Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can
Non classifié
2 989
Piano & claviers
Piano seul
4 581
Piano, Voix et Guitare
541
Instruments en Do
437
Piano, Voix
419
Orgue
152
1 Piano, 4 mains
50
2 Pianos, 4 mains
29
Piano Trio: piano, violon, violoncelle
27
Piano Facile
15
Orgue, Piano (duo)
14
Accompagnement Piano
14
Accordéon
12
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
2
Ensemble d'Accordéons
1
Fake Book
1
+ 13 instrumentations
Retracter
Guitares
Guitare
421
Basse electrique
252
Guitare notes et tablatures
244
Ligne De Mélodie, (Paroles) et Accords
85
Piano, Guitare (duo)
41
2 Guitares (duo)
39
Ukulele
22
4 Guitares (Quatuor)
16
Dulcimer
14
Mandoline
3
Ensemble de guitares
3
2 Dulcimers (duo)
2
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline, Guitare (duo)
1
Banjo
1
+ 11 instrumentations
Retracter
Voix
Voix seule
2 370
Chorale SATB
952
Chorale TTBB
139
Chorale 3 parties
110
Chorale SSAA
105
Chorale Unison
32
Chorale 2 parties
28
Voix haute
27
Voix Soprano, Piano
26
Voix duo
22
Voix duo, Piano
22
Voix Baryton, Piano
10
Voix Alto, Piano
9
Voix Tenor, Piano
8
Voix moyenne, Piano
8
Chorale
5
Voix basse, Piano
5
Voix Tenor
5
Voix Soprano
4
Chorale SSATTB
1
Voix Baryton
1
Chorale SATBB
1
Chorale SSAB a cappella
1
Voix Mezzo-Soprano, Piano
1
Voix basse
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière
640
Saxophone
539
Clarinette
520
Saxophone Alto
236
Saxophone Tenor
230
Flûte traversière et Piano
205
Quatuor de Saxophones: 4 saxophones
194
Clarinette et Piano
188
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
186
Saxophone Alto et Piano
159
Hautbois, Piano (duo)
154
Quatuor de Clarinettes: 4 clarinettes
126
2 Saxophones (duo)
118
Saxophone Tenor et Piano
103
Flûte, Hautbois, Clarinette, Basson
86
Quintette de Saxophone: 5 saxophones
78
Ensemble de Clarinettes
77
Hautbois
77
2 Clarinettes (duo)
71
3 Saxophones (trio)
63
Flûte à Bec
57
Saxophone Soprano
57
2 Flûtes traversières (duo)
55
Quatuor de Flûtes : 4 flûtes
53
Ensemble de saxophones
48
Ensemble de Flûtes
48
3 Clarinettes (trio)
47
Saxophone (partie séparée)
42
Quintette de Clarinettes: 5 clarinettes
41
Hautbois (partie séparée)
40
Flûte, Clarinette (duo)
38
Saxophone Soprano et Piano
36
Saxophone, Clarinette (duo)
32
2 Flûtes traversières, Piano
28
Trio de Flûtes: 3 flûtes
25
Flûte et Guitare
25
Clarinette, Violon (duo)
22
Saxophone Baryton, Piano
20
Clarinette, Trompette (duo)
18
Flûte, Violon
17
Flûte à bec Soprano
17
Hautbois, Basson (duo)
15
2 Hautbois (duo)
15
Clarinette et Alto
13
Flûte, Saxophone (duo)
13
Flûte, Alto (duo)
12
Clarinette, Guitare (duo)
12
Quintette de Flûte : 5 flûtes
12
Clarinette Basse, Piano
11
Hautbois, Clarinette (duo)
11
Hautbois, Flûte
10
Flûte, Trompette (duo)
10
Flûte, Clarinette et Basson
10
Flûte, Hautbois, Clarinette (trio)
9
Quatuor de Flûtes à bec
9
2 Flûte à bec (duo)
9
Flûte, Violoncelle
7
Flûte, Clarinette, Piano (trio)
6
Flute (partie séparée)
6
Clarinette, Basson (duo)
6
Cor anglais, Piano
5
Flûte traversière, Orgue (duo)
4
Flûte, Hautbois, Basson
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Guitare (duo)
4
Saxophone et Orgue
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte à bec Alto
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon et Violoncelle
3
Flûte, Violon, Violoncelle et Piano
3
Ensemble De Flûte à bec
3
Flûte, Violon, Piano
3
3 Flûtes à bec (trio)
