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1 721
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328
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156
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96
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89
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35
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21
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18
Accordéon
12
Orgue, Piano (duo)
12
Piano Facile
11
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5
Orgue, Trompette (duo)
3
2 Accordéons
2
Clavecin
1
2 Pianos, 8 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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1
+ 13 instrumentations
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204
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129
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43
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24
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16
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11
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8
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7
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6
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3
2 Dulcimers (duo)
2
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2
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2
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1
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1
+ 10 instrumentations
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636
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164
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114
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58
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37
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20
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17
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16
Chorale
15
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13
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11
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10
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8
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6
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5
Voix moyenne, Piano
3
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1
Voix Tenor
1
Voix Soprano
1
Chorale SSATB
1
+ 15 instrumentations
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191
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130
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128
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122
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88
2 Saxophones (duo)
83
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83
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82
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74
Clarinette
65
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52
Saxophone Alto
52
Saxophone Tenor et Piano
49
Saxophone Tenor
47
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45
3 Saxophones (trio)
40
2 Clarinettes (duo)
32
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31
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30
Ensemble de saxophones
29
Saxophone
27
3 Clarinettes (trio)
27
Ensemble de Clarinettes
27
Hautbois (partie séparée)
24
Saxophone Soprano et Piano
23
2 Flûtes traversières (duo)
22
Saxophone (partie séparée)
21
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19
Quintette de Clarinettes: 5 clarinettes
14
Flûte et Guitare
12
2 Flûte à bec (duo)
11
Quintette de Flûte : 5 flûtes
10
Saxophone Baryton, Piano
9
Flûte, Clarinette (duo)
9
2 Hautbois (duo)
8
Cor anglais, Piano
8
Flûte, Hautbois, Basson
7
Clarinette, Guitare (duo)
7
Hautbois, Basson (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
3 Hautbois
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Hautbois, Clarinette (duo)
5
Hautbois
5
Flûte, Clarinette, Piano (trio)
5
Saxophone Soprano
4
Flûte, Alto et Piano
4
Flute (partie séparée)
4
Clarinette, Violoncelle (duo)
4
Flûte, Clarinette et Basson
4
Clarinette, Violon (duo)
3
Flûte, Violon
3
Flûte, Hautbois (duo)
3
Piccolo
3
Flûte, Alto (duo)
3
Flûte, Violoncelle
3
Clarinette et Alto
3
Flûte à bec Soprano
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Flûtes à bec
2
2 Clarinettes, Piano
2
5 Flûtes à bec
2
Hautbois, Guitare (duo)
2
Flûte à bec Tenor
2
Hautbois, Flûte
2
Flûte, Trombone (duo)
2
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2
Clarinette, Basson (duo)
2
Cor Anglais
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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2 Saxophones, Piano
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1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Harpe (duo)
1
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1
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1
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1
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1
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1
Clarinette Basse, Piano
1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
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90
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77
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62
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61
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52
Trompette, Piano
43
Cor et Piano
33
Trompette (partie séparée)
30
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Cor
20
Tuba et Piano
19
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15
2 Trompettes (duo)
14
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12
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12
2 Cors (duo)
11
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11
2 Trombones (duo)
10
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10
Tuba
9
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8
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8
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6
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6
2 Euphoniums et 2 Tubas
5
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4
2 Tubas (duo)
4
3 Trombones (trio)
4
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2
Trompette, Violoncelle (duo)
2
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2
Trombone basse
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Euphonium
2
Trompette, Tuba (duo)
2
Trombone basse et Piano
2
Trompette, violon (duo)
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Cor Anglais
2
Bass Clef Instruments
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3 Trompettes (trio)
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1
