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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That
Non classifié
2 346
Piano & claviers
Piano seul
1 878
Piano, Voix et Guitare
592
Instruments en Do
457
Piano, Voix
413
Orgue
105
1 Piano, 4 mains
50
Piano Trio: piano, violon, violoncelle
31
2 Pianos, 4 mains
18
Piano Facile
16
Orgue, Trompette (duo)
11
Orgue, Piano (duo)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Accompagnement Piano
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Accordéon
4
Clavecin
2
2 Pianos, 8 mains
2
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
192
Guitare notes et tablatures
93
Ligne De Mélodie, (Paroles) et Accords
84
Ukulele
43
Basse electrique
25
2 Guitares (duo)
14
Piano, Guitare (duo)
13
4 Guitares (Quatuor)
10
Dulcimer
8
Banjo
4
Ensemble de guitares
4
Mandoline
3
Guitare (partie séparée)
2
Paroles et Accords
2
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
Guitare, Orchestre
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
884
Chorale TTBB
151
Chorale SSAA
119
Chorale 3 parties
86
Voix Soprano, Piano
41
Voix duo
21
Voix duo, Piano
17
Chorale Unison
17
Voix seule
16
Voix Tenor, Piano
13
Voix Baryton, Piano
12
Chorale 2 parties
11
Voix haute
8
Voix basse, Piano
5
Voix Soprano
5
Voix moyenne, Piano
5
Voix Alto, Piano
5
Voix Tenor
4
Voix Mezzo-Soprano, Piano
4
Chorale
1
Chorale SATBB
1
Chorale SSAB a cappella
1
+ 17 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
193
Quatuor de Saxophones: 4 saxophones
138
Flûte traversière et Piano
120
Clarinette et Piano
88
Quatuor de Clarinettes: 4 clarinettes
87
Ensemble de saxophones
86
Quintette de Saxophone: 5 saxophones
79
Saxophone Alto et Piano
72
Flûte, Hautbois, Clarinette, Basson
71
Ensemble de Clarinettes
69
Flûte traversière
62
Hautbois, Piano (duo)
58
Clarinette
49
2 Saxophones (duo)
48
Saxophone Tenor et Piano
48
Ensemble de Flûtes
44
Saxophone Alto
42
2 Flûtes traversières (duo)
40
2 Clarinettes (duo)
38
Saxophone Soprano et Piano
35
Quatuor de Flûtes : 4 flûtes
32
2 Flûtes traversières, Piano
28
Saxophone Tenor
28
Flûte, Clarinette (duo)
20
3 Saxophones (trio)
19
Saxophone, Clarinette (duo)
19
Quintette de Clarinettes: 5 clarinettes
18
Trio de Flûtes: 3 flûtes
17
Saxophone (partie séparée)
17
3 Clarinettes (trio)
17
Quintette de Flûte : 5 flûtes
14
Saxophone Baryton, Piano
12
Clarinette, Violon (duo)
12
Hautbois (partie séparée)
12
Flûte et Guitare
12
Clarinette Basse, Piano
11
Clarinette, Guitare (duo)
9
Flûte, Violon
8
2 Hautbois (duo)
8
Flûte, Alto (duo)
7
Hautbois, Basson (duo)
7
Clarinette, Trompette (duo)
7
Hautbois, Flûte
6
Cor anglais, Piano
6
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
6
Clarinette et Alto
6
Hautbois, Clarinette (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte à Bec
4
Clarinette, Basson (duo)
4
Saxophone
4
Quatuor de Flûtes à bec
4
Flûte à bec Soprano
4
Clarinette, Violoncelle (duo)
4
Flûte, Violoncelle
3
Flute (partie séparée)
3
Flûte, Clarinette et Basson
3
2 Clarinettes, Piano
3
Flûte à bec Alto
3
Flûte, Hautbois, Basson
3
Hautbois
2
2 Flûte à bec (duo)
2
Flûte irlandaise
2
Flûte à bec Tenor
2
Flûte, Violon, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Trombone (duo)
2
Saxophone Soprano
1
Hautbois, Violon, Piano
1
Cor Anglais
1
Flûte, Trombone (duo)
1
Saxophone et Guitare
1
Clarinette (partie séparée)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto et Piano
1
Ensemble De Flûte à bec
1
Saxophone, Tuba (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Trompette (duo)
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Piccolo
1
Flûte, trombone et piano
1
Flûte, alto et harpe
1
3 Hautbois
1
+ 87 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
218
Quatuor de Cuivres : 2 trompettes, trombone, tuba
131
Trompette, Piano
57
Quatuor de Cuivres: 2 trompettes, Cor, trombone
55
Trompette
51
Trombone et Piano
48
Quatuor de cuivres: 4 trombones
47
Trombone
39
Ensemble de Trombones
38
Tuba et Piano
31
Ensemble de Trompettes
30
Cor et Piano
25
Quatuor de Cuivres
25
Trompette (partie séparée)
21
Euphonium, Piano (duo)
17
Quatuor de cuivres: 4 cors
16
2 Euphoniums et 2 Tubas
15
Trompette, Saxophone (duo)
13
2 Trombones (duo)
12
2 Trompettes (duo)
11
Trompette, Trombone (duo)
10
Trombone (partie séparée)