3
Ocarina
3
Flute, harpe et violon
3
4 Hautbois
3
Flûte, alto et harpe
2
2 Saxophones, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
2 Clarinettes, Basson
2
Flûte irlandaise
2
Cor Anglais
2
Flûte à bec Tenor
2
Flûte, Basson et Piano
2
Flûte à bec, Guitare (duo)
2
Clarinette, Violoncelle (duo)
2
3 Hautbois
2
5 Flûtes à bec
2
Piccolo, Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Clarinettes, Piano
2
Flûte à bec Soprano, Piano
1
Flûte et Quatuor à Cordes
1
Harmonica
1
Clarinette, Trombone (duo)
1
Clarinette, Alto et Piano (trio)
1
2 clarinettes, 2 bassons
1
2 Hautbois, Piano
1
Cornemuse
1
Flûte, Alto et Violoncelle
1
Hautbois, Violoncelle
1
Clarinette, Orgue
1
Piccolo
1
Saxophone et Guitare
1
Flûte, Alto et Piano
1
Flûte, Hautbois (duo)
1
+ 102 instrumentations
Retracter
Cuivres
Trompette
450
Trombone
369
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
259
Quatuor de Cuivres : 2 trompettes, trombone, tuba
140
Trombone et Piano
139
Trompette, Piano
111
Quatuor de cuivres: 4 trombones
86
Cor
64
Trompette (partie séparée)
58
Cor et Piano
56
Quatuor de Cuivres: 2 trompettes, Cor, trombone
47
2 Trombones (duo)
41
Tuba et Piano
38
Ensemble de Trombones
30
2 Trompettes (duo)
30
Tuba
28
Quatuor de cuivres: 4 cors
28
Euphonium
28
Trombone (partie séparée)
27
2 Euphoniums et 2 Tubas
26
Trompette, Saxophone (duo)
24
Trompette, Trombone (duo)
23
Quatuor de Cuivres
21
Euphonium, Piano (duo)
18
2 Cors (duo)
15
Euphonium, Tuba (duo)
12
Ensemble de Trompettes
10
4 Tubas
8
3 Trombones (trio)
7
Ensemble de Cors
7
Trio de Cuivres
6
3 Trompettes (trio)
6
Cor anglais, Piano
5
Cor (partie séparée)
4
Quatuor de cuivres: 4 trompettes
4
Cor, Tuba (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle et Piano
2
Trombone basse
2
3 Cors (trio)
2
Cor Anglais
2
2 Tubas (duo)
2
Trombone, Tuba (duo)
2
Cornet et orchestre
1
Bass Clef Instruments
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Trombone, Orgue
1
Trompette, Orchestre
1
Trombone et orchestre
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
748
Violon
468
Violoncelle
396
Violon et Piano
353
Violoncelle, Piano
191
Violon, Violoncelle (duo)
181
Alto, Piano
175
Alto seul
137
Harpe
104
Trio à Cordes: violon, alto, violoncelle
88
2 Violons (duo)
66
2 Violoncelles (duo)
59
Trio à Cordes: 2 violons, violoncelle
44
Violon, Alto (duo)
42
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Contre Basse
31
4 Violoncelles
30
2 Altos (duo)
24
Contrebasse, Piano (duo)
17
Alto (partie séparée)
17
Violoncelle , Guitare (duo)
17
2 Harpes (duo)
16
Trio à Cordes: 3 violoncelles
16
Alto, Violoncelle (duo)
15
Violon, Guitare (duo)
14
Trio à cordes: 3 violins
13
Alto, Guitare (duo)
8
Violoncelle, Orgue
7
Quatuor à cordes: 4 violons
6
Violon (partie séparée)
5
Trio à cordes: 3 altos
5
Trio à Cordes: 2 violons, alto
5
Trio à cordes
5
Ensemble de Violons
4
Ensemble d'Altos
4
Harpe, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
Alto et Harpe
3
Ensemble de Violoncelles
3
Harpe, Violon (duo)
3
Violoncelle, Orchestre
3
Quatuor à cordes : 4 altos
3
Violon, Clarinette, Piano (trio)
3
Harpe, Violon, Violoncelle
2
2 Altos, Piano
2
Piano Trio: Violon, Alto, Piano
2
Alto, Orgue
2
Harpe, Voix
2
Violon, Orgue
2
Violoncelle, Contrebasse (duo)
2
4 Contrebasses
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
2 Contrebasses (duo)
1
Violon, Tuba (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre
