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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Don\\\\\\\\
Non classifié
1 356
Piano & claviers
Piano, Voix
864
Piano seul
748
Piano, Voix et Guitare
378
Instruments en Do
88
Orgue
34
1 Piano, 4 mains
17
2 Pianos, 4 mains
13
Piano Trio: piano, violon, violoncelle
7
Orgue, Trompette (duo)
6
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
3
Clavecin
3
Accordéon
2
Piano Facile
2
Accompagnement Piano
2
+ 11 instrumentations
Retracter
Guitares
Basse electrique
83
Guitare
82
Ukulele
49
Guitare notes et tablatures
48
Piano, Guitare (duo)
10
Ligne De Mélodie, (Paroles) et Accords
9
Dulcimer
8
2 Guitares (duo)
6
4 Guitares (Quatuor)
4
2 Ukuleles
3
Banjo
2
3 Guitares (trio)
2
2 Dulcimers (duo)
2
Mandoline
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
391
Chorale TTBB
153
Voix seule
110
Chorale SSAA
69
Chorale 3 parties
53
Voix Soprano, Piano
31
Voix haute
10
Voix Tenor, Piano
10
Chorale 2 parties
8
Voix Baryton, Piano
8
Voix Mezzo-Soprano, Piano
7
Chorale Unison
5
Voix basse, Piano
4
Voix duo, Piano
4
Chorale
2
Voix Soprano
1
Voix Alto, Piano
1
Voix Tenor
1
Voix duo
1
Voix moyenne, Piano
1
Chorale SSAATB A Cappella
1
Chorale SSAB, Piano
1
Chorale SSAATB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Quatuor de Saxophones: 4 saxophones
93
2 Saxophones (duo)
82
Quatuor de Clarinettes: 4 clarinettes
49
Clarinette
45
Flûte traversière et Piano
45
Saxophone Tenor
45
Ensemble de saxophones
45
Flûte traversière
45
Clarinette et Piano
43
3 Saxophones (trio)
43
Saxophone Alto et Piano
43
Saxophone Alto
41
2 Clarinettes (duo)
40
Flûte, Hautbois, Clarinette, Basson
39
Saxophone Tenor et Piano
34
2 Flûtes traversières (duo)
34
Quintette de Saxophone: 5 saxophones
33
Ensemble de Clarinettes
29
Saxophone (partie séparée)
29
Hautbois (partie séparée)
27
3 Clarinettes (trio)
27
Hautbois, Piano (duo)
26
Saxophone Soprano et Piano
23
Quintette de Clarinettes: 5 clarinettes
20
Quatuor de Flûtes : 4 flûtes
14
Flûte, Clarinette (duo)
14
Saxophone
13
2 Hautbois (duo)
13
Saxophone, Clarinette (duo)
12
Ensemble de Flûtes
12
Trio de Flûtes: 3 flûtes
11
Flûte, Clarinette et Basson
9
Saxophone Baryton, Piano
8
Hautbois, Basson (duo)
8
Clarinette, Trompette (duo)
7
Flûte, Violon
7
Clarinette, Violon (duo)
7
Cor Anglais
6
Cor anglais, Piano
6
2 Cors Anglais Et Pianoforte
5
Flûte, Alto (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
4
Flûte, Hautbois (duo)
4
Hautbois
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte à Bec
3
2 Flûtes traversières, Piano
3
Saxophone Soprano
3
Flûte et Guitare
3
Flûte, Hautbois, Basson
3
Hautbois, Clarinette (duo)
3
Flûte, Violon et Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Flûte
2
Flûte, Violon, Violoncelle et Piano
2
3 Hautbois
2
Clarinette, Basson (duo)
2
Flûte à bec Soprano
2
Clarinette Basse, Piano
2
Clarinette, Trombone (duo)
2
Saxophone et Guitare
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle (duo)
1
4 Hautbois
1
Flûte, Alto et Piano
1
Flûte à bec Tenor
1
Clarinette, Guitare (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Tuba (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Piccolo, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Alto et Piano (trio)
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Ocarina
1
Clarinette, Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
+ 78 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
142
Quatuor de cuivres: 4 trombones
70
Trompette
63
Quatuor de Cuivres : 2 trompettes, trombone, tuba
61
Trombone et Piano
58
Trombone
56
Ensemble de Trombones
40
Trompette, Piano
28
2 Trombones (duo)
28
Tuba et Piano
22
Cor
20
Cor et Piano
19
Euphonium, Piano (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
2 Trompettes (duo)
16
Quatuor de Cuivres
15
Tuba
15
2 Euphoniums et 2 Tubas
13
Quatuor de cuivres: 4 cors
13
Trompette (partie séparée)
12
Trompette, Trombone (duo)
12
Trompette, Saxophone (duo)
11
Trombone (partie séparée)
10
Ensemble de Trompettes
7
Euphonium
6
Cor Anglais
6
3 Euphoniums
6
3 Trombones (trio)
6
Cor anglais, Piano
6
Ensemble de Cors
5
2 Cors Anglais Et Pianoforte
5
Euphonium, Tuba (duo)
4
2 Cors (duo)
4
4 Tubas
3
Trombone basse
2
Trompette, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Trio de Cuivres
2
2 Tubas (duo)
2
Cor (partie séparée)
2
Trombone basse et Piano
1
Trompette, Harpe
1
Trombone, Cor (duo)
1
Cornet et orchestre
1
Cor et Harpe
1
Cor et Orgue
1
Trombone, Violon (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Bass Clef Instruments
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
300
Trio à Cordes: violon, alto, violoncelle
71
Violon et Piano
68
Violon, Violoncelle (duo)
63
Violon
53
2 Violons (duo)
46
Violoncelle
42
Violoncelle, Piano
39
Harpe
32
Alto, Piano
27
Alto seul
24
2 Altos (duo)
23
Violon, Alto (duo)
22
2 Violoncelles (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Trio à Cordes: 2 violons, violoncelle
15
4 Violoncelles
13
Alto, Violoncelle (duo)
11
Alto (partie séparée)
7
Trio à Cordes: 2 violons, alto
7
Contrebasse, Piano (duo)
6
Trio à cordes: 3 violins
6
Contre Basse
6
Trio à cordes
4
Trio à Cordes: 3 violoncelles
4
2 Harpes (duo)
4
Violoncelle, Contrebasse (duo)
3
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
3
Ensemble de Violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
2 Contrebasses (duo)
2
Alto et Harpe
2
Harpe, Flûte (duo)
2
Alto et Basson
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Violon (partie séparée)
1
