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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come
Non classifié
1 140
Piano & claviers
Piano seul
694
Piano, Voix
242
Piano, Voix et Guitare
107
Instruments en Do
59
Orgue
51
1 Piano, 4 mains
27
2 Pianos, 4 mains
14
Piano Trio: piano, violon, violoncelle
12
Piano Facile
6
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
2
1 Piano, 6 mains
1
Accordéon
1
+ 12 instrumentations
Retracter
Guitares
Guitare
140
Guitare notes et tablatures
51
Basse electrique
46
Ukulele
43
Piano, Guitare (duo)
39
Dulcimer
9
3 Guitares (trio)
8
2 Guitares (duo)
8
Ligne De Mélodie, (Paroles) et Accords
5
Basse électrique (partie séparée)
1
4 Guitares (Quatuor)
1
Banjo
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
427
Chorale TTBB
86
Chorale 3 parties
43
Chorale SSAA
41
Chorale Unison
14
Voix Soprano, Piano
14
Chorale 2 parties
11
Voix basse, Piano
9
Voix seule
9
Voix haute
9
Voix duo, Piano
8
Voix duo
6
Chorale
5
Voix Tenor, Piano
4
Voix moyenne, Piano
4
Voix Baryton, Piano
3
Voix Alto, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Moyenne
1
Voix Tenor
1
Voix Soprano
1
Chorale SSATTB
1
Voix, Guitare
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
Flûte traversière et Piano
94
Quatuor de Saxophones: 4 saxophones
90
Clarinette et Piano
89
Hautbois, Piano (duo)
83
Saxophone Alto et Piano
66
Ensemble de saxophones
65
Quintette de Saxophone: 5 saxophones
61
Saxophone Tenor et Piano
49
Flûte, Hautbois, Clarinette, Basson
49
Quatuor de Clarinettes: 4 clarinettes
46
2 Saxophones (duo)
45
Ensemble de Clarinettes
35
Quatuor de Flûtes : 4 flûtes
28
2 Flûtes traversières (duo)
26
2 Flûtes traversières, Piano
25
Flûte traversière
23
Ensemble de Flûtes
21
2 Clarinettes (duo)
21
Clarinette
20
Saxophone Alto
14
Saxophone, Clarinette (duo)
13
Flûte, Clarinette (duo)
12
Saxophone Tenor
12
Quintette de Clarinettes: 5 clarinettes
12
Quintette de Flûte : 5 flûtes
11
Flûte, Violon
9
Clarinette, Guitare (duo)
8
Saxophone Soprano et Piano
8
Hautbois (partie séparée)
8
3 Clarinettes (trio)
8
Clarinette, Violon (duo)
7
Hautbois, Flûte
7
Hautbois, Clarinette (duo)
7
3 Saxophones (trio)
7
Saxophone (partie séparée)
6
Trio de Flûtes: 3 flûtes
6
Clarinette, Trompette (duo)
5
Saxophone Baryton, Piano
5
2 Hautbois (duo)
5
Flûte, Saxophone (duo)
5
Flûte, Clarinette, Piano (trio)
5
Flute (partie séparée)
4
Flûte à Bec
4
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Hautbois, Basson (duo)
4
Clarinette, Basson (duo)
4
Cor anglais, Piano
3
Clarinette Basse, Piano
3
Flûte, Alto (duo)
3
Flûte, Violon, Piano
3
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Clarinette et Basson
2
Ocarina
2
Flûte et Guitare
2
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violoncelle (duo)
2
Flûte à bec Tenor
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette (partie séparée)
1
Hautbois
1
Ensemble De Flûte à bec
1
Saxophone et Harpe
1
Hautbois, Trompette (duo)
1
Clarinette, Trombone (duo)
1
Saxophone
1
Flûte et Quatuor à Cordes
1
Flûte, Violoncelle
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
140
Quatuor de Cuivres : 2 trompettes, trombone, tuba
76
Trombone et Piano
73
Trompette
60
Trompette, Piano
44
Quatuor de cuivres: 4 trombones
31
Ensemble de Trombones
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
25
Quatuor de Cuivres
25
Trombone
19
Trompette (partie séparée)
19
Ensemble de Trompettes
18
Cor et Piano
17
Tuba et Piano
12
Quatuor de cuivres: 4 cors
11
2 Trombones (duo)
11