9
Cor
9
Trio de Cuivres
9
Ensemble de Cors
8
Tuba
7
Cor anglais, Piano
6
2 Cors (duo)
6
4 Tubas
5
Trompette, Violoncelle et Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Trompettes (trio)
2
Euphonium
2
Trompette, Cor (duo)
2
Trombone basse
2
3 Trombones (trio)
2
Cor Anglais
1
3 Euphoniums
1
Quatuor de cuivres: 4 trompettes
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
2 Euphoniums (duo)
1
Bass Clef Instruments
1
Trombone basse et Piano
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
530
Violon et Piano
154
Trio à Cordes: violon, alto, violoncelle
107
Violon, Violoncelle (duo)
106
Violoncelle, Piano
87
Harpe
81
Violon
70
Alto, Piano
63
Violoncelle
56
2 Violons (duo)
41
Trio à Cordes: 2 violons, violoncelle
37
Violon, Alto (duo)
31
2 Harpes (duo)
30
2 Violoncelles (duo)
30
Alto seul
18
2 Altos (duo)
13
Ensemble d'Altos
13
Ensemble de Violons
13
Alto (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
4 Violoncelles
11
Alto, Violoncelle (duo)
9
Contre Basse
8
Trio à cordes: 3 violins
8
Violon, Guitare (duo)
7
Trio à Cordes: 3 violoncelles
5
Harpe, Voix
5
Violoncelle , Guitare (duo)
4
Contrebasse, Piano (duo)
4
Harpe, Violon (duo)
4
Alto et Harpe
4
Trio à Cordes: 2 violons, alto
3
Harpe, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 altos
2
Alto, Guitare (duo)
2
Violon (partie séparée)
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violoncelles
2
4 Contrebasses
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Flûte (duo)
2
Violoncelle, Orgue
2
Contrebasse (partie séparée)
1
Violon, Tuba (duo)
1
Quatuor à cordes : 4 altos
1
2 Contrebasses (duo)
1
Violoncelle (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Alto et Basson
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
369
Orchestre
314
Ensemble Jazz
258
Orchestre à Cordes
239
Ensemble de cuivres
195
Orchestre de chambre
133
Jazz combo
77
Fanfare
56
Cloches
46
Ensemble de Percussions
27
Batterie
20
Marimba
8
Vibraphone
6
Batterie (partie séparée)
2
2 Xylophones
1
Vibraphone et Marimba
1
Xylophone, Piano
1
Piano et Orchestre
1
2 Marimbas
1
Xylophone
1
+ 15 instrumentations
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Autres
Théorie de la musique
1
Formation musicale - Solfège
1
Instruments
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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DEEJAY
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FORMATION MUSI…
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2 Pianos, 4 mains
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18 partitions trouvées
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1
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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dislocation I mean a degree of
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Jenni Roditi
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RITUALISE, Between the Octaves
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
ENCIRCLE, Between the Octaves - A Piano Duo Suite (Movement 5 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
dislocation I mean a degree of
#
Jenni Roditi
#
ENCIRCLE, Between the Octaves
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Jenni Roditi
#
SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497857 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 19 pages. Jenni Roditi #1074269. Published by Jenni Roditi (A0.1497857). Piano Duo 2 pianos/4 hands. Encircle, Between the Octaves, originally called rotate as its impetus was to generate a steadily rotating music. Encircle was later chosen as a more evocative word. The harmony surprised me as it suggested shifts and colourations that I would not have expected to conjure. Two upper rotating parts with melodic narrative are supported by bass and baritone lower parts. The final section adds a dance-like short form to end what could otherwise have run and run and run. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
IGNITE, Between the Octaves - A Piano Duo Suite (Movement 7 of 7)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
dislocation I mean a degree of
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Jenni Roditi
#
IGNITE, Between the Octaves -
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. P...
