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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
MOv
Non classifié
1 490
Piano & claviers
Piano seul
1 113
Orgue
134
Piano, Voix
112
Piano, Voix et Guitare
87
Instruments en Do
34
1 Piano, 4 mains
34
Piano Trio: piano, violon, violoncelle
30
2 Pianos, 4 mains
25
Clavecin
15
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Piano Facile
8
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano Quatuor: piano, 2 violons, violoncelle
3
Accordéon
2
Accompagnement Piano
2
Ensemble d'Accordéons
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
110
Guitare notes et tablatures
52
2 Guitares (duo)
13
Ligne De Mélodie, (Paroles) et Accords
7
Piano, Guitare (duo)
5
Basse electrique
5
Ukulele
5
Mandoline
3
4 Guitares (Quatuor)
3
Dulcimer
2
Ensemble de guitares
2
3 Guitares (trio)
1
2 Dulcimers (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
277
Chorale TTBB
52
Chorale SSAA
39
Chorale 3 parties
36
Chorale 2 parties
6
Voix Alto, Piano
5
Voix duo, Piano
4
Voix haute
3
Voix Soprano
2
Chorale
2
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Voix Tenor
2
Voix duo
2
Chorale Unison
2
Chorale SSAB, Piano
1
Voix, Guitare
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
212
Quatuor de Saxophones: 4 saxophones
150
Flûte, Hautbois, Clarinette, Basson
108
Clarinette et Piano
87
Quatuor de Clarinettes: 4 clarinettes
84
Flûte traversière et Piano
74
Clarinette
71
Ensemble de Clarinettes
64
Flûte traversière
59
Hautbois, Piano (duo)
58
Saxophone Alto
54
Saxophone Tenor
52
Ensemble de saxophones
52
Quintette de Saxophone: 5 saxophones
51
Saxophone Alto et Piano
44
2 Flûtes traversières (duo)
44
Quatuor de Flûtes : 4 flûtes
38
2 Clarinettes (duo)
38
Ensemble de Flûtes
36
2 Saxophones (duo)
32
Saxophone Tenor et Piano
27
2 Flûtes traversières, Piano
27
3 Saxophones (trio)
25
Quintette de Clarinettes: 5 clarinettes
24
3 Clarinettes (trio)
23
Saxophone Soprano et Piano
21
Hautbois (partie séparée)
19
Flûte, Clarinette (duo)
17
Trio de Flûtes: 3 flûtes
13
Flûte, Clarinette et Basson
13
Quintette de Flûte : 5 flûtes
13
2 Hautbois (duo)
10
Saxophone, Clarinette (duo)
8
Hautbois, Basson (duo)
8
Saxophone Baryton, Piano
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Clarinette Basse, Piano
7
Saxophone
6
Flûte, Alto et Piano
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte à Bec
6
Flûte et Guitare
6
Cor anglais, Piano
6
2 Cors Anglais Et Pianoforte
5
Cor Anglais
5
Saxophone Soprano
5
Flûte, Clarinette, Piano (trio)
5
Saxophone (partie séparée)
4
Flûte à bec Soprano
4
2 Flûte à bec (duo)
4
Saxophone et Orgue
4
Flûte, Violoncelle
3
Clarinette, Guitare (duo)
3
Hautbois, Flûte
3
Flûte, Hautbois, Basson
3
Quatuor de Flûtes à bec
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Flûte, Violon
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Clarinette (duo)
3
Clarinette, Basson (duo)
3
Hautbois
3
Flûte, Saxophone (duo)
3
5 Flûtes à bec
2
Flûte, Violon et Violoncelle
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
3 Hautbois
2
2 Clarinettes, Piano
2
2 Saxophones, Piano
2
Flûte, Basson et Piano
2
Clarinette et Alto
2
Flûte, trombone et piano
1
Clarinette, Orchestre
1
Flute, harpe et violon
1
Clarinette, Harpe (duo)
1
Clarinette, Tuba
1
4 Hautbois
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Basson
1
Saxophone, Tuba (duo)
1
Flûte, Alto (duo)
1
Flute (partie séparée)
1
Clarinette (partie séparée)
1
Clarinette, Violon (duo)
1
Clarinette, Trombone (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Saxophone et Harpe
1
Piccolo
1
Flûte, alto et harpe
1
Flûte, Trombone (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Saxophone et Guitare
1
Hautbois, Violoncelle
1
+ 91 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
171
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Trompette
62
Trombone
55
Trombone et Piano
48
Trompette, Piano
35
Cor et Piano
27
Quatuor de cuivres: 4 trombones
21
Tuba et Piano
20
Quatuor de Cuivres
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Euphonium, Piano (duo)
17
Ensemble de Trombones
15
2 Euphoniums et 2 Tubas
15
Trompette (partie séparée)
13
Quatuor de cuivres: 4 cors
11
Ensemble de Cors
11
4 Tubas
11
2 Trompettes (duo)
11
2 Trombones (duo)
11
Ensemble de Trompettes
11
Cor
10
3 Trombones (trio)
9
Tuba
9
2 Cors (duo)
7
3 Euphoniums
6
Cor anglais, Piano
6
2 Cors Anglais Et Pianoforte
5
Cor Anglais
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Trombone (duo)
3
Cor et Harpe
3
Euphonium
3
Trompette, Tuba (duo)
3