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1
Tuba et Orgue
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1
Cor anglais, Guitare (duo)
1
Trombone, Cor (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
482
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158
Violoncelle, Piano
102
Violon
94
Violon, Violoncelle (duo)
87
Harpe
83
Alto, Piano
73
Trio à Cordes: violon, alto, violoncelle
57
Violoncelle
53
2 Violons (duo)
33
2 Violoncelles (duo)
27
Alto seul
27
4 Violoncelles
22
Violon, Alto (duo)
18
Alto (partie séparée)
17
2 Altos (duo)
16
Trio à Cordes: 2 violons, violoncelle
16
Contre Basse
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Contrebasse, Piano (duo)
12
Alto, Violoncelle (duo)
10
Trio à cordes: 3 violins
9
Trio à Cordes: 3 violoncelles
7
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 altos
7
Trio à Cordes: 2 violons, alto
7
Violon, Guitare (duo)
6
Ensemble d'Altos
6
Ensemble de Violons
6
Harpe, Flûte (duo)
5
Harpe, Voix
5
Alto et Harpe
4
2 Contrebasses (duo)
4
Quatuor à cordes: 4 violons
4
Piano Trio: Violon, Alto, Piano
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
3
Violoncelle, Orgue
3
Alto, Orgue
2
4 Contrebasses
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
2
Alto et Basson
1
Violoncelle (partie séparée)
1
Violon, Tuba (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
+ 42 instrumentations
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206
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161
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120
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91
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89
Fanfare
54
Jazz combo
49
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26
Cloches
14
Ensemble de Percussions
14
Vibraphone
8
Marimba
4
Xylophone
2
Batterie (partie séparée)
1
Quintette à Vent
1
Xylophone, Piano
1
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My, My, My
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2 Pianos, 4 mains
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21 partitions trouvées
<
1
Into My Mind
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Helen Porter
#
medium/advanced players
#
Into My Mind
#
Helen Porter
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen ...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.976590 Composed by Helen Porter. 20th Century,Classical,Concert,Romantic Period. Score. 10 pages. Helen Porter #3684933. Published by Helen Porter (A0.976590). IT CAME INTO MY MIND is a 2 movement 2 piano composition, for medium/advanced players. The first section is playful and happy and the second is very exciting and rhythmic, building to a climax at the end. Both piano parts are of equal standard of difficulty.
$15.00
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
dislocation I mean a degree of
#
Jenni Roditi
#
RITUALISE, Between the Octaves
#
Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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ENCIRCLE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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dislocation I mean a degree of
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Jenni Roditi
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IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
2. L' Arabesque 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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2. L' Arabesque 25 Progressive
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743930 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743930 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 2 pages. Philip Kim #4303231. Published by Philip Kim (A0.743930). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student.
$5.00
3. La Pastorale 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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3. La Pastorale 25 Progressive
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743931 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743931 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 3 pages. Philip Kim #4303233. Published by Philip Kim (A0.743931). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
1. La Candeur (Frankness) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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1. La Candeur
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743929 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743929 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 2 pages. Philip Kim #4303229. Published by Philip Kim (A0.743929). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student.
$5.00
11. La Bergeronnette (The Wagtail) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burgm
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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11. La Bergeronnette
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743939 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743939 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 3 pages. Philip Kim #4311103. Published by Philip Kim (A0.743939). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
8. La Gracieuse (Grace) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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8. La Gracieuse
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743935 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743935 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 4 pages. Philip Kim #4303245. Published by Philip Kim (A0.743935). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
5. Innocence 25 Progressive Studies Opus 100 for 2 pianos by Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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5. Innocence 25 Progressive St
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743933 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743933 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 2 pages. Philip Kim #4303237. Published by Philip Kim (A0.743933). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
9. La Chasse (The Chase) 25 Progressive Studies Opus 100 for 2 pianos by Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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9. La Chasse
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743937 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743937 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 5 pages. Philip Kim #4303247. Published by Philip Kim (A0.743937). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
F. Kuhlau Sonatine Op. 20 No. 1 Third Movement for 2 Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederich Kuhlau
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Philip Kim
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F. Kuhlau Sonatine Op. 20 No.