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Instrumental Duet,Keyboard - Level 4 - SKU: A0.1497866 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 24 pages. Jenni Roditi #1074279. Published by Jenni Roditi (A0.1497866). Piano Duo - 2 pianos/4 hands. Ignite, Between the Octaves began with the impetus of static ‘pulsation’ (its original title) on repeated octaves. The piece is a fizzing dash of nodal vortices, small, then larger, spinning and tumbling and all the way to the finish line. This piece brings the complete suite of 7 pieces to a dynamic close, with a sense of ignition to new beginnings. The music echoes the opening F octaves of Initiate (movement 1). Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Nocturne for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gold and Fizdale
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Nocturne for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1497521 By Gold and Fizdale. By Germaine Tailleferre. 20th Century,Chamber,Classical,Contemporary. Score. 5 pages. Musik Fabrik Music Publishing #1073934. Published by Musik Fabrik Music Publishing (A0.1497521). The manuscript for this Nocturne was found in Tailleferre's personal archives, which are now part of Robert Shapiro's private collection. The work was titled Partita for Two Pianos, but only the manuscript for the Nocturne was found. It appears that Tailleferre intended to adapt her Partita for Solo Piano for a piano duo for her friends Gold and Fizdale. It is likely that Gold and Fizdale arranged for the publication of two works (the Partita for Solo Piano and the serial Solo Clarinet Sonata) during the 1960s with the firm Rongwen Music, which was later acquired by Broude Brothers Limited. Thanks are due to Ronald Broude for authorizing the publication of this work.
$12.95
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Johann Simon Mayr
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Fabrizio Capitanio
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Concerto for Cembalo [Fortepia
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$26.95
Concertino Barocco (after C.P.E. Bach and G.B. Pescetti)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach, Gio
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Kiyoshi Tamagawa
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Concertino Barocco
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Mastery for Strings Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.945464 Composed by Carl Philipp Emanuel Bach, Giovanni Battista Pescetti. Arranged by Kiyoshi Tamagawa. Baroque. Score. 12 pages. Mastery for Strings Press #5999147. Published by Mastery for Strings Press (A0.945464). The practice of adding an accompaniment to a composition originally created for a solo instrument is a time-honored tradition in Western art music, whether the additional music be for one or a few instruments or an entire ensemble. In the latter case a concerto movement can be fabricated from a solo work. The Concertino Barocco (Little Baroque Concerto) takes as its basis two pieces of the Baroque era that have long been popular repertoire for advancing students of the keyboard: the Solfeggio (or Solfeggietto) by C.P.E. Bach, and the third movement, Presto, from the Sonata in C minor by Giovanni Battista Pescetti. These works are transformed into two miniature concerto movements by adding and interpolating short tutti passages at various points in the form, rather in the style of Antonio Vivaldi. Not a note has been added or subtracted from the original keyboard solos, so that a student who has mastered the originals may play this Concertino simply by memorizing the exact points in the original pieces where additional music for the orchestra has been added and they must wait to continue.
$9.99
La petite vie d'un papillon
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sophie Van Dijk
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La petite vie d'un papillon
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Sophie Van Dijk
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1031544 Composed by Sophie Van Dijk. Contemporary. Score. 24 pages. Sophie Van Dijk #3455333. Published ...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1031544 Composed by Sophie Van Dijk. Contemporary. Score. 24 pages. Sophie Van Dijk #3455333. Published by Sophie Van Dijk (A0.1031544). This purchase includes two copies of the full score for use as parts by performers. Approximate duration 4 minutes. OverviewIt is said that a butterfly lives for only one day - a short yet beautiful life. La petite vie d'un papillon journeys through the butterfly's day and reflects the wonder, fragility and peace that each moment holds. Sophie Van Dijk is an Australian composer, based in Sydney. Contact: www.sophievandijk.com
$9.95
She Moved Through the Fair - arr. for 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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She Moved Through the Fair - a
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,Wo...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1183755 By Richard Simm. By Irish Folk Tune. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #783447. Published by Richard Simm (A0.1183755). Probably one of the loveliest folk melodies that have ever existed, this mysterious, key-elusive tune tells the story of a lover whose sweetheart has received permission from her family to marry him. He sees her move away from him at the fair, as she tells him, It will not be long, love, till our wedding day. But their love is ill-fated, as the sad ending of the story has her returning to him that night as a ghost, repeating the same words...