484
Batterie
356
Orchestre d'harmonie
339
Orchestre à Cordes
298
Ensemble de cuivres
233
Ensemble Jazz
219
Orchestre de chambre
194
Fanfare
78
Jazz combo
75
Cloches
58
Marimba
33
Ensemble de Percussions
29
Vibraphone
25
Percussion
8
Orchestre, Violon
4
2 Xylophones
3
Xylophone, Piano
2
Percussion (partie séparée)
1
Piano et Orchestre
1
Voix et Orchestre
1
Batterie (partie séparée)
1
Xylophone
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
7
Théorie de la musique
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
29
Librairie Musicale
4
Matériel de Musique
29 633
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Can
avancé
2 Pianos, 4 mains
Partitions à imprimer
29 partitions trouvées
<
1
26
Canon in F - 2 Pianos, 4 Hands
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
New Age
#
Contemporain
#
Bill Walker
#
Bill Walker
#
Canon in F - 2 Pianos, 4 Hands
#
Bill Walker Music Publishing
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1118276 By Bill Walker. By Bill Walker. Arranged by Bill Walker. Classical,Contemporary,New Age. Score. 23 pages. Bill Walker Music Publishing #719791. Published by Bill Walker Music Publishing (A0.1118276). Composer and Pianist Bill Walker was talking to his uncle one day, many years ago, about the chord progression in Canon in D by Pachelbel. After the conversation ended, Bill decided to write a modern day Canon. Thus, Canon in F was born. Originally written for one piano, this version is for two pianos. Grab a friend and a second piano and have fun with this modern piece of music. Both pianists get their time to shine in the spotlight, so it doesn't matter who plays Piano I or Piano II. Key Signature: F major. Pages: 23. Published by Bill Walker Music Publishing.
$6.99
F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
Helios D'Andrea
#
F. CHOPIN CANON F minor comple
#
D'Andrea Helios
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score an...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score and parts. 10 pages. D'Andrea Helios #6603303. Published by D'Andrea Helios (A0.981553). This original Canon unifinished has been completed and transcribed for two pianos taking care to keep the original Chopin's writing of 14 measures.
$10.00
Sonata Hymnica No. 6
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Six Studies in Canon Form by Robert Schumann, Op. 56
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Robert Schumann
#
Claude Debussy
#
Six Studies in Canon Form by R
#
Gibson Global
#
SheetMusicPlus
Composed by Robert Schumann. Arranged by Claude Debussy. Classical, Romantic Period. Score. 44 pages. Gibson Global #623969. Published by Gibson Globa...
(+)
Composed by Robert Schumann. Arranged by Claude Debussy. Classical, Romantic Period. Score. 44 pages. Gibson Global #623969. Published by Gibson Global
$9.95
1. La Candeur (Frankness) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgmüller
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Friedrich Burgmuller
#
Philip Kim
#
1. La Candeur
#
Philip Kim
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743929 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743929 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 2 pages. Philip Kim #4303229. Published by Philip Kim (A0.743929). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student.