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #190...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743879 Composed by Frederich Kuhlau. Arranged by Philip Kim. Classical. Score. 11 pages. Philip Kim #1900279. Published by Philip Kim (A0.743879). I wrote a second piano part for this lovely sonatine by Kulau for my students to introduce them to chamber music. I hope you enjoy them as well. There are 1st and 2nd movements also and are uploaded separately. I have also uploaded all 3 movements of this sonatine as a single download. Youtube link: https://youtu.be/tYugVedixf4.
$7.00
Muzio Clementi Piano Sonatine Op. 36 No. 5 Complete Movements
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Muzio Clementi
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Philip Kim
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Muzio Clementi Piano Sonatine
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743981 Composed by Muzio Clementi. Arranged by Philip Kim. Classical,Instructional,Standards. Score. 21 pages. Philip Kim #5773765. Published by Philip Kim (A0.743981). This is the complete 3 movements of Clementi's Op. 36 No. 5. I wrote a second piano part for this lovely sonatine by Clementi for my students to introduce them to chamber music. I hope you enjoy them as well. Complete and each separate movements are also uploaded.
$20.00
6. Progress 25 Progressive Studies Opus 100 for 2 pianos by Friedrich Burgmüller
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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6. Progress 25 Progressive Stu
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743934 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743934 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 2 pages. Philip Kim #4303239. Published by Philip Kim (A0.743934). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
Alone
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Marshmello
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JoLaYo
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Alone
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Josiah Yowell
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.891220 By Marshmello. By Marshmello. Arranged by JoLaYo. Contemporary. Score. 15 pages. Josiah Yowell #4791595. Published by Josiah Yowell (A0.891220). This is a 2 Piano arrangement of the popular song Alone written by Marshmello. In addition to the full score (both piano parts side-by-side), there is an individual copy of each piano part included in the arrangement. This way, you only have to make one copy and you won't have to make as many page turns. Also, you can even have the option of playing the Piano 1 part as a solo arrangement!As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements!Email me at: sebbyomusic@gmail.com
$4.99
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
4. La Petite Reunion (The Little Party) 25 Progressive Studies Opus 100 for 2 pianos Friedrich Burg
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Friedrich Burgmuller
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Philip Kim
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4. La Petite Reunion
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Philip Kim
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743932 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. S...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.743932 Composed by Johann Friedrich Burgmuller. Arranged by Philip Kim. Instructional,Romantic Period. Score. 3 pages. Philip Kim #4303235. Published by Philip Kim (A0.743932). This is my arrangement for 2 pianos of 25 Études faciles et progressives Op.100 by Friedrich Burgmüller. I arranged the 2nd piano part with the teacher in mind or an advanced student. I will upload individual pieces from the set as well as the whole 25 set.
$5.00
My First Homage
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gavin Bryars
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My First Homage
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Schott Music - Digital
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SheetMusicPlus
2 pianos (4 hands) - intermediate to advanced - For 2 pianos 4 hands. Composed by Gavin Bryars (1943-). This edition: Sheet music. Downloadable. Dur...
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2 pianos (4 hands) - intermediate to advanced - For 2 pianos 4 hands. Composed by Gavin Bryars (1943-). This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q22899. Published by Schott Music - Digital
$19.99
It Is Well With My Soul
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Bliss
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Sandra Zylstra
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It Is Well With My Soul
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Sandra Zylstra
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SheetMusicPlus
By Bliss. Arranged by Sandra Zylstra. For Piano Duet. Sacred, Christian. Advanced Intermediate. Sheet Music Single. Published by Sandra Zylstra ...
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By Bliss. Arranged by Sandra Zylstra. For Piano Duet. Sacred, Christian. Advanced Intermediate. Sheet Music Single. Published by Sandra Zylstra
$4.75
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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C
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Philip Kim
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Techniqu...
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Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00
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