Trombone, Violon (duo)
2
3 Trompettes (trio)
2
Euphonium, Tuba (duo)
2
Trombone basse
2
Trompette, Cor (duo)
2
Cor (partie séparée)
2
Clarinette, Cor (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Bass Clef Instruments
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle et Piano
1
Trio de Cuivres
1
Cor et Orgue
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
412
Violon et Piano
149
Violoncelle, Piano
78
Trio à Cordes: violon, alto, violoncelle
76
Violon
62
Alto, Piano
61
Violoncelle
49
Violon, Violoncelle (duo)
43
2 Violons (duo)
37
Harpe
35
2 Violoncelles (duo)
23
Alto seul
19
Trio à Cordes: 2 violons, violoncelle
18
4 Violoncelles
18
Violon, Alto (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
15
Alto, Violoncelle (duo)
12
2 Altos (duo)
9
Trio à cordes: 3 violins
8
Trio à Cordes: 2 violons, alto
7
Quatuor à cordes: 4 violons
7
Alto (partie séparée)
7
Contre Basse
6
Harpe, Flûte (duo)
5
Trio à Cordes: 3 violoncelles
5
Contrebasse, Piano (duo)
5
Harpe, Violon (duo)
4
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violoncelle (duo)
3
Ensemble d'Altos
3
Violoncelle, Orchestre
3
2 Harpes (duo)
3
Ensemble de Violons
3
Violon (partie séparée)
3
Ensemble de Violoncelles
3
Violon, Clarinette, Piano (trio)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
4 Contrebasses
1
Harpe et Piano
1
Alto, Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
2 Violons, Piano
1
Alto et Harpe
1
Violoncelle (partie séparée)
1
Violoncelle, Orgue
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
Violon, Basse continue
1
Violoncelle , Guitare (duo)
1
Harpe et mandoline
1
Alto et orchestre
1
Harpe, Quatuor à cordes
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Orchestre
283
Orchestre à Cordes
246
Orchestre d'harmonie
210
Orchestre de chambre
154
Ensemble de cuivres
109
Ensemble Jazz
61
Jazz combo
24
Fanfare
22
Cloches
22
Ensemble de Percussions
12
Batterie
10
Marimba
5
Vibraphone
5
Orchestre, Violon
3
Vibraphone et Marimba
3
Percussion (partie séparée)
2
Piano et Orchestre
1
2 Xylophones
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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2 Pianos, 4 mains
Partitions à imprimer
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1
She Moved Through the Fair - arr. for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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She Moved Through the Fair - a
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783447. Published by Richard Simm (A0.1183755). Probably one of the loveliest folk melodies that have ever existed, this mysterious, key-elusive tune tells the story of a lover whose sweetheart has received permission from her family to marry him. He sees her move away from him at the fair, as she tells him, It will not be long, love, till our wedding day. But their love is ill-fated, as the sad ending of the story has her returning to him that night as a ghost, repeating the same words...
$6.95
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
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Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #190...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
Mozart - Divertimento in D major, K.136/125a - 1st movement for 4 hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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poon
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Mozart - Divertimento in D maj
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1336672 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 12 pages. Poon #922444....
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1336672 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 12 pages. Poon #922444. Published by poon (A0.1336672). Mozart - Divertimento in D major, K.136/125a - 1st movement for 4 hands.
$1.99
Orchestral Suite 2 BWV 1067, mov. 2-7 for piano duet
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Klas Krantz
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Orchestral Suite 2 BWV 1067, m
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Amadeus Music
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. A...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.530862 Composed by Johann Sebastian Bach. Arranged by Klas Krantz. Baroque,Classical. Score. 14 pages. Amadeus Music #2026685. Published by Amadeus Music (A0.530862). For piano duet, score, no parts, 13 pages. Johann Sebastian Bach (1685 – 1750) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity.