$6.95
Wonderful Grace Of Jesus (two piano duet)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Haldor Lillenas
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Sandra Zylstra
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Wonderful Grace Of Jesus
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sandra dee zylstra
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sa...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1410446 Composed by Haldor Lillenas. Arranged by Sandra Zylstra. Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Sandra dee zylstra #992863. Published by sandra dee zylstra (A0.1410446). Wonderful Grace Of Jesus is a popular hymn in many denominations that tells the story of the grace of Jesus. This hymn is arranged as a late intermediate two piano duet arranged in the keys of C and D. (appoximately 4:30 minutes, 9 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/.
$7.00
Visconti Sforza Tarot Cards, opus 66 ... Il Matto (1996) for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic P...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869254 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #32677. Published by Thomas Oboe Lee (A0.869254). When the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 18 La Stella
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869426 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 4 pages. Thomas Oboe Lee #2071133. Published by Thomas Oboe Lee (A0.869426). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
The Rakes of Mallow
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Richard Simm
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Richard Simm
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The Rakes of Mallow
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Richard Simm
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.1188789 By Richard Simm. By Richard Simm. Arranged by Richard Simm. Folk,Multicultural,Traditional,World. Score. 3 pages. Richard Simm #788405. Published by Richard Simm (A0.1188789). This is the final song in Richard Simm's collection of Five Irish Tunes for two pianos. In 1724 some hot springs were discovered in the Irish town of Mallow, which soon became a famous health resort. The Rakes in the title of this well-known polka were a group of young lads who preferred drinking other things than the supposedly health-giving water there, and this catchy tune gives an inkling of the fun and games that seem to have been their main goal in life...
$7.95
Tango for the Road - for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Ofer Ben-Amots
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Tango for the Road - for two p
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The Composer's Own Press
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer'...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.944075 Composed by Ofer Ben-Amots. 20th Century,Contemporary,Latin,World. Score. 28 pages. The Composer's Own Press #5041193. Published by The Composer's Own Press (A0.944075). Composer's notes: I have always been fascinated by music that lives on the boundary between popular and highbrow, and Argentinian Tango falls right into this category. I wrote Tango for the Road in the summer of 2015, following an earlier tango in my Odessa Trio, titled Tango Dorfman. The genre has a number of well-defined musical characteristics, often opposing one another: it is rhythmically strict and precise, yet warm and sentimental; it carries melodious tunes accompanied by soft chromaticism and elegance, yet it conceals tremendous spark and inner-power; being a partner dance, it sometimes displays a Leader/Follower relationship and other times an equal vigor and energy between the partners.
$18.00
Visconti Sforza Tarot Cards, opus 66 ... Twenty Two Salon Pieces For Two Pianos (1996) 02 Il Saltimb
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Visconti Sforza Tarot Cards, o
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Per...