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Harpe, Trombone (duo)
1
Violoncelle (partie séparée)
1
Harpe, Violon, Violoncelle
1
Ensemble de Violoncelles
1
Violon, Basse continue
1
2 Violoncelles, Piano
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
163
Orchestre
145
Ensemble Jazz
120
Ensemble de cuivres
115
Orchestre à Cordes
80
Orchestre de chambre
58
Fanfare
50
Batterie
44
Jazz combo
32
Cloches
15
Marimba
6
Ensemble de Percussions
5
Vibraphone
3
Percussion (partie séparée)
3
2 Marimbas
2
Trio à Vent: 3 instruments à vents
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
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Prix + au -
Nouveautes
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difficulté (tous)
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Vous avez sélectionné:
Don\\\\\\\\
avancé
2 Pianos, 4 mains
Partitions à imprimer
13 partitions trouvées
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1
Don't Stop Believin'
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Journey
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Alana Butler
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Don't Stop Believin'
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Alana Butler
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1093630 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alana Butler. 20th Centur...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1093630 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Alana Butler. 20th Century,Contemporary,Folk,Pop,Rock. Score. 5 pages. Alana Butler #697701. Published by Alana Butler (A0.1093630). Two Piano Duet.
$19.99
Soon-Ah Will Be Done--Duo Piano
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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Marilyn Thompson
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Soon-Ah Will Be Done--Duo Pian
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Marilyn Thompson
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809460 Composed by Traditional. Arranged by Marilyn Thompson. Christian,Folk,Sacred,Spiritual. Score. 9 ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.809460 Composed by Traditional. Arranged by Marilyn Thompson. Christian,Folk,Sacred,Spiritual. Score. 9 pages. Marilyn Thompson #5984991. Published by Marilyn Thompson (A0.809460). Spirited duo piano setting for church, school or recital of the lively spiritual. Advanced intermediate level. Optional score and orchestral parts available on separate posts. For Further information, please contact marilyn@www. mtmusicministries.comASCAP, Facebook, LinkedIn.
$4.99
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Interstellar
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Alex Gibson, Hans Florian Zimm
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Donna Mitchell
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Interstellar
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Donna Mitchell Studio
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1294764 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Donna Mitchell....
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1294764 Composed by Alex Gibson, Hans Florian Zimmer, and Ryan Romeyn Rubin. Arranged by Donna Mitchell. Film/TV,New Age. Score. 20 pages. Donna Mitchell Studio #885122. Published by Donna Mitchell Studio (A0.1294764). Themes from the film, Interstellar arranged for piano and synth pad or strings setting on keyboard. 20 pages with color cover. Separate parts are included for distribution to players, plus score for ease in practicing. Synth part is easy while the piano part would be considered early advanced.
$7.00
Fumbling Along (Intermediate/Advanced Piano Duo)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Kate Emht
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Fumbling Along
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Katherine Madonna McDowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.919970 Composed by Kate Emht. Concert,Film/TV,Jazz,Standards. Score. 6 pages. Katherine Madonna McDowell...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.919970 Composed by Kate Emht. Concert,Film/TV,Jazz,Standards. Score. 6 pages. Katherine Madonna McDowell #6046657. Published by Katherine Madonna McDowell (A0.919970). Fumbling Along is a whimsical jazzy piano duo with a simple secondo and more complex primo part. This catchy, quirky tune is the composer's personal theme. .
$5.99
Robot Boy
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Linkin Park
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Janina Schülin
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Robot Boy
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Janina Schülin
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1387266 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1387266 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joseph Hahn, Mike Shinoda, and Robert Bourdon. Arranged by Janina Schülin. Pop,Rock. Score. 7 pages. Janina Schülin #971135. Published by Janina Schülin (A0.1387266). Intermediate Version for 2 PianosPop Rock Metal Piano.
$6.99
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic P...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 02 Il Saltimb
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2071127. Published by Thomas Oboe Lee (A0.869427). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
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