, Basson
84
Saxophone Tenor et Piano
83
Quintette de Saxophone: 5 saxophones
73
2 Saxophones (duo)
53
2 Flûtes traversières (duo)
53
Ensemble de Flûtes
45
2 Clarinettes (duo)
40
Quintette de Clarinettes: 5 clarinettes
34
Cornemuse
32
Trio de Flûtes: 3 flûtes
30
Hautbois
26
Saxophone Soprano et Piano
24
Quintette de Flûte : 5 flûtes
16
Saxophone Baryton, Piano
16
Saxophone
14
Flûte et Guitare
13
2 Hautbois (duo)
13
Flûte, Clarinette et Basson
7
2 Clarinettes, Piano
7
Ensemble De Flûte à bec
7
Flûte à bec Soprano
6
Cor Anglais
6
2 Cors Anglais Et Pianoforte
6
Flûte, Clarinette (duo)
6
Flûte, Violon, Piano
5
2 Flûtes traversières, Piano
5
Flûte, Clarinette, Piano (trio)
5
2 Flûte à bec (duo)
5
Clarinette Basse, Piano
5
Clarinette, Guitare (duo)
5
Cor anglais, Piano
4
Flûte, Hautbois, Basson
4
Clarinette, Basson (duo)
3
Hautbois, Basson (duo)
3
Flûte, Violoncelle, Guitare
3
5 Flûtes à bec
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Quatuor de Flûtes à bec
3
Flûte à Bec
2
Saxophone Soprano
2
Flûte, Violoncelle
2
2 Saxophones, Piano
2
Flûte à bec Alto
2
Clarinette, Violoncelle, Piano (trio)
2
Harmonica
2
Hautbois, Flûte
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Saxophone et Orgue
2
4 Hautbois
2
Saxophone, Clarinette (duo)
2
Flûte traversière, Orchestre
1
Hautbois, Guitare (duo)
1
Clarinette Basse
1
Hautbois, Violoncelle et Piano
1
Saxophone Baryton
1
Flute, harpe et violon
1
Flûte traversière, Orgue (duo)
1
Piccolo
1
Flûte traversière, Basse continue
1
Flûte et Quatuor à Cordes
1
Ensemble à vent
1
Flûte, Harpe et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Clarinettes, Basson
1
Flûte, Violon, Violoncelle et Piano
1
+ 81 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
451
Trombone (partie séparée)
366
Trompette
199
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
191
Cor (partie séparée)
190
Trombone
179
Quatuor de Cuivres : 2 trompettes, trombone, tuba
148
Cor
109
Quatuor de cuivres: 4 trombones
83
Trombone et Piano
82
Trompette, Piano
68
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Ensemble de Trombones
28
Cor et Piano
24
Quatuor de Cuivres
22
2 Trompettes (duo)
20
Quatuor de cuivres: 4 cors
19
2 Trombones (duo)
19
2 Cors (duo)
19
3 Trombones (trio)
17
Tuba
16
Euphonium (partie séparée)
15
Tuba (partie séparée)
15
Euphonium, Piano (duo)
14
2 Euphoniums et 2 Tubas
13
Tuba et Piano
13
Trompette, Trombone (duo)
13
Euphonium, Tuba (duo)
11
Euphonium
8
Trio de Cuivres
6
Cor Anglais
6
Bugle
6
2 Cors Anglais Et Pianoforte
6
Cor et Basson (duo)
5
2 Tubas (duo)
5
Ensemble de Cors
4
Cor anglais, Piano
4
Ensemble de Trompettes
4
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse et Piano
2
Trombone basse
2
3 Trompettes (trio)
2
Trompette, Tuba (duo)
2
Cor et Orgue
1
3 Euphoniums
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Trompette, Trombone (trio)
1
Bass Clef Instruments
1
4 Tubas
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 trompettes
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
458
Violon
411
Violoncelle
271
Violon et Piano
185
Alto seul
139
Violoncelle, Piano
120
Alto, Piano
98
Trio à Cordes: 2 violons, violoncelle
73
2 Violoncelles (duo)
71
Trio à Cordes: violon, alto, violoncelle
70
Alto (partie séparée)
64
Violon, Violoncelle (duo)
58
2 Violons (duo)
51
Harpe
35
Violon (partie séparée)
29
4 Violoncelles
27
Violon, Alto (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
2 Altos (duo)
17
Trio à cordes: 3 violins
12
Trio à Cordes: 3 violoncelles
11
Contre Basse
11
Contrebasse (partie séparée)
10
Violon, Guitare (duo)
8
2 Violons, Piano
6
Violoncelle (partie séparée)
6
Trio à cordes
5
Trio à Cordes: 2 violons, alto
5
Violon, Basse continue
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon (duo)
4
Violoncelle , Guitare (duo)
4
4 Contrebasses
3
Alto, Violoncelle (duo)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Violoncelle, Orchestre
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
962
Ensemble Jazz
684
Orchestre
627
Fanfare
552
Orchestre à Cordes
273
Ensemble de cuivres
208
Orchestre de chambre
204
Percussion (partie séparée)
176
Jazz combo
60
Ensemble de Percussions
38
Batterie (partie séparée)
31
Cloches
27
Batterie
21
Timbales (partie séparée)
16
Marimba
11
Vibraphone
6
Orchestre, Violon
4
Caisse Claire
1
Xylophone, Piano
1
Xylophone
1
+ 15 instrumentations
Retracter
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BASSON
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CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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THANKSGIVING
Vendeurs (tous)
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Vous avez sélectionné:
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2 Pianos, 4 mains
Partitions à imprimer
22 partitions trouvées
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1
1. La Candeur (Frankness) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgmüller
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743929 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743929 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 2 pages. Philip Kim #4303229. Published by Philip Kim (A0.743929). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student.