$8.95
Brandenburg Concerto No. 3, Third Movement, for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Simm
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Brandenburg Concerto No. 3, Th
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. R...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800634 Composed by Johann Sebastian Bach. Arranged by Richard Simm. Baroque,Classical. Score. 8 pages. Richard Simm #6714545. Published by Richard Simm (A0.800634). Bach's music often lends itself to performance by instruments other than the ones he specified. In this 2-piano transcription by Richard Simm, the wide range of a modern piano allows for an entertaining, even humorous, two-piano treatment of this wonderfully lively piece.
$8.95
F. Kuhlau Sonatine Op. 20 No. 1 Second Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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SheetMusicPlus
Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim...
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Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 3 pages. Philip Kim #1900269. Published by Philip Kim
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 2nd movement for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standa rds. Score. 6 pages. Philip Kim #5773193. Published by Philip Kim...
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Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standa rds. Score. 6 pages. Philip Kim #5773193. Published by Philip Kim
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 6 1st movement for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Methodes Etudes
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 10 pages. Philip Kim #5769535. P...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 10 pages. Philip Kim #5769535. Published by Philip Kim
$8.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 1st movement for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Methodes Etudes
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 9 pages. Philip Kim #5773197. Pu...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 9 pages. Philip Kim #5773197. Published by Philip Kim
$10.00
Muzio Clementi Piano Sonatine Op. 36 No. 6 2nd movement for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Methodes Etudes
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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SheetMusicPlus
Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 7 pages. Philip Kim #5769539. Pu...
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Composed by Muzio Clementi (1752-1832). Arranged by Philip Kim. Classical, Instructional, Standards. Score and parts. 7 pages. Philip Kim #5769539. Published by Philip Kim
$7.00
Sonata for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Gary R
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Sonata for Two Pianos
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Gary Smoke
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.835952 Composed by Gary R. Smoke. Concert,Contemporary. Score. 41 pages. Gary Smoke #6307395. Published by Gary Smoke (A0.835952). In three movements: the first (an allegro) is somewhat inspired in feel and scope by Mozart's Sonata for Two pianos; the second movement (subtitled Lullaby) is a slow and lyrical; and, the third movement is fast, highly chromatic and fairly aggressive.The starting times for the movements on the mp3 file: 1) 0:00; 2) 5:33; 3) 10:05. The total time for performance is ca. 15:30This is a MIDI perfomance (Piano1 is in right channel, Piano 2 in the left channel).
$25.00
Piano Concerto No. 6, Two Pianos/Four Hands
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 6, Two Pian
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1321769 Composed by James Nathaniel Holland. 21st Century,Classical,Contemporary. Score. 52 pages. James Nathaniel Holland #910236. Published by James Nathaniel Holland (A0.1321769). 2 PIANOS/4 HANDS (Piano 2, Reduced Orchestra)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$13.25
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
Mozart - Sonata for Two Pianos in D major, K.448/375a I. Allegro - For Piano Duet
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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poon
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Mozart - Sonata for Two Pianos
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poon
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1414125 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 42 pages. Poon #995896....
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1414125 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. Score. 42 pages. Poon #995896. Published by poon (A0.1414125). Mozart - Sonata for Two Pianos in D major, K.448/375a 1st Movment I. Allegro - For Piano Duo four hands Score and Parts.
$1.99
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Into My Mind
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Helen Porter
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medium/advanced players
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Into My Mind
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Helen Porter
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
A Christmas Tale for piano 4-hands | New edition 2020
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lena Orsa
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Lena Orsa
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A Christmas Tale for piano 4-h
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Lena Orsa
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.913873 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Christmas,Concert,Contemporary,Standards. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.913873 Composed by Lena Orsa. Arranged by Lena Orsa. Children,Christmas,Concert,Contemporary,Standards. Score. 12 pages. Lena Orsa #6115343. Published by Lena Orsa (A0.913873). A Christmas Tale. It's a fairytale atmosphere but not quite. I wrote this piece after watching Gremlins movie, so there is a place for both magic and sarcasm.
$7.99
French Ballet Class
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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George Gershwin
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Daryl McKenzie
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French Ballet Class
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Daryl McKenzie
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1120657 Composed by George Gershwin. Arranged by Daryl McKenzie. 20th Century,Film/TV. Score. 14 pages. Daryl McKenzie #721905. Published by Daryl McKenzie (A0.1120657). Arranged as a Piano Duet. Duration 1:06 French Ballet Class is a six-minute piece written by George Gershwin in 1937 for two pianos for the movie Shall We Dance. This sequence was meant to accompany a scene of dozens of ballet dancers practicing their positions. It is written in the style of the galop. Only two minutes of this music was used in the final film. This arrangement is just over 1 minute long. Same arrangement for single Piano and String Orchestra available.: https://bit.ly/3MKmYbo More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$19.99
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