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Instrumental Duet Instrumental Duet,Piano - Level 4 - SKU: A0.869427 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2071127. Published by Thomas Oboe Lee (A0.869427). YouTube link: https://www.youtube.com/user/thomasoboelee/videosWhen the Reed sisters, Elizabeth & Lydia, asked me to write a new work for two pianos, I wasn't quite sure where or how to begin. Then I came upon a book on numerology by Annemarie Schimmel, The Mystery of Numbers. In it I discovered a lot of fascinating things, mystical and magical, associated with each number from one to 10,000. Since I would be writing a piece for a duo, double digits would do the trick. Number 22 stood out. It has two important associations: the Hebrew alphabet has 22 letters, and there are 22 major arcana cards or allegories of the Tarot. Perfect! I could write 22 pieces, each a musical rendering of a card. And, coincidentally, this work will opus 66.For pictorial inspiration, I bought a Pierpont Morgan Library copy of the Visconti-Sforza Tarot Cards from 15th century Italy. For musical inspiration, I listened to the wonderful salon music of the Polish composer Frederic Chopin, the American composer Louis Moreau Gottschalk, and the Brazilian composer Ernesto Nazareth.The 22 pieces in the Visconti-Sforza Tarot Cards are: Zero Il Matto The Fool entertains the gathered guests with a tarantella. I. Il Saltimbanco The Mountebank shuffles his cards and does a samba. II. La Papessa The High Priestess concocts a magic potion. III. L'Imperatrice The Empress dances all night. IV. L'Imperatore The Emperor promenades into the Great Hall and inspects the courtiers. V. Il Papa The Pope makes a proclamation that all sinners will be pardoned. VI. L'Amore Love in a tropical paradise. VII. Il Carro Triumphant in battle, the gladiators ride into town on chariots. VIII. La Giustizia Justice is swift and unrelenting. IX. Il Vecchio The Old Man reminisces. X. La Ruota della Fortuna Fortunes rise and fall unpredictably. XI. La Fortezza Strength and fortitude will prevail. XII. Il Penduto Lamentation for the Hanged Man. XIII. Il Morte Death lurks around the corner. XIV. La Temperanza Temperance in A major. XV. Il Diavolo The Devil seduces with his charm and wit. XVI. La Torre The tower topples and crashes onto the populace gathered below. XVII. La Stella Twinkle, twinkle, little star ... XVIII. La Luna Minuet for moonstruck lovers. XIX Il Sole Sunshine, margaritas and salsa cubana. XX Il Giudizio On the Day of Judgment, the angels blow their trumpets ... XXI. Il Mondo The world would be a happier place if we all dance together. Performance option: Shuffle the 22 allegory cards from the Tarot deck to determine the order of performance.
$9.99
Christmas Carol Variations for 2 pianos, 4 hands, Book 2, A second collection of 10 by Simon Peberdy
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Various, traditional carol m
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Simon Peberdy
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Christmas Carol Variations for
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Simon Peberdy
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SheetMusicPlus
Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Publishe...
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Composed by Various, traditional carol melodies. Arranged by Simon Peberdy. Christmas, Contemporary. Score. 68 pages. Simon Peberdy #3892889. Published by Simon Peberdy
Christmas Carol Variations for 2 pianos, 4 hands, Book 2 is a second collection of fun variations based on 10 well-known Christmas carols, for 2 pianos, 4 hands. These are all available individually, but buying all 10 together gives you nearly 70 pages of music to enjoy at a price that means you are basically getting 10 pieces for the price of 6.
(Also available as a printed book through www.simonpeberdymusic.com)
The mp3 is of "Wassail Hiccup and Trip up"
1. Lullay Lullay (https://youtu.be/yfXnmCyfXxI)
2. Little Town of Bethlehem Charleston;
3. The First Noel Gymnopedie (https://www.youtube.com/watch?v=GUlHWQ1zpsU)
4. Hark, the Herald Bluegrass Angels;
5. In the Bleak Midwinter;
6. Joy to the World - Funky! (https://www.youtube.com/watch?v=yAUaDHI7VBo or https://www.youtube.com/watch?v=XHTcGZ0ZLiM)
7. O Little Town of Bethlehem;
8. Wassail Hiccup and Trip up (https://www.youtube.com/watch?v=PABjdC_O7pg);
9. While Shepherds Boogie Woogie;
10. Quem Pastores.
The mp3 is of Wassail Hiccup and Trip up.
Please note: although both piano parts are printed, you do need 2 copies to play on 2 pianos!
(Book 1 is also available with another 10 pieces)
Arrangements for piano duet are also available.
$24.99
Sunday Worship For Two, Volume 2 (late intermediate to early advanced 2 piano duets)
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Various
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Worship, Sacred
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Sunday Worship For Two, Volume
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sandra dee zylstra
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SheetMusicPlus
Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by s...
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Composed by Various. Arranged by Sandra Zylstra. Christian, Praise & Worship, Sacred. Score. 60 pages. Sandra dee zylstra #5988719. Published by sandra dee zylstra
This is the second book in the series of hymns from long ago that have stood the test of time and are still used in churches today. The following hymns and medleys are included: A Mighty Fortress Is Our God, Come, Thou Fount Of Every Blessing, Glory And Praise, How Great Thou Art, In The Blood Of The Lamb, Leaning On God\'s Promises, Standing Firm, Worship The Almighty King. All of these hymns can also be viewed and purchased separately. (57 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/
$17.00
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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C
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Philip Kim
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Techniqu...
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Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00
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