$5.00
4.61 €
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2 Pianos, 4 mains
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Johann Friedrich Burgmuller
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Philip Kim
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1. La Candeur
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Philip Kim
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SheetMusicPlus
Two-Part Invention #1
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788744 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788744 Composed by Johann Sebastian Bach. Arranged by Karl Logue. Contemporary. Score. 2 pages. LogueRhythm Productions #3109175. Published by LogueRhythm Productions (A0.788744). The two-part inventions with two more voices added for two pianos.
$3.99
3.68 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Karl Logue
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Two-Part Invention #1
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LogueRhythm Productions
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SheetMusicPlus
Sketch #1 (from Sketches for Pedal Piano)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788745 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.788745 Composed by Robert Schumann. Arranged by Karl Logue. Concert,Romantic Period. Score. 7 pages. LogueRhythm Productions #3371233. Published by LogueRhythm Productions (A0.788745). A two-piano realization of the Robert Schumann Sketches for Pedal Piano (Skizzen für den Pedal-Flügel).
$3.99
3.68 €
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2 Pianos, 4 mains
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Robert Schumann
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Karl Logue
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Sketch #1
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LogueRhythm Productions
#
SheetMusicPlus
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
6.45 €
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2 Pianos, 4 mains
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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Philip Kim
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SheetMusicPlus
F. Kuhlau Sonatine Op. 20 No. 1 Second Movement for 2 Pianos
2 Pianos, 4 mains
Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Phi…
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Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim
$7.00
6.45 €
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2 Pianos, 4 mains
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No. 1 Second Movement for 2 Pianos
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SheetMusicPlus
Diabelli Sonatina, Op. 151, No.1 in G Major for 2 pianos
2 Pianos, 4 mains
Composed by Antonio Diabelli, Kevin G. Pace (ASCAP). Arranged by Kevin G. Pace (ASCA…
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Composed by Antonio Diabelli, Kevin G. Pace (ASCAP). Arranged by Kevin G. Pace (ASCAP). 150, 20th Century, Classical. Score. 18 pages. Kevin G. Pace #814819. Published by Kevin G. Pace
$4.99
4.6 €
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2 Pianos, 4 mains
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Antonio Diabelli, Kevin G
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Kevin G
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Diabelli Sonatina, Op. 151, No.1 in G Major for 2 pianos
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Kevin G. Pace
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SheetMusicPlus
Sunday Worship For Two, Volume 1 (intermediate to late intermediate 2 piano duets)
2 Pianos, 4 mains
Composed by Various. Arranged by Sandra Zylstra. Christian, Easter, Holiday, Praise &a…
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Composed by Various. Arranged by Sandra Zylstra. Christian, Easter, Holiday, Praise & Worship, Sacred. Score. 57 pages. Sandra dee zylstra #5988705. Published by sandra dee zylstra
$17.00
15.67 €
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2 Pianos, 4 mains
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume 1
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sandra dee zylstra
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SheetMusicPlus
J.S. Bach: Trio Sonata No. 1 in E-Flat Major, BWV 525 - I. (Allegro moderato)
2 Pianos, 4 mains
By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach (1685-1750). …
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By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach (1685-1750). Arranged by Flavio Regis Cunha. Baroque, Classical, Contest, Festival, Instructional. Score. 8 pages. FRC Music #721174. Published by FRC Music
$5.99
5.52 €
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2 Pianos, 4 mains
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Johann Sebastian Bach and Víkingur Ólafsson
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Flavio Regis Cunha
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J.S. Bach: Trio Sonata No. 1 in E-Flat Major, BWV 525 - I.