2 Euphoniums et 2 Tubas
10
2 Trompettes (duo)
9
Trompette, Saxophone (duo)
9
Trompette, Trombone (duo)
8
Cor
8
Trio de Cuivres
6
Trombone (partie séparée)
6
Ensemble de Cors
5
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
4 Tubas
3
3 Trombones (trio)
3
Euphonium
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba
2
Trompette, Violoncelle et Piano
2
2 Cors (duo)
2
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Cor, Trompette, Trombone (trio)
1
3 Cors (trio)
1
2 Tubas (duo)
1
Trombone, Orgue
1
Cor et Harpe
1
Trombone, Tuba (duo)
1
Cor (partie séparée)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
241
Violon et Piano
130
Violon, Violoncelle (duo)
86
Violoncelle, Piano
70
Alto, Piano
59
Violon
50
Trio à Cordes: violon, alto, violoncelle
45
2 Violoncelles (duo)
41
Harpe
28
Violoncelle
24
2 Violons (duo)
19
Trio à Cordes: 2 violons, violoncelle
18
Violon, Alto (duo)
14
Alto seul
13
Ensemble d'Altos
12
Ensemble de Violons
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Altos (duo)
8
Alto (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
6
Harpe, Voix
5
Contrebasse, Piano (duo)
4
Ensemble de Violoncelles
3
Alto, Violoncelle (duo)
3
Alto, Guitare (duo)
3
Violoncelle, Orgue
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Contre Basse
2
Alto, Orgue
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
2
Alto et Basson
1
Harpe, Violoncelle (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre
154
Ensemble de cuivres
113
Orchestre d'harmonie
110
Orchestre à Cordes
101
Ensemble Jazz
74
Orchestre de chambre
67
Cloches
36
Fanfare
31
Jazz combo
21
Ensemble de Percussions
6
Batterie
5
Batterie (partie séparée)
3
Marimba
3
Vibraphone
2
Percussion (partie séparée)
2
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
Tomplay
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Vous avez sélectionné:
Come
avancé
2 Pianos, 4 mains
Partitions à imprimer
14 partitions trouvées
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1
Amazing Graces
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
American Traditional
#
Carol Petersen
#
Amazing Graces
#
Carol Petersen
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1312781 Composed by American Traditional. Arranged by Carol Petersen. Christian,Comedy,Sacred,Spiritual....
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1312781 Composed by American Traditional. Arranged by Carol Petersen. Christian,Comedy,Sacred,Spiritual. Score. 4 pages. Carol Petersen #901625. Published by Carol Petersen (A0.1312781). Written for 2-piano, 4-hand, this inspiring arrangement of Amazing Grace uses swing-style jazz rhythms and harmonies.
$4.00
Moscow Nights
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Richard Simm
#
Richard Simm
#
Moscow Nights
#
Richard Simm
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1416730 By Richard Simm. By Soloviev-Sedoi. Arranged by Richard Simm. 20th Century,Folk,Multicultural,World. Score. 5 pages. Richard Simm #998394. Published by Richard Simm (A0.1416730). This lovely song has become a folk tune in its own lifetime. Â Composed in 1955 during the Soviet Russian Era, it achieved supreme worldwide popularity during the early 1960s, although the film for which it was originally composed has been forgotten. Â Exotic, atmospheric harmonies, along with a truly memorable melodic line, transcend national boundaries and attest to the genuine musical gifts of composer Vasily Solovyev-Sedoi. Here it is in Richard Simm's arrangement for 2 pianos.