$5.00
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Visconti Sforza Tarot Cards, o
#
Thomas Oboe Lee
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic P...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Visconti Sforza Tarot Cards, o
#
Thomas Oboe Lee
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 02 Il Saltimb
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Visconti Sforza Tarot Cards, o
#
Thomas Oboe Lee
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
(+)
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2071127. Published by Thomas Oboe Lee (A0.869427). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Sir Duke
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Soul/R&B
#
Stevie Wonder
#
Fishel Pustilnik
#
Sir Duke
#
F & N Enterprise
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Lily Was Here
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
David Stewart int
#
Fishel Pustilnik
#
Lily Was Here
#
F & N Enterprise
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635148 By David Stewart int. C.Dulfer. By David Stewart. Arranged by Fishel Pustilnik. Jazz. Score. 9 pa...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635148 By David Stewart int. C.Dulfer. By David Stewart. Arranged by Fishel Pustilnik. Jazz. Score. 9 pages. F & N Enterprise #4800634. Published by F & N Enterprise (A0.635148). An excellent arrangement of the famous Song Lily Was Here performed by Candy Dulfer for Tenor Sax and Piano-Jazz/Pop Version. The video for Alto Sax & Keyboard: https://www.youtube.com/watch?v=y2Xzx-tJFhA
$4.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
(+)
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Wonderful Grace Of Jesus (two piano duet)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Haldor Lillenas
#
Sandra Zylstra
#
Wonderful Grace Of Jesus
#
sandra dee zylstra
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sa...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Sandra dee zylstra #992863. Published by sandra dee zylstra (A0.1410446). Wonderful Grace Of Jesus is a popular hymn in many denominations that tells the story of the grace of Jesus. This hymn is arranged as a late intermediate two piano duet arranged in the keys of C and D. (appoximately 4:30 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$7.00
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Simon Mayr
#
Fabrizio Capitanio
#
Concerto for Cembalo [Fortepia
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
A Little Christmas Music for Piano 4-Hands (new edition)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Lena Orsa
#
Lena Orsa
#
A Little Christmas Music for P
#
Lena Orsa
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.913867 Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. Children,Christmas,Concert,Holiday...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.913867 Composed by Lena Orsa (The Piano Lady). Arranged by Lena Orsa. Children,Christmas,Concert,Holiday,Instructional. Score. 9 pages. Lena Orsa #6098909. Published by Lena Orsa (A0.913867). Difficult (second) version of 'A Little Christmas Music' for piano duet.Christmas. It’s the most magical time of the year. This music is full of Holiday spirit and positive emotions. Can you hear the Christmas bells?
$5.99
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Carl Philipp Emanuel Bach, Gio
#
Kiyoshi Tamagawa
#
Concertino Barocco
#
Mastery for Strings Press
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Maple Leaf Rag (2 piano duet)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
Sandra Zylstra
#
Maple Leaf Rag
#
sandra dee zylstra
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712485 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 6 pages. Sa...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712485 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 6 pages. Sandra dee zylstra #6039355. Published by sandra dee zylstra (A0.712485). Maple Leaf Rag by Scott Joplin is one of the most famous pieces of ragtime music! Grab a partner and have fun playing this late intermediate two-piano duet arranged in the keys of G and D. This arrangement includes both piano parts. (Approximately 4:00, 5 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.25
The Entertainer (2 piano duet)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Ragtime
#
Scott Joplin
#
Sandra Zylstra
#
The Entertainer
#
sandra dee zylstra
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712484 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 7 pages. Sa...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712484 Composed by Scott Joplin. Arranged by Sandra Zylstra. Instructional,Standards. Score. 7 pages. Sandra dee zylstra #6039333. Published by sandra dee zylstra (A0.712484). The Entertainer by Scott Joplin is one of the best known ragtime pieces! Grab a partner and have fun playing this late intermediate two-piano duet arrangement in the keys of C and F. This arrangement includes both piano parts. (Approximately 4:30, 6 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$4.75
How Great Thou Art (2 piano duet)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Swedish Folk Melody
#
Sandra Zylstra
#
How Great Thou Art
#
sandra dee zylstra
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Tradi...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Traditional,World. Score. 8 pages. Sandra dee zylstra #4268385. Published by sandra dee zylstra (A0.712251). How Great Thou Art is one of the most well-known popular hymns in Christian churches everywhere! The tune comes from a Swedish melody (O Stor Gud) and is arranged in the keys of Bb, C, and D. This two piano duet arrangement would be great for worship! This arrangement is for both piano parts. (Approximately 4 min., 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
Hark! The Herald Angels Sing (2 piano duet)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Noël
#
Felix Bartholdy Mendelssohn
#
Sandra Zylstra
#
Hark! The Herald Angels Sing
#
sandra dee zylstra
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712487 Composed by Felix Bartholdy Mendelssohn. Arranged by Sandra Zylstra. Christian,Christmas,Sacred. Score. 8 pages. Sandra dee zylstra #6039401. Published by sandra dee zylstra (A0.712487). Luke 2:13-14 And suddenly there was with the angel a multitude of the heavenly host praising God and saying: Glory to God in the highest, and on earth peace, goodwill toward men! Hark! The Herald Angels Sing is a great classic Christmas carol. This late intermediate two-piano duet arrangement takes on a new twist with some extra syncopated rhythms! This arrangement includes both piano parts. (Approximately 3:30, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
Alone
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Marshmello
#
JoLaYo
#
Alone
#
Josiah Yowell
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale