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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
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Non classifié
597
PIANO & CLAVIERS
Piano seul
496
Piano, Voix
87
Piano, Voix et Guitare
30
Accompagnement Piano
26
Instruments en Do
23
Orgue
21
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Facile
4
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Trompette (duo)
1
Accordéon
1
Clavecin
1
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GUITARES
Guitare
44
Guitare notes et tablatures
11
Basse electrique
8
Dulcimer
5
2 Guitares (duo)
4
Ukulele
2
Piano, Guitare (duo)
1
Banjo
1
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Instrumentations suivantes
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VOIX
Chorale SATB
197
Chorale TTBB
41
Chorale 3 parties
21
Chorale SSAA
15
Voix seule
6
Voix Soprano, Piano
5
Chorale Unison
2
Voix haute
2
Chorale 2 parties
2
Voix Tenor
2
Voix duo, Piano
2
Voix duo
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
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VENTS
Flûte traversière et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Quatuor de Saxophones: 4 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
29
Clarinette et Piano
27
Ensemble de saxophones
24
Saxophone Alto et Piano
22
Flûte, Hautbois, Clarinette, Basson
20
Ensemble de Clarinettes
20
Saxophone Tenor
19
3 Saxophones (trio)
16
Hautbois, Piano (duo)
16
Quintette de Saxophone: 5 saxophones
15
Clarinette
15
Flûte traversière
14
2 Saxophones (duo)
14
Saxophone Tenor et Piano
14
Saxophone Alto
14
2 Flûtes traversières (duo)
13
Ensemble de Flûtes
10
2 Clarinettes (duo)
10
3 Clarinettes (trio)
8
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
7
Saxophone (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
6
Trio de Flûtes: 3 flûtes
6
2 Clarinettes, Piano
5
Saxophone et Harpe
5
Clarinette, Harpe (duo)
5
Clarinette Basse, Piano
4
Clarinette, Basson (duo)
3
Hautbois, Harpe
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
3
Flûte, Clarinette et Basson
3
Flûte, Clarinette (duo)
3
Hautbois, Basson (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
Flûte, Violon, Piano
2
5 Flûtes à bec
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Flûte
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto
1
Flûte à bec Soprano
1
Saxophone, Clarinette (duo)
1
Clarinette, Violoncelle (duo)
1
Piccolo
1
Flûte, Basson et Piano
1
Flûte, Violon
1
Flûte, Alto et Violoncelle
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
Clarinette, Tuba
1
3 Hautbois
1
2 Hautbois (duo)
1
Cor Anglais
1
Saxophone Soprano
1
Clarinette, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Piano
21
Trompette
15
Ensemble de Trombones
14
Cor et Piano
14
Trombone et Piano
12
Quatuor de cuivres: 4 trombones
11
2 Trompettes (duo)
11
Trompette (partie séparée)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor
9
Quatuor de cuivres: 4 cors
6
Cor et Harpe
5
Euphonium, Piano (duo)
5
Trombone
4
Trombone (partie séparée)
4
2 Cors (duo)
4
Ensemble de Cors
4
Trompette, Trombone (duo)
3
Trompette, Harpe
3
Cor anglais, Piano
3
2 Trombones (duo)
3
Tuba
3
Ensemble de Trompettes
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
2
Trio de Cuivres
2
Tuba et Piano
2
Trombone et orchestre
1
Trombone basse
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
4 Tubas
1
Euphonium
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
3 Trompettes (trio)
1
Cor Anglais
1
3 Euphoniums
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
108
2 Harpes (duo)
52
Violon et Piano
46
Harpe
41
Violoncelle, Piano
32
Alto, Piano
27
Trio à Cordes: violon, alto, violoncelle
26
Violon
18
Violoncelle
18
Harpe, Violon (duo)
15
2 Violons (duo)
12
Violon, Violoncelle (duo)
10
Harpe, Flûte (duo)
8
Harpe, Violoncelle (duo)
7
Violon, Alto (duo)
7
2 Violoncelles (duo)
6
Trio à Cordes: 3 violoncelles
4
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
4 Violoncelles
3
Alto et Harpe
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
3
2 Altos (duo)
3
Ensemble d'Altos
3
Ensemble de Violons
3
Alto, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
Harpe et mandoline
2
Violon, Orgue
1
Quatuor à cordes: 4 violons
1
Harpe, Trombone (duo)
1
Trio à cordes: 3 altos
1
Contre Basse
1
Trio à cordes: 3 violins
1
Violon, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Ensemble de Violoncelles
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
97
Ensemble de cuivres
67
Orchestre
66
Cloches
65
Ensemble Jazz
58
Orchestre à Cordes
48
Orchestre de chambre
19
Marimba
11
Fanfare
11
Jazz combo
8
Vibraphone
7
Batterie
5
Ensemble de Percussions
5
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
MEA
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2 Pianos, 4 mains
Partitions à imprimer
11 partitions trouvées
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1
Just Like A Rainbow (Duo)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.768341 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.768341 Composed by & Frank Magine, Arthur Sizemore, and Mary Earl. Arranged by Michelle Ayler. Broadway,Jazz,Musical/Show,Pop,Traditional. Score. 7 pages. MEA Music #3458455. Published by MEA Music (A0.768341). Early Advanced Piano Duo. Score and all Parts Included.2018 Keyboard Contest Entry
$6.65
6.06 €
#
2 Pianos, 4 mains
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& Frank Magine, Arthur Sizemore, and Mary Earl
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Michelle Ayler
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Just Like A Rainbow
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MEA Music
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SheetMusicPlus
Rockin' Rainbow Piano Duo (Over The Rainbow from The Wizard Of Oz)
2 Pianos, 4 mains
2 Pianos 4 Hands - Advanced Intermediate - Digital Download By Judy Garland. Arranged…
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2 Pianos 4 Hands - Advanced Intermediate - Digital Download By Judy Garland. Arranged by Michelle Ayler. Score, Set of Parts, Sheet Music Single. 28 pages. Published by MEA Musi
$6.99
6.36 €
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2 Pianos, 4 mains
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Judy Garland
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Michelle Ayler
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Rockin' Rainbow Piano Duo
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MEA Musi
#
SheetMusicPlus
Between the Lakes - Piano duo (2 pianos, 4 hands)
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.905084 Composed by Rebekah Barker. Concert. Score and parts. 8 pages. Rebekah Barker #4293569. Published by Rebekah Barker (A0.905084). Between the Lakes is a piano duo perfect for advanced intermediate pianists. The song starts out in G flat major and transitions to G major. The tempo is 80 mm, but the performers should play with rubato as they feel necessary. SIDE NOTE: The title of the song does not mean what you might think. Rather the song was titled after living in Interlagos, São Paulo, Brazil, where I was originally inspired with the creation of the piece. (Interlagos in Portuguese means between the lakes.).
$8.99
8.19 €
#
2 Pianos, 4 mains
#
Rebekah Barker
#
Between the Lakes - Piano duo
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Rebekah Barker
#
SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
RITUALISE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
French Ballet Class
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed b…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
18.2 €
#
2 Pianos, 4 mains
#
George Gershwin
#
Daryl McKenzie
#
French Ballet Class
#
Daryl McKenzie
#
SheetMusicPlus
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by…
(+)
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.21 €
#
2 Pianos, 4 mains
#
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
#
Jenni Roditi
#
IGNITE, Between the Octaves - A Piano Duo Suite
#
Jenni Roditi
#
SheetMusicPlus
Sonata Hymnica No. 6
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
9.11 €
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2 Pianos, 4 mains
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
2 Pianos, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981553
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981553 Composed by Frederic Chopin. Arranged by Helios D'Andrea. Romantic Period. Score and parts. 10 pages. D'Andrea Helios #6603303. Published by D'Andrea Helios (A0.981553). This original Canon unifinished has been completed and transcribed for two pianos taking care to keep the original Chopin's writing of 14 measures.
$10.00
9.11 €
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2 Pianos, 4 mains
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Frederic Chopin
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Helios D'Andrea
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F. CHOPIN CANON F minor completed and - two pianos by Helios D'Andrea
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D'Andrea Helios
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SheetMusicPlus
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
2 Pianos, 4 mains
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christma…
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.<br> (Also available as a printed book through www.simonpeberdymusic.com)<br> <br> The mp3 is of "Wassail Hiccup and Trip up"<br> <br> 1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)<br> 2. Little Town of Bethlehem Charleston;<br> 3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)<br> 4. Hark, the Herald Bluegrass Angels;<br> 5. In the Bleak Midwinter;<br> 6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)<br> 7. O Little Town of Bethlehem;<br> 8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);<br> 9. While Shepherds Boogie Woogie;<br> 10. Quem Pastores.<br> <br> The mp3 is of Wassail Hiccup and Trip up.<br> <br> Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!<br> (Book 1 is also available with another 10 pieces)<br> Arrangements for piano duet are also available.
$24.99
22.76 €
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2 Pianos, 4 mains
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Various, traditional carol melodies
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Simon Peberdy
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Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
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