$5.95
Sir Duke
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Pop musique
#
Soul/R&B
#
Stevie Wonder
#
Fishel Pustilnik
#
Sir Duke
#
F & N Enterprise
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.635785 By Stevie Wonder. By Stevie Wonder. Arranged by Fishel Pustilnik. Pop,Soul. Score. 7 pages. F & N Enterprise #5798587. Published by F & N Enterprise (A0.635785). An excellent arrangement of the famous Song Sir Duke for Oboe and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/mRT5rBfIA2Y The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
How Great Thou Art (2 piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Swedish Folk Melody
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Sandra Zylstra
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How Great Thou Art
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Tradi...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.712251 Composed by Swedish Folk Melody. Arranged by Sandra Zylstra. Christian,Multicultural,Sacred,Traditional,World. Score. 8 pages. Sandra dee zylstra #4268385. Published by sandra dee zylstra (A0.712251). How Great Thou Art is one of the most well-known popular hymns in Christian churches everywhere! The tune comes from a Swedish melody (O Stor Gud) and is arranged in the keys of Bb, C, and D. This two piano duet arrangement would be great for worship! This arrangement is for both piano parts. (Approximately 4 min., 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$5.25
Hopak, from "Sorochyntsi Fair"
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Classique
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Modest Petrovich Mussorgsky
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Richard Simm
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Hopak, from "Sorochyntsi
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1274763 Composed by Modest Petrovich Mussorgsky. Arranged by Richard Simm. 19th Century,Classical,Folk,O...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1274763 Composed by Modest Petrovich Mussorgsky. Arranged by Richard Simm. 19th Century,Classical,Folk,Opera,Romantic Period. Score. 5 pages. Richard Simm #866912. Published by Richard Simm (A0.1274763). This lively dance comes from the closing scene of Mussorgsky's comic opera, The Fair at Sorochyntsi. He wrote the libretto himself, basing it on a short Ukrainian story by Gogol, and he also arranged the Hopak for piano solo. Richard Simm has returned to the available orchestral material as the basis for his colourful 2-piano version.
$6.95
Come, Thou Fount of Every Blessing
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Folktune
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Sandra Zylstra
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Come, Thou Fount of Every Bles
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Sandra Zylstra
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SheetMusicPlus
By Folktune. Arranged by Sandra Zylstra. For Piano Duet. Sacred, Christian. Advanced Intermediate. Sheet Music Single. Published by Sandra Zylstra ...
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By Folktune. Arranged by Sandra Zylstra. For Piano Duet. Sacred, Christian. Advanced Intermediate. Sheet Music Single. Published by Sandra Zylstra
$4.75
Come Thou Fount
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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John Wyeth
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Come Thou Fount
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Jenifer Lynn Cook
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SheetMusicPlus
Composed by John Wyeth. Arranged by Arranged by Jenifer Cook. For Piano Duet. Sacred, Christian, Contemporary Christian, Wedding, Gospel. Advanced Intermediate....
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Composed by John Wyeth. Arranged by Arranged by Jenifer Cook. For Piano Duet. Sacred, Christian, Contemporary Christian, Wedding, Gospel. Advanced Intermediate. Sheet Music Single. Published by Jenifer Lynn Cook
$5.50
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume
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sandra dee zylstra
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SheetMusicPlus
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by s...
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
The Argument
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Joy DeCoursey-Porter
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The Argument
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Joy DeCoursey-Porter
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SheetMusicPlus
Composed by Joy DeCoursey-Porter. For Piano Duet. Comedy. Advanced Intermediate. Sheet Music Single. Published by Joy DeCoursey-Porter ...
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Composed by Joy DeCoursey-Porter. For Piano Duet. Comedy. Advanced Intermediate. Sheet Music Single. Published by Joy DeCoursey-Porter
$2.50
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