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SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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IGNITE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Piano Concerto No. 6, Two Pianos/Four Hands
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
12.22 €
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2 Pianos, 4 mains
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pianos/Four Hands
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James Nathaniel Holland
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SheetMusicPlus
French Ballet Class
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
18.43 €
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2 Pianos, 4 mains
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George Gershwin
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Daryl McKenzie
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French Ballet Class
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Daryl McKenzie
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SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.22 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
Sir Duke
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie W…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.6 €
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2 Pianos, 4 mains
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Stevie Wonder
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Fishel Pustilnik
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Sir Duke
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F & N Enterprise
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SheetMusicPlus
For The First Time In Forever (reprise - Broadway Version)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.491259 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Halle Kaye. Broadway,Film/TV,Musical/Show,Pop. Score. 11 pages. Halle Kaye #106795. Published by Halle Kaye (A0.491259). Piano duet based on Frozen Broadway's For the First Time in Forever (reprise). Piano 1 sings Elsa's melody and piano 2 sings Anna's melody. I really love the tension in this piece and I think it is represented beautifully through this dueling piano style. This is the full score. If you would like individual parts please reach out!
$7.00
6.45 €
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2 Pianos, 4 mains
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Kristen Anderson-Lopez and Robert Lopez
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Halle Kaye
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For The First Time In Forever
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Halle Kaye
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SheetMusicPlus
Bach 2 Part Inventions 11-15 for 2 pianos, 4 hands (second piano part by Simon Peberdy)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.757135 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.757135 Composed by Johann Sebastian Bach. Arranged by Simon Peberdy. Baroque,Instructional,Standards. Score. 28 pages. Simon Peberdy #6211737. Published by Simon Peberdy (A0.757135). A second book of Bach's 2 part inventions with a new additional piano part written by Simon Peberdy (there is also a book of Bach 2 Part Inventions 1-5 for 2 pianos available)No. 11 in G minorNo. 12 in A majorNo. 13 in A minorNo. 14 in B flat majorNo. 15 in B minorFor more music for 2 pianos and piano duets, or if you would prefer to buy a printed, bound copy of this music, please visit www.simonpeberdymusic.com The mp3 is of No. 14 in B flat major. The youtube video is of all 5.
$9.99
9.21 €
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2 Pianos, 4 mains
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Johann Sebastian Bach
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Simon Peberdy
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Bach 2 Part Inventions 11-15 for 2 pianos, 4 hands
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Simon Peberdy
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SheetMusicPlus
Sonata for Two Pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
23.05 €
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2 Pianos, 4 mains
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
Alone
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmel…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
4.6 €
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2 Pianos, 4 mains
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 mains
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
23.04 €
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2 Pianos, 4 mains
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Various, traditional carol melodies
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Simon Peberdy
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Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Rimsky-Korsakov




 Sheherazade III, for piano duet(1 piano
2 Pianos, 4 mains
Composed by Rimsky-Korsakov
ââ…
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Composed by Rimsky-Korsakov




. Arranged by P. Gilson. For Piano Duet. Romantic Period. Advanced Intermediate. Score. FCMUSIC #PR833. Published by FCMUSIC
$14.00
12.91 €
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2 Pianos, 4 mains
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Rimsky-Korsakov





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P
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Rimsky-Korsakov




 Sheherazade III, for piano duet(1 piano
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FCMUSIC
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SheetMusicPlus
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